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No Room For Doubt
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Vous avez sélectionné:
No Room For Doubt
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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No Room For Doubt
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Lianne La Havas
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Oleg Bezuglov
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No Room For Doubt
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Ars Longa Group
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1029672 By Lianne La Havas. By Charlotte Lianne Barnes, Lianne Barnes, Matthew Hales, and Willy Mason....
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String Quartet String Quartet - Level 2 - SKU: A0.1029672 By Lianne La Havas. By Charlotte Lianne Barnes, Lianne Barnes, Matthew Hales, and Willy Mason. Arranged by Oleg Bezuglov. Contemporary. Score and parts. 16 pages. Ars Longa Group #5313891. Published by Ars Longa Group (A0.1029672). Beautiful quartet arrangement of No Room for Doubt as performed by Lianne La Havas and Willy Mason. The arrangements is suitable for performce by professional groups and student ensembles.
$12.99
Missa Brevis for mixed choir a cappella
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Chorale SATB
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Ted Hamilton
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Missa Brevis for mixed choir a
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Ted Hamilton
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1031585 Composed by Ted Hamilton. 20th Century,A Cappella,Contemporary,Sacred. Octavo. 30 pages. Ted Hamilton #3470792. Pu...
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Choral Choir (SATB) - SKU: A0.1031585 Composed by Ted Hamilton. 20th Century,A Cappella,Contemporary,Sacred. Octavo. 30 pages. Ted Hamilton #3470792. Published by Ted Hamilton (A0.1031585). This Missa Brevis is complex but extremely musical and beautiful. Compositionally, it is quintessentially post–modern; an amalgam of styles with fluid tonal centres, diverse meter and wonderfully creative melodies and phrasing.It is a challenging piece no doubt, however this Missa Brevis is very rewarding in its successful realization and performance.For the choral director, there is much room for creative analysis and interpretation.The duration for a complete performance is approximately 15 minutes.
$12.99
Last Night - Aileen Wuornos' final interview before her execution
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Clark, Bethan
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Last Night - Aileen Wuornos' f
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Bethan Clark
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SheetMusicPlus
Choral Choir (4-Part) - SKU: A0.1028157 Composed by Clark, Bethan. 20th Century,A Cappella,Contemporary. Octavo. 14 pages. Bethan Clark #3469436. Publis...
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Choral Choir (4-Part) - SKU: A0.1028157 Composed by Clark, Bethan. 20th Century,A Cappella,Contemporary. Octavo. 14 pages. Bethan Clark #3469436. Published by Bethan Clark (A0.1028157). Aileen Wuornos had been dead for a year when Nick Broomfield released his documentary Aileen: Life and Death of a Serial Killer. The film followed the final months of her life, up to her execution for the murder of seven men. The last interview between Broomfield and Wuornos, filmed the night before her execution, stopped me in my tracks and left me in no doubt that it would form the basis of my next composition. Even though she knew that this was to be her last night on earth, Wuornos' voice was remarkably rhythmic and melodic, and her use of language arresting in its blend of reality and fantasy. However, her thought processes were so skewed and her patience worn so thin that it would require subtle and empathetic interviewing to elicit a meaningful valediction.... Duration: 6 minutesDifficulty: Hardwww.bethanclark.com
$1.99
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Mozart Violin Duets
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Luis Anjos Teixeira
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Mozart Violin Duets
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Luis Anjos Teixeira
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards....
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Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books: „A Treatise on the Fundamental Principles of Violin Playing „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family. This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis. No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins. I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them. You are also free to further shorten even many more notes. As Mozart said - „The music is not in the notes but in the silent in between. In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart. I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
$17.56
Games of Childhood Days, or, Ring Around the Rosie
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Piano, Voix
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Will J
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Games of Childhood Days, or, R
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.6168 Composed by Will J. Harris & Harry I. Robinson. Couples, Teachers, Classrooms, Nostalgia, Recreation. Lester S. Levy Coll...
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Piano and voice - SKU: LV.6168 Composed by Will J. Harris & Harry I. Robinson. Couples, Teachers, Classrooms, Nostalgia, Recreation. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6168). Games of Childhood Days, or, Ring Around the Rosie. by Will J. Harris and Harry I. Robinson. Published 1908 by Will Rossiter, The Chicago Publisher, 152 Lake St. in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Teachers, Classrooms, Nostalgia, Recreation. First line reads Ev'ryone's been a child, and no doubt can recall.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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No Room For Doubt
