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No Time for Caution - Organ
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Vous avez sélectionné:
No Time for Caution - Organ
Partitions à imprimer
16 partitions trouvées
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No Time For Caution
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Piano seul
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Classique
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Tunescribers
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No Time For Caution
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ArrangeMe
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SheetMusicPlus
Piano Solo - SKU: A0.1330219 Arranged by Tunescribers. Classical. Score. 6 pages. ArrangeMe #15864. Published by ArrangeMe (A0.1330219). ...
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Piano Solo - SKU: A0.1330219 Arranged by Tunescribers. Classical. Score. 6 pages. ArrangeMe #15864. Published by ArrangeMe (A0.1330219).
$12.95
No Time For Caution
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Piano seul
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FACILE
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Film/TV
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Alex Gibson, Ryan Rubin, and
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Vera Beight
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No Time For Caution
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beight11606
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SheetMusicPlus
Composed by Alex Gibson, Ryan Rubin, and Hans Zimmer (1957-). Arranged by Vera Beight. Film/TV, Multicultural, World. Score. 2 pages. Beight11606 #644...
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Composed by Alex Gibson, Ryan Rubin, and Hans Zimmer (1957-). Arranged by Vera Beight. Film/TV, Multicultural, World. Score. 2 pages. Beight11606 #644372. Published by beight11606
$6.49
No Time For Caution from the Paramount Pictures film INTERSTELLAR
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Orchestre à Cordes
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INTERMÉDIAIRE
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Film/TV
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Alex Gibson, Ryan Rubin, and
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Davison Yon
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No Time For Caution from the P
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Davison Yon
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SheetMusicPlus
Composed by Alex Gibson, Ryan Rubin, and Hans Zimmer (1957-). Arranged by Davison Yon. Contemporary. Score and parts. 18 pages. Davison Yon #3567507. ...
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Composed by Alex Gibson, Ryan Rubin, and Hans Zimmer (1957-). Arranged by Davison Yon. Contemporary. Score and parts. 18 pages. Davison Yon #3567507. Published by Davison Yon
$49.99
No Time for Caution from the Paramount Pictures film INTERSTELLAR (5-7 Octaves)
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Cloches
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AVANCÉ
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Film/TV
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Hans Zimmer, Ryan Rubin, and
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Nicholas A
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No Time for Caution from the P
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8-bit handbell publications
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SheetMusicPlus
By Hans Zimmer, Ryan Rubin, and Alex Gibson. Arranged by Nicholas A. Hanson (ASCAP). Score. 43 pages. Published by 8-bit handbell publications...
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By Hans Zimmer, Ryan Rubin, and Alex Gibson. Arranged by Nicholas A. Hanson (ASCAP). Score. 43 pages. Published by 8-bit handbell publications
$49.99
Day One
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Cloches
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Various
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Nicholas A
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Day One
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8-bit handbell publications
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SheetMusicPlus
Handbell - Level 4 - SKU: A0.1350459 By Various. By Alex Gibson, Hans Zimmer, and Ryan Romeyn Rubin. Arranged by Nicholas A. Hanson (ASCAP). 21st Centur...
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Handbell - Level 4 - SKU: A0.1350459 By Various. By Alex Gibson, Hans Zimmer, and Ryan Romeyn Rubin. Arranged by Nicholas A. Hanson (ASCAP). 21st Century,Film/TV. Score. 13 pages. 8-bit handbell publications #935267. Published by 8-bit handbell publications (A0.1350459). Commissioned by the Austin Handbell Ensemble, Day One is a unique, atmospheric piece that would be an exellent addition to a performance involving space, movie soundtracks, or a theme of perserverance. It begins simply but treble ringers especially will need to problem solve once it reaches its musical climax. Day One can be performed on its own or could be used in connection with the handbell arrangement of No Time for Caution. Numerous performance notes are included for either scenario. It is a Level 4.Â
$4.99
No Time for Caution by Boss - Piano Solo
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Piano seul
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Film/TV
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Boss
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No Time for Caution
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Musicnotes
Performed by: Sheet Music Boss: No Time for Caution - (from Interstellar) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloada...
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Performed by: Sheet Music Boss: No Time for Caution - (from Interstellar) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 6 pages -- Movie/TV~~Solo Instrumental~~Soundtrack
$9.99
No Time for Caution / Main Theme by Samuel Ramos - Piano Solo
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Piano seul
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Film/TV
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Samuel Ramos
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No Time for Caution / Main The
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Musicnotes
Performed by: Samuel Ramos: No Time for Caution / Main Theme - (from Interstellar) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, ...
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Performed by: Samuel Ramos: No Time for Caution / Main Theme - (from Interstellar) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 8 pages -- Movie/TV~~Solo Instrumental~~Soundtrack
$9.99
Interstellar (First Step - No Time for Caution) by Oskar Roman - Piano Solo
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Piano seul
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Film/TV
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Oskar Roman
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Interstellar (First Step - No
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Musicnotes
Performed by: Oskar Roman: Interstellar (First Step - No Time for Caution) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, download...
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Performed by: Oskar Roman: Interstellar (First Step - No Time for Caution) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 8 pages -- Movie/TV~~Solo Instrumental~~Soundtrack
$9.99
No Time for Caution [advanced] by Jazzy Fabbry - Piano Solo
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Piano seul
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Jazzy Fabbry
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No Time for Caution [advanced]
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Musicnotes
Sheet Music for No Time for Caution [advanced] from Interstellar arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for No Time for Caution [advanced] from Interstellar arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes.
$5.99
No Time for Caution from Interstellar - Piano Solo
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Piano seul
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No Time for Caution from Inter
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Musicnotes
Sheet Music for No Time for Caution from Interstellar arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for No Time for Caution from Interstellar arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes.
$5.79
No Time for Caution by Laurie Th berge - Piano Solo
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Piano seul
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Laurie Th berge
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No Time for Caution
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Musicnotes
Sheet Music for No Time for Caution from Interstellar arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for No Time for Caution from Interstellar arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes.
$9.99
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
Interstellar Suite by Mark Fowler - Piano Solo
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Piano seul
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Film/TV
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Mark Fowler
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Interstellar Suite
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Musicnotes
Performed by: Mark Fowler: Interstellar Suite - Dreaming of the Crash - Dust - Day One - Cornfield Chase - Coward - No Time for Caution - Where We're Going...
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Performed by: Mark Fowler: Interstellar Suite - Dreaming of the Crash - Dust - Day One - Cornfield Chase - Coward - No Time for Caution - Where We're Going Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 15 pages -- Movie/TV~~Solo Instrumental~~Soundtrack
$6.99
No Time For Caution - From INTERSTELLAR
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Piano seul
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Film/TV
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Hans Zimmer/Ryan Rubin/Alex Gi
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Geritt W
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No Time For Caution - From INT
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TUX People's Music
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SheetMusicPlus
By Hans Zimmer/Ryan Rubin/Alex Gi. Arranged by Geritt W. Davenport. Individual Part. 6 pages. Published by TUX People's Music (H0.360971-285987). - Individual P...
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By Hans Zimmer/Ryan Rubin/Alex Gi. Arranged by Geritt W. Davenport. Individual Part. 6 pages. Published by TUX People's Music (H0.360971-285987). - Individual Part - - TUX People's Music
$9.99
Sonata in C minor Op. 111 Final Sonata NEW SETTING !
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Piano seul
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AVANCÉ
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Beethoven, L
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Michael Bomier
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Sonata in C minor Op. 111 Fina
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 ...
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Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 pages. Michael Butkus-Bomier #3684169. Published by Michael Butkus-Bomier (A0.862673). GateWay Editions was established to bring Europe's great piano music to players with average-size hands and technique. This piece, which, in the company of Islamey, Gaspard, the Etudes-Tableaux of Rachmaninoff and various Liszt pieces, is at the pinnacle of both interpretive and technical challenges, is now brought into MUCH clearer focus with our new edition. Since the piece is practically a sacred text, no notes have been changed. Period. What HAS been changed is the presentation, especially in the 2nd movement, which is also our audio sample here. The small note-values, the radical time signatures, the measures that often take up an ENTIRE line of commercially-printed music, and the decided lack of cautionary accidentals: all these elements have been pre-decoded, essentially. No more using a hand-lens to see if that mark is a slur or a tie, or both! No more straining to see what note is held over, while the new one strikes. Our setting here, which you can see in the sample, often takes each BEAT, and puts a barline there, along with a common time signature, 3/4, 6/8, 4/4, etc. No smaller fractions, and no vast forest of dots and flags. All the 2nd movement rhythms have been arithmetically expanded, while maintaining their relationships. All the ornamentation, with its hidden melody, has been written out.So, while this piece has not been made any easier to play, it HAS been made vastly easier to read. One might claim that it is now readable at all, whilst the original cannot be deciphered at sight without great mental and visual effort. Please, print this double-sided for best results, as the repeats are either on a single page, or are on facing pages in our formatting. Single-sided gives you that same control, if you wish. Enjoy the masterwork of the Master of Masters! MBB
$19.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
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No Time for Caution - Organ 
