Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
No Other Way
Non classifié
217
Piano & claviers
Piano seul
161
Piano, Voix
99
Piano, Voix et Guitare
45
Piano Facile
34
Instruments en Do
30
Orgue
10
Piano grosses notes
3
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Orgue, Piano (duo)
1
1 Piano, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
29
Ligne De Mélodie, (Paroles) et Accords
26
Guitare
13
Ukulele
5
Paroles et Accords
4
2 Guitares (duo)
4
Piano, Guitare (duo)
3
Dulcimer
2
Banjo
2
Mandoline
1
Ensemble de guitares
1
Basse electrique
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 3 parties
16
Chorale 2 parties
9
Chorale TTBB
6
Chorale SSAA
6
Chorale Unison
5
Voix seule
4
Voix haute
3
Voix Soprano, Piano
3
Voix Tenor, Piano
2
Voix Tenor
1
Voix duo, Piano
1
Voix Alto, Piano
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
30
Clarinette et Piano
20
Hautbois, Piano (duo)
18
Saxophone Tenor et Piano
17
Saxophone Alto et Piano
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
2 Saxophones (duo)
14
Saxophone Soprano et Piano
14
Saxophone Baryton, Piano
12
Cor anglais, Piano
10
Clarinette Basse, Piano
9
Flûte traversière
9
Flûte, Hautbois, Clarinette, Basson
8
Clarinette
8
Quatuor de Saxophones: 4 saxophones
8
Saxophone, Clarinette (duo)
6
2 Flûtes traversières (duo)
5
Saxophone Alto
5
Clarinette, Trompette (duo)
4
Hautbois (partie séparée)
4
Clarinette, Violon (duo)
4
Saxophone Tenor
4
Clarinette (partie séparée)
3
Hautbois, Basson (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Ensemble de Flûtes
3
Flûte et Guitare
3
2 Clarinettes (duo)
3
Quintette de Saxophone: 5 saxophones
3
Hautbois, Clarinette (duo)
2
Instruments en Mib
2
Flûte, Alto (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette (duo)
2
Flûte, trombone et piano
2
Flûte, Trompette (duo)
2
Piccolo, Piano
2
Flûte, Violon
2
2 Hautbois (duo)
2
Flûte à Bec
2
5 Flûtes à bec
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Flûte
2
Ensemble de Clarinettes
2
3 Clarinettes (trio)
1
Hautbois, Guitare (duo)
1
3 Saxophones (trio)
1
Flute (partie séparée)
1
Flûte à bec Tenor
1
Clarinette et Alto
1
Flûte, Clarinette, Piano (trio)
1
Ensemble De Flûte à bec
1
2 Clarinettes, Piano
1
Clarinette Basse
1
Saxophone (partie séparée)
1
Flûte à bec Soprano
1
Saxophone et Orgue
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trombone et Piano
15
Cor et Piano
15
Euphonium, Piano (duo)
12
Trompette, Piano
12
Cor anglais, Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette
8
Trombone
6
Tuba
4
Trompette, Saxophone (duo)
4
Tuba et Piano
4
Bass Clef Instruments
4
Quatuor de Cuivres
4
2 Trombones (duo)
3
Trompette (partie séparée)
3
Trombone (partie séparée)
3
2 Cors (duo)
3
Cor (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Instruments en Sib
2
Trompette, Trombone (duo)
2
Cor
2
2 Trompettes (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle et Piano
1
3 Trombones (trio)
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
71
Violon et Piano
28
Violoncelle, Piano
28
Alto, Piano
14
Harpe
13
Violon
9
2 Violons (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violon, Violoncelle (duo)
4
Violoncelle
4
Alto seul
3
Trio à Cordes: violon, alto, violoncelle
3
Violon (partie séparée)
2
2 Violoncelles (duo)
2
Violon, Alto (duo)
2
2 Altos (duo)
2
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre
34
Orchestre d'harmonie
29
Orchestre à Cordes
17
Ensemble de cuivres
16
Orchestre de chambre
15
Ensemble Jazz
11
Cloches
6
Jazz combo
3
Percussion (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
2 Marimbas
1
Fanfare
1
Batterie
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 551
Partitions Numériques
1 630
Librairie Musicale
6 899
Matériel de Musique
960
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
No Other Way
Partitions à imprimer
1 630 partitions trouvées
<
1
26
51
....
1626
No Other Way
#
Pop musique
#
Jack Johnson
#
Cleber Domingues
#
No Other Way
#
Cleber Domingues
#
SheetMusicPlus
Instrumental Duet,Piano Acoustic Guitar,Double Bass,Instrumental Duet,Piano - Level 3 - SKU: A0.1033865 By Jack Johnson. By Jack Johnson. Arranged by Cl...
(+)
Instrumental Duet,Piano Acoustic Guitar,Double Bass,Instrumental Duet,Piano - Level 3 - SKU: A0.1033865 By Jack Johnson. By Jack Johnson. Arranged by Cleber Domingues. Pop. Score and parts. 4 pages. Cleber Domingues #639172. Published by Cleber Domingues (A0.1033865). No Other Way, is a beautiful song, with a set of harmony, melody, and the driving of all the instruments throughout the song, perfectly combined. Some elements that bring this beauty to the music are the slides in the guitar line, the ''D'' tuning, the smooth driving of the drums, and the singer's voice with a medium / low timbre well imposed.
$5.00
WAYFARING STRANGER (Poor Wayfaring Stranger)
#
Chorale TTBB
#
DÉBUTANT
#
Unknown - traditional
#
Paul A
#
peripatetic country preachers
#
WAYFARING STRANGER
#
Paul A. Jorg
#
SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
(+)
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
That's The Way (i Like It)
#
Orchestre
#
INTERMÉDIAIRE
#
K
#
Kevin Riley
#
That's The Way
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,P...
(+)
Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
$50.00
No other people
#
Gerald Barry
#
No other people
#
Schott Music - Digital
#
SheetMusicPlus
3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - SKU: S9.Q41782 For orchestra. Composed by Gerald Barry. This edition: study score. Music Of Our Tim...
(+)
3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - SKU: S9.Q41782 For orchestra. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q41782. Published by Schott Music - Digital (S9.Q41782). The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods.In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original.I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings.There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo.They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing.Something of this is in the music.Gerald Barry, 2009.
$16.99
String Quartet No. 3: Among Friends
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Robert M
#
String Quartet No. 3: Among Fr
#
Robert M. Greenberg
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
Bury Me in the Morning, Mother
#
Chorale SATB
#
Stephen Foster
#
Bury Me in the Morning, Mother
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.20380 Composed by Stephen Foster. Mothers & children, Death, Funeral rites & ceremonies, Religion. Lest...
(+)
Piano and voice (solo and SATB chorus) - SKU: LV.20380 Composed by Stephen Foster. Mothers & children, Death, Funeral rites & ceremonies, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20380). Foster's Melodies. No.20. Bury Me in the Morning, Mother. Written and Composed by Stephen C. Foster. Published 1862 by C.M. Tremaine, No.481 Broadway (Successor to Horace Waters) in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Death, Funeral rites & ceremonies, Religion. First line reads Lay me down where the grass is green, Mother.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
No Other Gift, a sacred hymn
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
No Other Gift, a sacred hymn
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1201213 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1201213 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #799859. Published by Kevin G. Pace (A0.1201213). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:No other gift than Christ’s perfect love; no other gift came down from above.No other gift gives guidance with grace. No other gift lends God’s pure embrace.No other gift, no other vowed gift guides all to Him and saves us from sin.No other gift than Jesus’ blessed course rescues a soul from cripp’ling remorse.No other life, no, no other man suffered to give us God’s perfect plan.No other eyes viewed what He foresaw. No other life can heal ev’ry flaw.No other life redeems all who fall; no other life was given for all.No other life can cure ev’ry pain. No other life has suffered for gain.No other gift, no, no other gift proves his great love; He came from above.No other gift can save us today; He is the One who’s shown us the way.All for our sakes He came from above, bearing great love. He gives us his love.No other gift, there’s no greater gift than Jesus Christ, our Savior . . . the Christ.
$1.99
No Other Gift, sacred music for SATB choir
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
No Other Gift, sacred music fo
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1211642 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1211642 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 8 pages. Kevin G. Pace #809256. Published by Kevin G. Pace (A0.1211642). A beautiful, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:No other gift than Christ’s perfect love; no other gift came down from above.No other gift gives guidance with grace. No other gift lends God’s pure embrace.No other gift, no other vowed gift guides all to Him and saves us from sin.No other gift than Jesus’ blessed course rescues a soul from cripp’ling remorse.No other life, no, no other man suffered to give us God’s perfect plan.No other eyes viewed what He foresaw. No other life can heal ev’ry flaw.No other life redeems all who fall; no other life was given for all.No other life can cure ev’ry pain. No other life has suffered for gain.No other gift, no, no other gift proves his great love; He came from above.No other gift can save us today; He is the One who’s shown us the way.All for our sakes He came from above, bearing great love. He gives us his love.No other gift, there’s no greater gift than Jesus Christ, our Savior . . . the Christ.
$1.99
Oh! Meet Me Dear Mother
#
Piano, Voix
#
Stephen Foster
#
Oh! Meet Me Dear Mother
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.20083 Composed by Stephen Foster. Mothers & children, Civil War, Soldiers, Homecomings. Lester S. Levy Collection. 4 pages. Pu...
(+)
Piano and voice - SKU: LV.20083 Composed by Stephen Foster. Mothers & children, Civil War, Soldiers, Homecomings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20083). Oh! Meet Me Dear Mother. Words by Mrs. M.A. Kidder. Music by Stephen C. Foster. Published 1865 by Horace Waters, No.481 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Civil War, Soldiers, Homecomings. First line reads Now the war cry is over And peace reigns once more.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Brothers
#
Chorale SATB
#
FACILE
#
Carl M
#
Brothers
#
Carl M. Steubing Memorial Music Fund, Inc.
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1172921 Composed by Carl M. Steubing. 20th Century,A Cappella,Contemporary,Multicultural,World. 2 pages. ...
(+)
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1172921 Composed by Carl M. Steubing. 20th Century,A Cappella,Contemporary,Multicultural,World. 2 pages. Carl M. Steubing Memorial Music Fund, Inc. #773130. Published by Carl M. Steubing Memorial Music Fund, Inc. (A0.1172921). “I hope that he can see in me, his brotherâ€. “Brothers†is an original musical work. The music is composed by Carl M. Steubing and the words are from a poem written by Carl’s good friend Miles J. Martin.  The opening lyrics, “Who is that manâ€, refers to an older Asian gentleman Miles encountered during vacation in the Far East. They were strangers that could not communicate, but when their eyes met they smiled at each other, and Miles recognized the man as his brother.  Shortly thereafter Miles sat down and wrote the poem called “Brothersâ€. Carl M. Steubing wrote the music, and it was published in 1967. This song was very relevant back in 1967 but has even more significance today. Brothers (and sisters) around the world are looking to belong in our chaotic world. They are searching for more connections, more empathy, and more love for each other.  No matter where you are from, the color of your skin, the faith you follow, or the person you choose to love, may we all find a way to look into each other’s eyes, smile and see in each other our brother or sister.
$2.25
I Can No Other Answer Make (Downloadable)
#
Voix Tenor, Piano
#
Juliana Hall
#
I Can No Other Answer Make
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Tenor voice and piano - Medium - SKU: MQ.8577-E Composed by Juliana Hall. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8577-E...
(+)
Tenor voice and piano - Medium - SKU: MQ.8577-E Composed by Juliana Hall. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8577-E. Published by E. C. Schirmer Music Company - Digital (MQ.8577-E). English.A song of thanks, I Can No Other Answer Make was written in 2016 for the wonderful American tenor Paul Sperry. Just four short lines of text from Shakespeare’s play “Twelfth Night†are set as the composer’s way of saying “thank you†for Sperry’s enthusiastic support of the composer’s music. Duration: 2:00.
$8.00
Lord of All Our Days (Funeral Hymn) Backup Track (No Vocals)
#
Musique Sacrée
#
Stacey Plays Hymns
#
Anastace
#
Lord of All Our Days
#
Anastace
#
SheetMusicPlus
Piano Accompaniment - Level 2 - SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious...
(+)
Piano Accompaniment - Level 2 - SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054994. Published by Anastace (A0.1477614). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with the full backup vocals as well as the following sheet music versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
Capricio No 17
#
Ensemble de guitares
#
INTERMÉDIAIRE/AVANCÉ
#
Nicolo Paganini
#
John Hurford
#
Capricio No 17
#
John Hurford
#
SheetMusicPlus
Large Ensemble Guitar - Level 4 - SKU: A0.905301 Composed by Nicolo Paganini. Arranged by John Hurford. 20th Century,Contemporary,Instructional,Rock,Sta...
(+)
Large Ensemble Guitar - Level 4 - SKU: A0.905301 Composed by Nicolo Paganini. Arranged by John Hurford. 20th Century,Contemporary,Instructional,Rock,Standards. Score and parts. 8 pages. John Hurford #4984679. Published by John Hurford (A0.905301). Caprice No 17 - I have arranged this piece to work on left and right hand tapping ideas, as I think the piece naturally forms that way. It is quite a challenging piece and would make a good exam piece to show off this particular technique. I would say that the piece would suit a more advanced player but could be taken on by any level of player, if for no other reason than to improve technique. For more products go to https://www.johnhurfordmusic.com/ .
$3.99
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Symphony No. 5 ... Utopia Parkway (2003) full score
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 5 ... Utopia Park
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
(+)
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
No Other Plea
#
…
#
J
#
No Other Plea
#
J. Randolph Hall
#
SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.850523 By …. Arranged by J. Randolph Hall. This edition: Interac...
(+)
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.850523 By …. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Folk,Holiday,Praise & Worship,Standards,World. Score and parts. 9 pages. Duration 64. J. Randolph Hall #PV4imK4iIMbT2OJlmQuln. Published by J. Randolph Hall (A0.850523). Key: F major.This arrangement based on a tune from Norway was used by composers like William J. Kirkpatrick in 19th Century work like My Faith Has Found a Resting Place. Section, A and C are the chorus line. Sections B and D are the refrain. Section B modulates to a new key using an augmented sixth chord (German 6th) and a descant written by yours truly is added.
$4.00
No Other Plea
#
J
#
No Other Plea
#
J. Randolph Hall
#
SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.850524 By ... By Norwegian Folk Melody. Arranged by J. RandolphHall. T...
(+)
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.850524 By ... By Norwegian Folk Melody. Arranged by J. RandolphHall. This edition: Interactive Download. Classical,Folk,Holiday,Praise & Worship,Standards,World. Score and parts. 9 pages. Duration 64. J. Randolph Hall #9iw7O71pwHE8KUcfU0FDw. Published by J. Randolph Hall (A0.850524). Key: F major.This arrangement based on a tune from Norway was used by composers like William J. Kirkpatrick in 19th Century work like My Faith Has Found a Resting Place. Section, A and C are the chorus line. Sections B and D are the refrain. Section B modulates to a new key using an augmented sixth chord (German 6th) and a descant written by yours truly is added.
$4.00
Piano Concerto No. 1 - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score O
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
No Other Plea
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Lidie H
#
Glenn Christianson
#
No Other Plea
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
Brass quartet - Grade 3 - SKU: DX.BTB403 Composed by Lidie H. Edmunds. Arranged by Glenn Christianson. Easter. Sacred instrumental music. Score and part...
(+)
Brass quartet - Grade 3 - SKU: DX.BTB403 Composed by Lidie H. Edmunds. Arranged by Glenn Christianson. Easter. Sacred instrumental music. Score and parts. 2 pages. David E. Smith - Digital Sheet Music #BTB403. Published by David E. Smith - Digital Sheet Music (DX.BTB403). SMS: Brass quartet for two trumpets and two trombones (opt horn and BHTC). This piece presents the tune in various harmonic ways- unison, duet line and full chord. It is straight forward in its presentation.
$14.95
Acute Suite No. 2
#
Contemporain
#
Paul Burnell
#
Acute Suite No. 2
#
Paul Burnell
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835752 Composed by Paul Burnell. Contemporary. Score and parts. 71 pages. Paul Burnell #3012349. Published by Paul Bu...
(+)
Small Ensemble - Level 3 - SKU: A0.835752 Composed by Paul Burnell. Contemporary. Score and parts. 71 pages. Paul Burnell #3012349. Published by Paul Burnell (A0.835752). Includes score and parts in various transpositions.For ensemble in three parts with optional bass and percussion.Like many of Burnell's compositions this piece is suitable for homogeneous ensembles and also for mixed ensembles comprising atypical instrumental combinations or numbers of instruments.The instrumentation is not specified. The score shows clefs for parts 1-2 that suggest violin and viola, but other instrument combinations are possible. Parts are available in a variety of transpositions and clefs. Players may change parts between movements or, where a movement or section is out of range, they may be tacet. Keyboard - The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics or note durations where these are otherwise not possible to achieve. If there is more than one keyboard player, then the players may alternate or double-up to emphasise the harmonic and dynamic structures. It is also allowed for the keyboard part to be played or doubled by other instruments. The movement titles may suggest possible instrumentations. Movement I: Gazing. Duration 4:10 approx. Movement II: Swaying. Duration 3:40 approx. Movement III: Wavering. Duration 3:40 approx.Programme note:Acute Suite No. 2 is for an ensemble in three parts with optional bass and percussion. The first movement ‘Gazing’ was composed in 2012 for the British ensemble FourSight, and was originally titled 'Girl with Binoculars'. The second movement ‘Swaying’, and the third movement ‘Wavering’, were written in early 2016.
$3.99
Gnossienne No.1 (Erik Satie) - brass quintet
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Contemporain
#
Erik Satie
#
Austin Ralphson
#
Gnossienne No.1
#
Austin Ralphson
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.563990 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Concert,Spiritual...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.563990 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Concert,Spiritual,Wedding. Score and parts. 18 pages. Austin Ralphson #5801505. Published by Austin Ralphson (A0.563990). Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement. The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.
$7.99
Gnossienne No.1 (Erik Satie) - wind quintet
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Contemporain
#
Erik Satie
#
Austin Ralphson
#
Gnossienne No.1
#
Austin Ralphson
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.563991 Composed by Erik Satie. Arranged by Austin Ralphson. 20th...
(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.563991 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Spiritual,Wedding. 18 pages. Austin Ralphson #5801859. Published by Austin Ralphson (A0.563991). Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement.The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.
$7.99
<
1
26
51
....
1626
No Other Way