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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
DIDGERIDOO
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FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Old Time Come Again
Non classifié
94
Piano & claviers
Piano seul
23
Piano, Voix et Guitare
13
Piano, Voix
5
Piano Facile
4
Instruments en Do
3
Orgue
1
+ 1 instrumentations
Retracter
Guitares
Guitare
6
Ukulele
3
Guitare notes et tablatures
3
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
12
Chorale TTBB
5
Chorale 3 parties
3
Chorale 2 parties
2
Voix seule
1
Chorale SSAA
1
+ 1 instrumentations
Retracter
Vents
Ensemble de saxophones
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Quintette de Saxophone: 5 saxophones
5
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4
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3
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2
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1
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1
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1
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1
Saxophone Tenor
1
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1
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1
Saxophone Baryton, Piano
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1
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1
Clarinette
1
+ 15 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Ensemble de Trombones
3
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2
Tuba
2
Tuba et Piano
2
2 Trompettes, Clavier (piano ou orgue)
1
Trombone et Piano
1
Cor
1
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1
Trombone
1
+ 5 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
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4
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Ensemble d'Altos
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Ensemble de Percussions
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
DEEJAY
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Vous avez sélectionné:
Old Time Come Again
Partitions à imprimer
288 partitions trouvées
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Old Time Come Again
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Chorale SATB
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Charlie C
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Old Time Come Again
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3519 Composed by Charlie C. Converse. Sadness, Love, Death, Grief, Weeping, Time, Nostalgia. Lester S. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.3519 Composed by Charlie C. Converse. Sadness, Love, Death, Grief, Weeping, Time, Nostalgia. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3519). Old Time Come Again. Authorized Edition. Christy's Plantation Melodies. Written and Composed by Charlie C. Converse. Published 1853 by William Hall & Son, 239 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Sadness, Love, Death, Grief, Weeping, Time, Nostalgia. First line reads Old Times, Old Times, those good old times! When I was young and free.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Hard Times Come Again No More
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Chorale SATB
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DÉBUTANT
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Stephen Foster
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Thomas Degan
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Co
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Hard Times Come Again No More
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Thomas Degan
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1444628 Composed by Stephen Foster. Arranged by Thomas Degan. 19th Century,A Cappella,Early Music,Fo...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1444628 Composed by Stephen Foster. Arranged by Thomas Degan. 19th Century,A Cappella,Early Music,Folk,Patriotic. 2 pages. Thomas Degan #1024522. Published by Thomas Degan (A0.1444628). Hard Times Come Again No More (sometimes, Hard Times) is an American parlor song written by Stephen Foster. It was published in New York City by Firth, Pond & Co. in 1854 as Foster's Melodies No. 28. Well-known and popular in its day,[1] both in the United States and Europe,[2][3] the song asks the fortunate to consider the plight of the less fortunate and includes one of Foster's favorite images: a pale drooping maiden.Released seven years before the American Civil War, it gained great popularity during that conflict as an expression of suffering and hardship, to the point that a satirical version about soldiers' food became widely circulated as well, Hard Tack Come Again No More.-Wikipedia.
$1.99
Hard Times Come Again No More
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen Foster
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Lee Mitchell
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Hard Times Come Again No More
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Lee Mitchell
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.826476 Composed by Stephen Foster. Arranged by Lee Mitchell. Traditional. Score and parts. 2 pages. Le...
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String Quartet String Quartet - Level 3 - SKU: A0.826476 Composed by Stephen Foster. Arranged by Lee Mitchell. Traditional. Score and parts. 2 pages. Lee Mitchell #6133453. Published by Lee Mitchell (A0.826476). Famous old song set for string quartet
$4.99
A Love Until The End Of Time
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Carol Connors and Lee Holdridg
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Homco/Crinion
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A Love Until The End Of Time
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Homco/Crinion
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1486020 Composed by Carol Connors and Lee Holdridge. Arranged by Homco/Crinion. Pop,Wedding. 7 pages. Homco...
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String Trio Cello,Violin - Level 3 - SKU: A0.1486020 Composed by Carol Connors and Lee Holdridge. Arranged by Homco/Crinion. Pop,Wedding. 7 pages. Homco/Crinion #1063076. Published by Homco/Crinion (A0.1486020). This romantic vocal duet was recorded in 1985 by Placido Domingo and Maureen McGovern. It has come to be known as one of Italian tenor Placido Domingo's greatest love songs. In this String Trio arrangement the cello starts with the tenor's melody, then the 2nd Violin answers with the treble response, before handing the lead to the 1st Violin. It is a lush and beautiful song for strings to play. It is the story of a love that comes just once and never comes again - a love until the end of time..
$12.99
Old Time Religion
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Jimmie Davis
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Old Time Religion
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quintet - Grade 3 - SKU: DX.145522 Composed by Jimmie Davis. Traditional. Sacred instrumental music. Score and parts. 11 pages. David E. Smith - D...
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Brass Quintet - Grade 3 - SKU: DX.145522 Composed by Jimmie Davis. Traditional. Sacred instrumental music. Score and parts. 11 pages. David E. Smith - Digital Sheet Music #145522. Published by David E. Smith - Digital Sheet Music (DX.145522). A traditional brass quintet with an optional baritone part which allows to be a sextet as well. The beginning is active establishing a happy beginning to the piece. Then all the parts are in straight harmonies and then become fragmented. A modulation takes place allowing the lower voices to carry the tune. Then a tuba sola solo commences with light upper parts decorating the lines, until the parts fragment. This concludes with a modulation with motivic statements. After a brief intermission the piece takes off again with the tune in the lower voices and the trumpets add a flurry descants. As the piece comes to a close more and more voices add to the mix until the pieces adds a solid, grand statement.Key of Ab, Db, Eb.
$12.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Come Rain Or Come Shine
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Piano, Voix et Guitare
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Ray Charles
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Come Rain Or Come Shine
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013248 By Ray Charles. By Harold Arlen. Standard. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0013248. Publis...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013248 By Ray Charles. By Harold Arlen. Standard. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0013248. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013248). ISBN 9780739078198. UPC: 038081415499. Johnny Mercer.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99
Choral - "We Welcome You" SATB Choir with optional Hebrew phrases
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Chorale SATB
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Musique Sacrée
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Dan Cutchen
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Choral - "We Welcome You&
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.844332 Composed by Dan Cutchen. Sacred. Octavo. 10 pages. Dan Cutchen Music #3121703. Published by Dan Cutchen Music (A0.8...
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Choral Choir (SATB) - SKU: A0.844332 Composed by Dan Cutchen. Sacred. Octavo. 10 pages. Dan Cutchen Music #3121703. Published by Dan Cutchen Music (A0.844332). For SATB choir and piano accompaniment. Medium difficulty.For the ACCOMPANIMENT TRACK, copy and past the following into the search area:Choral - We Welcome You Accompaniment Trackby Dan CutchenONLY $1.99!This is a good 4 part choral work for any time but especially for the days leading up to Easter.This choir piece utilizes some optional Hebrew phrases and focuses on a phrase found in both the Old and New Testament. Pronunciation guide included.When Jesus Christ enters Jerusalem during the week of Passover, the people welcomed Him with the words from Psalm 118, And the crowds that went before him and that followed him were shouting, Hosanna to the Son of David! Blessed is he who comes in the name of the Lord! Hosanna in the highest! And when he entered Jerusalem, the whole city was stirred up, saying, Who is this? And the crowds said, This is the prophet Jesus, from Nazareth of Galilee. (Matthew 21:9-11And later, in Matthew 23:39, Jesus (Yeshua) said to the religious leaders of His day: You will not see me again until you say 'Blessed is He who comes in the name of the Lord.'
$1.99
Beautiful American Airs and Ballads for Solo Baritone Ukulele
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Ukulele
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Beautiful American Airs and Ba
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Ukulele - Intermediate - SKU: M0.31040EB American Music. E-book. 57 pages. Mel Bay Publications - Digital Sheet Music #31040EB. Published by Mel Bay Pub...
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Ukulele - Intermediate - SKU: M0.31040EB American Music. E-book. 57 pages. Mel Bay Publications - Digital Sheet Music #31040EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31040EB). ISBN 9781513477404. 8.75x11.75 inches.This book presents 25 lyrical North American melodies scored for solo baritone ukulele in standard notation and tablature; occasional left-hand fingering suggestions are provided in these intermediate to advanced melody/chord settings. Selections include historical themes from the turbulent Civil War era, popular 19th century ballads, and modern pieces by William Bay. Along with the songs of several other known and unknown composers, any collection of American ballads would be incomplete without the timeless melodies penned by Stephen Foster; you will find Beautiful Dreamer, I Dream of Jeannie with the Light Brown Hair, Darling Nellie Gray, and Stephen Foster's timeless Civil War classic Hard Times, Come Again No More in this collection.As the baritone uke is tuned the same as the top four strings of the guitar, guitarists can enjoy playing these satisfying arrangements on a second instrument!
Song List
: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyin' For You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy - O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$17.99
Let the Good Times Roll
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Piano, Voix et Guitare
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Ray Charles
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Let the Good Times Roll
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013233 By Ray Charles. By Fleecie Moore and Sam Theard. Standard. 8 pages. Alfred Music - Digital Sheet Music #00-PS...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013233 By Ray Charles. By Fleecie Moore and Sam Theard. Standard. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0013233. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013233). ISBN 9780739078198. UPC: 038081415499.This collectible songbook celebrates the enduring legacy of Ray Charles at the 80th anniversary of his birth. Each sheet music transcription accurately renders his signature piano riffs and solos, and provides lyrics, vocal melodies, and chord changes. Ray Charles had three simple words of advice for achieving success: Practice, practice, practice. With 28 fun and challenging transcriptions of some of popular music's most enduring standards, this collection gives pianists the opportunity to practice the techniques of the Genius himself. Titles: * Ain't That Love * America the Beautiful * Busted * Christmas in My Heart * Come Rain or Come Shine * Crazy Love * Georgia on My Mind * Hallelujah I Love Her So * Here We Go Again * Hit the Road Jack * I Can't Stop Loving You * I've Got a Woman * Let the Good Times Roll * Let's Go Get Stoned * Mary Ann * Mess Around * Night Time Is the Right Time * One Mint Julep * Over the Rainbow * Ruby * Seven Spanish Angels * Sinner's Prayer * That Lucky Old Sun * That Spirit of Christmas * This Little Girl of Mine * Unchain My Heart * What'd I Say * You Don't Know Me.
$3.99
Banjo Picking Tunes - Beautiful American Airs & Ballads
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Guitare
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Banjo Picking Tunes - Beautifu
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Publishe...
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Guitar - Intermediate - SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30906MEB). ISBN 9781513476667. 8.75X11.75 inches.This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÆs generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.
Song List
: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$14.99
Time In A Bottle
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Chorale SATB
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FACILE
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Rock
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Jim Croce
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Johan de Wit
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Time In A Bottle
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Johan de Wit
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.809348 By Jim Croce. By Jim Croce. Arranged by Johan de Wit. Rock. Octavo. 14 pages. Johan de Wit #3916179. Publ...
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Choral Choir (SATB) - Level 2 - SKU: A0.809348 By Jim Croce. By Jim Croce. Arranged by Johan de Wit. Rock. Octavo. 14 pages. Johan de Wit #3916179. Published by Johan de Wit (A0.809348). Time in a BottleThis arrangement is perfect for youth and school choirs, with still little experience in singing for four voices. Often the music starts in unison and then unfold and split into four independent voices. It then helps also during the rehearsal to study very quickly and economically by singing the voices in pairs. Boredom does not come up, because all are always integrated. The arrangement is more than just presenting the song. It is a very concert suitable arrangement. Teenagers and young at heart love to sing it again and again. Stylistically, it can be very well combined with Tears in Heaven (Eric Clapton) because it also has the same level of difficulty. Again, this is an arrangement by the same arranger, also available as a download in Sheetmusicplus. Link: https://www.sheetmusicplus.com/title/tears-in-heaven-digital-sheet-music/20776725
$14.99
I'll Never Love This Way Again
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Piano Facile
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DÉBUTANT
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Dionne Warwick
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Jhavilah
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I'll Never Love This Way Again
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Jhavilah
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1269607 By Dionne Warwick. By Richard Kerr and Will Jennings. Arranged by Jhavilah. Jazz,Pop,Singer/Songwriter,Soul,Stand...
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Easy Piano - Level 1 - SKU: A0.1269607 By Dionne Warwick. By Richard Kerr and Will Jennings. Arranged by Jhavilah. Jazz,Pop,Singer/Songwriter,Soul,Standards. Score. 4 pages. Jhavilah #862153. Published by Jhavilah (A0.1269607). I'll Never Love This Way Again is a song written by Richard Kerr and Will Jennings, and first recorded by Kerr himself for his album Welcome to the Club in 1978. Here are some key details about the song:The song was originally titled I Know I'll Never Love This Way Again. A version by Cheryl Ladd was released first on her self-titled album in July 1978. The song became a hit for American singer Dionne Warwick the following year, which was produced by her labelmate Barry Manilow for Warwick's Arista Records debut, Dionne. I'll Never Love This Way Again is a Grammy Award-winning and Gold-certified hit. The song features a soulful and emotional vocal performance by Warwick, with a memorable melody and lyrics about a lost love. Overall, I'll Never Love This Way Again is a classic ballad that has become one of Dionne Warwick's signature songs. It showcases her powerful and emotive vocal style, as well as the songwriting talents of Richard Kerr and Will Jennings. The song's themes of lost love and moving on have resonated with listeners over the years, making it a timeless classic in the world of pop music.
$4.99
I'll Never Love This Way Again
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Piano seul
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FACILE
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Dionne Warwick
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Jhavilah
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I'll Never Love This Way Again
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Jhavilah
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1269548 By Dionne Warwick. By Richard Kerr and Will Jennings. Arranged by Jhavilah. 20th Century,Film/TV,Multicultural,Po...
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Piano Solo - Level 2 - SKU: A0.1269548 By Dionne Warwick. By Richard Kerr and Will Jennings. Arranged by Jhavilah. 20th Century,Film/TV,Multicultural,Pop,Singer/Songwriter,World. Score. 4 pages. Jhavilah #862091. Published by Jhavilah (A0.1269548). I'll Never Love This Way Again is a song written by Richard Kerr and Will Jennings, and first recorded by Kerr himself for his album Welcome to the Club in 1978. Here are some key details about the song:The song was originally titled I Know I'll Never Love This Way Again. A version by Cheryl Ladd was released first on her self-titled album in July 1978. The song became a hit for American singer Dionne Warwick the following year, which was produced by her labelmate Barry Manilow for Warwick's Arista Records debut, Dionne. I'll Never Love This Way Again is a Grammy Award-winning and Gold-certified hit. The song features a soulful and emotional vocal performance by Warwick, with a memorable melody and lyrics about a lost love. Overall, I'll Never Love This Way Again is a classic ballad that has become one of Dionne Warwick's signature songs. It showcases her powerful and emotive vocal style, as well as the songwriting talents of Richard Kerr and Will Jennings. The song's themes of lost love and moving on have resonated with listeners over the years, making it a timeless classic in the world of pop music.
$4.99
I'll Never Love This Way Again
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Piano seul
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DÉBUTANT
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Dionne Warwick
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Jhavilah
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I'll Never Love This Way Again
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Jhavilah
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1270151 By Dionne Warwick. By Richard Kerr and Will Jennings. Arranged by Jhavilah. 21st Century,Film/TV,Pop,Singer/Songw...
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Piano Solo - Level 1 - SKU: A0.1270151 By Dionne Warwick. By Richard Kerr and Will Jennings. Arranged by Jhavilah. 21st Century,Film/TV,Pop,Singer/Songwriter,Soul. Score. 4 pages. Jhavilah #862576. Published by Jhavilah (A0.1270151). I'll Never Love This Way Again is a song written by Richard Kerr and Will Jennings, and first recorded by Kerr himself for his album Welcome to the Club in 1978. Here are some key details about the song:The song was originally titled I Know I'll Never Love This Way Again. A version by Cheryl Ladd was released first on her self-titled album in July 1978. The song became a hit for American singer Dionne Warwick the following year, which was produced by her labelmate Barry Manilow for Warwick's Arista Records debut, Dionne. I'll Never Love This Way Again is a Grammy Award-winning and Gold-certified hit. The song features a soulful and emotional vocal performance by Warwick, with a memorable melody and lyrics about a lost love. Overall, I'll Never Love This Way Again is a classic ballad that has become one of Dionne Warwick's signature songs. It showcases her powerful and emotive vocal style, as well as the songwriting talents of Richard Kerr and Will Jennings. The song's themes of lost love and moving on have resonated with listeners over the years, making it a timeless classic in the world of pop music.
$4.99
I'll Never Love This Way Again
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Piano Facile
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DÉBUTANT
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Dionne Warwick
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Jhavilah
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I'll Never Love This Way Again
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Jhavilah
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1269609 By Dionne Warwick. By Richard Kerr and Will Jennings. Arranged by Jhavilah. 20th Century,Film/TV,Pop,Singer/Songw...
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Easy Piano - Level 1 - SKU: A0.1269609 By Dionne Warwick. By Richard Kerr and Will Jennings. Arranged by Jhavilah. 20th Century,Film/TV,Pop,Singer/Songwriter,Soul. Score. 4 pages. Jhavilah #862155. Published by Jhavilah (A0.1269609). I'll Never Love This Way Again is a song written by Richard Kerr and Will Jennings, and first recorded by Kerr himself for his album Welcome to the Club in 1978. Here are some key details about the song:The song was originally titled I Know I'll Never Love This Way Again. A version by Cheryl Ladd was released first on her self-titled album in July 1978. The song became a hit for American singer Dionne Warwick the following year, which was produced by her labelmate Barry Manilow for Warwick's Arista Records debut, Dionne. I'll Never Love This Way Again is a Grammy Award-winning and Gold-certified hit. The song features a soulful and emotional vocal performance by Warwick, with a memorable melody and lyrics about a lost love. Overall, I'll Never Love This Way Again is a classic ballad that has become one of Dionne Warwick's signature songs. It showcases her powerful and emotive vocal style, as well as the songwriting talents of Richard Kerr and Will Jennings. The song's themes of lost love and moving on have resonated with listeners over the years, making it a timeless classic in the world of pop music.
$4.99
O Come, O Come, Immanuel
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Cloches
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FACILE
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Martha Lynn Thompson and Natal
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O Come, O Come, Immanuel
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB355 Composed by Martha Lynn Thompson and Natalie Sleeth. Advent, Christmas. With 3 octaves handchime...
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3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB355 Composed by Martha Lynn Thompson and Natalie Sleeth. Advent, Christmas. With 3 octaves handchimes, Solo Inst. Score. 8 pages. Chorister's Guild - Digital #CGB355. Published by Chorister's Guild - Digital (C7.CGB355). UPC: 749193009543.3, 4 or 5 octaves with optional Bb2.Advent or General.Level 4.Everlasting Light is based on two contrasting hymns dealing with light. CONDITOR ALME SIDERUM is one of the oldest Christian hymns, whose simplicity and rhythmical flow reflect the freedom of speech. Written seven centuries later, WIE SCHON LEUCHTET is at the other end of the spectrum: measured, straight forward and fanfare-like. The introduction intersperses dramatic .ashes of light and the resulting shimmer (via the echo technique) with phrases of the chant. The chant is treated in its entirety at measure 19, and then antiphonally at measure 27 with its inversion (light reflected). The German chorale is heard at measure 40, and again in augmentation at measure 62 layered over the chant, each phrase of which is echoed (reflected) an octave lower. The piece ends with a return to the opening .ashes of light, this time the shimmering sixteenth-notes being more pronounced.
$4.50
Hard Times Come Again No More - for easy piano
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Piano Facile
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FACILE
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Stephen Foster
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Samuel Stokes
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Hard Times Come Again No More
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SamuelStokesMusic.com
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SheetMusicPlus
Composed by Stephen Foster (1826-1864). Arranged by Samuel Stokes. Folk, Children's Music, Recital, Old-time, Americana. 1 pages. Published by SamuelStokesMusic...
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Composed by Stephen Foster (1826-1864). Arranged by Samuel Stokes. Folk, Children's Music, Recital, Old-time, Americana. 1 pages. Published by SamuelStokesMusic.com (S0.266479). - - Folk,Children's Music,Recital,Old-time,Americana - SamuelStokesMusic.com
$2.50
Hard Times Come Again No More
Piano/Vocal/Chords,Easy Piano,Voice
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Stephen Foster
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Charles Lee
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Hard Times Come Again No More
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C Lee
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SheetMusicPlus
Composed by Stephen Foster (1826-1864). Arranged by Charles Lee. Pop, Old-time. Lead Sheet. 2 pages. Published by C Lee (S0.400457). - Lead Sheet - Pop,Old-time...
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Composed by Stephen Foster (1826-1864). Arranged by Charles Lee. Pop, Old-time. Lead Sheet. 2 pages. Published by C Lee (S0.400457). - Lead Sheet - Pop,Old-time - C Lee
$4.99
Alle Jahre wieder (every year again) for family band
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Friedrich Silcher, Wilhelm Hey
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Sophia Transistor
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Alle Jahre wieder
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Sophia Transistor
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussio...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Harmonica,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Level 1 - SKU: A0.851141 Composed by Friedrich Silcher, Wilhelm Hey. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Score and parts. 14 pages. Sophia Transistor #6624487. Published by Sophia Transistor (A0.851141). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Alle Jahre wieder kommt das Christuskind = Every Year Again, baby Jesus comes back offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 5 verses for each language- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/6evAo392soo German description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Alle Jahre wieder kommt das CHristuskind beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); jeweils 5 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!
$4.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
When Johnny Comes Marching Home
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Louis Lambert
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When Johnny Comes Marching Hom
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and chorus) - SKU: LV.22411 Composed by Louis Lambert. Carriages & coaches, Civil War--Union, Homecomings, Celebrations, Soldiers,...
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Piano and voice (solo and chorus) - SKU: LV.22411 Composed by Louis Lambert. Carriages & coaches, Civil War--Union, Homecomings, Celebrations, Soldiers, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22411). When Johnny Comes Marching Home. Words and Music by Louis Lambert. Published 1863 by Henry Tolman & Co., 291 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and chorus) instrumentation. Subject headings for this piece include Carriages & coaches, Civil War--Union, Homecomings, Celebrations, Soldiers, Patriotism. First line reads When Johnny comes marching home again, Hurrah, Hurrah.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Golden Hour
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Piano seul
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FACILE
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Jvke
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Bernardo Pereira
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Golden Hour
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Bernardo Pereira
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1213849 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Bernardo Pereira. Pop,Singer/Songwriter,Wedding. Score. 6...
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Piano Solo - Level 2 - SKU: A0.1213849 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Bernardo Pereira. Pop,Singer/Songwriter,Wedding. Score. 6 pages. Bernardo Pereira #811048. Published by Bernardo Pereira (A0.1213849). This arrangement is an easy-intermediate level piano sheet music of the pop song “Golden Hourâ€. It is also a clean sheet music without fingering marks and chord symbol. The singer and songwriter Jake Lawson (also known as ‘Jvke’) performs the song. Among his other hits like Upside Down, Dandelion and this is what falling in love feels like, Golden Hour has become one of the most played song on TikTok and other social medias. This piano cover is also quite suitable for weddings. The arrangement features the main intro in sixteenth notes played in the right-hand. The arpeggios on the left hand in the original was simplified by dotted quarter notes (bars 1-8). The verse features the main melody in the right hand with the accompaniment in the left hand (bars 9-16). On the second verse, the melody has notes that fill the harmony on the second layer (bars 17-24).In the chorus, the same idea as in the second verse is used here. The melody is filled with more notes forming seventh chords a few times (bars 25-40). Then, the same structure from the first verse returns on page 3 and 4 (bars 41-73). At the end, the chorus appears again in a calm and smooth atmosphere with dotted half notes on the left hand (bars 74-90).
$4.99
Golden Hour
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Piano seul
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FACILE
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Jvke
#
Bernardo Pereira
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Golden Hour
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Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1213844 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Bernardo Pereira. Pop,Singer/Songwriter,Wedding. Score. 6...
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Piano Solo - Level 2 - SKU: A0.1213844 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Bernardo Pereira. Pop,Singer/Songwriter,Wedding. Score. 6 pages. Bernardo Pereira #811041. Published by Bernardo Pereira (A0.1213844). This arrangement is an easy-intermediate level piano sheet music of the pop song “Golden Hourâ€. The singer and songwriter Jake Lawson (also known as ‘Jvke’) performs the song. Among his other hits like Upside Down, Dandelion and this is what falling in love feels like, Golden Hour has become one of the most played song on TikTok and other social medias. This piano cover is also quite suitable for weddings. Fingering marks and chord symbols are available throughout the arrangement.The arrangement features the main intro in sixteenth notes played in the right-hand. The arpeggios on the left hand in the original was simplified by dotted quarter notes (bars 1-8). The verse features the main melody in the right hand with the accompaniment in the left hand (bars 9-16). On the second verse, the melody has notes that fill the harmony on the second layer (bars 17-24).In the chorus, the same idea as in the second verse is used here. The melody is filled with more notes forming seventh chords a few times (bars 25-40). Then, the same structure from the first verse returns on page 3 and 4 (bars 41-73). At the end, the chorus appears again in a calm and smooth atmosphere with dotted half notes on the left hand (bars 74-90).
$4.99
Golden Hour
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Piano seul
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FACILE
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Jvke
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Bernardo Pereira
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Golden Hour
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Bernardo Pereira
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1213852 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Bernardo Pereira. Pop,Singer/Songwriter,Wedding. Score. 6...
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Piano Solo - Level 2 - SKU: A0.1213852 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Bernardo Pereira. Pop,Singer/Songwriter,Wedding. Score. 6 pages. Bernardo Pereira #811051. Published by Bernardo Pereira (A0.1213852). This arrangement is an easy-intermediate level piano sheet music of the pop song “Golden Hourâ€. It is also a clean sheet music without chord symbol. The singer and songwriter Jake Lawson (also known as ‘Jvke’) performs the song. Among his other hits like Upside Down, Dandelion and this is what falling in love feels like, Golden Hour has become one of the most played song on TikTok and other social medias. This piano cover is also quite suitable for weddings. Fingering marks are available throughout the arrangement.The arrangement features the main intro in sixteenth notes played in the right-hand. The arpeggios on the left hand in the original was simplified by dotted quarter notes (bars 1-8). The verse features the main melody in the right hand with the accompaniment in the left hand (bars 9-16). On the second verse, the melody has notes that fill the harmony on the second layer (bars 17-24).In the chorus, the same idea as in the second verse is used here. The melody is filled with more notes forming seventh chords a few times (bars 25-40). Then, the same structure from the first verse returns on page 3 and 4 (bars 41-73). At the end, the chorus appears again in a calm and smooth atmosphere with dotted half notes on the left hand (bars 74-90).
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