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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Not That Different
Non classifié
1 037
Piano & claviers
Piano seul
242
Piano, Voix
134
Piano Facile
85
Piano, Voix et Guitare
36
Orgue
21
Instruments en Do
14
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Accompagnement Piano
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
61
Guitare
48
Ukulele
19
Mandoline
6
2 Guitares (duo)
6
Basse electrique
5
3 Guitares (trio)
3
Ensemble de guitares
3
Banjo
3
Piano, Guitare (duo)
2
Dulcimer
1
2 Ukuleles
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
61
Chorale 2 parties
40
Chorale 3 parties
25
Chorale SSAA
14
Chorale Unison
13
Chorale TTBB
11
Voix Soprano, Piano
4
Voix duo, Piano
2
Voix haute
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix seule
1
Voix Tenor
1
Chorale SSAATTBB
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
2 Saxophones (duo)
50
Quatuor de Saxophones: 4 saxophones
44
Flûte traversière et Piano
38
Ensemble de saxophones
37
Clarinette et Piano
31
Quintette de Saxophone: 5 saxophones
29
Hautbois, Piano (duo)
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Clarinette
22
Saxophone Alto et Piano
22
Saxophone Tenor et Piano
21
Saxophone Baryton, Piano
20
Quatuor de Clarinettes: 4 clarinettes
19
Flûte, Hautbois, Clarinette, Basson
19
Saxophone Soprano et Piano
17
2 Clarinettes (duo)
16
Saxophone (partie séparée)
16
Saxophone Alto
16
Flûte traversière
16
2 Flûtes traversières (duo)
15
Ensemble de Clarinettes
13
3 Saxophones (trio)
12
Hautbois (partie séparée)
12
Saxophone Tenor
12
Cor anglais, Piano
10
2 Hautbois (duo)
9
Quatuor de Flûtes : 4 flûtes
9
Harmonica
9
Ensemble de Flûtes
9
Clarinette Basse, Piano
8
Quintette de Clarinettes: 5 clarinettes
7
Flûte et Guitare
7
Trio de Flûtes: 3 flûtes
5
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette (duo)
4
2 Flûte à bec (duo)
4
3 Clarinettes (trio)
3
Clarinette, Basson (duo)
3
Flûte à bec Tenor
3
Clarinette, Violon (duo)
2
Flûte, Alto et Piano
2
3 Flûtes à bec (trio)
2
Clarinette, Harpe (duo)
2
Flûte à bec Soprano
2
Flûte, Hautbois, Clarinette (trio)
2
Quatuor de Flûtes à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Basson (duo)
1
Ensemble de Hautbois
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette et Basson
1
Saxophone
1
Saxophone et Guitare
1
Flute, harpe et violon
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
Saxophone Soprano
1
5 Flûtes à bec
1
Clarinette, Guitare (duo)
1
Hautbois, Flûte
1
Cor Anglais
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Piano (trio)
1
Saxophone Baryton
1
Hautbois, Violoncelle
1
Hautbois
1
Flûte, Hautbois (duo)
1
Hautbois, Basson et Piano
1
Flûte, Violoncelle
1
Flûte, Violon
1
Flûte, Alto (duo)
1
Ensemble à vent
1
Cor anglais et Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trompette
29
Trombone et Piano
25
Cor et Piano
19
Trombone
17
Tuba et Piano
16
Trompette, Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Euphonium, Piano (duo)
14
2 Trompettes (duo)
14
Cor
14
2 Trombones (duo)
13
Tuba
12
Ensemble de Trombones
10
Quatuor de Cuivres
10
Cor anglais, Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trompettes
9
2 Cors (duo)
9
Ensemble de Cors
6
2 Tubas (duo)
5
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Trompette, Cor (duo)
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Saxophone (duo)
2
Tuba et Orgue
2
Cor, Violoncelle (duo)
1
3 Tubas (trio)
1
Cor Anglais
1
3 Trompettes (trio)
1
Trombone basse
1
4 Tubas
1
3 Trombones (trio)
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
52
Harpe
40
Violon et Piano
39
Violon
31
Violoncelle, Piano
26
Alto, Piano
25
Violoncelle
25
2 Violons (duo)
18
2 Violoncelles (duo)
15
2 Altos (duo)
12
Trio à Cordes: violon, alto, violoncelle
12
Contrebasse, Piano (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Alto seul
10
Violon, Violoncelle (duo)
8
Contre Basse
8
Violon, Alto (duo)
5
Violon (partie séparée)
4
2 Contrebasses (duo)
4
Trio à Cordes: 3 violoncelles
4
Alto (partie séparée)
4
Ensemble d'Altos
3
Ensemble de Violons
3
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à cordes: 3 altos
2
3 Harpes
1
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
4 Harpes
1
Harpe, Trombone (duo)
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
82
Orchestre
41
Orchestre à Cordes
30
Orchestre de chambre
16
Ensemble Jazz
15
Cloches
12
Ensemble de cuivres
10
Ensemble de Percussions
9
Jazz combo
7
Ensemble d'École
5
Fanfare
4
Batterie
4
Xylophone, Piano
2
2 Xylophones
2
Marimba
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Not That Different
Partitions à imprimer
3 645 partitions trouvées
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3626
When You Say Nothing At All
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Keith Whitley
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Derek Hasted
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When You Say Nothing At All
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797826 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Scor...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797826 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 20 pages. Derek Hasted #6414637. Published by Derek Hasted (A0.797826). WHEN YOU SAY NOTHING AT ALL - GUITAR TRIO with OPTIONAL BASS PARTFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for guitars.My arrangement is based on Ronan Keating’s version, where the distinctive guitar accompaniment is a little different to Alison’s original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a guitar ensemble on stage to emulate that! Besides - the fade-out in Keating’s version is lots of repeated notes sung with different syllables - on the guitar it loses any sense of variety.But this arrangement does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. A lot of the vocal countermelodies are here too.The optional fourth part is suitable for novice guitar, for bass or acoustic guitar or for pizzicato double bass, and is included in both treble and bass clefs. But this arrangement works fine with just three guitars too...The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.I hope you enjoy performing this!
$4.99
When You Say Nothing At All
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Flûte et Guitare
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INTERMÉDIAIRE
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Keith Whitley
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Derek Hasted
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When You Say Nothing At All
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.797825 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hast...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.797825 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 12 pages. Derek Hasted #6411785. Published by Derek Hasted (A0.797825). WHEN YOU SAY NOTHING AT ALL - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for flute and guitar.My arrangement is based on Ronan Keating’s version, where the guitar part is a little different to the original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a flute and guitar duo on stage to emulate that! But it does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.Much of the guitar part can be played in the lower positions where there’s just a little bit more sustain to help support the flute part. Where the guitar part needs sustain across the bar-lines, I have used “ties to nothing†rather than formal ties. Ties generate a lot more black on the page and make the music harder to read. I hope you enjoy performing this!
$4.99
Michael, Row the Boat Ashore, in 3 keys! (Michael Row the Boat Ashore) (big letter notation)
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Piano, Voix
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DÉBUTANT
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Gospel Spirituel
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Musique Sacrée
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Dennis Frayne
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Dennis Frayne
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Michael, Row the Boat Ashore,
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.879214 Composed by Dennis Frayne. Arranged by Dennis Frayne. Folk,Holiday,Patriotic,Spiritual,Standards. Score. 4 ...
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Piano,Vocal,Voice - Level 1 - SKU: A0.879214 Composed by Dennis Frayne. Arranged by Dennis Frayne. Folk,Holiday,Patriotic,Spiritual,Standards. Score. 4 pages. Presto! It's Music Magic Publishing #6022305. Published by Presto! It's Music Magic Publishing (A0.879214). Michael, Row the Boat Ashore is an African-American Spiritual, written by slaves when they were fighting for and winning their freedom from slavery during the American Civil War. This song has been written here three times, each with the same melody, but each using notes from a different scale. Musicians refer to songs using different scales as being in different keys. First, the song is written using notes from the C Major Scale. Second, the song is written using notes from the D Major Scale. Third, the song is written using notes from the E Major Scale. When we write the same song using notes from different scales, or in different keys, we call that transposing the music. When a song transitions from one key to another key, we call that a key change, or a modulation. Includes lyrics and solfege syllables. Written using letter names, perfect for students who are learning to navigate the piano keyboard prior to reading standard music notation.
$3.99
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
On That Cross
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Stuart Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published by Stuart Brown Music (A0.835422). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
$3.50
On That Cross - Piano part only
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Piano (partie séparée)
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INTERMÉDIAIRE
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Stuart Brown
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On That Cross - Piano part onl
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Stuart Brown Music
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. P...
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Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
$1.99
Thats What I Want
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Chorale SATB
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FACILE
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Lil Nas X
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Cory Davis
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Thats What I Want
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Cory Davis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1169745 By Lil Nas X. By Blake Slatkin, Keegan Bach, Montero Lamar Hill, Omer Fedi, and Ryan Tedder. Arranged by...
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Choral Choir (SATB) - Level 2 - SKU: A0.1169745 By Lil Nas X. By Blake Slatkin, Keegan Bach, Montero Lamar Hill, Omer Fedi, and Ryan Tedder. Arranged by Cory Davis. Contemporary,Hip-Hop,Pop,R & B. Octavo. 10 pages. Cory Davis #770110. Published by Cory Davis (A0.1169745). Mostly unison singing, satisfying choir ahh's, a rocking piano part, and handclaps make this Lil Nas X hit a blast to perform! Please note that this includes the original lyrics, which are explicit. If you find a typo, have questions, or need a different voicing, please contact me cory@corydavismusic.com.
$2.99
Melody: Passing Notes educational pack - Perform Compose Understand PCU Series
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Methodes
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Austin Ralphson
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Melody: Passing Notes educatio
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Austin Ralphson
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.569831 Composed by Austin Ralphson. Instructional. Score and parts. 57 pages. Austin Ralphson #4626517. Published by ...
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Large Ensemble - Level 3 - SKU: A0.569831 Composed by Austin Ralphson. Instructional. Score and parts. 57 pages. Austin Ralphson #4626517. Published by Austin Ralphson (A0.569831). Melody: Passing Notes - Perform, Compose, Understand Series. This pack comprises a piece called Missing Links, worksheets and questions which relate to the piece. It is all about understanding melodic movement and direction.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top. How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$5.99
Max-Reger-30-Choral-Preludes_Opus-135a (KlavarScore notation, Letter/A4 for printing)
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Max Reger
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KlavarScore
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Max-Reger-30-Choral-Preludes_O
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KlavarScore
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1189489 By Max Reger. By Max Reger. Arranged by KlavarScore. 20th Century,Praise & Worship,Religious,Romantic Period. Score. 3...
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Organ - Level 3 - SKU: A0.1189489 By Max Reger. By Max Reger. Arranged by KlavarScore. 20th Century,Praise & Worship,Religious,Romantic Period. Score. 34 pages. KlavarScore #789127. Published by KlavarScore (A0.1189489). Thirty small Choral Preludes, arranged for Organ with pedal in 1914 by Max Reger: Opus 135a, transcribed to the KlavarScore tablature.The video example is No.4: Aus tiefer Not schrei ich zu dirMax Reger (1873-1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen.Source: Wikipedia On each score page in this book is a QR code for the free download of an audio example (MP3) of that piece. We acknowledge that there are different opinions about the playing tempo, but our goal is not to change your mind. So feel free to change these tempos as you prefer. This book is also available in e-book/tablet format (A5/PDF), that contains also links for the free download of KlavarScore Scrolling files of this music. These Scrolling KlavarScore files can be read from a tablet or cell phone with the MobileSheets music reader app, as shown on the video.KlavarScore is a tablature, a visual notation based upon the layout of the keyboard that makes scores for keyboard instruments (piano and organs) easy to read. With KlavarScore, music in all keys (tonalities) are equally easy to read. The staff lines represent the black keys and the score is read from top to bottom. The black keys are represented by black dots (note heads) on the lines, the white keys by open dots (note heads) between the lines.For more information about KlavarScore, Scrolling KlavarScore, the recommended sheet music reader app, and free examples, visit https://www.klavarscore.org.
$7.50
Let All Mortal Flesh Be Silent
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Guitare notes et tablatures
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FACILE
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Ron k Wiggins
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Ron k Wiggins
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Let All Mortal Flesh Be Silent
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WigMusic
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1313790 By Ron k Wiggins. By Gerald Moultie. Arranged by Ron k Wiggins. Christian,Christmas,Classical,Religious. Guitar Tab. ...
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Guitar - Level 2 - SKU: A0.1313790 By Ron k Wiggins. By Gerald Moultie. Arranged by Ron k Wiggins. Christian,Christmas,Classical,Religious. Guitar Tab. 2 pages. WigMusic #902505. Published by WigMusic (A0.1313790). The words to “Let All Mortal Flesh Keep Silence†is based on the Old Testament book of “Habakkuk 2:20 and became part of the “Divine Liturgy of St James†in the fifth century and was chanted.  The melody had its origins by Gerald Moultie 1829-1885 who based it on a medieval French folk melody called Picardy. There have been other translations and arrangements, most notably by Ralph Vaughan Williams 1872-1958.This relatively easy arrangement for Classical Guitar is first in D minor with the melody in the treble and then a very creative version with the melody in the Bass.  It wraps up in E minor with a lot of open strings and going all the way up to the 12th fret.  The overall result is beautiful and if you can play the basic “F†type bar chord it is not real difficult to play.Note that the YouTube video has a slightly different arrangement (actually a performance error) but I doubt you can find it.  The audio file provided here is correct.
$1.99
Rhythm: Dotted Notes & Triplets educational pack - Perform Compose Understand PCU Series
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Methodes
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Austin Ralphson
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Rhythm: Dotted Notes & Tri
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Austin Ralphson
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.569835 Composed by Austin Ralphson. Instructional. Score and parts. 58 pages. Austin Ralphson #4725511. Published by ...
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Large Ensemble - Level 3 - SKU: A0.569835 Composed by Austin Ralphson. Instructional. Score and parts. 58 pages. Austin Ralphson #4725511. Published by Austin Ralphson (A0.569835). Rhythm: Dotted Notes & Triplets - Perform, Compose, Understand Series. This pack comprises a piece called The Long And Short Of It, worksheets and questions which relate to the piece. It is all about understanding these two rhythmic devices, although it asks many other general musical questions as well.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, BTEC, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: RHYTHM backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.
$5.99
Max-Reger-30-Choral-Preludes_Opus-135a - (KlavarScore notation, A5 for Tablet use)
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Max Reger
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KlavarScore
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Max-Reger-30-Choral-Preludes_O
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KlavarScore
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1189491 By Max Reger. By Max Reger. Arranged by KlavarScore. 20th Century,Praise & Worship,Religious,Romantic Period. Score. 4...
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Organ - Level 3 - SKU: A0.1189491 By Max Reger. By Max Reger. Arranged by KlavarScore. 20th Century,Praise & Worship,Religious,Romantic Period. Score. 44 pages. KlavarScore #789129. Published by KlavarScore (A0.1189491). Max-Reger-30-Choral-Preludes_Opus-135a_A5 (KlavarScore Notation, for Tablet))Thirty small Choral Preludes, arranged for Organ with pedal in 1914 by Max Reger: Opus 135a, transcribed to the KlavarScore tablature.The video example is No.21: O Haupt voll Blut und WundenMax Reger (1873-1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen.Source: WikipediaOn the first pages in this book are links for the free download of an audio example (MP3) and a KlavarScore Scrolling format file of that piece. These Scrolling KlavarScore files can be read from a tablet or cell phone with the MobileSheets music reader app, as shown on the video.We acknowledge that there are different opinions about the playing tempo, but our goal is not to change your mind. So feel free to change these tempos as you prefer. This book is also available in Letter/A4 format (PDF) for printing, that contains QR codes for the free download of audio examples (MP3) of this music.KlavarScore is a tablature, a visual notation based upon the layout of the keyboard that makes scores for keyboard instruments (piano and organs) easy to read. With KlavarScore, music in all keys (tonalities) are equally easy to read. The staff lines represent the black keys and the score is read from top to bottom. The black keys are represented by black dots (note heads) on the lines, the white keys by open dots (note heads) between the lines.For more information about KlavarScore, Scrolling KlavarScore, the recommended sheet music reader app, and free examples, visit https://www.klavarscore.org.
$8.95
VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
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Chorale SATB
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FACILE
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Nicola Vaccaj
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Antonio Cericola
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VACCAJ - Metodo pratico di can
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Antonio Cericola
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages...
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Choral Choir (SATB) - Level 2 - SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages. Antonio Cericola #6328707. Published by Antonio Cericola (A0.934267). La nuovissima edizione di questo metodo storico include i componimenti scritti per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa aria già trasposta), ma anche agli insegnanti. Gli allievi, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Ogni arietta è corredata da note storiche, da consigli interpretativi e da note autografe (ove presenti indicate in corsivo) del Vaccaj stesso. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi del Metastasio sono stati riscritti con gli accenti ortoepici correttamente segnati su tutte le parole di dubbia pronuncia italiana. Sono altresì indicati i raddoppiamenti fonosintattici. Una legenda ortoepica precede il metodo. Nell’appendice sono incluse sia le note storiche dettagliate di ciascuna opera da cui sono tratti i versi, sia la serie degli intervalli da cantare che il Vaccaj scrisse per le storiche edizioni. Di questi solfeggi cantati è stato realizzato anche il basso continuo per agevolarne l’esecuzione ai giovani pianisti. Questa nuova edizione completa dell’opera, curata nella veste grafica ed impaginata ex novo per una lettura più agevole e chiara, è arricchita ulteriormente dalla preziosa presentazione del M°Antonio Juvarra.This new edition of this historical method includes compositions written for all vocal extensions in three different keys.This convenience will certainly be useful not only to accompanying pianists, but also to teachers. Pupils also could practice the same lesson in different keys for educational and musical purposes. Each arietta is accompanied by historical notes, interpretative advice and handwritten notes (where present indicate in italics) by Vaccaj himself. All the verses of Metastasio have been rewritten with the orthoepic accents correctly marked on all words of dubious Italian pronunciation. The phonosyntactic doublings are also indicated. An orthoepic legend precedes the method. The appendix includes both the detailed historical notes of each work from which the verses are taken, and the series of intervals to be sung that Vaccaj wrote for the historical editions. The basso continuo has also been made of these sung solfeggios to facilitate their performance by young pianists. This new complete edition of the work, edited in the graphics and paginated from scratch for easier and clearer reading, is further enriched by the precious presentation of Maestro Antonio Juvarra.
$14.99
Nothing But Love
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Chorale SATB
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FACILE
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Aaron Evans
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Aaron Evans
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Nothing But Love
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Aaron Evans
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1444099 By Aaron Evans. By Aaron Evans. Arranged by Aaron Evans. A Cappella,Folk,Spiritual. 1 pages....
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1444099 By Aaron Evans. By Aaron Evans. Arranged by Aaron Evans. A Cappella,Folk,Spiritual. 1 pages. Aaron Evans #1024045. Published by Aaron Evans (A0.1444099). Over recent years there have been an increasing number of movements encouraging the protection of the earth and her natural resources. One common thing amongst all of these movements is that we are in desperate need of sending her love. If, with everything we do, make or use, we do with love for the earth, we will be one step closer to building a greener future for our children.Tips for TeachingThis song has three different melodies that, when layered together, flow together as call and response. The S & A parts form one of these melodies, the T is another and the B the third.Something that my choirs have found useful to note is that in the first half, the phrases have an upward motion and in the second half a downward motion (with the exception of the tenor part).As an alternative to the words, for a performance, this could be sung through vowel sounds (ooh, ahh or hmm) with each melody offered the opportunity to ‘feature’ by singing the words over the others singing a vowel sound. For example, the S, A & B part ‘ooh' whilst the T sing their tune with the words.
$1.99
Twelve Different Pieces for two cellos, Op. 58
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2 Violoncelles (duo)
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FACILE
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Johann Justus Friedrich Dotzau
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Twelve Different Pieces for tw
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cellos - Level 2 - SKU: A0.841373 Composed by Johann Justus Friedrich Dotzauer. Arranged by Artistic Score Engraving by Michele Galvagno. Instructional,...
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Cellos - Level 2 - SKU: A0.841373 Composed by Johann Justus Friedrich Dotzauer. Arranged by Artistic Score Engraving by Michele Galvagno. Instructional,Romantic Period. Educational Exercises. 72 pages. Artistic Score Engraving di Galvagno Michele #6719777. Published by Artistic Score Engraving di Galvagno Michele (A0.841373). The Twelve Different Pieces for Two Cellos, dedicated to beginners, op. 58, by Johann Justus Friedrich Dotzauer, are a beautiful collection of short duets, perfectly suited to be used both in the classroom and in the concert hall. While the first cello is clearly written to play the role of the protagonist, the second cello is not relegated to a mere accompaniment seat. As usual with Dotzauer, something that may have contributed to these gems remaining unearthed until now, these pieces do not follow a growing order of difficulty. They are more or less equivalent in requiring up to the fourth position and not too many double stops, with some interesting bowing patterns here and there. Many forms are covered (there is even a fugue!), and none of them is in a slow tempo. This edition is made up of a 72-page book, in both PDF and EPUB form, enriched with interactive elements that make navigation a breeze. Additional PDF files for the score and the two cello parts are also included. It is an Urtext edition, in that it fully respects the composer's original text. Any correction to clear mistakes and/or editorial addition will be enclosed in square brackets. I hope you will enjoy every note of it!
$19.50
Where Is the Justice? (from Death Note: The Musical)
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Death Note: The Musical, Fra
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Samuel Labrecque
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Where Is the Justice?
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Composer Lab Music
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SheetMusicPlus
Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Death Note: The Musical, Frank Wildhorn, Jack Murphy. Arranged by Samuel Labrecque. ...
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Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Death Note: The Musical, Frank Wildhorn, Jack Murphy. Arranged by Samuel Labrecque. Score. 6 pages. Published by Composer Lab Music
The first song of Frank Wildhorn's musical based on the manga and anime series Death Note, a strong and catchy opening number, is now available for purchase in its English version in a faithful piano-vocal-chords arrangement by Samuel Labrecque. This version of the song is that of the original Japanese stage version, only with the full English lyrics from the script. It is slightly different from the version released in the English concept album.
$4.99
Quarter Note Quest
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Piano seul
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DÉBUTANT
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Cody Weinmann
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Cody Weinmann
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Quarter Note Quest
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Cody Weinmann
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SheetMusicPlus
Piano - Level 1 - SKU: A0.1506969 By Cody Weinmann. By Cody Weinmann. Arranged by Cody Weinmann. 21st Century. Educational Exercises. 2 pages. Cody Wein...
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Piano - Level 1 - SKU: A0.1506969 By Cody Weinmann. By Cody Weinmann. Arranged by Cody Weinmann. 21st Century. Educational Exercises. 2 pages. Cody Weinmann #1082351. Published by Cody Weinmann (A0.1506969). In this piece, I'm focusing on helping students with counting and reading quarter notes. This is one of many easy piano pieces and arrangements coming up. I've found that I love writing music for different levels of music students and different instrumentations. This will be soon on Sheet Music Plus and Sheet Music Direct as a single piece and as part of a set of pieces exploring different music notation durations--quarter notes, eighth notes, dotted notes, etc.
$4.99
Sonatina for Mrs. Grace Notes
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Piano Facile
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DÉBUTANT
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Stuart Sosnoski
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Sonatina for Mrs. Grace Notes
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Stuart Sosnoski
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1225847 Composed by Stuart Sosnoski. 21st Century,Children,Instructional. Score. 8 pages. Stuart Sosnoski #821885. Publis...
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Easy Piano - Level 1 - SKU: A0.1225847 Composed by Stuart Sosnoski. 21st Century,Children,Instructional. Score. 8 pages. Stuart Sosnoski #821885. Published by Stuart Sosnoski (A0.1225847). One of my first pieces, A Piece for Mrs. Grace Notes, did very well in composing competions and is well liked by my students. Therefore, I deceided to write this sonatina. Grace notes do appear in easier level material but we could always have more, especially if the students enjoy how they sound. This sonatina, fun, fast and exciting in the first and third movement while being very musical and expressive in the second, introduces students to different ways of playing grace notes; they are not always just a half step lower than the main note. The second movement also has an unusual time signature to educte students that 4/4, 3/4, or 6/8 are not the only time signatures available. I know your students will enjoy this sonatina as much as mine have!
$5.00
If I'm Not Made For You (if You're Not The One)
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Chorale SSAA
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INTERMÉDIAIRE
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Daniel Bedingfield
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Liz Garnett
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If I'm Not Made For You
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856190 By Daniel Bedingfield. By Daniel Bedingfield. Arranged by Liz Garnett. Contemporary,Dance,Pop. Octavo. 6 ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856190 By Daniel Bedingfield. By Daniel Bedingfield. Arranged by Liz Garnett. Contemporary,Dance,Pop. Octavo. 6 pages. Liz Garnett #3919001. Published by Liz Garnett (A0.856190). In writing this love-song Daniel Bedingfield deliberately aimed for the feel of a classic pop ballad; he certainly found that wistful mode of expression, though the soaring vocal lines suggest that he did not want to be held in by the genre even as he was recreating it.The arrangement shapes the narrative through a variety of textures, and makes a feature of handing the melody round between the different parts.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D4 - F5Lead: A3 - D5Bari: C4 - C5Bass: F3 - G4www.HelpingYouHarmonise.com
$2.99
I Am not I (Yo no soy yo)
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Piano, Voix
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Franco Solano
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I Am not I
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Franco Solano
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.977492 Composed by Franco Solano. 20th Century,Contemporary,World. Score. 6 pages. Franco Solano #5291875. Published by Fran...
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Piano,Vocal,Voice - SKU: A0.977492 Composed by Franco Solano. 20th Century,Contemporary,World. Score. 6 pages. Franco Solano #5291875. Published by Franco Solano (A0.977492). Composition for voice and piano on a poem by the Spanish poet Juan Ramón Jiménez In the song there are two different planes marked in the parts of the piano, an upper register with tonal/modal harmony and another register low/medium with atonal harmony, while the voice that sings coexists with the different levels. This was inspired by the dual idea proposed by the text, of a spiritual part that accompanies us.
$4.99
That's When The Music Takes Me
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Neil Sedaka
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Rebecca (Boo) de Bruin
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That's When The Music Takes Me
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,P...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
$1.99
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