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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nocturne for Solo piano
Sheetmusicplus
Non classifié
60
Piano & claviers
Piano seul
668
Piano Facile
13
1 Piano, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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1
Instruments en Do
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1
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Retracter
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3
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1
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27
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21
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17
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11
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11
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6
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5
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5
Clarinette
4
Flûte traversière
4
Saxophone Baryton, Piano
4
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3
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Saxophone Soprano
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Hautbois
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2 Clarinettes (duo)
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Hautbois (partie séparée)
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Saxophone (partie séparée)
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Clarinette Basse, Piano
1
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1
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1
Flûte, Basson et Piano
1
+ 23 instrumentations
Retracter
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5
Euphonium, Piano (duo)
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4
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3
Cor
3
Trombone
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3
Tuba
2
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2
+ 6 instrumentations
Retracter
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27
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17
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15
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10
Violon
8
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6
Alto seul
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violons (duo)
1
Contre Basse
1
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1
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1
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1
Contrebasse, Piano (duo)
1
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413
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
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BUGLE
CHANT - CHORA…
CHARANGO
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CLARINETTE
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CONTREBASSE
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DOBRO - GUIT.…
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EUPHONIUM
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HARMONICA
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PARTITIONS VI…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
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LIVRES
LUTH
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OCARINA
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Crtitères actifs :
Nocturne for Solo piano
SheetMusicPlus
Partitions à imprimer
1 058 partitions trouvées
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1051
Nocturne in C Sharp Major
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Ethan Lazarus
#
Nocturne in C Sharp Major
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Ethan Lazarus
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1076513 By Ethan Lazarus. By Ethan Lazarus. Classical,Contemporary,Jazz. Score. 6 pages. Ethan Lazarus #680671. Published...
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Piano Solo - Level 4 - SKU: A0.1076513 By Ethan Lazarus. By Ethan Lazarus. Classical,Contemporary,Jazz. Score. 6 pages. Ethan Lazarus #680671. Published by Ethan Lazarus (A0.1076513). I have always been a huge fan of Frédéric Chopin, and in particular, his Nocturnes for solo piano. I believe these redefined what classical piano was capable of. However, he never wrote one in the key of C Sharp Major. While I realize I will never possess the skill of one of the best composers of all time, I intended this piece to be reminiscent of his style. It starts with a beautiful flowing left hand in triplets, with lots of modal changes and jazzy chord substitutions before transitioning to a middle passage in 3/4. You will love this beautiful Nocturne in C# Major.
$6.00
Nocturne. For Solo Piano
#
Piano seul
#
INTERMÉDIAIRE
#
Grant Horsley
#
Grant Horsley
#
Nocturne. For Solo Piano
#
Grant Horsley
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1255067 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Film/TV,Romantic Period,Wed...
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Piano Solo - Level 3 - SKU: A0.1255067 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Film/TV,Romantic Period,Wedding. Score. 6 pages. Grant Horsley #848660. Published by Grant Horsley (A0.1255067). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive.I have tried to keep these later elements in this Nocturne. It is written in the key of C minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece.It is 4 mins 20 in length.It has been set to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Violin Duet are also available.
$5.75
Trois Nocturnes
#
Piano seul
#
INTERMÉDIAIRE
#
Cliff Craig
#
Trois Nocturnes
#
Axis Harmony Music
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1396302 Composed by Cliff Craig (b. 2002). 20th Century,21st Century,Classical,Contemporary,Romantic Period. Score. 12 pa...
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Piano Solo - Level 3 - SKU: A0.1396302 Composed by Cliff Craig (b. 2002). 20th Century,21st Century,Classical,Contemporary,Romantic Period. Score. 12 pages. Axis Harmony Music #979675. Published by Axis Harmony Music (A0.1396302). Three Nocturnes for solo piano.Each nocturne is based on a different era of music.Nocturne 1: Romantic eraNocturne 2: Impressionism/ModernismNocturne 3: Minimalism.
$2.99
Nocturne No. 1 for the Vernal Equinox (2018)
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Piano seul
#
AVANCÉ
#
Contemporain
#
Gerald W
#
Nocturne No. 1 for the Vernal
#
Gerald W. Gabbard
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1012785 Composed by Gerald W. Gabbard. Contemporary. Score. 5 pages. Gerald W. Gabbard #5357943. Published by Gerald W. G...
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Piano Solo - Level 5 - SKU: A0.1012785 Composed by Gerald W. Gabbard. Contemporary. Score. 5 pages. Gerald W. Gabbard #5357943. Published by Gerald W. Gabbard (A0.1012785). A modern nocturne for solo piano (advanced) based on a theme from the gigue of the e minor harpischord suite no. 10 by Baroque composer, Dietrich Buxtehude. The composition was premiered on March 20, 2019 at an all-nocturnes solo piano recital at Concordia University-Portland by the composer.Six other nocturnes are also available, as well as a collection of all seven pieces.
$4.99
12 Nocturnes for Solo Piano
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Seifeddin Abdoun
#
12 Nocturnes for Solo Piano
#
Seifeddin Abdoun
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.930568 Composed by Seifeddin Abdoun. 20th Century,Contemporary. Score. 49 pages. Seifeddin Abdoun #4293723. Published by ...
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Piano Solo - Level 4 - SKU: A0.930568 Composed by Seifeddin Abdoun. 20th Century,Contemporary. Score. 49 pages. Seifeddin Abdoun #4293723. Published by Seifeddin Abdoun (A0.930568). 12 Nocturnes for Solo Piano was completed in 2018, each Nocturne represents one month of the year. The audio sample is from Nocturne No. 10 (October). .
$12.00
Nocturne for Solo Piano
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Piano seul
#
INTERMÉDIAIRE
#
Shawn R
#
Nocturne for Solo Piano
#
Levhart
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1007161 Composed by Shawn R. Meloy. 20th Century,Concert,Romantic Period. Score. 9 pages. Levhart #3398663. Published by ...
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Piano Solo - Level 3 - SKU: A0.1007161 Composed by Shawn R. Meloy. 20th Century,Concert,Romantic Period. Score. 9 pages. Levhart #3398663. Published by Levhart (A0.1007161). A romantic little Nocturne with room for interpretation by new performers. This piece was written to be preformed at recitals and is part of a new series of piano works. .
$5.99
Nine Nocturnes for solo piano
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Piano seul
#
Contemporain
#
William Grosvenor Neil
#
WGN
#
Nine Nocturnes for solo piano
#
TheComposerStudio.Com, LLC
#
SheetMusicPlus
Piano Solo - SKU: A0.980589 Composed by William Grosvenor Neil. Contemporary. Score. 38 pages. TheComposerStudio.Com, LLC #5311835. Published by TheComp...
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Piano Solo - SKU: A0.980589 Composed by William Grosvenor Neil. Contemporary. Score. 38 pages. TheComposerStudio.Com, LLC #5311835. Published by TheComposerStudio.Com, LLC (A0.980589). These evocations of the night explore the rich sonorities of nocturnal thought and emotion outside the realm of conscious awareness. Illuminating multiple perspectives simultaneously on a single theme characterizes my solo piano music. Romantic gestures, playful interludes, and exuberant sonorities make up these short pieces. Christopher Neil, composed Nine Haiku reflecting on each of the nine nocturnes. Our collaboration has informed the interpretation and performance of these nine miniatures. The words and music embark the listener on a journey that embraces darkness leading the listener to a discovery of inspired endurance. WGN www.thecomposerstudio.com www.williamneil.net
$15.00
Electric Nocturnes Book 1
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Piano seul
#
FACILE
#
Contemporain
#
Garry DW Judd
#
Electric Nocturnes Book 1
#
The Artful Music Publishing Company
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1012885 Composed by Garry DW Judd. 20th Century,Contemporary. Score. 11 pages. The Artful Music Publishing Company #57339...
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Piano Solo - Level 2 - SKU: A0.1012885 Composed by Garry DW Judd. 20th Century,Contemporary. Score. 11 pages. The Artful Music Publishing Company #5733953. Published by The Artful Music Publishing Company (A0.1012885). This is book 1 of a collection of nocturnes for solo piano. Each piece is a variation of each other and subsequent books will contain a variation of the corresponding nocturne...ie. 11 is a variation on 1. Ten books are planned. The music is calm, relaxing and rather hallucinatory.
$4.99
Nocturne by Frederick Chopin for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Frederic Chopin
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Jeza Sygrynn Bigueras
#
Nocturne by Frederick Chopin f
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SheetMusicPlus
Composed by Frederic Chopin (1810-1849). Arranged by Jeza Sygrynn Bigueras. Romantic Period, Early Music, World, Recital, Old-time. Score, Solo Part. ...
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Composed by Frederic Chopin (1810-1849). Arranged by Jeza Sygrynn Bigueras. Romantic Period, Early Music, World, Recital, Old-time. Score, Solo Part. 6 pages. Published by JedEd
This is a PDF DOWNLOAD for the sheet music of ?NOCTURNE by Frederick Chopin for Piano Solo. This is a file you print from home.
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Jeza personally transcribes, notates, and edits all of her songs. Please honor Jeza Sygrynn Bigueras efforts as an independent musicians by purchasing this product Thank you for your support!
$5.00
Nocturne - For Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Christopher Watson
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Nocturne - For Solo Piano
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Christopher Watson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.913391 Composed by Christopher Watson. Concert,Contemporary,Romantic Period,Standards. Score. 7 pages. Christopher Watson...
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Piano Solo - Level 4 - SKU: A0.913391 Composed by Christopher Watson. Concert,Contemporary,Romantic Period,Standards. Score. 7 pages. Christopher Watson #3035259. Published by Christopher Watson (A0.913391). An original composition for solo piano. Nocturne is in a Romantic style and suitable for intermediate to advanced study and solo concert performance. The following describes the inspiration for the piece: 'Nocturne was inspired by recent late-night strolls through Venice, the rippling light on the canals, the intrigue of each twist and turn when the city is in darkness. The city of Vivaldi, a city of a thousand church bells'. The central section of the piece quotes the famous melody from Movement No.2 of Vivaldi's 'Winter' from the Four Seasons.
$4.50
Nocturne
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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John Skiba
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Nocturne
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to advanced - Composed by John Skiba. This edition: Sheet music. Downloadable. Schott Music - Digital #Q22896. Published by Sch...
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Piano - intermediate to advanced - Composed by John Skiba. This edition: Sheet music. Downloadable. Schott Music - Digital #Q22896. Published by Schott Music - Digital
Nocturne is a highly emotive piece for solo piano exploring the full expressive range of the instrument. The piece's lyrical melodic lines and rich harmonies make this an attractive addition to any performer's repertoire.
Suitable for professional or amateur pianists, this piece is perfect for a range of concert situations.
$6.99
Nocturne for solo piano
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Piano seul
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FACILE
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Patrick Brown
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Nocturne for solo piano
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Patrick Brown
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1463849 Composed by Patrick Brown. 21st Century,Classical,Contemporary. Score. 3 pages. Patrick Brown #1042557. Published...
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Piano Solo - Level 2 - SKU: A0.1463849 Composed by Patrick Brown. 21st Century,Classical,Contemporary. Score. 3 pages. Patrick Brown #1042557. Published by Patrick Brown (A0.1463849). Nocturne for solo piano.
$7.99
Nocturne no. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bethany Wakim
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Nocturne no. 2
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Bethany Wakim
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.905868 Composed by Bethany Wakim. 20th Century,Concert,Contemporary,Standards. Score. 7 pages. Bethany Wakim #6434463. Pu...
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Piano Solo - Level 4 - SKU: A0.905868 Composed by Bethany Wakim. 20th Century,Concert,Contemporary,Standards. Score. 7 pages. Bethany Wakim #6434463. Published by Bethany Wakim (A0.905868). A somber, rainy nocturne for solo piano; suitable for the early-advanced pianist. Would make an excellent modern classical recital piece. .
$3.99
Nocturne
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Michael Wiley
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Nocturne
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Michael Wiley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1012341 Composed by Michael Wiley. Contemporary. Score. 3 pages. Michael Wiley #4269019. Published by Michael Wiley (A0.1...
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Piano Solo - Level 3 - SKU: A0.1012341 Composed by Michael Wiley. Contemporary. Score. 3 pages. Michael Wiley #4269019. Published by Michael Wiley (A0.1012341). This piece is a short, simple nocturne for solo piano.
$1.99
Esther Nocturne
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gordon Rouse
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Gordon Rouse
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Esther Nocturne
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Rosemary Abetz-Rouse
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1346673 By Gordon Rouse. By Gordon Rouse. Arranged by Gordon Rouse. 20th Century,Broadway,Musical/Show. Score. 2 pages. R...
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Piano Solo - Level 4 - SKU: A0.1346673 By Gordon Rouse. By Gordon Rouse. Arranged by Gordon Rouse. 20th Century,Broadway,Musical/Show. Score. 2 pages. Rosemary Abetz-Rouse #928995. Published by Rosemary Abetz-Rouse (A0.1346673). Nocturne for solo piano derived from Esther's plea to save her people. From Esther: Queen of Persia
$2.99
Nocturne Opus 10 No. 1 by Richard C. Scher
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Contemporain
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Richard C Scher
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Richard C Scher
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Nocturne Opus 10 No. 1 by Rich
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Richard C Scher
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1142346 By Richard C Scher. By Richard C Scher. Arranged by Richard C Scher. Classical,Contemporary. Score....
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1142346 By Richard C Scher. By Richard C Scher. Arranged by Richard C Scher. Classical,Contemporary. Score. 3 pages. Richard C Scher #742724. Published by Richard C Scher (A0.1142346). A thoughtful and joyful nocturne for solo piano, requiring moderate technique.
$3.99
Nocturne for Solo piano
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Piano seul
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AVANCÉ
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Contemporain
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James Gardner
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Nocturne for Solo piano
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James Gardner
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.982070 Composed by James Gardner. Contemporary. Score. 10 pages. James Gardner #6074273. Published by James Gardner (A0.9...
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Piano Solo - Level 5 - SKU: A0.982070 Composed by James Gardner. Contemporary. Score. 10 pages. James Gardner #6074273. Published by James Gardner (A0.982070). As a pianist i was always in love with the enormous beauty and pianistic brilliance of Chopin! That influence is certainly all over this composition but it's style is a particular blend of classical and jazz approaches. The range of accent and syncopation in the left hand supports the emotional, syncopated development in the right hand. Certainly Chopinesque, but definitely contemporary!
$5.99
A Worker's Nocturne
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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John LCY
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A Worker's Nocturne
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John LCY
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1506250 Composed by John LCY. 21st Century,Classical,Comedy,Contemporary,Romantic Period. Score. 6 pages. John LCY #10816...
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Piano Solo - Level 4 - SKU: A0.1506250 Composed by John LCY. 21st Century,Classical,Comedy,Contemporary,Romantic Period. Score. 6 pages. John LCY #1081626. Published by John LCY (A0.1506250). This whimsical nocturne narrates a night shift worker who is going through the grind as worker is slowly going insane by the constant late night shifts that has been piling up due company's hiring freeze (I know, right?). It is a performative piece for a nice laugh, for kicks and giggles, and just for good practice fun.The piece starts in C minor progression and then somewhat modulates in the piece to depict the different situation the worker is (and the feelings during the stages of grief the worker is going through) before ending back into the original chord to depict the never ending night shift again and again... you know the drift..Arranged for: Solo PianoLevel: Intermediate and above.
$6.99
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Nocturne for Solo piano