Partitions numériques chez Sheetmusicplus Digital Print

Partitions numériques Accès après achat

Expédition postale Téléchargement

← INSTRUMENTATIONS

TRI ET FILTRES

Vous avez sélectionné:

Old May Day

SheetMusicPlus

Partitions à imprimer

1 052 partitions trouvées

....

1051

Old May Day (arr. for Brass Quartet) #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE #Jules Benedict #Andrew Lamb #Old May Day #Andrew Lamb #SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1325347 By Jules Benedict. By Jules Benedict. Arranged by Andrew Lamb. 19th Century,Chamber...(+)

$8.00

Old May Day (for Wind Quartet) #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #INTERMÉDIAIRE #Jules Benedict #Andrew Lamb #Old May Day #Andrew Lamb #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1325343 By Jules Benedict. By Jules Benedict. Arranged by Andrew...(+)

$8.00

Cuban Gold #Piano seul #Contemporain #Jeffrey Hoover #The pages #Cuban Gold #Musicart Publications #SheetMusicPlus

Piano Solo - SKU: A0.971664 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 16 pages. Musicart Publications #5992091. Published by Musicar...(+)

Piano Solo - SKU: A0.971664 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 16 pages. Musicart Publications #5992091. Published by Musicart Publications (A0.971664). Cuban Gold for solo piano. 5 min. 15 sec. There is also an optional painting that may be projected in performance if desired. Please contact the composer directly for a jpg. The poem may also be used in performance or reprinted in a program, in place of traditional program notes. The pages of this score are arranged to be printed double-sided, with correct page turns.Program Note/Poem Cuban Gold White mist rising from a broad field of green, Sun breaking the horizon then rose smoke curling into the sky. Steel ringing in rhythm to voices, the sound of metal slicing through wood in all its sweetness. A hot brilliant mid-day sun on the street. Ducking into the doorway, then tuning the piano. It must be a special day.The clock and church bell sounding in unison, the end of Tuesdayâ€™s labor.Humidity saturates El Tropicano, with the upright piano and a half-glass of amber. The piano montuno and bass tumbao, along with a half-complete catch of drums telegraph out the rhythms for the Casino dancing. Tall ivory women and shorter browner men in white hats, moving across the floor. â€˜Still time for one more dance. Old Havana at Midnight: Cuban Gold.Cuban Gold poem copyright 2019, Jeffrey Hoover All Rights ReservedJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hooverâ€™s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hooverâ€™s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com

$9.95

Bach: Sheep May Safely Graze for Baritone Sax & Piano #Saxophone Baryton, Piano #FACILE #Classique #Johann Sebastian Bach #James M #Bach: Sheep May Safely Graze f #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,We...(+)

Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe kÃ¶nnen sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bachâ€™s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherdâ€™s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright. Â Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

$32.95

Maypole #Piano seul #INTERMÉDIAIRE #Pam Asberry #Maypole #Pamela C Asberry #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.904917 Composed by Pam Asberry. 20th Century,Contemporary,New Age,Renaissance,Standards. Score. 4 pages. Pamela C Asberry...(+)

Piano Solo - Level 3 - SKU: A0.904917 Composed by Pam Asberry. 20th Century,Contemporary,New Age,Renaissance,Standards. Score. 4 pages. Pamela C Asberry #6340029. Published by Pamela C Asberry (A0.904917). A song for the month of May, Maypole is a May Day dance, in which people dance around a tall pole holding onto long thin pieces of colorful cloth in celebration of the approach of summer. From the solo piano album Twelvemonth, inspired by Fanny Mendelssohn Hensel's piano solo cycle Das Jahr.

$5.50

Almost May Lead Sheet #Instruments en Do #FACILE #Heidi Savoie #Heidi Savoie #Almost May Lead Sheet #Heidi Savoie #SheetMusicPlus

C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...(+)

C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May.Â Almost May - Theme and VariationsBackstory:Â Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, â€œAlmost Mayâ€. Like springtime in the Northern Hemisphere, â€œAlmost Mayâ€ unfolds slowly and majestically, with ever-evolving layers for the senses to discover.Â What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings.Â What to listen for: Variation IÂ The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur.Â What to listen for: Variation IIÂ The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.Â Credits:Â I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.

$2.99

Bach: Sheep May Safely Graze for Alto Sax & Piano #Saxophone Alto et Piano #FACILE #Classique #Johann Sebastian Bach #James M #Bach: Sheep May Safely Graze f #jmsgu3 #SheetMusicPlus

Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...(+)

Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe kÃ¶nnen sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bachâ€™s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherdâ€™s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright. Â Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

$32.95

Almost May Score and Parts #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE #Heidi Savoie #Heidi Savoie #Almost May Score and Parts #Heidi Savoie #SheetMusicPlus

String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...(+)

String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory:Â Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, â€œAlmost Mayâ€. Like springtime in the Northern Hemisphere, â€œAlmost Mayâ€ unfolds slowly and majestically, with ever-evolving layers for the senses to discover.Â What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings.Â What to listen for: Variation IÂ The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur.Â What to listen for: Variation IIÂ The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.Â Credits:Â I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.

$24.99

O Happy Day (Arrangements Level 3-6 for CELLO + Written Acc) Hymns #Violoncelle #INTERMÉDIAIRE #Edward Rimbault #Dr Jerry Nelson #O Happy Day #Jerry Nelson #SheetMusicPlus

Cello Solo - Level 3 - SKU: A0.875253 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Spiritual. Individual part. 11 pag...(+)

Cello Solo - Level 3 - SKU: A0.875253 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Spiritual. Individual part. 11 pages. Jerry Nelson #3876525. Published by Jerry Nelson (A0.875253). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this high-energy Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).

$4.99

O Happy Day (Arrangements Level 3-6 for CLARINET + Written Acc) Hymns #Clarinette #INTERMÉDIAIRE #Edward Rimbault #Dr Jerry Nelson #O Happy Day #Jerry Nelson #SheetMusicPlus

Clarinet Solo - Level 3 - SKU: A0.875245 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Jazz,Spiritual. Individual part. 11 pages. ...(+)

Clarinet Solo - Level 3 - SKU: A0.875245 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Jazz,Spiritual. Individual part. 11 pages. Jerry Nelson #3876505. Published by Jerry Nelson (A0.875245). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this high-energy Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).

$4.99

O Happy Day (Arrangements Level 3-6 for HORN + Written Acc) Hymns #Cor #INTERMÉDIAIRE #Edward Rimbault #Dr Jerry Nelson #O Happy Day #Jerry Nelson #SheetMusicPlus

French Horn Solo - Level 3 - SKU: A0.875247 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Romantic Period,Spiritual. I...(+)

French Horn Solo - Level 3 - SKU: A0.875247 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Romantic Period,Spiritual. Individual part. 10 pages. Jerry Nelson #3876509. Published by Jerry Nelson (A0.875247). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this high-energy Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).

$4.99

O Happy Day (Arrangements Level 3-6 for VIOLA + Written Acc) Hymns #Alto seul #INTERMÉDIAIRE #Edward Rimbault #Dr Jerry Nelson #Written #O Happy Day #Jerry Nelson #SheetMusicPlus

Viola Solo - Level 3 - SKU: A0.875254 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Instructional,Jazz,Spiritual. Individua...(+)

Viola Solo - Level 3 - SKU: A0.875254 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Instructional,Jazz,Spiritual. Individual part. 11 pages. Jerry Nelson #3876527. Published by Jerry Nelson (A0.875254). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this high-energy Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).

$4.99

O Happy Day (Arrangements Level 3-5 for TROMBONE + Written Acc) Hymns #Trombone #INTERMÉDIAIRE #Edward Rimbault #Dr Jerry Nelson #O Happy Day #Jerry Nelson #SheetMusicPlus

Trombone Solo - Level 3 - SKU: A0.875251 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Spiritual. Individual part. 11 ...(+)

Trombone Solo - Level 3 - SKU: A0.875251 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Spiritual. Individual part. 11 pages. Jerry Nelson #3876521. Published by Jerry Nelson (A0.875251). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this high-energy Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).

$4.99

O Happy Day (Arrangements Level 3-6 for TENOR SAX + Written Acc) Hymns #Saxophone Tenor #INTERMÉDIAIRE #Edward Rimbault #Dr Jerry Nelson #O Happy Day #Jerry Nelson #SheetMusicPlus

Tenor Saxophone Solo - Level 3 - SKU: A0.875250 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Instructional,Jazz,Spiritual....(+)

Tenor Saxophone Solo - Level 3 - SKU: A0.875250 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Instructional,Jazz,Spiritual. Individual part. 10 pages. Jerry Nelson #3876517. Published by Jerry Nelson (A0.875250). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this high-energy Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).

$4.99

O Happy Day (Arrangements Level 3-6 for ALTO SAX + Written Acc) Hymns #Saxophone Alto #INTERMÉDIAIRE #Edward Rimbault #Dr Jerry Nelson #O Happy Day #Jerry Nelson #SheetMusicPlus

Alto Saxophone Solo - Level 3 - SKU: A0.875249 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Spiritual. Individual par...(+)

Alto Saxophone Solo - Level 3 - SKU: A0.875249 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Spiritual. Individual part. 11 pages. Jerry Nelson #3876515. Published by Jerry Nelson (A0.875249). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this high-energy Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).

$4.99

O Happy Day (Arrangements Level 3-6 for OBOE + Written Acc) Hymns #Hautbois (partie séparée) #INTERMÉDIAIRE #Edward Rimbault #Dr Jerry Nelson #O Happy Day #Jerry Nelson #SheetMusicPlus

Oboe Solo - Level 3 - SKU: A0.875248 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Spiritual. Individual part. 11 page...(+)

Oboe Solo - Level 3 - SKU: A0.875248 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Jazz,Spiritual. Individual part. 11 pages. Jerry Nelson #3876511. Published by Jerry Nelson (A0.875248). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this high-energy Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).

$4.99

O Happy Day (Arrangements Level 3-6 for VIOLIN + Written acc) Hymns #Violon #INTERMÉDIAIRE #Edward Rimbault #Dr Jerry Nelson #O Happy Day #Jerry Nelson #SheetMusicPlus

Violin Solo - Level 3 - SKU: A0.875255 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Instructional,Jazz,Spiritual. 11 pages...(+)

Violin Solo - Level 3 - SKU: A0.875255 Composed by Edward Rimbault. Arranged by Dr Jerry Nelson. Christian,Gospel,Instructional,Jazz,Spiritual. 11 pages. Jerry Nelson #3876533. Published by Jerry Nelson (A0.875255). A Signature jazz rendition of this 300-year old hymn. You're gonna love it. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this lush Orchestral Accompaniment Track (#SO.434059). Time 2:52 For a SLOWER, rehearsal version at very reduced price, order #SO.419761.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).

$4.99

Hold Me Closer #Piano seul #DÉBUTANT #Elizabeth C #Elizabeth C #4/4 meter, Moderato #Hold Me Closer #Piano Press #SheetMusicPlus

Piano Solo - Level 1 - SKU: A0.1244094 By Elizabeth C. Axford. By Dolly Rappaport, Elizabeth C. Axford, and Mitch Rappaport. Arranged by Elizabeth C. Ax...(+)

Piano Solo - Level 1 - SKU: A0.1244094 By Elizabeth C. Axford. By Dolly Rappaport, Elizabeth C. Axford, and Mitch Rappaport. Arranged by Elizabeth C. Axford. Children,Holiday,Instructional. Score. 4 pages. Piano Press #839071. Published by Piano Press (A0.1244094). Elementary-level piano solo in F minor with accidentals (no key signature), Middle C hand position; 4/4 meter, Moderato; quarter notes, half notes, dotted half notes, whole notes, beamed eighth notes, dotted rhythms, rests, ties, dynamics; original song with lyrics for Mother's Day celebrated each year on the second Sunday in May in the U.S.A. and for Father's Day celebrated each year on the third Sunday in June in the U.S.A.

$3.99

An Old Cherry Tree #Chorale 3 parties #INTERMÉDIAIRE #New Age #Contemporain #Jennifer Wagner #An Old Cherry Tree #Jen Wagner #SheetMusicPlus

Choral Choir (SSA) - Level 3 - SKU: A0.925019 Composed by Jennifer Wagner. 20th Century,Contemporary,New Age. Octavo. 9 pages. Jen Wagner #4623145. Publ...(+)

Choral Choir (SSA) - Level 3 - SKU: A0.925019 Composed by Jennifer Wagner. 20th Century,Contemporary,New Age. Octavo. 9 pages. Jen Wagner #4623145. Published by Jen Wagner (A0.925019). Octavo available www.jenwagnermusic.com Some of the best qualities in each of us is our own uniqueness. It is not the way that we conform to a standard of being, but it is our courage to be different and to be proud of who we are as individuals. Being comfortable in your own skin and being able to express yourself can be a challenge, especially in young people. Find strength in your differences, allow yourself to step out and learn to embrace your unique qualities and just maybe, you will find yourself being extraordinary! Though we all greet the same challenges, this text was written specifically with the young ladies of the ACDA Festival, Sweet Soundsations in mind. Each and every one of you is beautiful, and extraordinary! Be proud of who you are and walk boldly each and every day!

$39.95

We Won't Be With You To-Morrow, To-day We March Away #Piano, Voix #Georege L #We Won't Be With You To-Morrow #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Piano and voice - SKU: LV.23448 Composed by Georege L. Boyden. Railroad stations, Couples, Kissing, Farewells, Patriotism, Soldiers, World War I. Lester...(+)

Piano and voice - SKU: LV.23448 Composed by Georege L. Boyden. Railroad stations, Couples, Kissing, Farewells, Patriotism, Soldiers, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23448). We Won't Be With You To-Morrow, To-day We March Away. Words & Music by Georege L. Boyden. Published 1917 by George L. Boyden, 181 Tremont St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Railroad stations, Couples, Kissing, Farewells, Patriotism, Soldiers, World War I. First line reads Billy was a soldier boy the pride of Company A.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

$5.99

Piano Dreamer- 13 Preludes for the Piano-No.13 Friday the Thirteenth #Piano seul #INTERMÉDIAIRE/AVANCÉ #Taige Wang #Piano Dreamer- 13 Preludes for #GTGP CLASSIC #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1018121 By Taige Wang. By Taige Wang. Classical,Contemporary,Multicultural,World. Score. 4 pages. GTGP CLASSIC #623705. P...(+)

Piano Solo - Level 4 - SKU: A0.1018121 By Taige Wang. By Taige Wang. Classical,Contemporary,Multicultural,World. Score. 4 pages. GTGP CLASSIC #623705. Published by GTGP CLASSIC (A0.1018121). Can't wait until this Friday the Thirteenth to publish this one. 13th May, 2022 is a Friday! I composed this piece last year, which inspired by Jason Voorhees is a character from the Friday the 13th series. Who is him? What is his story? You can search the internet. An 11-year-old pianist and composer want to share his music with you! This work was composed at 10 years old. MTAC Composer Today State Contest 2022 first place winner. ASCAP Publisher IPI: #1135023702 Writer IPI: #1134633775.

$2.99

May Green be the grass (A Celtic Blessing) #Chorale 3 parties #Darren Day #May Green be the grass #Darren Day Piano #SheetMusicPlus

Choral Choir (3-Part) - SKU: A0.805762 Composed by Darren Day. Celtic,Classical,Folk,Holiday,Irish,New Age. Octavo. 14 pages. Darren Day Piano #5853725....(+)

Choral Choir (3-Part) - SKU: A0.805762 Composed by Darren Day. Celtic,Classical,Folk,Holiday,Irish,New Age. Octavo. 14 pages. Darren Day Piano #5853725. Published by Darren Day Piano (A0.805762). *one purchase covers choir license* A beautiful new musical setting of an old Irish text arranged for 3 voices.Can be adapted for solo voice which is heard in part in the audio sample.

$15.00

Stories of the Early Days (accompaniment and lead sheet) #Piano, Voix et Guitare #David Kai #by David Kai Â©2000 #Stories of the Early Days #David Kai #SheetMusicPlus

Guitar,Piano,Vocal,Voice - SKU: A0.893851 Composed by David Kai. Children,Christian,Sacred. Score. 3 pages. David Kai #5322227. Published by David Kai (...(+)

Guitar,Piano,Vocal,Voice - SKU: A0.893851 Composed by David Kai. Children,Christian,Sacred. Score. 3 pages. David Kai #5322227. Published by David Kai (A0.893851). This song teaches the stories from the first chapters of the book of Genesis.With the purchase of this music, you may make copies of the lead sheet or lyrics for your church school or choir. Please report any congregational use to One License or CCLI.Stories of the Early Days by David Kai Â©2000 (with thanks and apologies to W.A. Mozart)1. Creating, creating, a thing that God does well, God planted a garden, and everything was swellStories of the early days, people learning of Godâ€™s ways, Creating, creating, a thing that God does well.2. A garden and creatures, just when the world began, The first of the humans, according to Godâ€™s plan,Stories of the early days, people learning of Godâ€™s ways, A garden and creatures, just when the world began.3. With Noah, and famâ€™ly, a covenant was made, They built a great ark and his family was saved, Stories of the early days, people learning of Godâ€™s ways, With Noah, and famâ€™ly, a covenant was made.4. A rainbow, a rainbow, the sign God sent to show, That there was a covâ€™nant, thereâ€™d be a flood no more,Stories of the early days, people learning of Godâ€™s ways, A rainbow, a rainbow, the sign God sent to show.5. Oh Abram and Sarai, went to the Promised Land, God changed both their names and God changed all of their plans.Stories of the early days, people learning of Godâ€™s ways, Oh Abram and Sarai, went to the Promised Land.6. Oh Sarah, oh Sarah, though she was very old, Gave birth to her Isaac, just as she had been told,Stories of the early days, people learning of Godâ€™s ways, Oh Sarah, oh Sarah, though she was very old.7. Rebecca, Rebecca, her well of kindness showed that she was the right one, and so she chose to go,Stories of the early days, people learning of Godâ€™s ways, Rebecca, Rebecca, her well of kindness showed.8. Old Isaac, gave Jacob, the blessing that was saved for Esau, his brother, who then began to rage,Stories of the early days, people learning of Godâ€™s ways, Old Isaac, gave Jacob, the blessing that was saved.9. Oh Jacob, and Esau, they met again at last, And all was forgiven, the feud was in the past,Stories of the early days, people learning of Godâ€™s ways, Oh Jacob, and Esau, they met again at last.

$4.00

Christ the Lord is Risen Today early intermediate piano solo #Piano seul #FACILE #Lyra Davidica #Amanda Tero #Christ the Lord is Risen Today #Amanda Tero #SheetMusicPlus

Piano Solo - Level 2 - SKU: A0.1416906 Composed by Lyra Davidica. Arranged by Amanda Tero. Christian,Easter,Holiday,Religious,Sacred. Score. 9 pages. Am...(+)

Piano Solo - Level 2 - SKU: A0.1416906 Composed by Lyra Davidica. Arranged by Amanda Tero. Christian,Easter,Holiday,Religious,Sacred. Score. 9 pages. Amanda Tero #998498. Published by Amanda Tero (A0.1416906). Mark any Sunday, including Easter, with this lively Christ the Lord is Risen Today piano solo for early intermediate players. It features an energetic left hand, some syncopation, and a brisk tempo, making it a crowd-pleaser.This piano solo of Christ the Lord is Risen Today is designed for students who want pieces with easy patterns that sound great. The left hand features mostly open 5ths with a few other intervals or single notes woven in tastefully. The right hand carries the melody as single notes, with a few 3rds and 5ths.It is arranged in an exciting, driving style that some may categorize as rock.For church services, recitals, and Easter music events, Christ the Lord is Risen Today early intermediate piano sheet music solo will capture the listeners and cause them to celebrate.Similar in level to most Level 2-3 piano curricula and ABRSM Level 2-3.The basic format of Christ the Lord is Risen Today early intermediate piano solo is: introduction, verse, interlude, verse, interlude, verse, ending. Features 3 complete verses.5 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In Christ the Lord is Risen Today Early Intermediate Piano Solo Sheet Music Key of C major Time signature: 4/4 with a few 2/4 measures Tempo: exciting, fast Note values: half notes, dotted quarter notes, quarter notes, eighth notes Note reading: right hand treble clef G3 to D6, left hand bass clef C2 to C4 Hand crossings Ledger lines (up to 2 lines) Ties for syncopation Left hand predominantly open 5ths Right hand predominantly single-note melody (4 measures of 3rds) Accidentals Glissando Staccatos Practice Tips for Christ the Lord is Risen Today Early Intermediate Piano Solo Sheet Music The temptation may be to take this piece too quickly, but remind the student to play it at a tempo they can keep up with.Â The rests and staccatos are very important in this arrangement. Be sure the student has complete silence and doesnâ€™t hold notes over the rests and has a nice, sharp staccato.If the student struggles with the syncopation in measures 35-38, I have found it beneficial to draw straight lines between the staves to show where the RH and LH interplay.

$4.99

<

1
26

51
....
1051