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Vous avez sélectionné:
Nocturne for Solo Piano
Partitions à imprimer
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1151
Nocturne in C Sharp Major
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1076513 By Ethan Lazarus. By Ethan …
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Piano Solo - Level 4 - Digital Download SKU: A0.1076513 By Ethan Lazarus. By Ethan Lazarus. Classical,Contemporary,Jazz. Score. 6 pages. Ethan Lazarus #680671. Published by Ethan Lazarus (A0.1076513). I have always been a huge fan of Frédéric Chopin, and in particular, his Nocturnes for solo piano. I believe these redefined what classical piano was capable of. However, he never wrote one in the key of C Sharp Major. While I realize I will never possess the skill of one of the best composers of all time, I intended this piece to be reminiscent of his style. It starts with a beautiful flowing left hand in triplets, with lots of modal changes and jazzy chord substitutions before transitioning to a middle passage in 3/4. You will love this beautiful Nocturne in C# Major.
$6.00
5.51 €
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Piano seul
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Ethan Lazarus
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Nocturne in C Sharp Major
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Ethan Lazarus
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SheetMusicPlus
Nocturne. For Solo Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1255067 By Grant Horsley. By Grant …
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Piano Solo - Level 3 - Digital Download SKU: A0.1255067 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Film/TV,Romantic Period,Wedding. Score. 6 pages. Grant Horsley #848660. Published by Grant Horsley (A0.1255067). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive.I have tried to keep these later elements in this Nocturne. It is written in the key of C minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece.It is 4 mins 20 in length.It has been set to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Violin Duet are also available.
$5.75
5.28 €
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Piano seul
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Grant Horsley
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Grant Horsley
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Nocturne. For Solo Piano
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Grant Horsley
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SheetMusicPlus
Trois Nocturnes
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1396302 Composed by Cliff Craig (b.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1396302 Composed by Cliff Craig (b. 2002). 20th Century,21st Century,Classical,Contemporary,Romantic Period. Score. 12 pages. Axis Harmony Music #979675. Published by Axis Harmony Music (A0.1396302). Three Nocturnes for solo piano.Each nocturne is based on a different era of music.Nocturne 1: Romantic eraNocturne 2: Impressionism/ModernismNocturne 3: Minimalism.
$2.99
2.75 €
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Piano seul
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Cliff Craig
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Trois Nocturnes
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Axis Harmony Music
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SheetMusicPlus
Nocturne No. 1 for the Vernal Equinox (2018)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1012785 Composed by Gerald W. Gabba…
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Piano Solo - Level 5 - Digital Download SKU: A0.1012785 Composed by Gerald W. Gabbard. Contemporary. Score. 5 pages. Gerald W. Gabbard #5357943. Published by Gerald W. Gabbard (A0.1012785). A modern nocturne for solo piano (advanced) based on a theme from the gigue of the e minor harpischord suite no. 10 by Baroque composer, Dietrich Buxtehude. The composition was premiered on March 20, 2019 at an all-nocturnes solo piano recital at Concordia University-Portland by the composer.Six other nocturnes are also available, as well as a collection of all seven pieces.
$4.99
4.58 €
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Piano seul
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Gerald W
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Nocturne No. 1 for the Vernal Equinox
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Gerald W. Gabbard
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SheetMusicPlus
12 Nocturnes for Solo Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.930568 Composed by Seifeddin Abdoun…
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Piano Solo - Level 4 - Digital Download SKU: A0.930568 Composed by Seifeddin Abdoun. 20th Century,Contemporary. Score. 49 pages. Seifeddin Abdoun #4293723. Published by Seifeddin Abdoun (A0.930568). 12 Nocturnes for Solo Piano was completed in 2018, each Nocturne represents one month of the year. The audio sample is from Nocturne No. 10 (October). .
$12.00
11.02 €
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Piano seul
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Seifeddin Abdoun
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12 Nocturnes for Solo Piano
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Seifeddin Abdoun
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SheetMusicPlus
Nocturne for Solo Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1007161 Composed by Shawn R. Meloy.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1007161 Composed by Shawn R. Meloy. 20th Century,Concert,Romantic Period. Score. 9 pages. Levhart #3398663. Published by Levhart (A0.1007161). A romantic little Nocturne with room for interpretation by new performers. This piece was written to be preformed at recitals and is part of a new series of piano works. .
$5.99
5.5 €
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Piano seul
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Shawn R
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Nocturne for Solo Piano
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Levhart
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SheetMusicPlus
Nine Nocturnes for solo piano
Piano seul
Piano Solo - Digital Download SKU: A0.980589 Composed by William Grosvenor Neil. Co…
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Piano Solo - Digital Download SKU: A0.980589 Composed by William Grosvenor Neil. Contemporary. Score. 38 pages. TheComposerStudio.Com, LLC #5311835. Published by TheComposerStudio.Com, LLC (A0.980589). These evocations of the night explore the rich sonorities of nocturnal thought and emotion outside the realm of conscious awareness. Illuminating multiple perspectives simultaneously on a single theme characterizes my solo piano music. Romantic gestures, playful interludes, and exuberant sonorities make up these short pieces. Christopher Neil, composed Nine Haiku reflecting on each of the nine nocturnes. Our collaboration has informed the interpretation and performance of these nine miniatures. The words and music embark the listener on a journey that embraces darkness leading the listener to a discovery of inspired endurance. WGN www.thecomposerstudio.com www.williamneil.net
$15.00
13.77 €
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Piano seul
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William Grosvenor Neil
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WGN
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Nine Nocturnes for solo piano
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Electric Nocturnes Book 1
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1012885 Composed by Garry DW Judd. …
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Piano Solo - Level 2 - Digital Download SKU: A0.1012885 Composed by Garry DW Judd. 20th Century,Contemporary. Score. 11 pages. The Artful Music Publishing Company #5733953. Published by The Artful Music Publishing Company (A0.1012885). This is book 1 of a collection of nocturnes for solo piano. Each piece is a variation of each other and subsequent books will contain a variation of the corresponding nocturne...ie. 11 is a variation on 1. Ten books are planned. The music is calm, relaxing and rather hallucinatory.
$4.99
4.58 €
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Piano seul
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Garry DW Judd
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Electric Nocturnes Book 1
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The Artful Music Publishing Company
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SheetMusicPlus
Nocturne by Frederick Chopin for solo piano
Piano seul
Composed by Frederic Chopin (1810-1849). Arranged by Jeza Sygrynn Bigueras. Romantic …
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Composed by Frederic Chopin (1810-1849). Arranged by Jeza Sygrynn Bigueras. Romantic Period, Early Music, World, Recital, Old-time. Score, Solo Part. 6 pages. Published by JedEd
This is a PDF DOWNLOAD for the sheet music of “NOCTURNE by Frederick Chopin for Piano Solo. This is a file you print from home.<br> <br> By purchasing this sheet music, you agree to not fileshare via the internet through email, file sharing sites, or giving duplicate copies to your friends.<br> <br> Jeza personally transcribes, notates, and edits all of her songs. Please honor Jeza Sygrynn Bigueras efforts as an independent musicians by purchasing this product Thank you for your support!
$5.00
4.59 €
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Piano seul
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Frederic Chopin (1810-1849)
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Jeza Sygrynn Bigueras
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Nocturne by Frederick Chopin for solo piano
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SheetMusicPlus
Nocturne - For Solo Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.913391 Composed by Christopher Wats…
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Piano Solo - Level 4 - Digital Download SKU: A0.913391 Composed by Christopher Watson. Concert,Contemporary,Romantic Period,Standards. Score. 7 pages. Christopher Watson #3035259. Published by Christopher Watson (A0.913391). An original composition for solo piano. Nocturne is in a Romantic style and suitable for intermediate to advanced study and solo concert performance. The following describes the inspiration for the piece: 'Nocturne was inspired by recent late-night strolls through Venice, the rippling light on the canals, the intrigue of each twist and turn when the city is in darkness. The city of Vivaldi, a city of a thousand church bells'. The central section of the piece quotes the famous melody from Movement No.2 of Vivaldi's 'Winter' from the Four Seasons.
$4.50
4.13 €
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Piano seul
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Christopher Watson
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Nocturne - For Solo Piano
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Christopher Watson
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SheetMusicPlus
Nocturne
Piano seul
Piano - intermediate to advanced - Digital Download Composed by John Skiba. This edit…
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Piano - intermediate to advanced - Digital Download Composed by John Skiba. This edition: Sheet music. Downloadable. Schott Music - Digital #Q22896. Published by Schott Music - Digital
Nocturne is a highly emotive piece for solo piano exploring the full expressive range of the instrument. The piece's lyrical melodic lines and rich harmonies make this an attractive addition to any performer's repertoire.<br> Suitable for professional or amateur pianists, this piece is perfect for a range of concert situations.
$6.99
6.42 €
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Piano seul
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John Skiba
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Nocturne
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Schott Music - Digital
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SheetMusicPlus
Nocturne for solo piano
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1463849 Composed by Patrick Brown. …
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Piano Solo - Level 2 - Digital Download SKU: A0.1463849 Composed by Patrick Brown. 21st Century,Classical,Contemporary. Score. 3 pages. Patrick Brown #1042557. Published by Patrick Brown (A0.1463849). Nocturne for solo piano.
$7.99
7.34 €
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Piano seul
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Patrick Brown
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Nocturne for solo piano
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Patrick Brown
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SheetMusicPlus
Nocturne no. 2
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.905868 Composed by Bethany Wakim. 2…
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Piano Solo - Level 4 - Digital Download SKU: A0.905868 Composed by Bethany Wakim. 20th Century,Concert,Contemporary,Standards. Score. 7 pages. Bethany Wakim #6434463. Published by Bethany Wakim (A0.905868). A somber, rainy nocturne for solo piano; suitable for the early-advanced pianist. Would make an excellent modern classical recital piece. .
$3.99
3.66 €
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Piano seul
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Bethany Wakim
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Nocturne no. 2
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Bethany Wakim
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SheetMusicPlus
Nocturne
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1012341 Composed by Michael Wiley. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1012341 Composed by Michael Wiley. Contemporary. Score. 3 pages. Michael Wiley #4269019. Published by Michael Wiley (A0.1012341). This piece is a short, simple nocturne for solo piano.
$1.99
1.83 €
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Piano seul
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Michael Wiley
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Nocturne
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Michael Wiley
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SheetMusicPlus
Esther Nocturne
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1346673 By Gordon Rouse. By Gordon …
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Piano Solo - Level 4 - Digital Download SKU: A0.1346673 By Gordon Rouse. By Gordon Rouse. Arranged by Gordon Rouse. 20th Century,Broadway,Musical/Show. Score. 2 pages. Rosemary Abetz-Rouse #928995. Published by Rosemary Abetz-Rouse (A0.1346673). Nocturne for solo piano derived from Esther's plea to save her people. From Esther: Queen of Persia
$2.99
2.75 €
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Piano seul
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Gordon Rouse
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Gordon Rouse
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Esther Nocturne
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Rosemary Abetz-Rouse
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SheetMusicPlus
Nocturne Opus 10 No. 1 by Richard C. Scher
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1142346 By Richard C …
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1142346 By Richard C Scher. By Richard C Scher. Arranged by Richard C Scher. Classical,Contemporary. Score. 3 pages. Richard C Scher #742724. Published by Richard C Scher (A0.1142346). A thoughtful and joyful nocturne for solo piano, requiring moderate technique.
$3.99
3.66 €
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Piano, Voix et Guitare
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Richard C Scher
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Richard C Scher
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Nocturne Opus 10 No. 1 by Richard C. Scher
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Richard C Scher
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SheetMusicPlus
Nocturne for Solo piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.982070 Composed by James Gardner. C…
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Piano Solo - Level 5 - Digital Download SKU: A0.982070 Composed by James Gardner. Contemporary. Score. 10 pages. James Gardner #6074273. Published by James Gardner (A0.982070). As a pianist i was always in love with the enormous beauty and pianistic brilliance of Chopin! That influence is certainly all over this composition but it's style is a particular blend of classical and jazz approaches. The range of accent and syncopation in the left hand supports the emotional, syncopated development in the right hand. Certainly Chopinesque, but definitely contemporary!
$5.99
5.5 €
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Piano seul
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James Gardner
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Nocturne for Solo piano
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James Gardner
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexan…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Trompette, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Cor anglais, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
#
Flûte traversière et Piano
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Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scria…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
#
Alto, Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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jmsgu3
#
SheetMusicPlus
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