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Of Times Medieval: Flute
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Vous avez sélectionné:
Of Times Medieval: Flute
Partitions à imprimer
22 partitions trouvées
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"The Willow Tree" A Modern Medieval Aria for Flute, Clarinet and Piano
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Flûte, Clarinette, Piano (trio)
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FACILE
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Grant Horsley
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Grant Horsley
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"The Willow Tree" A
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Grant Horsley
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1256826 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1256826 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Folk,Medieval,Wedding. 18 pages. Grant Horsley #850212. Published by Grant Horsley (A0.1256826). The Willow Tree is in 5/4 time which has a few bars of 3/4 for variety. It is quite modal at times and representative of a medieval tone.It is in Concert D minor and Ternary form, I have set it at early intermediate as the instrumental ranges are around 2 octaves and a dotted crotchet quaver is the most complicated rhythm. On the youtube link there is the full score for you to assess suitability. It is around 4 minutes in length and very suitable for a number of situations. Flute Duet, Clarinet Duet and Violin duet versions available.
$5.99
"The Willow Tree" A Modern Medieval Aria for Clarinet Duet and Piano
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2 Clarinettes (duo)
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FACILE
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Grant Horsley
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"The Willow Tree" A
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Grant Horsley
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SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.785843 Composed by Grant Horsley. Contemporary,Contest,Early Music,Festival,Medieval,Wedding. 2 scores. 18 pa...
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Clarinet Duet Clarinet - Level 2 - SKU: A0.785843 Composed by Grant Horsley. Contemporary,Contest,Early Music,Festival,Medieval,Wedding. 2 scores. 18 pages. Grant Horsley #6658879. Published by Grant Horsley (A0.785843). A Piano accompaniment track is available for this pieceThe Willow Tree is in 5/4 time which has a few bars of 3/4 for variety.It is quite modal at times and representative of a medieval tone. It is in Concert D minor and Ternary form, I have set it at early intermediate as the Clarinet range is around 2 octaves and a dotted crotchet quaver is the most complicated rhythm.The youtube link has the full score for you to assess suitability.It is around 4 minutes in length and very suitable for a number of situations.Price is full score and parts Flute and Violin versions are available.
$5.99
"The Willow Tree" A Modern Medieval Aria for Violin Duet and Piano
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2 Violons (duo)
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FACILE
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Grant Horsley
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"The Willow Tree" A
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Grant Horsley
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.785842 Composed by Grant Horsley. Contemporary,Contest,Festival,Medieval,Standards,Wedding. 18 pages. Grant Horsl...
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Violin Duet Violin - Level 2 - SKU: A0.785842 Composed by Grant Horsley. Contemporary,Contest,Festival,Medieval,Standards,Wedding. 18 pages. Grant Horsley #6658877. Published by Grant Horsley (A0.785842). A Piano accompaniment track is available for this piece The Willow Tree is in 5/4 time which has a few bars of 3/4 for variety.It is quite modal at times and representative of a medieval tone. It is in Concert D minor and Ternary form, I have set it at early intermediate as the Violin range is around 2 octaves and a dotted crotchet quaver is the most complicated rhythm. I have left the bowing to the performer.The youtube link has the full score for you to assess suitability.It is around 4 minutes in length and very suitable for a number of situations.Price is full score and parts Flute and Clarinet versions are available.
$5.99
Medieval Wedding
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Andrew Payne
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Medieval Wedding
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Andrew Payne
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.908430 Composed by Andrew Payne. Classical,Contemporary,Multicultural,Wedding,World. 28 pages. An...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.908430 Composed by Andrew Payne. Classical,Contemporary,Multicultural,Wedding,World. 28 pages. Andrew Payne #3094725. Published by Andrew Payne (A0.908430). Piece for wind quintet (Flute, Oboe, Clarinet Bb, Horn in F, Bassoon) in three sections ABA'. Evocative of a celebration and a bridal procession in Medieval times.
$7.99
Variations on Lenten Hymns for Solo Flute
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Flûte traversière
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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American Spiritual, Hans Leo H
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Carolyn Krysl-Hutchinson
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Variations on Lenten Hymns for
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Carolyn Krysl-Hutchinson
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.898371 Composed by American Spiritual, Hans Leo Hassler, Johann Cruger, Joseph Parry, Martin Herbst, Medieval Irish Tune,...
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Flute Solo - Level 3 - SKU: A0.898371 Composed by American Spiritual, Hans Leo Hassler, Johann Cruger, Joseph Parry, Martin Herbst, Medieval Irish Tune, and Thomas J. Williams. Arranged by Carolyn Krysl-Hutchinson. Christian,Contemporary,Easter,Sacred. Individual part. 20 pages. Carolyn Krysl-Hutchinson #6303121. Published by Carolyn Krysl-Hutchinson (A0.898371). For unaccompanied flute, alto flute, or bass flute, these seven hymn variations were composed with the Christian Lenten season in mind. They are suitable for corporate worship, small group settings, and private devotions. Each is no longer than three minutes, which works well for times of meditation, prayer, collection of the offertory, preludes, etc. Each hymn variation includes verses from the Bible which may be spoken, when appropriate.
$9.99
Psalm 23 (theme From The Vicar Of Dibley)
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Flûte et Guitare
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FACILE
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Musique Sacrée
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Howard Goodall
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Derek Hasted
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Psalm 23
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.797816 Composed by Howard Goodall. Arranged by Derek Hasted. Contemporary,Film/TV. ...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.797816 Composed by Howard Goodall. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 13 pages. Derek Hasted #6333153. Published by Derek Hasted (A0.797816). VICAR OF DIBLEY (Psalm 23) - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This delightful setting of the 23rd Psalm (The Lord Is My Shepherd) by Howard Goodall is well-known in the UK and elsewhere as the Theme Tune to the gentle TV comedy The Vicar Of Dibley.My arrangement for flute and guitar is very accessible and straightforward, but still contains all the thematic material of the original. In a nod to the medieval sound that a choir conjures up when singing this modern setting, the guitar part is played with a Capo on the 3rd fret, to mimic the pitch range of the lute and to make the sound lighter and more ethereal. The flute part is played at pitch, so the full score is set in two keys - the capo does all the magic!Dynamics are suggested that mirror the original (with choir, organ and full orchestra) but the guitar fingering and the flute breath points are yours to choose - just make sure you make the performance yours...I hope you enjoy performing this!
$4.99
Of Times Medieval: Flute
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Flute (partie séparée)
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Methodes
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Jared Spears
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Of Times Medieval: Flute
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Jared Spears. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music...
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By Jared Spears. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music
$3.00
The Seven Joys of Mary (with optional flute and clarinet parts)
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Chorale 3 parties
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FACILE
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Traditional
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Philip Le Bas
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The Seven Joys of Mary
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Philip Le Bas
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1127914 Composed by Traditional. Arranged by Philip Le Bas. Christian,Christmas,Easter,Sacred. 57 pages. P...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1127914 Composed by Traditional. Arranged by Philip Le Bas. Christian,Christmas,Easter,Sacred. 57 pages. Philip Le Bas #728523. Published by Philip Le Bas (A0.1127914). A new setting by Philip Le Bas of the ancient carol The Seven Joys of Mary (or Joys Seven, or a variety of other possible titles.) This version includes the optional flute and B flat clarinet parts. Since medieval times the number of Joys of Mary has varied between five, seven, ten and twelve, but the the current number of seven has become popular, especially since the basic harmonization of R.R. Terry published in 1833 and the contemporary version for 8-part choir by Stephen Cleobury in the OUP's Carols for Choirs series. (A history of the carol can be found in the New Oxford Book of Carols, edited by H Keyte and A Parrott, p.462f.) The version presented here is kept relatively simple to perform, being scored only for three-part choir (SABar - soprano, alto, baritone) and piano, but with plenty of interest including changes in voicing, changes of rhythm (especially verse 6) and two key changes. The arranger hopes performers and listeners will find it energetic and fun! It should certainly be sung in that spirit! Although often associated with Christmas, it could in fact be performed in any season, including Easter, referring as it does to the whole life, death and resurrection of Christ.
$1.99
The Seven Joys of Mary (with optional wind quartet)
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Chorale 3 parties
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FACILE
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Traditional
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Philip Le Bas
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The Seven Joys of Mary
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1127905 Composed by Traditional. Arranged by Philip Le Bas. Christmas,Easter,Sacred,Traditional. Octavo. 57 pages...
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Choral Choir (SAB) - Level 2 - SKU: A0.1127905 Composed by Traditional. Arranged by Philip Le Bas. Christmas,Easter,Sacred,Traditional. Octavo. 57 pages. Philip Le Bas #728514. Published by Philip Le Bas (A0.1127905). A new setting by Philip Le Bas of the ancient carol The Seven Joys of Mary (or Joys Seven, or a variety of other possible titles.) This version includes easy accompaniment parts for flute, clarinet, horn, bassoon and piano. Since medieval times the number of Joys of Mary has varied between five, seven, ten and twelve, but the the current number of seven has become popular, especially since the basic harmonization of R.R. Terry published in 1833 and the contemporary version for 8-part choir by Stephen Cleobury in the OUP's Carols for Choirs series. (A history of the carol can be found in the New Oxford Book of Carols, edited by H Keyte and A Parrott, p.462f.) The version presented here is kept relatively simple to perform, being scored only for a three-part choir (SABar - soprano, alto, baritone) and piano, but with plenty of interest including changes in voicing, changes of rhythm (especially verse 6) and two key changes. The arranger hopes performers and listeners will find it energetic and fun! It should certainly be sung in that spirit! Although often associated with Christmas, it could in fact be performed in any season, including Easter, referring as it does to the whole life, death and resurrection of Christ.
$1.99
Scarborough Fair
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Flûte traversière et Piano
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Traditional
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Joan Bujacich
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Garfunkel
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Scarborough Fair
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Joan Bujacich
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SheetMusicPlus
Piano,Soprano Flute - SKU: A0.1433845 By Traditional. By Traditional. Arranged by Joan Bujacich. Celtic,Folk,Irish,Pop,Traditional. Score and part. 10 p...
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Piano,Soprano Flute - SKU: A0.1433845 By Traditional. By Traditional. Arranged by Joan Bujacich. Celtic,Folk,Irish,Pop,Traditional. Score and part. 10 pages. Joan Bujacich #1014054. Published by Joan Bujacich (A0.1433845). The piano and flute score is 7 pages in length, but Ms. Bujacich extracted the flute alone as well which is only 2 pages. This entire PDF then is 10 pages total with the cover. Clean, professionally notated.This arrangement by Joan Bujacich is in D Dorian mode. The flute plays the melody for the first two verses and then in the third verse it goes up an octave and the piano imitates some of the melodic lines, making for a nice dialogue between the two instruments. This medieval folk song uses the melody later used by Simon & Garfunkel. It was first sung by Mark Anderson (1874–1953), a retired lead miner from Middleton-in-Teesdale, County Durham, England to Ewan MacColl in 1947.Scarborough Fair, was popularized in the United States by the 1960s singer-songwriting duo Simon & Garfunkel.The folk song is about a market fair that took place in the town of Scarborough in Yorkshire during medieval times. Like any fair, it attracted traders, entertainers and food vendors, along with other hangers-on. The fair peaked in the late 14th century but continued to operate until the end of the 1700s. Now, several fairs are held in remembrance of the original.Be sure to check out Ms. Bujacich's arrangement page. She has many other great arrangements for Flute and Piano and solo piano.
$3.99
Ave Maris Stella (Woodwind Quartet)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Keith James
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Keith James
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Ave Maris Stella
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Keith James Productions
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1320386 By Keith James. By Unknown. Arranged by Keith James. Medieval...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1320386 By Keith James. By Unknown. Arranged by Keith James. Medieval,Patriotic,Renaissance,Traditional. 8 pages. Keith James Productions #908904. Published by Keith James Productions (A0.1320386). Enjoy your performance of this beautiful piece of unknown origin from the medieval times. It is now the anthem of the Canadian region of Acadia.
$1.99
Holst: "Personent Hodie" (On this day, Earth shall ring) - wind dectet/bass
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Classique
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Contemporain
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Gustav Holst
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Ray Thompson
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Holst: "Personent Hodie&q
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RayThompsonMusic
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SheetMusicPlus
B-Flat Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.503334 Composed by Gustav Holst. Arranged by Ray Thompson. Christmas,Classical,S...
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B-Flat Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.503334 Composed by Gustav Holst. Arranged by Ray Thompson. Christmas,Classical,Sacred. 16 pages. RayThompsonMusic #115479. Published by RayThompsonMusic (A0.503334). Personent hodie is a Christmas carol originally published in the 1582 Finnish song book Piae Cantiones, a volume of 74 Medieval songs with Latin texts collected by Jacobus Finno (Jaakko Suomalainen), a Swedish Lutheran cleric, and published by T.P. Rutha. The carol became more prominent in England after being arranged for unison voices and orchestra in 1916 by Gustav Holst (1874–1934), where in its organ reduction it is often used as a processional hymn in church and cathedral services. Holst's version often forms part of the Festival of Nine Lessons and Carols, and was last featured in the service broadcast by BBC2 from King's College Chapel, Cambridge in 2011 following the sixth lesson.This arrangement is sometimes referred to as Theodoric in reference to the composer's middle name (Theodore) and, in this setting, is the tune used for Percy Dearmer's hymn God is love, his the care.It is arranged for double wind quintet/bass.
$14.95
Wassail All Over the Town
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Chorale Unison
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FACILE
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Medieval English tune, traditi
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Z
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Wassail All Over the Town
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©Z.M. Barnes & Rising Lark Music
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.924283 Composed by Medieval English tune, traditional words several centuries old. Arranged by Z.M. Barnes. Ch...
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Choral Choir (Unison) - Level 2 - SKU: A0.924283 Composed by Medieval English tune, traditional words several centuries old. Arranged by Z.M. Barnes. Christmas,Folk,World. Octavo. 12 pages. ©Z.M. Barnes & Rising Lark Music #3885271. Published by ©Z.M. Barnes & Rising Lark Music (A0.924283). No holiday concert or ceilidh should omit the frolicsome carols about caroling, good cheer, and celebrations. Wassail songs, the traditional greetings for Twelfth Night revelries, fill the bill. There are numerous such songs from various places in Britain. Wassail All Over the Town, based on the Gloucestershire Wassail, is one of the best known from this tradition, dating back to medieval times. Set for flute (or flute-like instrument) and hammered dulcimer, with words and music for carolers and guitar chords. About 3 min. for instrumental performance, longer if singing is included. 12 pp., including song sheet for unison singers and guitar (chords), score, plus parts for flute and dulcimer.
$2.99
20 Renaissance Dances for Woodwinds Ensemble
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the time the Baroque period st
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Anthony Holborne, Claude Gerva
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Javier MartÃnez Maya
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20 Renaissance Dances for Wood
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Arte Nova Music Lab
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SheetMusicPlus
Large Ensemble Alto Recorder,Baritone Recorder,Bassoon,Flute,Oboe,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.742464 Composed by Anthony Holborn...
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Large Ensemble Alto Recorder,Baritone Recorder,Bassoon,Flute,Oboe,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.742464 Composed by Anthony Holborne, Claude Gervaise, Etienne du Tertre, F. Giesbert, Michael Praetorius, and Pierre Caroubel. Arranged by Javier MartÃnez Maya. Concert,Instructional,Renaissance,Standards. Score and parts. 45 pages. Arte Nova Music Lab #4363001. Published by Arte Nova Music Lab (A0.742464). Renaissance music is European music written from about the year 1400 to 1600. This section of time is called the Renaissance, a word which means rebirth. The Renaissance comes between the Middle Ages and the Baroque times.Putting music into time sections does not mean that there were quick changes of type. Music changed slowly, and early Renaissance music was similar to Medieval music. Slowly music-writers started to try new ideas. A lot of medieval church music had become very hard with lots of rules about rhythms and clashes of notes to make dissonances. A lot of Renaissance composers wrote music which was smoother and more gentle. The music was still polyphonic with each voice having a share of melody. Music was starting to become less modal and more tonal. By the time the Baroque period started composers were using a system of major and minor keys like we do today.Taken from https://simple.wikipedia.org/wiki/Renaissance_music
$50.00
Oure Light in Oure Night for voices and nature soundtrack — now in Spanish/English!
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Chorale Unison
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FACILE
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Adrienne Inglis
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Oure Light in Oure Night for v
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pag...
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Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pages. Adrienne Inglis (ASCAP) #711261. Published by Adrienne Inglis (ASCAP) (A0.1108615). Perfect for a contemplative holiday occasion! Easy and satisfying for singers! Enjoy this Spanish/English bilingual to perform in one or both languages! Beautiful modal aleatoric setting of sacred text by Julian of Norwich suitable for any combination of voices accompanied by the nature soundtrack found at the YouTube link https://youtu.be/P3R2lLkAntE. A terrific introduction to aleatory, this gorgeous piece can include chimes or a pitched melodic instrument such as a flute. Text from The Shewings of Julian of Norwich, Part III LXXXIII lines 3362-3364Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day. Asà vi y comprendà que nuestra fe es nuestra luz en nuestra noche, cuya luz es Dios, nuestro dÃa sin fin. Program note — Composed by Adrienne Inglis (ASCAP) while sheltering in place during the coronavirus pandemic, Oure Light in Oure Night (2020) sets text by Julian of Norwich for voices with a nature soundtrack. The video format is designed especially for use by choirs singing remotely on an online platform such as Zoom, Cleanfeed, Jamulus, or other. Text is from The Shewings of Julian of Norwich, Part I LXXXIII lines 3362-3364:  “Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day.†The soundtrack of night sounds changing to dawn reflects the message of hope in Julian’s text. Beginning with the sounds of dusk, the whispered words blend with insect sounds. The modal aleatoric passages create an atmosphere of echoing bells as voices overlap. As night passes into day, the modality changes and the insect night sounds shift to the dawn chorus of birds. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. When Julian was near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†Her beautiful Medieval English words reassure us with the hope that our faith in God is our light in times of trouble. The composer donates all proceeds of this music to The Nature Conservancy at nature.org.https://www.youtube.com/@adrienneinglishttps://adrienneinglis.com/
$1.99
Lullabye (Goodnight, My Angel)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Billy Joel
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Gary D
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Lullabye
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DR GARY D BELSHAW
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR G...
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Chamber Orchestra - Level 4 - SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR GARY D BELSHAW #3109511. Published by DR GARY D BELSHAW (A0.796624). For String Quartet plus a guest artist: Alto Sax, Clarinet, Flute, Oboe, or Trumpet. From Billy Joel's final album, River of Dreams (1993).How would you answer a 7-year-old's question, Where do we go when we die? The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose. It's got plenty of meaning without getting gushy or sentimental. I chose the Alto sax for its contrast with the strings; the other instruments allow you to select from a variety of guest artists.Thank you for considering this work; your impressions are valuable. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$14.99
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Ave Eva
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Orgue
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INTERMÉDIAIRE
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Lewis A
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Ave Eva
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Lewis A. Kocher
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SheetMusicPlus
Organ - Level 3 - SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. Kocher #4613703....
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Organ - Level 3 - SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. Kocher #4613703. Published by Lewis A. Kocher (A0.943029). Services: Christmas, Annunciation, Marian; Prelude, Processional, Special MusicTime 2:39The title of this piece, which is a palindrome, has an interesting history. In medieval times much was made of things like numerology and words, and one day it was discovered that Ave (Hail) spelled backwards was Eva (an archaic spelling of Eve). Thus Ave Eva was Hail, Eve! and Mary was seen as a type of Eve. In other words, Ave Eva read the same forwards and backwards, giving us Hail Mary in both directions. This was seen as a miraculous sign and songs and poems were written about it. The piece given here is my original work for pipe organ, and following the lead of the title and history, it gives the descending figure F-E-D to provide the thematic material, developing into a canon-like style, then reverses the figure later to an ascending D-E-F, eventually playfully mixing both versions of the theme before exploding into an exciting end. The work itself is relatively easy to perform, with perhaps the exception of the duple-over-triplets passage near the end which may require a little more attention than the rest of the piece. For clarity of the lines I have suggested a Principal Chorus, with some contrast provided by passages using Flutes and soft Strings. Thank you for performing this work, and God bless!
$5.95
Chording to Consort Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to Consort Full Score
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig ...
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Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
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Of Times Medieval: Flute
