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Vous avez sélectionné:
Now That We Don't Talk
Partitions à imprimer
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Now That We Don't Talk
Basse electrique
Bass Guitar - Digital Download SKU: A0.1329861 By Taylor Swift. By Jack Antonoff an…
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Bass Guitar - Digital Download SKU: A0.1329861 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Gavin Jackson Music. Disco,Pop. Score. 3 pages. Gavin Jackson Music #917846. Published by Gavin Jackson Music (A0.1329861). Taylor Swift - Now That We Don't Talk (Taylor's Version) Album - 1989 (Taylor's Version) Complete Bass Transcription Tuning - Standard Tuning / E Standard (4 String Bass).
$4.99
4.59 €
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Basse electrique
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Taylor Swift
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Gavin Jackson Music
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Now That We Don't Talk
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Gavin Jackson Music
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SheetMusicPlus
Now That We Don't Talk
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.1317707 By Taylor Swift. By Jack A…
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Violin Solo - Level 3 - Digital Download SKU: A0.1317707 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Jen Douglas. Pop,R & B,Singer/Songwriter. 2 pages. Jennifer Douglas #906387. Published by Jennifer Douglas (A0.1317707). Violin sheet music for Now That We Don't Talk by Taylor Swift.All music in the original key.
$6.99
6.44 €
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Violon
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Taylor Swift
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Jen Douglas
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Now That We Don't Talk
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Jennifer Douglas
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SheetMusicPlus
Now That We Don't Talk
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1341891 By Taylor Swift. By Jack An…
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Easy Piano - Level 1 - Digital Download SKU: A0.1341891 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Jose Rojas. Contemporary,Contest,Festival,Pop,R & B,Singer/Songwriter. Score. 4 pages. Jose Rojas #927399. Published by Jose Rojas (A0.1341891). Simple piano arrangement of Taylor Swift's Now That We Don't Talk. Some rhythms of the melody are simplified to make it easy for beginner pianists to play.
$4.99
4.59 €
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Piano Facile
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Taylor Swift
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Jose Rojas
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Now That We Don't Talk
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Jose Rojas
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SheetMusicPlus
Now That We Don't Talk
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1363801 By Taylor Swift. By Jack An…
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Piano Solo - Level 3 - Digital Download SKU: A0.1363801 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Jin Kay Teo. Pop. Score. 2 pages. Jin Kay Teo #948199. Published by Jin Kay Teo (A0.1363801). Arranged by Jin Kay Teo for solo piano Performance on YouTube: https://youtu.be/kOVCTdSDUhQSubscribe for more covers! http://bit.ly/2SBnrTT.
$4.99
4.59 €
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Piano seul
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Taylor Swift
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Jin Kay Teo
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Now That We Don't Talk
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Jin Kay Teo
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SheetMusicPlus
Now That We Don't Talk
Trio à Cordes: violon, alto, violoncelle
Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1320811 By Taylor Swift…
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Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1320811 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Danielle Tavolacci. This edition: Interactive Download. Pop. 14 pages. Duration 141. Danielle Tavolacci #xsmHHUTV2uAnpYF9cT7gc. Published by Danielle Tavolacci (A0.1320811). Key: C major.String Quartet arrangement.
$14.99
13.8 €
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Trio à Cordes: violon, alto, violoncelle
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Taylor Swift
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Danielle Tavolacci
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Now That We Don't Talk
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Danielle Tavolacci
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SheetMusicPlus
Now That We Don't Talk
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1320815 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Danielle Tavolacci. Pop. 14 pages. Danielle Tavolacci #909261. Published by Danielle Tavolacci (A0.1320815). String Quartet Arrangement.
$12.99
11.96 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Taylor Swift
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Danielle Tavolacci
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Now That We Don't Talk
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Danielle Tavolacci
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SheetMusicPlus
Now That We Don't Talk
Piano Facile
By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Mark Waters. Pop. Sc…
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By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Mark Waters. Pop. Score. 5 pages. Mark Waters #900157. Published by Mark Waters
$4.99
4.59 €
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Piano Facile
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Taylor Swift
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Mark Waters
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Now That We Don't Talk
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Mark Waters
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SheetMusicPlus
Now That We Don't Talk (Taylor's Version) (From The Vault)
Piano, Voix et Guitare
By Taylor Swift. This edition: Interactive Download,scorch. Pop. Score. 6 pages. Hal …
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By Taylor Swift. This edition: Interactive Download,scorch. Pop. Score. 6 pages. Hal Leonard - Digital #350443. Published by Hal Leonard - Digital
$4.99
4.59 €
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Piano, Voix et Guitare
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Taylor Swift
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Now That We Don't Talk
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Hal Leonard - Digital
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SheetMusicPlus
The House We Build
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00
2.76 €
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Chorale SATB
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
Now That We Don't Talk by Taylor Swift - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Sheet Music for Now That We Don't Talk by Taylor Swift arranged for Piano/Vocal/Chord…
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Sheet Music for Now That We Don't Talk by Taylor Swift arranged for Piano/Vocal/Chords;Singer Pro in C Major. Digital sheet music from Musicnotes. --
$5.79
5.33 €
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Piano, Voix
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Young And Beautiful
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1270923 By Lana…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1270923 By Lana Del Rey. By Elizabeth Grant and Rick Nowels. Arranged by Alison Gillies. Film/TV,Pop,Singer/Songwriter,Wedding. 13 pages. Quartetpad.com #863309. Published by quartetpad.com (A0.1270923). Young And Beautiful by Lana Del Rey arranged for string trio (with optional parts for 2nd violin or viola) by Alison Gillies. Used on the soundtrack for The Great Gatsby, Young and Beautiful has become a popular choice for wedding ceremonies and receptions.Other best-selling quartetpad arrangements include:-    Wildest Dreams (Taylor Swift)-    Bridgerton Theme (Kris Bowers)-    Dancing On My Own (Robyn)-    Material Girl (Madonna)-    L-O-V-E (Natalie Cole)-    We Don’t Talk About Bruno (Lin Manuel Miranda)-    Girls Like You (Maroon 5)-    Here Comes The Sun (The Beatles)-    A Million Dreams (P!nk)-    Running Up That Hill (Kate Bush)-    Diamonds (Rihanna)-    Strange (Celeste) For a full list of arrangements by Alison Gillies, please visit quartetpad.comInstagramFacebook
$16.99
15.64 €
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Trio à Cordes: violon, alto, violoncelle
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Lana Del Rey
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Alison Gillies
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Young And Beautiful
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quartetpad.com
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.67 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Super Mario Bros Theme
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1281916 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1281916 Composed by Koji Kondo. Arranged by Alison Gillies. Film/TV,Video Game. 8 pages. Quartetpad.com #873269. Published by quartetpad.com (A0.1281916). The Super Mario Bros. Theme by Koji Kondo arranged for string trio (with optional violin 2 or viola) by Alison Gillies.This theme, sometimes known as the 'Ground Theme' or 'Overworld Theme' was first heard back in 1985 when the first iteration of the Super Mario Bros. game premiered on Nintendo. This arrangement for string trio has all the fun of the original track and is in the original key of C major.Other best-selling quartetpad arrangements include:-    Wildest Dreams (Taylor Swift)-    Bridgerton Theme (Kris Bowers)-    Dancing On My Own (Robyn)-    Material Girl (Madonna)-    L-O-V-E (Natalie Cole)-    We Don’t Talk About Bruno (Lin Manuel Miranda)-    Girls Like You (Maroon 5)-    Here Comes The Sun (The Beatles)-    A Million Dreams (P!nk)-    Running Up That Hill (Kate Bush)-    Diamonds (Rihanna)-    Strange (Celeste)Browse all arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
$16.99
15.64 €
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Trio à Cordes: violon, alto, violoncelle
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Koji Kondo
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Alison Gillies
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Super Mario Bros Theme
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quartetpad.com
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SheetMusicPlus
Super Mario Bros Theme
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1278798 Composed by Koji Kondo. Arranged by Alison Gillies. Film/TV,Video Game. 8 pages. Quartetpad.com #870359. Published by quartetpad.com (A0.1278798). The Super Mario Bros Theme by Koji Kondo arranged for string quartet by Alison Gillies.This theme, sometimes known as the 'Ground Theme' or 'Overworld Theme' was first heard back in 1985 when the first iteration of the Super Mario Bros. game premiered on Nintendo. This arrangement for string quartet has all the fun of the original track and is in the original key of C major.Other best-selling quartetpad arrangements include:-    Wildest Dreams (Taylor Swift)-    Bridgerton Theme (Kris Bowers)-    Dancing On My Own (Robyn)-    Material Girl (Madonna)-    L-O-V-E (Natalie Cole)-    We Don’t Talk About Bruno (Lin Manuel Miranda)-    Girls Like You (Maroon 5)-    Here Comes The Sun (The Beatles)-    A Million Dreams (P!nk)-    Running Up That Hill (Kate Bush)-    Diamonds (Rihanna)-    Strange (Celeste)Browse all arrangements by Alison Gillies at https://www.quartetpad.comInstagramFacebookTikTok
$16.99
15.64 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Koji Kondo
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Alison Gillies
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Super Mario Bros Theme
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quartetpad.com
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SheetMusicPlus
Taylor Swift: Now That We Don't Talk (Taylor's Version) (From The Vault) - voice, piano or guitar
Piano, Voix et Guitare
Instantly printable sheet music by Taylor Swift for voice, piano or guitar of MEDIUM skill…
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Instantly printable sheet music by Taylor Swift for voice, piano or guitar of MEDIUM skill level. / pop
$6.97
6.42 €
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Piano, Voix et Guitare
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Taylor Swift
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Virtualsheetmusic
Hallelujah
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799676 By Lee DeWyze. By L…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC! THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright. Please do not use without purchase!
$1.99
1.83 €
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Chorale SATB
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Lee DeWyze
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D
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Hallelujah
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D. M. Gardner Music
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SheetMusicPlus
If You Could Go Back Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.83 €
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.83 €
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Steven H
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If You Could Go Back Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop,Rock. Accompaniment. Duration 184. Boothe Publishing #4633665. Published by Boothe Publishing (A0.1069959). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.83 €
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Piano seul
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
This Guy's In Love With You
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1248632 By Herb Alpert. By Burt Bac…
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Piano Solo - Level 3 - Digital Download SKU: A0.1248632 By Herb Alpert. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #843127. Published by Timothy Stapay (A0.1248632). This is an arrangement of This Guys In Love With You for intermediate piano solo.This Guy's in Love with You is a song written by Burt Bacharach and Hal David, and recorded by Herb Alpert. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, arranged by Bacharach. An earlier recording of the song was by British singer Danny Williams titled That Guy's in Love, which appears on his 1968 self-titled album.As documented in an A&E Biography episode featuring Bacharach, the recording originated when Alpert, while visiting at Bacharach's office, asked, Say, Burt, do you happen to have any old compositions lying around that you and Hal never recorded; maybe one I might be able to use? Alpert said he made it his practice to ask songwriters that particular question: often a lost pearl was revealed. As it happened, Bacharach recalled one, found the lyrics and score sheet in his office filing cabinet, and offered it to Alpert: Here, Herb ... you might like this one.Lyrics:You see this guyThis guy's in love with youYes, I'm in loveWho looks at you the way I doWhen you smile I can tellWe know each other very wellHow can I show youI'm glad I got to know you, 'causeI've heard some talkThey say you think I'm fineYeah, I'm in loveAnd what I'd do to make you mineTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'causeI need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just dieTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'cause I need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just die.
$6.99
6.44 €
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Piano seul
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Herb Alpert
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Timothy Stapay
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This Guy's In Love With You
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Timothy Stapay
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SheetMusicPlus
Deja Vu
Flûte à bec Soprano
Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.643951 By Olivi…
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Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.643951 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253028. Published by M das Melodias (A0.643951). Music sheet music Deja Vu for Soprano Recorder. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).
$4.99
4.59 €
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Flûte à bec Soprano
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Olivia Rodrigo
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Josiel Oliveira
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Deja Vu
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M das Melodias
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SheetMusicPlus
Deja Vu
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.643955 By Olivia Rodrigo. …
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.643955 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253032. Published by M das Melodias (A0.643955). Music sheet music Deja Vu for Trumpet in Bb. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu #oliviarodrigo #dejavu #trumpet #sheetmusic #relaxingmusic Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).
$4.99
4.59 €
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Trompette
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Olivia Rodrigo
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Josiel Oliveira
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Deja Vu
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M das Melodias
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SheetMusicPlus
Deja Vu
Trombone
Trombone Solo - Level 1 - Digital Download SKU: A0.643954 By Olivia Rodrigo. By Ann…
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Trombone Solo - Level 1 - Digital Download SKU: A0.643954 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253031. Published by M das Melodias (A0.643954). Music sheet music Deja Vu for Trombone. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).
$4.99
4.59 €
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Trombone
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Olivia Rodrigo
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Josiel Oliveira
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Deja Vu
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M das Melodias
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SheetMusicPlus
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