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--INSTRUMENTS--
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No Pressure
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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CLAIRON
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CORNET
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Vous avez sélectionné:
No Pressure
Partitions à imprimer
23 partitions trouvées
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Under Pressure
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Chorale 3 parties
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David Bowie
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Adrian Pang
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Under Pressure
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Adrian Pang
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SheetMusicPlus
Choral Choir (SAT) - SKU: A0.867386 By David Bowie. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Adrian Pang. ...
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Choral Choir (SAT) - SKU: A0.867386 By David Bowie. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Adrian Pang. A Cappella,Rock. Octavo. 25 pages. Adrian Pang #2864637. Published by Adrian Pang (A0.867386). An arrangement for SSAATT (Two Sopranos, Two Altos, Two Tenors) acapella. Snapping on beats 2 & 4 for choralography would be a nice addition to this arrangement. Also, no lyrics are provided: it is recommended to write them in while listening to the actual song as to better understand and learn the piece.The Tenors do have to sing ridiculously low and out of range, so Baritones or Basses could simply take over the lines based on the provided note ranges. Sorry for the inconvenience.
$12.99
Surface Pressure
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Chorale TTBB
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FACILE
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Film Walt Disney
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Jessica Darrow
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Jack Zaino
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Surface Pressure
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Jack Zaino
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1192781 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Jack Zaino. Broadway,Children,Contemporary,Film/TV...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1192781 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Jack Zaino. Broadway,Children,Contemporary,Film/TV,Musical/Show,Pop. Octavo. 19 pages. Jack Zaino #792232. Published by Jack Zaino (A0.1192781). Sometimes, older siblings have the world expected of them, no matter their feelings, schedule, or personal goals. This (literally) powerfully pop anthem from Disney's Encanto will deeply resonate with older siblings or anyone who has ever had to care for and protect a loved one!
$2.75
Clair de lune (Deux mélodies, Op. 46, No. 2) - Gabriel Fauré for woodwind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Lyndon Smith
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Clair de lune
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Lyndon Smith Jr.
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1026125 Composed by Gabriel Faure. Arranged by Lyndon Smith. 20th Century,Classical....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1026125 Composed by Gabriel Faure. Arranged by Lyndon Smith. 20th Century,Classical. Score and parts. 10 pages. Lyndon Smith Jr. #5892677. Published by Lyndon Smith Jr. (A0.1026125). This is an arrangement for woodwind quintet of Gabriel Fauré's piece Clair de lune from Deux mélodies, Op. 46. It is the second of this set of two songs. I scored the left hand part of the piano accompaniment for bassoon and horn in order to take pressure off of the bassoon player. A little harmony and counterpoint have been added to make this more suitable for a wind quintet and add some interest. This is a beautiful piece that I believe could be played by an intermediate ensemble.
$10.00
Oane moan i pack i no
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Accordéon
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Contemporain
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Oane moan i pack i no
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Roba Music Verlag
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SheetMusicPlus
Accordion/vocal/winds, drum - Partitur von Oansno. Composed by Michael Kolios. New folk music. With Language: German. Published by Roba Music Verlag...
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Accordion/vocal/winds, drum - Partitur von Oansno. Composed by Michael Kolios. New folk music. With Language: German. Published by Roba Music Verlag
ISBN 978-3-7378-0580-3.
Reggae, Dreigsang, Balkan or Techno - that doesn't matter at Oansno. The 4 Munchner inner city musicians cross the border between folk music and the party scene. With their traditional line-up (helicon, trumpet, accordion and beer wagons) they create powerful, very danceable beats with which they bring the mood to a boil in taverns as well as at pop festivals. Her music and lyrics are shaped by Bavarian beer bliss and the cultural diversity of Munich, the compositions are straightforward, cheeky and direct. With "Oane moan i pack i no" they deliver a modern version of the classic "Oane gehd no" and for the first listeners of this composition it was immediately clear that this song belongs to the Oktoberfest, at the Oiden Wiesn there are Oansno in everyone Case to hear for yourself. In its first year on the stage, Oansno won two coveted prizes, including the Fraunhofer Folk Music Prize sponsored by the city of Munich. For their first EP, the sworn live and full throttle musicians from Oansno dared the unfamiliar route from the stage to the studio and recorded five "delicacies". They did an excellent job of transporting the energy and pressure of their live performances into the studio production.
$11.19
No Pressure by Justin Bieber - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Justin Bieber
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No Pressure
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Musicnotes
Performed by: Justin Bieber: No Pressure Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, sco...
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Performed by: Justin Bieber: No Pressure Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 10 pages -- Pop~~Teen Pop~~Contemporary R & B
$5.99
No Pressure Over Cappuccino by Alanis Morissette - Guitar Tab
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Guitare notes et tablatures
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Alanis Morissette
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No Pressure Over Cappuccino
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Musicnotes
Performed by: Alanis Morissette: No Pressure Over Cappuccino Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
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Performed by: Alanis Morissette: No Pressure Over Cappuccino Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Guitar Tab, instruments: Voice;Guitar; 3 pages -- Rock~~Alternative
$3.25
Pax Aeternam for tuba and piano
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Tuba et Piano
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AVANCÉ
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Contemporain
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Maria Thompson Corley
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Pax Aeternam for tuba and pian
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Maria Thompson Corley
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Publish...
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Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
$15.00
Pax Aeternam for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and pia
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Maria Thompson Corley
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Scor...
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Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00
The exploding Head
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Voix Soprano, Piano
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AVANCÉ
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edi...
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Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
"Merry Locomotive" for violin and piano
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Violon et Piano
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DÉBUTANT
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Sergey Beltiukov
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No
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"Merry Locomotive" f
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BFG Publishing LLP
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.1076969 Composed by Sergey Beltiukov. Children,Classical,Contemporary. 62 pages. BFG Publishing LLP #681096. Published ...
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Piano,Violin - Level 1 - SKU: A0.1076969 Composed by Sergey Beltiukov. Children,Classical,Contemporary. 62 pages. BFG Publishing LLP #681096. Published by BFG Publishing LLP (A0.1076969). The violin book Mer r y Locomotive is especially composed for the children in first and second grade of the music school. It consists of 14 different pieces. It offers many tools for the initial development of both the right and the left-hand techniques. All melodic pieces help develop the softness of sound and stimulate smooth change of position. Based on the different methodological tasks, they are divided as follows: No. 1 - 3 – Mastering the legato and detaché techniques (rhythmic bowing) and getting to know holds and pauses; No. 4 - 5 – Connecting strings: this essential part of the technique requires the development of right- hand flexibility. Tackling position changing is also part of this section. The mastering of these main techniques largely determines the entire further development of the pupil's violin technique; No. 6 - 9 – Staccato bowing: at this stage it is advisable to learn staccato not by sharp pressure but based on a light acceleration of detaché and the separation of sounds by pauses; No. 10 - 11 – Is a combination of the legato and staccato bow strokes; No. 12 - 13 – Dotted rhythm in combination with legato and staccato bowing; No. 14 – Is a combination of all the above-proposed bow strokes in one piece; The combination of the violin pieces with accompaniment contributes to the stability of intonation and provides the necessary metro-rhythmic support. The artistically enriched material makes learning more attractive to the pupil and awakens a musical interest in classes, as a result of which the effectiveness of the educational process is significantly increased.
$12.00
EVERYTHING LIKE BEFORE
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Piano seul
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Contemporain
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Monica Bergo
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EVERYTHING LIKE BEFORE
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). ...
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Piano Solo - SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me ALL AS BEFORE Tired flower bends the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret while I touch your beautiful face I ask myself who decided that your time would stop and that for you all would be over I, minstrel of my time, tell a thousand stories chronicles written in pencil real-life stories story now finished my fingers still drive, find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner There is a pathetic clown Look closer: it’s a little girl and everything comes back as before You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time for your queen and everything comes back as before before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness the beating of the heart makes too much noise rumbles here within into emptiness and silence no, do not love me, now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy my hand close to yours we'll soar to the heights where she is not there if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go .. The winter does not end the cold seems eternal here the sun dies ,effaces itself and then disappears Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page the mind has its woodworm and you can not heal it past, present and she who reigns everywhere pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him puppet in love ,now disconnected from your wires seek your child and there is nothing like before there is the sunset in your eyes but I'm here by your side a daddy and his little girl and there is nothing like before .... ..... the be.
$5.00
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
Choral Choir - Level 5 - SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #85...
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Choral Choir - Level 5 - SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50
Harvest Dance
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Orchestre à Cordes
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FACILE
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Marcia Stockton
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Harvest Dance
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Imagine Music - Digital
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SheetMusicPlus
String orchestra - Grade 2 - SKU: IZ.OMW144 Composed by Marcia Stockton. Score and Parts. 21 pages. Imagine Music - Digital #OMW144. Published by Imagin...
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String orchestra - Grade 2 - SKU: IZ.OMW144 Composed by Marcia Stockton. Score and Parts. 21 pages. Imagine Music - Digital #OMW144. Published by Imagine Music - Digital (IZ.OMW144). 9 x 12 in inches.Harvest Dance was originally written in 1995 as a piece for small orchestra (strings plus woodwinds and french horns). It is a dance of unbridled joy to celebrate a rich harvest of nature's bounty. In 2013, I transcribed it from my private archive of old dusty audio tapes no one had ever heard, and with the CarsonValley Sinfonia in mind, revised it for string orchestra without winds.1995 was a low period in my life. The pressure from my job in the technology industry was relentless, and personal relationships at that time sometimes brought emotional pain instead of solace and comfort. Grasping for any ray of hope to illuminate the gloom, I turned back to my original love: music.Immersing myself deeply in the process of music creation, I rediscovered not only a talent for composition, but even more importantly tapped into the creative source of uplift, joy, and energy, the source of all gifts, that is available to every sincere person. During those years, composing music was a vital lifeline. Like the powerful beam of the rescuer's flashlight guiding you toward the daylight when you are emerging from a dark cave. Like a new baby being born. Now a great many years later, life now brimming with music and friends, and having put old sorrows far behind me, music from that time of troubles still fills me with the same joy as when I composed it, and I hope it uplifts you.Harvest Dance is dedicated to my friend, composer John O'Neill, with profound appreciation for his encouragement, as well as helping me learn the practicalities of arranging for a string orchestra.
$40.00
He Said She Said
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Chorale SATB
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FACILE
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Iain Cook, Lauren Mayberry, an
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Andrew Montano
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He Said She Said
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Andrew Montano
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1503412 Composed by Iain Cook, Lauren Mayberry, and Martin Doherty. Arranged by Andrew Montan...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1503412 Composed by Iain Cook, Lauren Mayberry, and Martin Doherty. Arranged by Andrew Montano. A Cappella,Pop. 15 pages. Andrew Montano #1078860. Published by Andrew Montano (A0.1503412). He Said She Said was the first song CHVRCHES composed for their fourth album after the COVID-19 pandemic. The meaning behind the track focuses on the pressures of being true to oneself and living up to expectations, especially in the ongoing age of social media.The verses describe a hypocrisy and controlling, manipulative struggle with the singer's physicality and mental state. The quotes tell her to act a certain way or mold into a specific shape, but also mention to not go too far in either category. Not having a clear direction and attempting to please others makes the singer feel like they're losing their mind.Lauren Mayberry, the lead vocalist, said The barebones of thesong were there in about an hour and the opening line of thesong was the first lyric that came out.The song released with a music video following Mayberry trapped inside a transparent revolving door with no way ofescaping. She's seen bashing against the glass attempting to break out with shots of her spinning around.Martin Doherty, the synthesist and producer of the band, said The chords felt like they had this eternal tension in them—they never actually release, even though they get really big. Itfeels to me like a panic attack.The lyrics enhance this tense suffocation with Mayberry's build up in the pre chorus followed by her highest range in the chorus. She switches between a false voice/autotune into her natural voice after breaking free from the silence. Almost as if her falsified persona is begging for release but no one responds to her cry for help.
$4.99
Beautiful People
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Ed Sheeran feat
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Marcelo Borba
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Beautiful People
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Marcelo Borba
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SheetMusicPlus
Electric Bass Guitar,Electric Guitar,Instrumental Duet - Level 1 - SKU: A0.1490357 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robins...
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Electric Bass Guitar,Electric Guitar,Instrumental Duet - Level 1 - SKU: A0.1490357 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robinson, Max Martin, and Shellback. Arranged by Marcelo Borba. Multicultural,New Age,Pop,R & B,Rock,World. 10 pages. Marcelo Borba #1067197. Published by Marcelo Borba (A0.1490357). DUET - arrangement for duet: guitar and bass. General and individual score for melodic instruments Beautiful People is a song by British singer Ed Sheeran, featuring American singer Khalid. It was released in June 2019 as part of Sheeran's collaboration album titled *No.6 Collaborations Project*. ### Context and Theme The song's lyrics address the superficiality and social pressures associated with the luxurious and status-driven lifestyle often linked to fame. The song criticizes the shallow lifestyle that many people consider desirable but can be empty and unfulfilling. Instead of conforming to the social standards of beautiful people, Sheeran and Khalid promote the idea of authenticity and the importance of staying true to oneself, regardless of others' expectations. ### Music Video The music video for Beautiful People complements this message, showing a regular couple who feel out of place in a world of luxury and excess. The couple remains true to their authenticity, contrasting with the behavior of the people around them.### Reception and ImpactThe song was well received by both the public and critics, praised for its message and the contrast between the modern pop production and the introspective lyrics. It achieved commercial success, charting in several countries worldwide.Beautiful People is a reflection on the challenges of authenticity in a world obsessed with appearances and status.
$4.99
Beautiful People
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Instruments en Do
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DÉBUTANT
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Ed Sheeran feat
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Marcelo Borba
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Beautiful People
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Marcelo Borba
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1490248 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robinson, Max Martin, and Shellback. Arranged by...
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C Instrument - Level 1 - SKU: A0.1490248 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robinson, Max Martin, and Shellback. Arranged by Marcelo Borba. Multicultural,Pop,Rock,Singer/Songwriter,Standards,World. Lead Sheet / Fake Book. 3 pages. Marcelo Borba #1067088. Published by Marcelo Borba (A0.1490248). Leadsheet Style Beautiful People is a song by British singer Ed Sheeran, featuring American singer Khalid. It was released in June 2019 as part of Sheeran's collaboration album titled *No.6 Collaborations Project*. ### Context and Theme The song's lyrics address the superficiality and social pressures associated with the luxurious and status-driven lifestyle often linked to fame. The song criticizes the shallow lifestyle that many people consider desirable but can be empty and unfulfilling. Instead of conforming to the social standards of beautiful people, Sheeran and Khalid promote the idea of authenticity and the importance of staying true to oneself, regardless of others' expectations. ### Music Video The music video for Beautiful People complements this message, showing a regular couple who feel out of place in a world of luxury and excess. The couple remains true to their authenticity, contrasting with the behavior of the people around them. ### Reception and Impact The song was well received by both the public and critics, praised for its message and the contrast between the modern pop production and the introspective lyrics. It achieved commercial success, charting in several countries worldwide.Beautiful People is a reflection on the challenges of authenticity in a world obsessed with appearances and status.
$3.99
No Pressure
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Piano, Voix et Guitare
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Pop musique
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Justin Bieber
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No Pressure
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Justin Bieber. Pop. Piano/Vocal/Guitar (chords only). 10 pages. Published by Hal Leonard - Digital Sheet Music (HX.323368). - Piano/Vocal/Guitar (chords only...
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By Justin Bieber. Pop. Piano/Vocal/Guitar (chords only). 10 pages. Published by Hal Leonard - Digital Sheet Music (HX.323368). - Piano/Vocal/Guitar (chords only) - Pop - Hal Leonard - Digital Sheet Music
$4.99
Justin Bieber: No Pressure - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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Justin Bieber
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Virtualsheetmusic
Instantly printable sheet music by Justin Bieber for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by Justin Bieber for voice, piano or guitar of MEDIUM skill level. / pop
$7.97
No Pressure Over Cappuccino
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Voix, Guitare
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No Pressure Over Cappuccino
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Musicnotes
Nick Lashley;Alanis Morissette Alanis Morissette
Nick Lashley;Alanis Morissette Alanis Morissette
$3.25
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No Pressure
