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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Not Too Much To Ask
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Not Too Much To Ask
Instruments en Do
C Instrument - Digital Download SKU: A0.771668 By Mary Chapin Carpenter. By Don Sch…
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C Instrument - Digital Download SKU: A0.771668 By Mary Chapin Carpenter. By Don Schlitz and Mary Chapin Carpenter. Arranged by BryPiot. Country. Lead Sheet / Fake Book. 4 pages. BryPiot #379310. Published by BryPiot (A0.771668). Not Too Much To Ask written by Mary-Chapin Carpenter and Don Schlitz. Appearing on the album Come On Come On. Performed by Mary-Chapin Carpenter and Joe Diffie.
$3.99
3.65 €
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Instruments en Do
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Mary Chapin Carpenter
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BryPiot
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Not Too Much To Ask
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BryPiot
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SheetMusicPlus
#WeToo
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.82 €
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Chorale SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Do you want to build a rocket?
Chorale 2 parties
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1099392 Composed by Sall…
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1099392 Composed by Sally Whitwell. Children,Classical,Instructional. Octavo. 9 pages. Sally Whitwell #703279. Published by Sally Whitwell (A0.1099392). Do you want to build a rocket? was originally composed for a wonderful group of children I worked with at the Young Music Society Winter School in Canberra. The first day that I went in to meet them, I sat down with them on the floor and asked them what kind of performance they wanted to build. It was around the time that the Disney animated feature Frozen was very popular with kids. Or not, as it turns out, because one little boy’s hand shot up straight away and he said: “Tell you what I don’t wanna build: a stupid snowman!†He suggested we build a rocket instead. So that’s what we did. It’s a song about the wonder and curiosity we feel about the universe, of our desire to explore it, and of the determination and grit required to achieve that dream. It’s some very hard yards to build a rocket and to learn to fly it, but our dreams are always worth the work! I hope you have fun with this song. Teachers, I invite you to get as theatrical as you dare with it. In our original performance we had all these toy instruments, toy toolkits, and painted cardboard boxes. (So many boxes!). Let’s just say, if you think it’s gonna be ‘too much’, it’s probably exactly the right amount. Sally Whitwell August 2022.
$1.99
1.82 €
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Chorale 2 parties
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Sally Whitwell
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Do you want to build a rocket?
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Sally Whitwell
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SheetMusicPlus
Too Much To Ask
Guitare notes et tablatures
By Avril Lavigne. For guitar. Pop; Rock. Guitar TAB. 13 pages. Published by Hal Leonard - …
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By Avril Lavigne. For guitar. Pop; Rock. Guitar TAB. 13 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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Guitare notes et tablatures
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Avril Lavigne
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Rock
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Too Much To Ask
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Five Lyrics of Robert Herrick - Roger Quilter
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Published by Forsyth Brothers Ltd (A0.1171401). A delightful early opus from one of the most individual English songwriters of the Twentieth Century, Roger Quilter (1877-1953). The texts are taken from the works of Seventeenth Century English poet Robert Herrick (ca 1591-1674) whose lyrics Quilter also set to music in his Opus 8 song-cycle To Julia (1905). The Opus 7 settings are dedicated to Quilter's friend Percy Grainger.FIVE LYRICS OF ROBERT HERRICK (SATB & Piano): Cupid A Dirge Morning Song To Electra To Violets  CupidLove, like a beggar came to meWith hose and doublet torn;His shirt bedangling from his knee,With hat and shoes outworn. He asked an alms; I gave him bread,And meat too for his need,Of which, when he had fully fed,He wished me all good speed.Away he went, but as he turned,In faith I know not how,He touched me so, as that I burnedAnd am tormented now. Love’s silent flames and fires obscureThen crept into my heart;And though I saw no bow, I’m sureHis finger was the dart. A DirgeHere she lies, in bed of spice,Fair as Eve in ParadiseFor her beauty was suchPoets could not praise too much.Virgins come, and in a ringHer supremest requiem sing.Then depart but see ye treadLightly, lightly o’er the dead.Morning Song Let's now take our time,While we're in our prime,And old, old age is afar off:For the evil, evil daysWill come on apace,Before we can be aware of. To ElectraI dare not ask a kiss;I dare not beg a smile;Lest, having that or this,I might grow proud the while. No, no, the utmost shareOf my desire shall beOnly to kiss the airThat lately kissèd thee. To VioletsWelcome, maids of honour!You do bringIn the SpringAnd wait upon her She has virgins manyFresh and fair;Yet you areMore sweet than anyY'are the maiden posiesAnd so graced,To be placed'Fore damask roses.Yet though thus respectedBy and byYe do lie,Poor girls, neglected.
$9.99
9.14 €
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Chorale SATB
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and by
Ye do lie,
Poor girls, neglected
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Roger Quilter
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Five Lyrics of Robert Herrick - Roger Quilter
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Forsyth Brothers Ltd
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SheetMusicPlus
EVERYTHING LIKE BEFORE
Piano seul
Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me ALL AS BEFORE Tired flower bends the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret while I touch your beautiful face I ask myself who decided that your time would stop and that for you all would be over I, minstrel of my time, tell a thousand stories chronicles written in pencil real-life stories story now finished my fingers still drive, find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner There is a pathetic clown Look closer: it’s a little girl and everything comes back as before You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time for your queen and everything comes back as before before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness the beating of the heart makes too much noise rumbles here within into emptiness and silence no, do not love me, now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy my hand close to yours we'll soar to the heights where she is not there if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go .. The winter does not end the cold seems eternal here the sun dies ,effaces itself and then disappears Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page the mind has its woodworm and you can not heal it past, present and she who reigns everywhere pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him puppet in love ,now disconnected from your wires seek your child and there is nothing like before there is the sunset in your eyes but I'm here by your side a daddy and his little girl and there is nothing like before .... ..... the be.
$5.00
4.57 €
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Piano seul
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Monica Bergo
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EVERYTHING LIKE BEFORE
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Moni Bergo
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
45.73 €
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Orchestre d'harmonie
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A
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Stephen Davies
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.14 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Variations on Adeste fideles, Op. 21
Orgue
Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Ch…
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Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99
7.31 €
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Orgue
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Vidas Pinkevicius
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Variations on Adeste fideles, Op. 21
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Vidas Pinkevicius
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SheetMusicPlus
King Of Queens (tv Ser - Incidental Music)
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526297 Composed…
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526297 Composed by Kurt Farquhar. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop. 3 pages. Sarah Cellobat Chaffee #6423867. Published by Sarah Cellobat Chaffee (A0.526297). The King Of Queens is a much-beloved sitcom that aired from 1998-2007, following the adventures of a working-class couple living in Queens, NYC. Its fun and catchy theme song is really a love song from a husband to his wife, with lyrics like All I want to do...is drive right home to you, which is probably why I got asked to arrange this song for a wedding! It's a pretty specific request, but now if your client wants this song too you'll be all set! This arrangement for violin and cello includes a repeat and short extension at the end that makes the song about 1:15 in length instead of 30 seconds, so it can function as a vampable processional song or stand on its own. Rated advanced-intermediate for some tricky syncopated rhythms, but there's nothing too crazy here; both parts remain in first position throughout. This will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$5.99
5.48 €
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Violon, Violoncelle (duo)
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Kurt Farquhar
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Sarah Cellobat Chaffee
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King Of Queens
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Sarah Cellobat Chaffee
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SheetMusicPlus
Since First I Saw Your Face
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas F…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1336695 Composed by Thomas Ford. Arranged by Konrad Harley. Jazz,Renaissance. Score. 5 pages. Konrad Harley #922470. Published by Konrad Harley (A0.1336695). Based on the melody and words from Thomas Ford's Musicke of Sundrie Kindes (London, 1607). Arranged in a light, jazzy style by Konrad Harley (1986-), 2023.Lyrics:Since first I saw your face I resolv'dTo honour and renown ye.If now I be disdained I wishMy heart had never known ye.What, I that lov'd and you that lik'd,Shall we begin to wrangle?No, no, no, my heart is fast,And cannot disentangle.If I admire or praise you too much,That fault may you forgive me.Or if my hands had strayed but a touch,Then justly you might leave me.I asked you leave, you bade me love,Is't now a time to chide me?No, no, no, I'll love you still,What fortune e'er betide me.The sun whose beams more glorious areRejecteth no beholder,And your sweet beauty past compareMade my poor eyes the bolder.Where Beauty moves and Wit delightsAnd signs of kindness bind me,There, O there, where'er I go,I leave my heart behind me.
$4.99
4.56 €
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Piano, Voix
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Thomas Ford
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Konrad Harley
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Since First I Saw Your Face
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Konrad Harley
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SheetMusicPlus
Those Were The Days
Chorale Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.817385 By Mary Rice Hopk…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.817385 By Mary Rice Hopkins. By Gene Raskin. Arranged by Vicky Jacobs. Contemporary. Octavo. 1 pages. Victoria Jacobs #6495063. Published by Victoria Jacobs (A0.817385). This is part of a series of leadsheets I've put together for singalongs or as easy, quick songs to do with your choir. This one is in unison in a friendly key and is designed to be easy to read and not create too much photocopying!
$1.99
1.82 €
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Chorale Unison
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Mary Rice Hopkins
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Vicky Jacobs
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Those Were The Days
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Victoria Jacobs
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SheetMusicPlus
No More Pain by Anton
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanla…
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Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99
10.05 €
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Piano seul
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
Pluck for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.64 €
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Guitare
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
James Arthur - Say You Won't Let Go
Piano, Voix
Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by M…
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Piano/Vocal/Chords - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!<br> <br> With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!<br> These piano sheets come with an extra system for the singer, as well as the song's full lyrics. However, the full melody is included in the piano part, so it makes for a great instrumental (piano solo) version, too!<br> <br> "Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".<br> It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!<br> <br> Here are the full lyrics to James Arthur's "Say You Won't Let Go":<br> <br> I met you in the dark, you lit me up<br> You made me feel as though I was enough<br> We danced the night away, we drank too much<br> I held your hair back when<br> You were throwing up<br> Then you smiled over your shoulder<br> For a minute, I was stone-cold sober<br> I pulled you closer to my chest<br> And you asked me to stay over<br> I said, I already told ya<br> I think that you should get some rest<br> I knew I loved you then<br> But you'd never know<br> 'Cause I played it cool when I was scared of letting go<br> I know I needed you<br> But I never showed<br> But I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I'll wake you up with some breakfast in bed<br> I'll bring you coffee with a kiss on your head<br> And I'll take the kids to school<br> Wave them goodbye<br> And I'll thank my lucky stars for that night<br> When you looked over your shoulder<br> For a minute, I forget that I'm older<br> I wanna dance with you right now<br> Oh, and you look as beautiful as ever<br> And I swear that everyday'll get better<br> You make me feel this way somehow<br> I'm so in love with you<br> And I hope you know<br> Darling your love is more than worth its weight in gold<br> We've come so far my dear<br> Look how we've grown<br> And I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I wanna live with you<br> Even when we're ghosts<br> 'Cause you were always there for me when I needed you most<br> I'm gonna love you till<br> My lungs give out<br> I promise till death we part like in our vows<br> So I wrote this song for you, now everybody knows<br> Finally it's just you and me till we're grey and old<br> Just say you won't let go<br> Just say you won't let goHere's how to play "Say You Won't Let Go" by James Arthur on piano!<br> <br> With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!<br> These piano sheets come with an extra system for the singer, as well as the song's full lyrics. However, the full melody is included in the piano part, so it makes for a great instrumental (piano solo) version, too!<br> <br> "Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".<br> It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!<br> <br> Here are the full lyrics to James Arthur's "Say You Won't Let Go":<br> <br> I met you in the dark, you lit me up<br> You made me feel as though I was enough<br> We danced the night away, we drank too much<br> I held your hair back when<br> You were throwing up<br> Then you smiled over your shoulder<br> For a minute, I was stone-cold sober<br> I pulled you closer to my chest<br> And you asked me to stay over<br> I said, I already told ya<br> I think that you should get some rest<br> I knew I loved you then<br> But you'd never know<br> 'Cause I played it cool when I was scared of letting go<br> I know I needed you<br> But I never showed<br> But I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I'll wake you up with some breakfast in bed<br> I'll bring you coffee with a kiss on your head<br> And I'll take the kids to school<br> Wave them goodbye<br> And I'll thank my lucky stars for that night<br> When you looked over your shoulder<br> For a minute, I forget that I'm older<br> I wanna dance with you right now<br> Oh, and you look as beautiful as ever<br> And I swear that everyday'll get better<br> You make me feel this way somehow<br> I'm so in love with you<br> And I hope you know<br> Darling your love is more than worth its weight in gold<br> We've come so far my dear<br> Look how we've grown<br> And I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I wanna live with you<br> Even when we're ghosts<br> 'Cause you were always there for me when I needed you most<br> I'm gonna love you till<br> My lungs give out<br> I promise till death we part like in our vows<br> So I wrote this song for you, now everybody knows<br> Finally it's just you and me till we're grey and old<br> Just say you won't let go<br> Just say you won't let go
$4.99
4.56 €
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Piano, Voix
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James Arthur
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Mario Stallbaumer
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James Arthur - Say You Won't Let Go
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Mario Stallbaumer
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SheetMusicPlus
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799640 Composed by D. M. G…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Music #50653. Published by D. M. Gardner Music (A0.799640). Caffeinated Dreams is a humorous piece that pokes fun at high-dollar coffee by depicting a figurative monkey that is constantly trying to steal your latte. Anyone who has had the need for a nice warm caramel latte on a cold day (or any day) will enjoy this composition. Caffeine addicted people everywhere understand how difficult it is to get that monkey off your back... The one that's always telling you to cut back on your coffee habit. Watch out, or he'll steal your latte too! Caffeinated Dreams was inspired by the large number of coffee shops in Omaha, Nebraska, specifically one called Caffeine Dreams. If you are ever in the area, you should check it out. Also of note, there are small humorous illustrations throughout the score and parts to help inspire the performers. Perhaps you could attempt to get a local establishment to let you sing this piece for acup of java. I would.Humorous - You and your audience will love this piece!SATB/Solo Monkey with Conga, Bass Drum, Claves, Sand Block**Please note the MIDI audio sample does not reproduce any of the choir's non-singing vocalizations, of which there are many. Additionally, no monkey could be reached in time to make this recording, so that too is omitted. That being said, I think you will still very much enjoy this piece!Premiere: University of Nebraska at Omaha - University ChorusDifficulty: Moderate - A great piece for just about any choir...but especially for those old enough to drink a lot of coffee.Approx. 2 minutes and 30 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$1.99
1.82 €
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Chorale SATB
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D
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Caffeinated Dreams
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D. M. Gardner Music
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SheetMusicPlus
Say You Won't Let Go - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download By James Arthur. Arranged by Mario Stall…
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Piano Solo - Intermediate - Digital Download By James Arthur. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "Say You Won't Let Go" by James Arthur on piano!<br> <br> With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!<br> The full melody is included in the piano part, so it makes for a great instrumental (piano solo) version!<br> <br> "Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".<br> It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!<br> <br> Here are the full lyrics to James Arthur's "Say You Won't Let Go":<br> <br> I met you in the dark, you lit me up<br> You made me feel as though I was enough<br> We danced the night away, we drank too much<br> I held your hair back when<br> You were throwing up<br> Then you smiled over your shoulder<br> For a minute, I was stone-cold sober<br> I pulled you closer to my chest<br> And you asked me to stay over<br> I said, I already told ya<br> I think that you should get some rest<br> I knew I loved you then<br> But you'd never know<br> 'Cause I played it cool when I was scared of letting go<br> I know I needed you<br> But I never showed<br> But I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I'll wake you up with some breakfast in bed<br> I'll bring you coffee with a kiss on your head<br> And I'll take the kids to school<br> Wave them goodbye<br> And I'll thank my lucky stars for that night<br> When you looked over your shoulder<br> For a minute, I forget that I'm older<br> I wanna dance with you right now<br> Oh, and you look as beautiful as ever<br> And I swear that everyday'll get better<br> You make me feel this way somehow<br> I'm so in love with you<br> And I hope you know<br> Darling your love is more than worth its weight in gold<br> We've come so far my dear<br> Look how we've grown<br> And I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I wanna live with you<br> Even when we're ghosts<br> 'Cause you were always there for me when I needed you most<br> I'm gonna love you till<br> My lungs give out<br> I promise till death we part like in our vows<br> So I wrote this song for you, now everybody knows<br> Finally it's just you and me till we're grey and old<br> Just say you won't let go<br> Just say you won't let goHere's how to play "Say You Won't Let Go" by James Arthur on piano!<br> <br> With this piano sheet music, you get an accurate arrangement of the full song which is not too hard to play, and sounds fantastic!<br> The full melody is included in the piano part, so it makes for a great instrumental (piano solo) version!<br> <br> "Say You Won't Let Go" is the lead single from James Arthur's second studio album, "Back from the Edge".<br> It became one of his most successful songs, and has been streamed over 1 billion times on Spotify!<br> <br> Here are the full lyrics to James Arthur's "Say You Won't Let Go":<br> <br> I met you in the dark, you lit me up<br> You made me feel as though I was enough<br> We danced the night away, we drank too much<br> I held your hair back when<br> You were throwing up<br> Then you smiled over your shoulder<br> For a minute, I was stone-cold sober<br> I pulled you closer to my chest<br> And you asked me to stay over<br> I said, I already told ya<br> I think that you should get some rest<br> I knew I loved you then<br> But you'd never know<br> 'Cause I played it cool when I was scared of letting go<br> I know I needed you<br> But I never showed<br> But I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I'll wake you up with some breakfast in bed<br> I'll bring you coffee with a kiss on your head<br> And I'll take the kids to school<br> Wave them goodbye<br> And I'll thank my lucky stars for that night<br> When you looked over your shoulder<br> For a minute, I forget that I'm older<br> I wanna dance with you right now<br> Oh, and you look as beautiful as ever<br> And I swear that everyday'll get better<br> You make me feel this way somehow<br> I'm so in love with you<br> And I hope you know<br> Darling your love is more than worth its weight in gold<br> We've come so far my dear<br> Look how we've grown<br> And I wanna stay with you until we're grey and old<br> Just say you won't let go<br> Just say you won't let go<br> I wanna live with you<br> Even when we're ghosts<br> 'Cause you were always there for me when I needed you most<br> I'm gonna love you till<br> My lungs give out<br> I promise till death we part like in our vows<br> So I wrote this song for you, now everybody knows<br> Finally it's just you and me till we're grey and old<br> Just say you won't let go<br> Just say you won't let go
$4.99
4.56 €
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Piano seul
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James Arthur
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Mario Stallbaumer
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Say You Won't Let Go - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
Formations for Wind Ensemble
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. …
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Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
137.21 €
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Orchestre d'harmonie
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Kyle Wernke
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Formations for Wind Ensemble
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Kyle Wernke Publishing
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SheetMusicPlus
Lullaby (SATB, Piano, Violin and Cello)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799656 Composed by D. M. G…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799656 Composed by D. M. Gardner. Contemporary. Octavo. 14 pages. D. M. Gardner Music #2063481. Published by D. M. Gardner Music (A0.799656). Lullaby is a beautifully melodic setting that interweaves choir, violin, cello, and piano as equal voices, together expressing the tender, yet powerful love and protective nature of a mother’s embrace. As a young child being rocked to sleep resists the urge to close his eyes, he is encouraged by his mother’s gentle, sweet melody to find laughter and adventure among his dreams.As the poet, Veronica Toracca-Bragdon describes rocking her son, Singing to him before bed is my chance to connect with him, to tell him everything I love about him, to thank him for the happiness he brings us. I cherish that time alone with him, because the night he doesn’t ask me to sing to him will arrive too soon. Veronica’s beautifully composed poem expresses not only these sentiments, but genuinely and tangibly represents the words that anyone who has children could imagine singing themselves.Lullaby’s simple, timeless melody captures the beauty and tenderness of the moment, at the same time reminding us of the innocent, carefree, and playful nature of the children we love so much.
$2.25
2.06 €
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Chorale SATB
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D
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Lullaby
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D. M. Gardner Music
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.31 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
What Are You Doing New Year's Eve?
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1151823 Composed by Frank Loesser. Arranged by James Pybus. Christmas,Holiday,Pop,Standards. 9 pages. James Pybus #752026. Published by James Pybus (A0.1151823). What Are You Doing New Year's Eve? is a popular song written in 1947 by Frank Loesser as an independent song. It was first recorded by Margaret Whiting in 1947 and first charted for The Orioles, peaking at No. 9 on Billboard's Best-Selling Retail Rhythm & Blues chart in December 1949. Although it is typically performed in December, that was not the composer's intent. In A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life, his daughter Susan Loesser explains that the singer, madly in love, is making a (possibly rash) commitment far into the future. (Maybe it's much too early in the game. Ah, but I thought I'd ask you just the same – What are you doing New Year's, New Year's Eve?) It always annoyed my father when the song was sung during the holidays. This SATB Saxophone Quartet arrangement begins with a quote from Dvorak's New World Symphony before proceeding into the rarely included verse of the song and ends with a quote from the popular song Auld Lang Syne written by Robert Burns, which is often heard on New Year's Eve. The saxophone quartet sound is sure to engage audiences in the spirit and sentiment of the song itself. The duration is 4:21. Contact me at james.pybus56@gmail.com.
$20.00
18.29 €
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Quatuor de Saxophones: 4 saxophones
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Frank Loesser
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James Pybus
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What Are You Doing New Year's Eve?
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James Pybus
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SheetMusicPlus
L'amore di Kebo Iwa (Balinese Gamelan in Piano)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felic…
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Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 pages. Gabrielle Felicita Chen #646246. Published by Gabrielle Felicita Chen (A0.1041503). “L’amore di Kebo Iwa†simply means ‘the Love of Kebo Iwa’ , which is inspired from Indonesian Balinese folk music. It is usually played by the instruments called Gamelan. Bali is an island in Indonesia rich with cultural traditions that are very much rooted in myths and legends. After understanding deeper of the legend of “Kebo Iwaâ€, I was so drawn to the character and the plot that I decided to tell the story in my piano composition. I was able to use different kinds of musical techniques to express different moods. One of them is to apply the Pentatonic ‘Balinese Pelog’ Scale in B flat Major, which represents the majority of the Gamelan sound that is usually transcribed into Western notations. Below is the synopsis the “L’amore di Kebo Iwaâ€. A Once upon a time, in Bali, there was a husband and a wife who dearly wanted to have a baby. They prayed to God for a very long time. Finally, God heard their prayers and blessed them with a baby boy. But there was something special about this baby boy: he was very big- a giant baby. They named him Kebo Iwa. Kebo Iwa grew up with a good heart and became a gentleman. He was a kind hearted giant; he protected the village dearly. One day, the King of Majapahit from Java wanted to conquer Bali. He had heard about Kebo Iwa and knew that his army would lose to Kebo Iwa. B Therefore, the King of Majapahit tricked Kebo Iwa. He invited Kebo Iwa to Java island, promising that he would arrange a wedding for Kebo Iwa to marry his daughter, the beautiful Majapahit princess. Kebo Iwa was so in love with the princess, so he happily travelled to Java island. C After he arrived in Java, the King of Majapahit asked a favour from Kebo Iwa to dig a well, with the reason for it being the dry season. Kebo Iwa then sincerely gave some help and started digging a big, giant well. D However, the King Majapahit never meant to deliver his promise to Kebo Iwa. Instead, the King Majapahit commanded the troops to cover the well with mud and boulders. But when Kebo Iwa realized, it was too late. He was already in the position that was far too deep below - at the bottom of the well. Kebo Iwa then cried loudly and sadly with a broken heart until his last breath. He was buried alive. Soon after that, the Majapahit troops attacked and conquered Bali. E At last, the well was covered and grew a hill of flowers. To this day, the Bali villagers still remember Kebo Iwa as their hero. To honor him, they erected a giant statue of Kebo Iwa in Gianyar, Bali, as a memorial.
$9.99
9.14 €
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Piano seul
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Gabrielle Felicita Chen
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L'amore di Kebo Iwa
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Gabrielle Felicita Chen
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SheetMusicPlus
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone et Orgue
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
13.72 €
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Saxophone et Orgue
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Judith Cloud
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What Would Nina Simone Say? For Soprano Sax & Organ
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Judith Cloud
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SheetMusicPlus
Musette for Strings from The GateWay Editions First Position String Orchestra Series
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.862513 Composed by Michael Bo…
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String Orchestra - Level 3 - Digital Download SKU: A0.862513 Composed by Michael Bomier. Contemporary,Instructional,Romantic Period,Standards. Score and parts. 21 pages. Michael Butkus-Bomier #2032331. Published by Michael Butkus-Bomier (A0.862513). A musette is a bassline that typically uses alternating low and high octaves to keep the underpinnings of a melody moving right along. Here we have that broken octave figure split into two voices, the cello and bass. Thus, no one section has to keep alternating up and down. The tune is a Shubertian sort of easy-going, elegant song. It is harmonized with as much color as the basic scalar melody can absorb, without getting too radical in its tonal range. The final section uses two dotted quarters in each measure instead of three plain quarter-notes. Bowings are by string pedagogue Lori Sandell Lacey. Running time at the suggested tempo is 3 mins. The piece CAN go faster should your group be up to that task! Remember, ALL notes are in 1st position for all sections, no trills or fast passages across strings, all standard up and down bowings, no pizzicato or divisi. Makes a nice opening piece, or the end of the first section of a two-part program. MBB.
$20.00
18.29 €
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Orchestre à Cordes
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Michael Bomier
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Musette for Strings from The GateWay Editions First Position String Orchestra Series
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Michael Butkus-Bomier
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SheetMusicPlus
The Fightin' 55th (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
22.82 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
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