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--INSTRUMENTS--
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No Tell Lover
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--INSTRUMENTS--
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ALTO
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Vous avez sélectionné:
No Tell Lover
Partitions à imprimer
29 partitions trouvées
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26
Tell Me Now from "Marionette"
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Leon Gray
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Tell Me Now from "Marione
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Leon Gray
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1011540 Composed by Leon Gray. Contemporary,Musical/Show,Pop. Score. 7 pages. Leon Gray #3537875. Published by Leo...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1011540 Composed by Leon Gray. Contemporary,Musical/Show,Pop. Score. 7 pages. Leon Gray #3537875. Published by Leon Gray (A0.1011540). Song no 1 from Leon Gray's powerful new solo cantata, 'Marionette' about love, betrayal, pain, anger, growth and restitution. The protagonist in 'Tell Me Now' is in the middle of the discussion about ending a relationship; the lover has been untrue and there is only raw outrage and pain.Written in a dramatic, theatrical style, this movement has as much angst as any outrageously aggrieved and shocked lover can muster, all set to moody, dark and highly emotional melody and harmony. Singable, appealing, tonal and impassioned; a great belter for anyone whose really, really been hurt. .
$3.99
No Tell Lover
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Rock
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Chicago
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Patrick Sheehan
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No Tell Lover
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Patrick Sheehan
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.748307 By Chicago. By Danny Seraphine, Lee Loughnane, and Peter Cetera. Arranged by Patrick Sheehan. Pop,Rock. Score ...
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Large Ensemble - Level 5 - SKU: A0.748307 By Chicago. By Danny Seraphine, Lee Loughnane, and Peter Cetera. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 70 pages. Patrick Sheehan #6416355. Published by Patrick Sheehan (A0.748307). as recorded by the New York Latin All-Stars on the album ¡Exitos! in 2010. INSTRUMENTATION: Lead Vocal, Background Vocal I (female), Background Vocal II, Background Vocal III, Background Vocal IV, Flute I, Flute II, Flute III, Alto Flute I (G), Alto Flute II (G), Flügelhorn (Bb), Piano, Bass, Guiro, Cabasa, Conga Drums, Timbales, Drumset.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
No Tell Lover
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Rock
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Chicago
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Patrick Sheehan
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No Tell Lover
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747956 By Chicago. By Danny Seraphine, Lee Loughnane, and Peter Cetera. Arranged by Patrick Sheehan. Pop,Rock. Score ...
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Small Ensemble - Level 5 - SKU: A0.747956 By Chicago. By Danny Seraphine, Lee Loughnane, and Peter Cetera. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 79 pages. Patrick Sheehan #4978713. Published by Patrick Sheehan (A0.747956). INSTRUMENTATION: Lead Vocal, Lead Vocal Overdub, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Tenor Saxophone (Bb), Trumpet (Bb), Flugelhorn (Bb), Trombone (+ overdub), Fender Rhodes, Synthesizer Strings, Electric Guitar, Bass, Conga Drums, Drumset. All parts transcribed by ear from the original recording from HOT STREETS, released in 1978. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
No Tell Lover
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Ensemble Jazz
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AVANCÉ
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Folklorique/Traditionel
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Jazz
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Chicago
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Leo Castorena, Jr
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No Tell Lover
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Composer 76 Productions
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SheetMusicPlus
By Chicago. By Danny Seraphine, Lee Loughnane, and Peter Cetera. Arranged by Leo Castorena, Jr. (ASCAP). Funk, Jazz, Pop, Rock. 78 pages. Composer 76 ...
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By Chicago. By Danny Seraphine, Lee Loughnane, and Peter Cetera. Arranged by Leo Castorena, Jr. (ASCAP). Funk, Jazz, Pop, Rock. 78 pages. Composer 76 Productions #859712. Published by Composer 76 Productions
$50.00
The Rejected Lover
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Traditional
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Myrick Crampton
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The Rejected Lover
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MDC Music LLC
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - SKU: A0.1155283 Composed by Traditional. Arranged by Myrick Crampton. Celtic,Classical,Folk,...
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - SKU: A0.1155283 Composed by Traditional. Arranged by Myrick Crampton. Celtic,Classical,Folk,Irish,Traditional. 11 pages. MDC Music LLC #755574. Published by MDC Music LLC (A0.1155283). 6 Flutes: P/F12/AF23/BF4/C5The Rejected Lover is a traditional folk song referenced in Dame Olive Campbell’s English Folk Songs from the Southern Appalachians. O once I courted a pretty little girl And I loved her as my life. I’d freely give my heart and hand To have made her my wife, O to have made her my wife. A young man found his love, but after being gone for six months, received a letter telling him he was no longer welcome. He will always miss her rosy cheeks and fluttering tongue.Tempo: 110Duration: 1 minute 20 secondsFlute Choir.
$10.00
No More Tears (enough Is Enough)
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Barbra Streisand and Donna Sum
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Jeffrey Bowen
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No More Tears
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.1208175 By Barbra Streisand and Donna Summer. By Bruce Roberts and Paul Jabara. Arranged by Jeffrey Bowen. Contes...
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Choral Choir (SSA) - Level 4 - SKU: A0.1208175 By Barbra Streisand and Donna Summer. By Bruce Roberts and Paul Jabara. Arranged by Jeffrey Bowen. Contest,Disco,Festival,Pop. Octavo. 12 pages. Music Arrangement Services Inc. #806293. Published by Music Arrangement Services Inc. (A0.1208175). Performed by Barbra Streisand and Donna Summer. Â This song is about ending a boring love. Â The song refers to boring love, dreaming of the perfect lover, having enough of boring love, telling them to get out, packing a raincoat, wanting them out the door. Â This arrangement is designed for high school or college show choir, concert choir or community choir. Â Concert Band Score accompaniment will be available soon. Â Performance time is approximately 2:40.
$3.99
Lucky Charm (A Four-Leaf Clover)
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Chorale Unison
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DÉBUTANT
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Carol Troutman Wiggins
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Lucky Charm
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.727345 Composed by Carol Troutman Wiggins. Children,Folk,Holiday,Instructional,Multicultural,World. Octavo. 4 ...
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Choral Choir (Unison) - Level 1 - SKU: A0.727345 Composed by Carol Troutman Wiggins. Children,Folk,Holiday,Instructional,Multicultural,World. Octavo. 4 pages. Carol Troutman Wiggins #3461905. Published by Carol Troutman Wiggins (A0.727345). LUCKY CHARM (A Four-Leaf Clover)Unison w/Optional KazoosNeed a quick & easy-to-learn tune for St. Patrick's Day? This Irish Jig style song tells the very brief story of the lucky charm, or four-leaf clover, commonly know as the shamrock. It throws in a little bit of leprechaun, rainbows, & pot of gold as well.Excellent for any level elementary and younger middle school studentsOptional kazoos during break (cues included)No kazoos? Just hum . . . or play triangles or other percission on the melody rhythm.Chords included in score.
$2.50
No Tell Lover by Chicago - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Chicago
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No Tell Lover
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Musicnotes
Performed by: Chicago: No Tell Lover Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), ...
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Performed by: Chicago: No Tell Lover Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- R & B~~Adult Contemporary~~Jazz-Rock~~Pop Rock~~Soft Rock~~Album Rock
$5.50
No Tell Lover by Chicago - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Chicago
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No Tell Lover
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Musicnotes
Performed by: Chicago: No Tell Lover Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), ...
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Performed by: Chicago: No Tell Lover Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 3 pages -- Adult Contemporary~~Pop Rock~~Soft Rock~~Album Rock
$3.25
With Praise And Love No 1
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Emma Lou Diemer
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With Praise And Love No 1
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.KK269 Settings of 19th Century Hymn Tunes for Organ. Composed by Emma Lou Diemer. Sacred. Sacred Music Press...
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Organ: 3-staff - Intermediate SKU: LO.KK269 Settings of 19th Century Hymn Tunes for Organ. Composed by Emma Lou Diemer. Sacred. Sacred Music Press #KK269. Published by Sacred Music Press (LO.KK269). UPC: 000308114478.
Song List
: Jesus Lover Of My Soul Go, Tell It on the Mountain Rejoice, Ye Pure In Heart Immortal, Invisible, God Only Wise Blessed Assurance, Jesus Is Mine (St. Denio) (Marion) (Assurance) (Go Tell It) O for a Thousand Tongues to Sing (Azmon) (Martyn) i need Thee Every hour
$25.00
Scarborough Fair
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Piano seul
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AVANCÉ
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Simon And Garfunkel
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Timothy Stapay
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Scarborough Fair
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.847962 By Simon And Garfunkel. By Traditional English Ballad. Arranged by Timothy Stapay. Baroque,Contest,Festival,Film/T...
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Piano Solo - Level 5 - SKU: A0.847962 By Simon And Garfunkel. By Traditional English Ballad. Arranged by Timothy Stapay. Baroque,Contest,Festival,Film/TV,Folk,Traditional. Score. 6 pages. Timothy Stapay #454662. Published by Timothy Stapay (A0.847962). Scarborough Fair is a traditional English ballad. A famous version was recorded by Simon and Garfunkel. The lyrics of Scarborough Fair appear to have something in common with a Scottish ballad titled The Elfin Knight (Child Ballad #2, collected by Francis James Child, which has been traced as far back as 1670. In this ballad, an elf threatens to abduct a young woman to be his lover unless she can perform an impossible task (For thou must shape a sark to me / Without any cut or heme, quoth he); she responds with a list of tasks that he must first perform (I have an aiker of good ley-land / Which lyeth low by yon sea-strand). Dozens of versions existed by the end of the 18th century. A number of older versions refer to locations other than Scarborough Fair, including Wittingham Fair, Cape Ann, twixt Berwik and Lyne, etc. Many versions do not mention a place name and are often generically titled (The Lovers' Tasks, My Father Gave Me an Acre of Land. The references to the traditional English fair, Scarborough Fair and the refrain parsley, sage, rosemary, and thyme date to 19th-century versions, and the refrain may have been borrowed from the ballad Riddles Wisely Expounded, which has a similar plot. O, where are you going? To Scarborough fair, Savoury sage, rosemary, and thyme; Remember me to a lass who lives there, For once she was a true love of mine. And tell her to make me a cambric shirt, Savoury sage, rosemary, and thyme, Without any seam or needlework, And then she shall be a true love of mine. And tell her to wash it in yonder dry well, Savoury sage, rosemary, and thyme, Where no water sprung, nor a drop of rain fell, And then she shall be a true love of mine..
$6.99
Hard To Say I'm Sorry
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Chorale 3 parties
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INTERMÉDIAIRE
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Contemporain
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Az Yet featuring Peter Cetera
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Sandra Milliken
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Hard To Say I'm Sorry
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.774766 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by Sandra Milliken. ...
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Choral Choir (SSA) - Level 3 - SKU: A0.774766 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by Sandra Milliken. Contemporary. Octavo. 11 pages. Sandra Milliken #5998067. Published by Sandra Milliken (A0.774766). Hard to Say I’m Sorry is a No. 1 song by the American rock band Chicago. It was released in May 1982, as the lead single for the album Chicago 16. The song reached No. 1 on the Billboard Hot 100 Chart in September of that year, where it remained for two weeks. It was the group’s second No. 1 single (their first was If You Leave Me Now) and their first top 50 hit since Tell No Lover in 1978. It spent twelve weeks in the top 5 of the Billboard Chart.Written by Peter Cetera (Chicago’s bassist, who also sang lead vocals) and the group’s producer David Foster (who played piano on the track), the song is about a person trying desperately to hold on to a relationship that has fizzled out, promising to make up for his/her indiscretions and playing the we’ve been through so much card.Hard to Say I’m Sorry was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal and was certified Gold by the Recording Industry Association of America in September 1982. Peter Cetera won an ASCAP Pop Music Award for the song in the category, Most Performed Songs.Two arrangements of Hard to Say I’m Sorry are available for immediate download: one for SATB choir and one for SSA voicing, both with piano accompaniment.
$2.20
Hard To Say I'm Sorry
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Az Yet featuring Peter Cetera
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Sandra Milliken
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Hard To Say I'm Sorry
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.774767 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by Sandra Milliken....
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Choral Choir (SATB) - Level 3 - SKU: A0.774767 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by Sandra Milliken. Contemporary. Octavo. 11 pages. Sandra Milliken #5998069. Published by Sandra Milliken (A0.774767). Hard to Say I’m Sorry is a No. 1 song by the American rock band Chicago. It was released in May 1982, as the lead single for the album Chicago 16. The song reached No. 1 on the Billboard Hot 100 Chart in September of that year, where it remained for two weeks. It was the group’s second No. 1 single (their first was If You Leave Me Now) and their first top 50 hit since Tell No Lover in 1978. It spent twelve weeks in the top 5 of the Billboard Chart.Written by Peter Cetera (Chicago’s bassist, who also sang lead vocals) and the group’s producer David Foster (who played piano on the track), the song is about a person trying desperately to hold on to a relationship that has fizzled out, promising to make up for his/her indiscretions and playing the we’ve been through so much card.Hard to Say I’m Sorry was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal and was certified Gold by the Recording Industry Association of America in September 1982. Peter Cetera won an ASCAP Pop Music Award for the song in the category, Most Performed Songs.Two arrangements of Hard to Say I’m Sorry are available for immediate download: one for SATB choir and one for SSA voicing, both with piano accompaniment.
$2.20
Love God Love People
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Basse electrique
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INTERMÉDIAIRE
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Contemporain
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Danny Gokey
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Daniel Roberts
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Love God Love People
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.942005 By Danny Gokey. By Ben Glover, Benjamin Glover, Colby Wedgeworth, Danny Gokey, Jeff Sojka, and Riley Clemmons. Ar...
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Bass Guitar - Level 3 - SKU: A0.942005 By Danny Gokey. By Ben Glover, Benjamin Glover, Colby Wedgeworth, Danny Gokey, Jeff Sojka, and Riley Clemmons. Arranged by Daniel Roberts. Contemporary. Score. 3 pages. Daniel P Roberts #6888537. Published by Daniel P Roberts (A0.942005). Synth Bass arranged for 5 string electric bass. LYRICS: I’ve been running in circles Jumping the hurdles Getting caught in that rush of doing so much I’m feeling kinda worn out All this checking the boxes Trying to be flawless Has me spinning my head, catching my breath Too afraid to slow down I tell myself to keep this up That God wants more than just my love But I’ve been complicating things It’s just like me to overthink Gotta keep it real simple Keep it real simple Bring everything right back to ground zero ‘Cause it all comes down to this Love God and love people We’re living in a world that keeps breakin’ But if we want to find a way to change it It all comes down to this Love God and love people Oh this is freedom The keys to the Kingdom Knowing life will be found when love can be loud ‘Cause love is what it’s all about I tell myself to keep this up That all God wants is just my love No more complicating things No more need to overthink Love is patient Love is kind Rescues hearts and changes lives Love is all we need to make things right Gotta keep it real simple It’s really so simple.
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Hop Off
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Ensemble Jazz
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AVANCÉ
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th ...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
Unchained Melody
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Piano, Voix et Guitare
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DÉBUTANT
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Al Hibbler
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Mav Duo
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Unchained Melody
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Musicial
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1262597 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Mav Duo. 20th Century,Broadway,Film/TV,Music...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1262597 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Mav Duo. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. Score. 5 pages. Musicial #855612. Published by Musicial (A0.1262597). Unleash the Melodic Splendor: An Enchanting Piano and Instrument Arrangement of Unchained MelodyAre you ready to embark on a captivating musical journey that will stir your soul and leave you breathless? Look no further, for we present to you an exquisite arrangement of Unchained Melody for piano and another instrument, such as the violin or flute in treble clef, that will transport you to realms of unparalleled beauty and emotion.Immerse yourself in the timeless allure of Unchained Melody as the piano and the chosen instrument unite, creating a harmonious symphony that will resonate deep within your being. With the piano laying down a captivating foundation, the accompanying instrument weaves its melodic threads, adding layers of exquisite charm and emotional depth to this beloved classic.Crafted with the utmost care and attention to detail, this arrangement showcases the sheer brilliance and versatility of Unchained Melody in a fresh and captivating light. The evocative piano chords form a rich tapestry, while the chosen instrument, whether it be the violin or flute in treble clef, takes center stage, expressing the soul-stirring melodies with grace and precision.Whether you are an accomplished pianist seeking an enchanting duet, a skilled violinist or flutist longing for a poignant piece to showcase your virtuosity, or simply a music lover in search of a mesmerizing arrangement, this piano and instrument duo is an absolute must-have. It offers an extraordinary opportunity to witness the seamless marriage of these two instruments, creating an extraordinary synergy that will captivate your senses.As the melodies intertwine, they tell a story of love, longing, and the deepest desires of the heart. With each stroke of the piano keys and each sweet, soaring note from the accompanying instrument, you'll be transported to a world where emotions run wild and unspoken sentiments find their voice.This piano and instrument arrangement of Unchained Melody is a testament to the power of music to touch the depths of our souls. It invites you to surrender to the enchanting melodies and be swept away by the emotional journey they offer. Allow yourself to be transported to a place where time stands still and where the raw, unfiltered expression of music becomes the language of the heart.Don't miss this extraordinary opportunity to own a piece of musical brilliance. Order your piano and instrument arrangement of Unchained Melody today and let the melodic splendor wash over you, enveloping you in a world of unparalleled beauty and emotion. Surrender to the harmonious embrace of these instruments, and let the music cast its spell, leaving an indelible imprint on your soul.Keywords: piano and instrument arrangement, Unchained Melody, enchanting musical journey, soul-stirring, harmonious symphony, emotional depth, fresh and captivating, evocative piano chords, chosen instrument, virtuosity, mesmerizing arrangement, extraordinary synergy, love and longing, unspoken sentiments, power of music, emotional journey, raw expression, musical brilliance, melodic splendor, unparalleled beauty and emotion, indelible imprint on the soul.
$5.00
Come As You Are
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Crowder
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Stephen R
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Come As You Are
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.818274 By Crowder. By Ben Glover, David Crowder, and Matt Maher. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Ch...
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Piano Solo - Level 3 - SKU: A0.818274 By Crowder. By Ben Glover, David Crowder, and Matt Maher. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Praise & Worship,Sacred. Score. 13 pages. Stephen R Dalrymple #4765165. Published by Stephen R Dalrymple (A0.818274). Come as You Are ♫ by Ben Glover, David Crowder, and Matt Maher ♫ with Come Ye Disconsolate (lyrics - Thomas Moore 1816 ed by Thomas Hastings 1831, melody - CONSOLATION by Samuel Webbe 1792) ♫ The Glover, Crowder, and Maher song is an updated version of a grand old hymn, Come Ye Disconsolate. The 18th century melody is so lovely that it deserves a hearing beside Come As You Are. The grace of God is so rich and complete, that it is merely accepted, not earned, bought, or traded. We come to God as we are dirty, broken, mislead, helpless, hopeless, and His grace cleanses, forgives, enlivens, redirects us, and gives us hope. Truly, earth has no sorrow that heaven cannot heal. ♫ piano solo arrangement by Stephen R Dalrymple ♫ performed/sequenced by the arranger ♫ slide presentation by Stephen R Dalrymple ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet. (Tell your computer which pages you want to print. You can find programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$6.00
Opera Duet Go Let Him Go for Soprano and Mezzo Soprano from On the Wings of the Scarlet Messenger
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Voix duo
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Opera Duet Go Let Him Go for S
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James Nathaniel Holland
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SheetMusicPlus
Voice Duet Voice - Level 4 - SKU: A0.730234 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 11 pages. James Nathaniel Hol...
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Voice Duet Voice - Level 4 - SKU: A0.730234 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 11 pages. James Nathaniel Holland #370919. Published by James Nathaniel Holland (A0.730234). Duet for Soprano and Mezzo Soprano (Piano Vocal Score) Go, Let Him Go from the American opera On the Wings of the Scarlet Messenger Music and Libretto by James Nathaniel Holland Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation (orchestrated): https://www.youtube.com/watch?v=GJ4Va9VP68M Beautiful duet between an Aunt (mezzo soprano) and her niece (soprano). Act IV opens as Mariana has been waiting two long years for the gay foreignor to die and for her lover to return with the money. But no word. Leila, her aunt, who is glad this ill fated love affair has ended tells her she must move on. American contemporary opera. Straddles opera and musical theater genres. Good for young voices or concert. Piano vocal score.
$5.95
Bold William Taylor
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Voix Mezzo-Soprano, Piano
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George Percy Aldridge Grainger
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Bold William Taylor
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Schott Music - Digital
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SheetMusicPlus
Mezzo-soprano or baritone and piano - SKU: S9.Q6648 Nr. 43 from British Folk-Music Settings. Composed by George Percy Aldridge Grainger. This edi...
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Mezzo-soprano or baritone and piano - SKU: S9.Q6648 Nr. 43 from British Folk-Music Settings. Composed by George Percy Aldridge Grainger. This edition: Sheet music. Downloadable. Op Nr. 43. Duration 3:30. Schott Music - Digital #Q6648. Published by Schott Music - Digital (S9.Q6648). English.Percy Grainger's Bold William Taylor tells the darkly humorous story of William Taylor and his lover Sarah and it's eventful subject matter, including love, death, unfaithfulness and revenge, is common amongst English folk songs. Grainger's setting captures the light-hearted tone of the story perfectly and is both energetic and expressive whilst keeping its folk-like charm. Originally written in 1908 and published in Grainger's British Folk Music Settings (No. 42), this new Edition Schott publication is scored for either Mezzo Soprano or Baritone.
$11.99
Tutte dormono sulla collina
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Violon et Piano
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Gospel Spirituel
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Jazz
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Monica Bergo
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it  
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Tutte dormono sulla collina
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Monica Bergo
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SheetMusicPlus
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #...
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Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #3235427. Published by Monica Bergo (A0.976835). 2017 Holiday Contest EntryALL SLEEPING ON THE HILL While it flowing words and pictures All are sleeping on the hill They are so many, so beautiful and pale They are waiting on the hill Princesses looking frail That pose themselves unnecessary questions They are died and now are free but they wonder why If I Had been more yielding, if I had been a little 'more docile He is always so unstable, maybe it was my fault If I Had known take him, and learned not to respond If I always said yes, I would be alive and still there They are women of all nationalities And girls who never bloom While the seasons and the years pass Their face is ageless And they are mothers, daughters or lovers Prostitutes, holy or wives No heaven or hell They are waiting for you Tonight the sky is brighter They will be shining Shooting stars now that you do not have a sky Tell me where you flee Do you feel guilty But you're not you that you have sinned Hide the signs And the secret inside you Everybody knows but it is more comfortable silence As long as you lie to yourself I had a dream, a nightmare, but I was awake On the hill expecting me Princess, sleeps in the trash Your Prince control no longer has And a tear remains motionless Witness of this' atrocities You Follow the avenue of pain and tears And walking on the hill and reach the motionless companions Waiting for you on the hill unites them by horrible fate Different stories with the same ending And as avenging goddesses expect The man who defiled And it is a black angels army their choir is high is unstoppable resonates loud, an echo that is relentless haunt your sleep and a thousand ways to beat you know; Hide the world what you really are the last image behind those eyes the blind fury inside you while in the sky it appears lightning I launch myself on the hill I put a flower and remain motionless And and I fall asleep here , on the hill ......... .. Monica Bergo
$3.99
Smoke On The Water
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Deep Purple
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Keith Terrett
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Smoke On The Water
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1337989 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Keith Terr...
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Concert Band - Level 3 - SKU: A0.1337989 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Keith Terrett. 20th Century,Contemporary,Pop,Rock. 60 pages. Keith Terrett #923737. Published by Keith Terrett (A0.1337989). An arrangement of the famous Smoke on the Water for Concert/Wind Band.Smoke on the Water is a song by English rock band Deep Purple, released on their 1972 studio album Machine Head. The song's lyrics are based on true events, chronicling the 1971 fire at Montreux Casino. It is considered the band's signature song and contains one of the most recognizable guitar riffs in rock history.In 2004, Rolling Stone magazine placed Smoke on the Water number 434 on its list of the 500 Greatest Songs of All Time. Total Guitar magazine ranked the song's riff number 4 on its Greatest Guitar Riffs Ever list, and in March 2005, Q magazine placed it at number 12 in its list of the 100 greatest guitar tracks.Smoke on the Water is easily identified by its central theme, developed by guitarist Ritchie Blackmore. It is a four-note blues scale melody in G minor,[8] harmonised in parallel fourths. The riff, played on a Fender Stratocaster electric guitar by Blackmore, is later joined by hi-hat and distorted organ, then the rest of the drums, then electric bass parts before the start of Ian Gillan's vocal.Blackmore later claimed that the main riff is an interpretation of inversion of Symphony No. 5 by Ludwig van Beethoven, and that I owe him a lot of money.Jon Lord doubles the guitar part on a Hammond C3 organ played through a distorted Marshall amp, creating a tone very similar to that of the guitar. Blackmore usually plays the main riff using a finger pluck.The lyrics tell a true story: on 4 December 1971, Deep Purple were in Montreux, Switzerland, to record an album (Machine Head) using a mobile recording studio (rented from the Rolling Stones and known as the Rolling Stones Mobile Studio—referred to as the Rolling truck Stones thing and a mobile in the lyrics) at the entertainment complex that was part of the Montreux Casino (referred to as the gambling house in the song lyric).
$49.99
Day By Day (2 for 1 PIANO Standalone Arr's)
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Piano seul
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Oscar Ahnfelt
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Dr
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Time - 3:03.  
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Day By Day
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Jerry Nelson
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SheetMusicPlus
Piano Solo - SKU: A0.874748 Composed by Oscar Ahnfelt. Arranged by Dr. Jerry Nelson. Christian,Gospel,Romantic Period,Sacred,Spiritual. Score. 7 pages. ...
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Piano Solo - SKU: A0.874748 Composed by Oscar Ahnfelt. Arranged by Dr. Jerry Nelson. Christian,Gospel,Romantic Period,Sacred,Spiritual. Score. 7 pages. Jerry Nelson #3594435. Published by Jerry Nelson (A0.874748). A long time favorite among gospel music lovers. Receive both levels (3 and 5) for the price of one! S.A. (Standalone) requires no Accomp. Track (The AUDIO DEMO is performed at the higher level). Time - 3:03. DO YOU or a Friend or Student PLAY ONE OF THESE: FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL? Tell them where you found the needle in the haystack. SEARCH: Jerry Nelson (plus the name of Instrument). Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley of Arrangements & Audio Demo!
$4.49
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