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Vous avez sélectionné:
Oliver Waters
Partitions à imprimer
6 partitions trouvées
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“Messiah 2.26: All we like sheep” - Arranged for solo piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1112913 Composed by George Friederi…
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Piano Solo - Level 4 - Digital Download SKU: A0.1112913 Composed by George Friederich Händel. Arranged by Oliver Waters. Baroque,Classical. Score. 8 pages. Oliver Waters #714868. Published by Oliver Waters (A0.1112913). This is an arrangement of “all we like sheep†from Handel’s Messiah for solo piano. Piece is relatively complex with estimated difficulty of grade 8.
$1.99
1.86 €
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Piano seul
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George Friederich Händel
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Oliver Waters
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“Messiah 2.26: All we like sheep” - Arranged for solo piano
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Oliver Waters
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SheetMusicPlus
Brighter Days
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.1228892 Composed by Emeli Sande, Moyse…
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Piano,Vocal,Voice - Digital Download SKU: A0.1228892 Composed by Emeli Sande, Moyses Santos, and Oliver Green. Arranged by Mark Waters. Multicultural,Pop,World. Score. 4 pages. Mark Waters #824804. Published by Mark Waters (A0.1228892). Piano with right-hand vocal line arrangement in original key. This song made even more popular by a performance from the Coronation Choir at the Coronation Concert at Windsor Castle.
$4.99
4.66 €
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Piano, Voix
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Emeli Sande, Moyses Santos, and Oliver Green
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Mark Waters
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Brighter Days
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Mark Waters
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SheetMusicPlus
William Jerome's Best. He Never Came Back
Piano, Voix
Piano and voice - Digital Download SKU: LV.5310 Composed by William Jerome. War cas…
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Piano and voice - Digital Download SKU: LV.5310 Composed by William Jerome. War casualties, Waters, Restaurants, Balloons (Aircraft), Weddings, Deception. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5310). William Jerome's Best. He Never Came Back. Words and Music by William Jerome. Published 1892 by Oliver Ditson Co. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include War casualties, Waters, Restaurants, Balloons (Aircraft), Weddings, Deception. First line reads A soldier kissed his wife good-bye, he was going to the war.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano, Voix
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William Jerome
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William Jerome's Best. He Never Came Back
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Tolling Sadly Tolling, or, The Drunkards Funeral. Song & Chorus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4600 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4600 Composed by William T. Meyer. Wells, Alcoholism, Death, Funeral rites & ceremonies, Fathers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4600). Living Waters. A Collection of Beautiful Temperance Songs. Tolling Sadly Tolling, or, The Drunkards Funeral. Song & Chorus. Words and Music by Wm. T. Meyer. Published 1870 by Oliver Ditson & Co., 451 Washington St in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Wells, Alcoholism, Death, Funeral rites & ceremonies, Fathers & children. First line reads hark! What means that solemn pealing, coming from the old church tower?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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William T
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Tolling Sadly Tolling, or, The Drunkards Funeral. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.33 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
O'er the Dark Blue Sea. Quartette
Chorale SATB
Piano and voice (SATB quartet) - Digital Download SKU: LV.11918 Composed by C.A. Wh…
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Piano and voice (SATB quartet) - Digital Download SKU: LV.11918 Composed by C.A. White. Sailboats, Yachts. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11918). O'er the Dark Blue Sea. Quartette. Poetry and Music by C.A. White. Published 1868 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with piano and voice (satb quartette) instrumentation. Subject headings for this piece include Sailboats, Yachts. First line reads How swiftly we glide o'er the waters so blue.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Chorale SATB
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C
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O'er the Dark Blue Sea. Quartette
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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