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Nothin' But A Good Time - Electric Bass
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Nothin' But A Good Time - Multiple Bass Drums
Batterie
By Poison. By Bobby Dall, Rikki Rockett, Brett Michaels, and Bruce Johannesson. Arranged b…
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By Poison. By Bobby Dall, Rikki Rockett, Brett Michaels, and Bruce Johannesson. Arranged by Tim Waters. Rock. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.51 €
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Batterie
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Poison
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Tim Waters
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Nothin' But A Good Time - Multiple Bass Drums
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Divertimento For Flute Choir
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chamber,Contemporary. 117 pages. Geraldine (Denny) Green at Oakmountmusic #903088. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314344). ALL PURCHASES COME WITH SCORE AND PARTSThe Divertimento for Flute Choir was requested by flautist David Greenalgh for the Flute choir Tooti Flooti and was written in June and July 2016. It has 3 short movements and a total duration of about 15 minutes.The outer movements are speedy, light hearted and sunny natured, while the middle movement is slower and rather haunting. The 3rd movement is the only one with a title, “The June Prune Tuneâ€, and there is a funny story behind the name. Many summers ago, my husband, Bob, and I were playing guitar and penny whistle together at home and I just happened to be snacking on dried prunes at the time. Bob joked that I should write a tune called the Prune Tune. I went a step further and said, June prune Tune, but it had to be written in June and I had to be eating prunes while actually writing it. Well, for the two Junes of 2014 and 2015 I tried to do it but no tune came. Nothing. Silence! Then, on the 1st June 2016 I was dashing home from work and I dived into a small corner shop for a sandwich and happened to spot a pack of dried prunes along with other dried fruits. So, in the local park, I stopped to have my butty and prunes while watching the birds and as I was eating the prunes a tune suddenly was there in my mind and I was subconsciously humming it. Like a thunderbolt it hit me! This was it! The June Prune Tune had arrived. Luckily I nearly always have paper on me so at once I scribbled it down, while munching very deliberately on the only two prunes left in the pack! Music doesn’t always have to be filled with sorrow and sadness and turmoil, even though much of mine is. But sometimes it’s just great to let the humour and flippancy flow,too, and simply enjoy having a good joke and a laugh. The Instrumentation is:Flute 1 – doubling Piccolo, Flute 2 – doubling piccolo, Flute 3 – doubling piccolo, Flute 4, Alto flute, Bass flute and string Double Bass.As the work was written for a specific group of players, the parts are single and do not divide within themselves. This, however, should not prevent it also working well with more than one player per part.The double bass part sometimes doubles the bass flute line, but also is an independent part in its own right.
$50.00
45.95 €
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Ensemble de Flûtes
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Tooti Flooti
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Divertimento For Flute Choir
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Geraldine
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SheetMusicPlus
The Old Rugged Cross early intermediate piano solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1416895 Composed by George Bennard.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1416895 Composed by George Bennard. Arranged by Amanda Tero. Christian,Easter,Holiday,Religious,Sacred. Score. 10 pages. Amanda Tero #998485. Published by Amanda Tero (A0.1416895). If you want a nice but easy arrangement of The Old Rugged Cross for early intermediate piano players, this solo is a good option. It’s in the key of G and has simple patterns that Level 2-3 students can learn.This early intermediate piano solo of The Old Rugged Cross is made for students who want easier patterns. The left hand has nice patterns that are easy to learn. The right hand plays a single-note melody in the middle and high registers.It is arranged in a traditional style with a few rich chords, but nothing too jazzy.For church services, recitals, and Easter music events, The Old Rugged Cross early intermediate piano sheet music solo will capture the listeners and cause them to ponder.Similar in level to most Level 2-3 piano curricula and ABRSM Level 2-3.The basic format of The Old Rugged Cross early intermediate piano solo is: introduction, verse/chorus, interlude, verse/chorus, ending.6 pages. Key of G major.Approx. 3:00 performance time. Musical Elements In The Old Rugged Cross Early Intermediate Piano Solo Sheet Music Key of G major Time signature: 3/4 Tempo: reflective, slow Note values: dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes Note reading: right hand treble clef D4 to C6, left hand bass clef G2 to F4 Ledger lines (up to 2 lines) Ties Left hand cross over right hand Left hand features similar patterns Right hand single-note melody Accidentals Practice Tips for The Old Rugged Cross Early Intermediate Piano Solo Sheet Music Encourage the pianist to take their time as they play this old favorite. The left hand should be flowing and smooth, but not too fast.As the student is learning The Old Rugged Cross, find the patterns that are different, as that will help them from having surprises in the middle of repeating left hand patterns.
$4.99
4.59 €
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Piano seul
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George Bennard
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Amanda Tero
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The Old Rugged Cross early intermediate piano solo
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Amanda Tero
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.57 €
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
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