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Oh Señor
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Vous avez sélectionné:
Oh Señor
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
Lover Man (oh, Where Can You Be?)
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Billie Holiday
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Seán Ó Cléirigh
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Lover Man
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Seán Ó Cléirigh
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SheetMusicPlus
Small Ensemble Bass Voice,Guitar,Medium-Low Voice,Violin - Level 4 - SKU: A0.1130152 By Billie Holiday. By Jimmy Davis, Jimmy Sherman, and Roger Ramirez...
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Small Ensemble Bass Voice,Guitar,Medium-Low Voice,Violin - Level 4 - SKU: A0.1130152 By Billie Holiday. By Jimmy Davis, Jimmy Sherman, and Roger Ramirez. Arranged by Seán Ó Cléirigh. 20th Century,Jazz,Standards. Score and parts. 5 pages. Seán Ó Cléirigh #730514. Published by Seán Ó Cléirigh (A0.1130152). An arrangement for Voice and Violin with chords for Piano, Guitar, Bass of the legendary Lover Man sung by Billie Holiday. It can be also performed by any 2 C instruments or 2 voices. The instrumental countermelody includes a solo variation which stays close to the vocal theme.
$15.00
Oh Señor - Piano Solo
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Piano seul
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Semilla de Mostaza
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Transcripción: Max Erasun
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Oh Señor - Piano Solo
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Max Erasun
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SheetMusicPlus
Piano Solo - SKU: A0.1032341 Composed by Semilla de Mostaza. Arranged by Transcripción: Max Erasun. Christian. Score. 2 pages. Max Erasun #4757645. P...
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Piano Solo - SKU: A0.1032341 Composed by Semilla de Mostaza. Arranged by Transcripción: Max Erasun. Christian. Score. 2 pages. Max Erasun #4757645. Published by Max Erasun (A0.1032341). Piano solo by Heriberto Hermosillo. .
$1.99
Oh Señor
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Christian contemporain
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Musique Sacrée
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Marco Alvarado
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Oh Señor
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Marco Alvarado
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1014710 Composed by Marco Alvarado. Christian,Contemporary,Easter,Holiday. Score and parts. 12 pages. ...
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String Quartet String Quartet - Level 2 - SKU: A0.1014710 Composed by Marco Alvarado. Christian,Contemporary,Easter,Holiday. Score and parts. 12 pages. Marco Alvarado #4414985. Published by Marco Alvarado (A0.1014710). Short study for string quartet and voices with a religious theme (in Spanish). The presence of God gives me strength in the hard days. Voices are flexible, located on Mezzo Soprano and Baritone, but not very demanding for other voices (in general could be seen as women and men). The string quartet can be played without voices and voices without the string quartet. On other than Spanish languages voices could use the ah sound. When having many singing, the quartet can be multiplied to have a small string orchestra.
$5.00
Cantad al Señor Oh, Sing to the Lord (Downloadable Choral Score)
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Chorale Unison
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FACILE
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Robert A
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Cantad al Señor Oh, Sin
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Unison voices, descant, congregation, organ, 2 trumpets - Easy - SKU: MQ.50-9063-E Composed by Robert A. Hobby. 8 pages. MorningStar Music Publishers - ...
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Unison voices, descant, congregation, organ, 2 trumpets - Easy - SKU: MQ.50-9063-E Composed by Robert A. Hobby. 8 pages. MorningStar Music Publishers - Digital Sheet Music #50-9063-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9063-E).
$2.25
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. P...
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Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Dors
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. P...
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Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage
$2.50
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 page...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. ...
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Chamber Orchestra - Level 4 - SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.532831 Composed by Therese Brenet. Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publishing ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.532831 Composed by Therese Brenet. Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publishing #45037. Published by Musik Fabrik Music Publishing (A0.532831). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The work is also available for voice and orchestra. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage.
$12.95
Monteverdi - The Fourth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fourth Book o
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons...
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Brass Ensemble - Level 4 - SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. All 20 madrigals are here: 1. Ah! Dolente Partita – Oh, Sweet Parting!2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you. 3. Cor Mio Non Mori? E Mori – My heart did not die? And it died4. Sfogava con le stelle – He dallied with the stars 5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining 6. Anima mia perdona – My soul forgives 7. Che se tu se ' il cor mio – That if you are as good as my heart 8. Luci Serene e Chiare – Lights, serene and clear 9. La piaga c'ho nel core – The plague is in the heart 10. Voi pur da me partite – You do not mind me, though 11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes 12. Ohime se Tanto Amate – Alas! If you like it too much 13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing 14. Quel Augellin Che Canta – That little bird that sings 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes 16. Si Ch'io Vorrei Morire – How I want to die 17. Anima Dolorosa – Suffering soul that lives so much pain and torment 18. Anima Del Cor Mio – My soul’s heart 19. Longe da Te Cor Mio – Stay away from me 20. Piagne e Sospira – He drinks and sighs Parts are supplied to suit flexible brass or wind (or both) quintets as follows:Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)
$125.00
Embracing the Comfort Zone [piano solo]
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Piano seul
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FACILE
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Iannis Eralos
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composer href=http://www
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Embracing the Comfort Zone [pi
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Juan Maria Solare
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1270300 By Iannis Eralos. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,New Age. Score. 5 pa...
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Easy Piano - Level 2 - SKU: A0.1270300 By Iannis Eralos. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,New Age. Score. 5 pages. Juan Maria Solare #862734. Published by Juan Maria Solare (A0.1270300). Juan MarÃa Solare: Embracing the Comfort Zone, for piano solo [en Castellano debajo]Tons of motivational speeches suggest, or rather order, to leave the comfort zone in order to achieve success. I dare to relativize this idea. In the comfort zone, one feels safe and in control. It is the realm of mastery, the place where we perform at our best. When in your comfort zone we can carry out tasks with ease and precision. Discomfort is not a measure of growth. Stress hampers creativity. While stress might be necessary in some situations to combat stagnation, life itself constantly pushes us outside our comfort zone.The comfort zone is not the enemy, it's not a trap. Instead, it can be our ally, a place where we can safely build with a solid foundation. And if you have the feeling it's not large enough, you can expand it.Oh, I forgot to mention that this is a quiet piano piece! In neoclassical style.Find the audio here: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Germany, 25 July 2023Montones de discursos motivacionales sugieren, o más bien ordenan, abandonar la zona de confort para alcanzar el éxito. Me atrevo a relativizar esta idea. En la zona de confort uno se siente seguro y en control. Es la región de la maestrÃa, el lugar donde rendimos al máximo. En la zona de confort podemos realizar tareas con facilidad y precisión. La incomodidad no es un baremo del crecimiento. El estrés obstaculiza la creatividad. Aunque el estrés pueda ser necesario en algunas situaciones para combatir el estancamiento, ya la vida misma nos empuja constantemente fuera de nuestra zona de confort.La zona de confort no es el enemigo, no es una trampa. En cambio, puede ser tu aliada, un lugar donde se puede construir en seguridad y con bases sólidas. Y si uno siente que no es lo suficientemente grande, se la puede expandir.¡Ah, se me olvidó mencionar que esta es una calma pieza para piano! En estilo neoclásico.Hallen la música aquÃ: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Alemania, 25 de julio de 2023.
$2.00
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Oh Señor
