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Ode to Joy - Horn in F Duet - Intermediate
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Crtitères actifs :
Ode to Joy - Horn in F Duet - Intermediate
Partitions à imprimer
25 partitions trouvées
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1
Ode to Joy, B Version Score & Parts
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2 Harpes (duo)
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FACILE
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Musique Sacrée
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Ludwig van Beethoven
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Serena O'Meara
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Ode to Joy, B Version Score &a
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp,Pedal Harp - Level 2 - SKU: A0.803815 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Pra...
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Instrumental Duet,Lever Harp,Pedal Harp - Level 2 - SKU: A0.803815 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worship,Sacred,Standards. 24 pages. O'Meara Music #4765309. Published by O'Meara Music (A0.803815). My Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version. The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. This arrangement travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked.  You will receive the B Version score and  parts. Beethoven was influenced by the writings of Johann Christoph Friedrich von Schiller, a German poet, playwright, and historian. His 1785 poem, An die Freude (Ode to Joy), spoke to Beethoven of perfect, eternal spiritual bliss and the unity of nature.
$12.00
Ode to Joy, B Version Harp I
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2 Harpes (duo)
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FACILE
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Musique Sacrée
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Ludwig van Beethoven
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Serena O'Meara
#
Ode to Joy, B Version Harp I
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp - Level 2 - SKU: A0.803814 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worsh...
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Instrumental Duet,Lever Harp - Level 2 - SKU: A0.803814 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worship,Sacred,Standards. 8 pages. O'Meara Music #4765317. Published by O'Meara Music (A0.803814). My Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version. The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. This arrangement travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked.  You will receive the B Version Harp I part. Beethoven was influenced by the writings of Johann Christoph Friedrich von Schiller, a German poet, playwright, and historian. His 1785 poem, An die Freude (Ode to Joy), spoke to Beethoven of perfect, eternal spiritual bliss and the unity of nature.Â
$6.00
Ode to Joy, A Version Harp II
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2 Harpes (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Ludwig van Beethoven
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Serena O'Meara
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Ode to Joy, A Version Harp II
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O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803813 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worsh...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803813 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worship,Sacred,Standards. 8 pages. O'Meara Music #4765305. Published by O'Meara Music (A0.803813). My Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version. The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. This arrangement travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked. You will receive the A Version Harp IIÂ part. Beethoven was influenced by the writings of Johann Christoph Friedrich von Schiller, a German poet, playwright, and historian. His 1785 poem, An die Freude (Ode to Joy), spoke to Beethoven of perfect, eternal spiritual bliss and the unity of nature.
$6.00
Ode to Joy, B Version Harp II
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2 Harpes (duo)
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FACILE
#
Musique Sacrée
#
Ludwig van Beethoven
#
Serena O'Meara
#
Ode to Joy, B Version Harp II
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O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp,Pedal Harp - Level 2 - SKU: A0.803816 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Pra...
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Instrumental Duet,Lever Harp,Pedal Harp - Level 2 - SKU: A0.803816 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worship,Sacred,Standards. 8 pages. O'Meara Music #4765323. Published by O'Meara Music (A0.803816). My Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version. The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. This arrangement travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked. Â You will receive the A Version Harp II part.art. Beethoven was influenced by the writings of Johann Christoph Friedrich von Schiller, a German poet, playwright, and historian. His 1785 poem, An die Freude (Ode to Joy), spoke to Beethoven of perfect, eternal spiritual bliss and the unity of nature.
$6.00
ode to joy trumpet and bassoon sheet music for beginners in b flat
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Trompette, Basson (duo)
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Arezzo Music
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ode to joy trumpet and bassoon
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Arezzo Music
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SheetMusicPlus
B-Flat Trumpet,Bassoon,Instrumental Duet - Level 1 - SKU: A0.1277737 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Arezzo Music. Baroq...
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B-Flat Trumpet,Bassoon,Instrumental Duet - Level 1 - SKU: A0.1277737 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Arezzo Music. Baroque,Chamber,Children,Early Music,Traditional. 3 pages. Arezzo Music #869419. Published by Arezzo Music (A0.1277737). Ode to joy trumpet and bassoon sheet music for beginners in b flatExperience the enchanting collaboration of trumpet and bassoon with our sheet music for BWV Anh. 131 Gavotte in F. This delightful arrangement brings together the majestic tones of the trumpet and the rich depth of the bassoon, creating a harmonious and captivating performance. Whether you're a beginner or a seasoned player, our meticulously crafted sheet music will guide you through this charming piece, allowing you to showcase the unique qualities of these two instruments. Elevate your musical repertoire with the timeless beauty of Bach's composition, expertly arranged for trumpet and bassoon. 🎺🎼🎵ode to joy trumpet and bassoon sheet music for beginners in b flat
$3.99
Ode To Joy - Flute Duet
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2 Flûtes traversières (duo)
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Lynette Auberjeunois
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Ode To Joy - Flute Duet
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Flute Files Publishing
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SheetMusicPlus
Flute Duet Flute - Level 1 - SKU: A0.1277209 Composed by Ludwig van Beethoven. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Festival. Sco...
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Flute Duet Flute - Level 1 - SKU: A0.1277209 Composed by Ludwig van Beethoven. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Festival. Score. 4 pages. Flute Files Publishing #868900. Published by Flute Files Publishing (A0.1277209). Ode To Joy flute duet sheet music. Composed by Ludwig van Beethoven. Arranged by Lynette Auberjeunois for late beginner level. Digital download includes a one page flute duet score in the key of F. Range: Flute 1: C2 - C3, Flute 2: A1 - F2. Published by Flute Files Publishing (CL62-1014).
$2.99
Ode To Joy
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Trompette, Trombone (duo)
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Joe Securis
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Ode To Joy
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Albus Music
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SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1161649 Composed by Ludwig van Beethoven. Arranged by Joe Securis. Chamber,Children,Classi...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1161649 Composed by Ludwig van Beethoven. Arranged by Joe Securis. Chamber,Children,Classical,Film/TV. 3 pages. Albus Music #762020. Published by Albus Music (A0.1161649). Ode to Joy, by Ludwig van Beethoven, easy and simplified version for beginners/students in the trumpet and trombone, in F major. Trumpet plays the melody and trombone plays an accompaniment. Score and parts. One page. Duration: 34 seconds
$1.99
Ode To Joy
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Trompette, Trombone (duo)
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DÉBUTANT
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Classique
#
Ludwig van Beethoven
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Joe Securis
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Ode To Joy
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Albus Music
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SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1161837 Composed by Ludwig van Beethoven. Arranged by Joe Securis. Chamber,Children,Classi...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1161837 Composed by Ludwig van Beethoven. Arranged by Joe Securis. Chamber,Children,Classical,Film/TV. 3 pages. Albus Music #762211. Published by Albus Music (A0.1161837). Ode to Joy, by Ludwig van Beethoven, easy and simplified version for beginners/students in the trumpet and trombone, in F major. Trumpet plays the melody and trombone plays an accompaniment. Score and parts. One page. Duration: 34 seconds.
$1.99
Ode To Joy
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Trompette, Trombone (duo)
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Joe Securis
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with ritornello
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Ode To Joy
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Albus Music
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SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1161854 Composed by Ludwig van Beethoven. Arranged by Joe Securis. Chamber,Children,Classi...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1161854 Composed by Ludwig van Beethoven. Arranged by Joe Securis. Chamber,Children,Classical,Film/TV. 3 pages. Albus Music #762227. Published by Albus Music (A0.1161854). Ode to Joy, by Ludwig van Beethoven, easy and simplified version for beginners/students in the trumpet and trombone, in F major. Trumpet plays the melody and trombone plays an accompaniment; with ritornello. Score and parts. One page score. Duration: 1:06.
$1.99
Ode To Joy
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Trompette, Trombone (duo)
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Joe Securis
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with ritornello
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Ode To Joy
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Albus Music
#
SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1161848 Composed by Ludwig van Beethoven. Arranged by Joe Securis. Chamber,Children,Classi...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - SKU: A0.1161848 Composed by Ludwig van Beethoven. Arranged by Joe Securis. Chamber,Children,Classical,Film/TV. 3 pages. Albus Music #762221. Published by Albus Music (A0.1161848). Ode to Joy, by Ludwig van Beethoven, easy and simplified version for beginners/students in the trumpet and trombone, in F major. Trumpet plays the melody and trombone plays an accompaniment; with ritornello. Score and parts. One page. Duration: 1:06.
$1.99
Donut Etudes v5 - Scale Duets for 2 Bass Trombones
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2 Trombones (duo)
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Trombone Duet Trombone - SKU: A0.784313 Composed by Joshua Hauser. Instructional. Score. 41 pages. Slide Ride #3570011. Published by Slide Ride (A0.7843...
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Trombone Duet Trombone - SKU: A0.784313 Composed by Joshua Hauser. Instructional. Score. 41 pages. Slide Ride #3570011. Published by Slide Ride (A0.784313).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Ode to Joy - PLAY ALONG TRACK (F Maj) - MAJOR SCORE PUBLISHING
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Piano seul
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Classique
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Ludwig van Beethoven
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MAJOR SCORE PUBLISHING TM
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Ode to Joy - PLAY ALONG TRACK
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Major Score Publishing
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SheetMusicPlus
Piano - SKU: A0.1070898 Composed by Ludwig van Beethoven. Arranged by MAJOR SCORE PUBLISHING TM. Classical. Accompaniment. Duration 79. Major Score Publ...
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Piano - SKU: A0.1070898 Composed by Ludwig van Beethoven. Arranged by MAJOR SCORE PUBLISHING TM. Classical. Accompaniment. Duration 79. Major Score Publishing #6255661. Published by Major Score Publishing (A0.1070898). Here is the piano accompaniment for Beethoven's Ode to Joy. This version has been designed to pair with all instrumental duets by MAJOR SCORE PUBLISHING TM. in the key of Concert F Major. Enjoy!
$1.99
Donut Etudes v5 - Scale Duets for 2 Tubas
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2 Tubas (duo)
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Methodes
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Joshua Hauser
#
Donut Etudes v5 - Scale Duets
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Slide Ride
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Tuba - SKU: A0.784314 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570013. Publ...
(+)
Instrumental Duet Instrumental Duet,Tuba - SKU: A0.784314 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570013. Published by Slide Ride (A0.784314).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Ode to Joy, A Version Score & Parts
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Harpe
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INTERMÉDIAIRE
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Musique Sacrée
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Ludwig van Beethoven
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Serena O'Meara
#
Ode to Joy, A Version Score &a
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O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Pedal Harp - Level 3 - SKU: A0.803811 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worsh...
(+)
Instrumental Duet,Pedal Harp - Level 3 - SKU: A0.803811 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worship,Sacred,Standards. 24 pages. O'Meara Music #4765293. Published by O'Meara Music (A0.803811). My Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version. The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. This arrangement travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked. You will receive the A Version score and  parts. Beethoven was influenced by the writings of Johann Christoph Friedrich von Schiller, a German poet, playwright, and historian. His 1785 poem, An die Freude (Ode to Joy), spoke to Beethoven of perfect, eternal spiritual bliss and the unity of nature.
$12.00
Ode to Joy, A Version Harp I
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Harpe
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INTERMÉDIAIRE
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Musique Sacrée
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Ludwig van Beethoven
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Serena O'Meara
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Ode to Joy, A Version Harp I
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Pedal Harp - Level 3 - SKU: A0.803812 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worsh...
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Instrumental Duet,Pedal Harp - Level 3 - SKU: A0.803812 Composed by Ludwig van Beethoven. Arranged by Serena O'Meara. Christmas,Classical,Praise & Worship,Sacred,Standards. 8 pages. O'Meara Music #4765301. Published by O'Meara Music (A0.803812). My Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version. The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. This arrangement travels from the key of G, through the key of C to the key of F. The melody is equally divided between parts. Dynamics are clearly marked. Â You will receive the A Version Harp IÂ part. Beethoven was influenced by the writings of Johann Christoph Friedrich von Schiller, a German poet, playwright, and historian. His 1785 poem, An die Freude (Ode to Joy), spoke to Beethoven of perfect, eternal spiritual bliss and the unity of nature.
$6.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and par...
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Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288655. Published by Slide Ride (A0.784332). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Sli...
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015....
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Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Passacaglia in C (piano duet)
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1 Piano, 4 mains
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99
It's Christmas! (SA Duet)
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Voix duo, Piano
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INTERMÉDIAIRE
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Cathy Stamegna
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Cathy Stamegna
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It's Christmas!
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Cathy Stamegna
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SheetMusicPlus
Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 3 - SKU: A0.1357651 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Christian,Christmas,...
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Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 3 - SKU: A0.1357651 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Christian,Christmas,Contemporary,Contest,Festival,Holiday. 11 pages. Cathy Stamegna #942190. Published by Cathy Stamegna (A0.1357651). “Joy exploded here, it’s Christmas!† The lyrics capture the excitement and thrill we experience when the lights, music, and decorations usher in the Christmas season.  The lyrics transition from “decorate the halls…†to decorate your hearts…† A slower, peaceful passage follows:  “We are Christmas lights.† A return to the A section with “Joy exploded here, on Christmas!†speaks of the Christ Child who brought us joy from heaven.  Appropriate for concert, recital, or contemporary worship.  Key of F. Major, modulating to G.  Performance Time: approx. 3:00.
$4.99
Passacaglia in C (Organ)
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Orgue
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...
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Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
70 Easy Classical Pieces For Bassoon & Piano
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Basson, Piano (duo)
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DÉBUTANT
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Classique
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Various
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70 Easy Classical Pieces For B
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Eugene Egorov
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SheetMusicPlus
Piano Accompaniment, Bassoon - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Romantic Period, Classical Period, Ba...
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Piano Accompaniment, Bassoon - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Romantic Period, Classical Period, Baroque Period. 101 pages. Published by Eugene Egorov
1. Pomp and Circumstance Edward Elgar
2. Andante (Surprise Symphony) Franz Joseph Haydn
3. Arioso Daniel Gottlob Turk
4. Lullaby Johannes Brahms
5. Melody Robert Schumann
6. Sarabande George Frideric Handel
7. Silent Night Franz Xaver Gruber
8. A Little Piece Robert Schumann
9. Carnival Of Venice Julius Benedict
10. La Donna E Mobile Giuseppe Verdi
11. Largo (The New World) Antonin Dvorak
12. Old French Song Peter Ilyich Tchaikovsky
13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky
14. We Wish You A Merry Christmas EnglishFolk Song
15. Air Henry Purcell
16. Ode To Joy LudwigVan Beethoven
17. Italian Polka SergeiRachmaninoff
18. Minuet (In F Major) Wolfgang Amadeus Mozart
19. Solveig`s Song EdvardGrieg
20. Sonatina (In C Major) Muzio Clementi
21. Waltz DmitriKabalevsky
22. Alouette FrenchFolk Song
23. Gaudeamus Igitur Johannes Brahms
24. Green Sleeves English Folk Song
25. Hongroise Adolphe-Charles Adam
26. Minuet (In F Major) Franz Joseph Haydn
27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart
28. Soldier's March Robert Schumann
29. Arietta MuzioClementi
30. Emperor Waltz JohannStrauss Jr.
31. Grand March (Aida) Giuseppe Verdi
32. Happy Birthday To You Patty & Mildred J. Hill
33. Minuet (In D Minor) Johann Sebastian Bach
34. Santa Lucia Italian Folk Song
35. The Emperor's Hymn Franz Joseph Haydn
36. La Paloma Sebastian Yradier
37. Dance Of The Hours Amilcare Ponchielli
38. Fur Elise Ludwig Van Beethoven
39. Humoresque Antonin Dvorak
40. Minuet (In G Major) Johann Sebastian Bach
41. Toreador Song Georges Bizet
42. Turkish March Wolfgang Amadeus Mozart
43. Ave Maria FranzSchubert
44. Barcarolle Jacques Offenbach
45. In The Hall Of The Mountain King Edvard Grieg
46. Melody In FAnton Rubinstein
47. None But The Lonely Heart Peter Ilyich Tchaikovsky
48. Polovtsian Dance Alexander Borodin
49. Spanish Romance
50. Liebestraum (Dream Of Love) Franz Liszt
51. Arioso George Frideric Handel
52. O Mio Babbino Caro Giacomo Puccini
53. O Sole Mio Eduardo Di Capua
54. To A Wild Rose EdwardMacDowell
55. Sobre Las Olas (Over The Waves) JuventinoRosas
56. Waltz (Op. 39 No. 15) Johannes Brahms
57. Blue Danube Waltz Johann Strauss Jr.
58. Bridal Chorus (Wedding March) Richard Wagner
59. Gavotte Jean-Baptiste Lully
60. Die Forelle FranzSchubert
61. Pavane Gabriel Faure
62. The Skaters Waltz Emile Waldteufel
63. Wedding March FelixBartholdy Mendelssohn
64. Adagio (In G Minor) Tomaso Giovanni Albinoni
65. Can Can Jacques Offenbach
66. Habanera GeorgesBizet
67. Passacaglia Handel-Halvorsen
68. Radetzky March JohannStrauss Sr.
69. Serenade FranzSchubert
70. Theme From Symphony No.40 Wolfgang Amadeus Mozart
$29.95
70 Easy Classical Pieces For Oboe and Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Various
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70 Easy Classical Pieces For O
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SheetMusicPlus
Piano Accompaniment, Oboe - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Classical Period. 101 pages. Published by Euge...
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Piano Accompaniment, Oboe - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Classical Period. 101 pages. Published by Eugene Egorov
1. Pomp and Circumstance Edward Elgar
2. Andante (Surprise Symphony) Franz Joseph Haydn
3. Arioso Daniel Gottlob Turk
4. Lullaby Johannes Brahms
5. Melody Robert Schumann
6. Sarabande George Frideric Handel
7. Silent Night Franz Xaver Gruber
8. A Little Piece Robert Schumann
9. Carnival Of Venice Julius Benedict
10. La Donna E Mobile Giuseppe Verdi
11. Largo (The New World) Antonin Dvorak
12. Old French Song Peter Ilyich Tchaikovsky
13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky
14. We Wish You A Merry Christmas EnglishFolk Song
15. Air Henry Purcell
16. Ode To Joy LudwigVan Beethoven
17. Italian Polka SergeiRachmaninoff
18. Minuet (In F Major) Wolfgang Amadeus Mozart
19. Solveig`s Song EdvardGrieg
20. Sonatina (In C Major) Muzio Clementi
21. Waltz DmitriKabalevsky
22. Alouette FrenchFolk Song
23. Gaudeamus Igitur Johannes Brahms
24. Green Sleeves English Folk Song
25. Hongroise Adolphe-Charles Adam
26. Minuet (In F Major) Franz Joseph Haydn
27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart
28. Soldier\'s March Robert Schumann
29. Arietta MuzioClementi
30. Emperor Waltz JohannStrauss Jr.
31. Grand March (Aida) Giuseppe Verdi
32. Happy Birthday To You Patty and Mildred J. Hill
33. Minuet (In D Minor) Johann Sebastian Bach
34. Santa Lucia Italian Folk Song
35. The Emperor\'s Hymn Franz Joseph Haydn
36. La Paloma Sebastian Yradier
37. Dance Of The Hours Amilcare Ponchielli
38. Fur Elise Ludwig Van Beethoven
39. Humoresque Antonin Dvorak
40. Minuet (In G Major) Johann Sebastian Bach
41. Toreador Song Georges Bizet
42. Turkish March Wolfgang Amadeus Mozart
43. Ave Maria FranzSchubert
44. Barcarolle Jacques Offenbach
45. In The Hall Of The Mountain King Edvard Grieg
46. Melody In FAnton Rubinstein
47. None But The Lonely Heart Peter Ilyich Tchaikovsky
48. Polovtsian Dance Alexander Borodin
49. Spanish Romance
50. Liebestraum (Dream Of Love) Franz Liszt
51. Arioso George Frideric Handel
52. O Mio Babbino Caro Giacomo Puccini
53. O Sole Mio Eduardo Di Capua
54. To A Wild Rose EdwardMacDowell
55. Sobre Las Olas (Over The Waves) JuventinoRosas
56. Waltz (Op. 39 No. 15) Johannes Brahms
57. Blue Danube Waltz Johann Strauss Jr.
58. Bridal Chorus (Wedding March) Richard Wagner
59. Gavotte Jean-Baptiste Lully
60. Die Forelle FranzSchubert
61. Pavane Gabriel Faure
62. The Skaters Waltz Emile Waldteufel
63. Wedding March FelixBartholdy Mendelssohn
64. Adagio (In G Minor) Tomaso Giovanni Albinoni
65. Can Can Jacques Offenbach
66. Habanera GeorgesBizet
67. Passacaglia Handel-Halvorsen
68. Radetzky March JohannStrauss Sr.
69. Serenade FranzSchubert
70. Theme From Symphony No.40 Wolfgang Amadeus Mozart
$29.95
Pura Alegria for Trumpet Sextet and Keyboard
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Eddie Lewis
Spice up yo
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Eddie Lewis
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Pura Alegria for Trumpet Sexte
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Tiger Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and part...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and parts. 35 pages. Tiger Music #6635933. Published by Tiger Music (A0.750374). Pura Alegria Brass Sextet and Keyboard 3 Trumpets, 3 Trombones and Keyboard Composed for the Stirling High School Brass Ensemble, in East London, South Africa MBR 3430 By Eddie Lewis Spice up your brass program with this Latin tinged composition for three trumpets, three trombones and keyboard. Pura Alegria is one of Eddie Lewis’ en clave compositions, where every rhythm from every phrase in the piece is derived from the clave. The clave is a rhythm from west Africa that came to the tropical islands with the slaves. From there, hundreds of years later, the rhythm became the underlying groove for a number of modern Latin dance music styles. Eddie Lewis was exposed to the clave rhythms during a period of twenty years when he was making his living primarily as a salsa trumpet player. While Eddie’s compositions are not salsa, his writing has been forever influenced by that music and the people. And that influence is not limited to only the rhythms. We are only emphasizing the rhythms here because of the prominence of the clave in Pura Alegria. Stirling High School, East London, South Africa Eddie composed Pura Alegria for the students in the brass ensemble at Stirling High School in East London, South Africa. The students prepared it as part of a presentation and Eddie was honored to contribute something for them to work on and perform. The request came from Eddie’s good friend, Leonard Brandt. Leonard is a professional trumpet player in South Africa and also teaches applied brass at the high school. When Eddie was in South Africa for the jazz festival in Grahamstown (2016), Leonard arranged a personal performance of Pura Alegria for him in one of the empty classrooms. The composition was a smashing success and the students and the audience all enjoyed it! Skill Level When Eddie does a commission, he goes to great lengths to map out the skills of the individual players. Often times, his method’s skill levels don’t apply. Please keep in mind that skill levels in published music are not about how good the students are. Students will always have mixed skill sets. That’s part of what it means to be human. We are good at some things and bad at others. So the skills of the individual parts in Pura Alegria are varied, not only from part to part, but from skill to skill. That said, the highest note in the first trumpet part is written high C, and the rhythms are syncopated (because of the clave influence). We would put most of that first part in our Trumpet Pro skill level. The highest note in the second part is written A above the staff. The highest note in the third trumpet part is top line F. Practice Recommendations Pay special attention to the articulations, which can feel a little awkward, but really make the piece. Sometimes the eighth-notes are long and the quarter-notes are short. Other times the quarter-notes are long and the eighth-notes are short. Also be careful with the dynamics. There will be a tendency to play the entire piece too loud. Because it feels like that kind of piece. However, if you play it that way, it will ruin some of the compositional effects. This is especially true for the keyboard. If you are performing with a keyboard, not an acoustic piano, then what’s the amplification that it doesn’t bury the rest of the ensemble. You cannot have the keyboard set to the same volume as you would for a full jazz ensemble class. Other than that, have fun with this piece. The name, Pura Alegria, in English means Pure Joy! The rhythms are delightful and the melodies are infectious.
$31.34
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
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