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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Not So Long Ago
Non classifié
18
Piano & claviers
Piano seul
12
Piano, Voix
6
Instruments en Do
3
Piano Facile
2
Guitares
2 Guitares (duo)
1
Guitare notes et tablatures
1
Voix
Chorale SATB
10
Chorale 3 parties
3
Chorale TTBB
2
Chorale Unison
1
Chorale SSAA
1
Voix, Guitare
1
Voix Tenor
1
+ 2 instrumentations
Retracter
Vents
Clarinette
1
Ensemble de Flûtes
1
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
2 Trompettes (duo)
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
Tuba
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Orchestre & Percussions
Orchestre d'harmonie
14
Ensemble de cuivres
4
Cloches
2
Orchestre à Cordes
1
Orchestre de chambre
1
Ensemble Jazz
1
Jazz combo
1
Orchestre
1
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Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Not So Long Ago
Partitions à imprimer
102 partitions trouvées
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101
Not So Long Ago
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Ensemble Jazz
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Jazz
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John Philips
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2 in unison
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Not So Long Ago
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published b...
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Jazz Ensemble Jazz Ensemble - SKU: A0.947278 Composed by John Philips. Jazz. Score and parts. 18 pages. John Philips Music Service #3867729. Published by John Philips Music Service (A0.947278). This is an alto sax feature ballad. The melody is full and rich and could make you think of Johnny Hodges. First bridge is alto 1 & 2 in unison...with solo alto out front and alto 2 in section it gets a nice echo effect--Last 8 back to alto 1 solo. First half of second chorus has a band within a band over background. Solo part has a few notes past an eighth.Last bridge trombones then alto solo last 8. Ending is very dramatic with some interesting alto work..the very last note is held over the band....like Harlem Nocturne. Not too fast.Don’t let the last note scare you, look at your fingering chart or play it 8va lower. If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Long, Long Ago- for 2 Octave Bell Choir
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Cloches
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DÉBUTANT
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Thomas Haynes Bayly
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John Wernega
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Long, Long Ago- for 2 Octave B
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John Wernega
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SheetMusicPlus
Handbell - Level 1 - SKU: A0.1049642 Composed by Thomas Haynes Bayly. Arranged by John Wernega. Folk,Instructional,Traditional. Score. 1 pages. John Wer...
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Handbell - Level 1 - SKU: A0.1049642 Composed by Thomas Haynes Bayly. Arranged by John Wernega. Folk,Instructional,Traditional. Score. 1 pages. John Wernega #654022. Published by John Wernega (A0.1049642). Here is an opportunity for your young ringers to play an arrangement completely written on treble clef! There are two distinct, independent contrapuntal lines, depicted with stems-up and stems-down. This is great for inexperienced young ringers because they are playing harmonies without all the confusion of finding their notes on the page. I premiered this arrangement with my third grade bell choir, so this is tried and tested. Your young ringers will really enjoy the experience of playing this arrangement.
$1.99
Long Ago, Prophets Knew (On This Day Earth Shall Ring)
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Cloches
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DÉBUTANT
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Linda R
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Long Ago, Prophets Knew
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Chorister's Guild - Digital
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SheetMusicPlus
2 or 3 octaves handbells - Level 1 - SKU: C7.CGB808 Composed by Linda R. Lamb. Advent, Christmas. Score. 4 pages. Chorister's Guild - Digital #CGB808. P...
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2 or 3 octaves handbells - Level 1 - SKU: C7.CGB808 Composed by Linda R. Lamb. Advent, Christmas. Score. 4 pages. Chorister's Guild - Digital #CGB808. Published by Chorister's Guild - Digital (C7.CGB808). UPC: 749193018873.Composed for the 2012 International Handbell Symposium in Liverpool, England, this work is based on the tune Liverpool written by John Roberts (1822-1877). Heard throughout is a contrasting motif formed by spelling the word LIVERPOOL in musical notes. Several stately treatments of the tune are followed by a toccata-like section where all ringers have active, challenging roles to play. The final verse includes lyrics added by Fred Gramann that speak of the various roles played by bells and their power to bring unity. This can be sung by the ringers if desired and/or can be printed for the listeners so they can participate.
$3.95
(i've Been) Searchin' So Long
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Jazz
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Chicago
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Zeller-Elsässer Dieter
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(i've Been) Searchin' So Long
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Ndm-Noten
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SheetMusicPlus
Large Ensemble B-Flat Clarinet,B-Flat Trumpet,Drums,E-Flat Alto Saxophone,Electric Bass Guitar,Keyboard,Medium-High Voice,Tenor Horn,Tenor Saxophone,Trombone - ...
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Large Ensemble B-Flat Clarinet,B-Flat Trumpet,Drums,E-Flat Alto Saxophone,Electric Bass Guitar,Keyboard,Medium-High Voice,Tenor Horn,Tenor Saxophone,Trombone - Level 3 - SKU: A0.1137441 By Chicago. By James Pankow. Arranged by Zeller-Elsässer Dieter. Jazz. Score and parts. 11 pages. Ndm-Noten #737645. Published by Ndm-Noten (A0.1137441). Tutti-Arrangement.
$12.99
Yesterday Once More
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Piano seul
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INTERMÉDIAIRE
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The Carpenters
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Timothy Stapay
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Song...
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Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
LÄTTA FINGRAR
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & UnderhÃ...
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Accordion,Double Bass,Guitar - SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
If Not Now, When?
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Contemporain
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pa...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
Crazy for Cartoons: (wp) B-flat Tuba B.C.
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Tuba (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0015096_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPTBBBC). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) E-flat Tuba B.C.
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0015096_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPTBEBC). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) E-flat Alto Clarinet
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPAC1 (wp) E-flat Alto Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Musi...
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Concert Band - SKU: AX.00-PC-0015096_WPAC1 (wp) E-flat Alto Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpAC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPAC1). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) 1st B-flat Trombone B.C.
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfre...
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Concert Band - SKU: AX.00-PC-0015096_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPTN1BC). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) 1st Horn in E-flat
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPEH1 (wp) 1st Horn in E-flat. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0015096_WPEH1 (wp) 1st Horn in E-flat. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPEH1). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) 1st B-flat Trombone T.C.
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfre...
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Concert Band - SKU: AX.00-PC-0015096_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPTN1TC). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) E-flat Tuba T.C.
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPTBETC (wp) E-flat Tuba T.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0015096_WPTBETC (wp) E-flat Tuba T.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPTBETC). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) B-flat Contrabass Clarinet
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPBCBC (wp) B-flat Contrabass Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfr...
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Concert Band - SKU: AX.00-PC-0015096_WPBCBC (wp) B-flat Contrabass Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpBCBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPBCBC). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) Baritone T.C.
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPBTC1 (wp) Baritone T.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Di...
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Concert Band - SKU: AX.00-PC-0015096_WPBTC1 (wp) Baritone T.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpBTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPBTC1). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) B-flat Tuba T.C.
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0015096_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPTBBTC). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) B-flat Baritone B.C.
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPBBBC (wp) B-flat Baritone B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Mus...
(+)
Concert Band - SKU: AX.00-PC-0015096_WPBBBC (wp) B-flat Baritone B.C.. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPBBBC). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) E-flat Contrabass Clarinet
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfr...
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Concert Band - SKU: AX.00-PC-0015096_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPECBC). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
Crazy for Cartoons: (wp) String Bass
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Methodes
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Robert Sheldon
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Crazy for Cartoons:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015096_WPSB (wp) String Bass. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digita...
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Concert Band - SKU: AX.00-PC-0015096_WPSB (wp) String Bass. Composed by Robert Sheldon. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015096_wpSB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015096_WPSB). UPC: 038081420554.Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. Crazy for Cartoons reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of Sound Innovations for Concert Band. (2:09) This title is available in SmartMusic.
$3.00
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Compositeurs
Mentions légales
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Version intégrale
Not So Long Ago
