No other people - Partitions musicales à imprimer - Mondial de la partition numérique

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No other people

No other people

No other people

3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - Digital Download SKU: S9.Q41782 Fo…(+)

3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - Digital Download SKU: S9.Q41782 For orchestra. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q41782. Published by Schott Music - Digital (S9.Q41782). The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods.In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original.I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings.There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo.They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing.Something of this is in the music.Gerald Barry, 2009.
$16.99 15.6 € #Gerald Barry #No other people #Schott Music - Digital #SheetMusicPlus

#No other people

Cl.bsn-2hns-str(1.1.1.1.1) nonet - Digital Download SKU: S9.Q20914 For nonet. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 18 minutes. Schott Music - Digital #Q20914. Published by Schott Music - Digital (S9.Q20914). The title No people. comes from the surrealist Raymond Roussel. In 1932 he published a long poem called New Impressions of Africa. For this he commissioned 59 drawings to illustrate the text. The commission was given to the artist through a detective agency so he never knew who the commissioner was or saw the text he was supposed to illustrate. All he got was instructions for each drawing and he had to make the drawings accordingly. A typical instruction might be Nocturnal landscape. Very starry sky with a thin crescent of moon. (No people.) or A rambler, arm raised and fingers outspread, dropping a pebble (still visible) down a well and seemingly straining to hear the sound of its splash. (No other people.) When Roussel put the drawings and text together, the ordinary everyday drawings took on a strangeness they might otherwise not have had if the artist had drawn with the text in front of him. It's the juxtaposition of both unknowns - text/drawings - that gives the final work its strange quality. Â© Gerald Barry (2013).