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--INSTRUMENTS--
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On My Way Final Ending
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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MANDOLINE
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Crtitères actifs :
On My Way Final Ending
Partitions à imprimer
58 partitions trouvées
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1
26
51
On My Way Final Ending
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Piano seul
#
FACILE
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L A Morgan
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L A Morgan
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On My Way Final Ending
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L A Morgan
#
SheetMusicPlus
Piano - Level 2 - SKU: A0.1402391 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 2 pag...
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Piano - Level 2 - SKU: A0.1402391 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 2 pages. L A Morgan #985606. Published by L A Morgan (A0.1402391). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$1.99
On My Way
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Piano seul
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FACILE
#
L A Morgan
#
L A Morgan
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On My Way
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L A Morgan
#
SheetMusicPlus
Piano - Level 2 - SKU: A0.1402388 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pag...
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Piano - Level 2 - SKU: A0.1402388 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985603. Published by L A Morgan (A0.1402388). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
Hidden In My Heart
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Piano seul
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FACILE
#
L A Morgan
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L A Morgan
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Hidden In My Heart
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L A Morgan
#
SheetMusicPlus
Piano - Level 2 - SKU: A0.1402395 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pag...
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Piano - Level 2 - SKU: A0.1402395 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985610. Published by L A Morgan (A0.1402395). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
Sparkles on the Ocean
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Piano seul
#
FACILE
#
L A Morgan
#
L A Morgan
#
Sparkles on the Ocean
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L A Morgan
#
SheetMusicPlus
Piano - Level 2 - SKU: A0.1402403 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pag...
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Piano - Level 2 - SKU: A0.1402403 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985617. Published by L A Morgan (A0.1402403). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
Alas, and Did My Savior Bleed with Were You There
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Ken Barker
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John Purifoy
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Alas, and Did My Savior Bleed
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Ken Barker
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1155271 By Ken Barker. By Spiritual and W-Isaac Watts, M-Hugh Wilson. Arranged by John Purifoy. Christian,Easter,Religiou...
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Piano Solo - Level 4 - SKU: A0.1155271 By Ken Barker. By Spiritual and W-Isaac Watts, M-Hugh Wilson. Arranged by John Purifoy. Christian,Easter,Religious,Sacred,Spiritual. Score. 4 pages. Ken Barker #755556. Published by Ken Barker (A0.1155271). The combined message of these two Easter hymns intertwined together provides a powerful moment of introspection and meditation regarding the work of Christ on the cross and how we are to interface with that. It should be performed with great care and sensitivity, taking the time for expression and reverence. The opening verse eighth notes need to be played lightly and effortlessly. By way of contrast, the key change provides opportunity for a strong musical statement, followed by a transition back to a quieter final contemplation of Were you there when they crucified my Lord. The ending requires extreme delicacy and practice to get the timing with the sustain pedal, and with the soft pedal down, to play the chords as lightly as possible while still having every note sound.
$4.25
Nebraska - My Heartland (CHORAL SCORE)
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Contemporain
#
D
#
Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D...
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Choral Choir (4-Part) - Level 4 - SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D. M. Gardner Music (A0.799663). CHORAL SCORE***FULL SCORE and INSTRUMENTAL PARTS SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
Nebraska - My Heartland (INSTRUMENTAL PARTS)
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Contemporain
#
D
#
Nebraska - My Heartland
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D. M. Gardner Music
#
SheetMusicPlus
Large Ensemble Choir,Voice - SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published...
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Large Ensemble Choir,Voice - SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$75.00
Nebraska - My Heartland (FULL SCORE)
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Contemporain
#
D
#
Nebraska - My Heartland
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D. M. Gardner Music
#
SheetMusicPlus
Large Ensemble Choir,Voice - Level 4 - SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. ...
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Large Ensemble Choir,Voice - Level 4 - SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$200.00
Be Thou My Vision
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Traditional
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Andrew Wainwright
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Be Thou My Vision
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Andrew Wainwright
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.890756 Composed by Traditional. Arranged by Andrew Wainwright. Christian,Sacred,World. Score and parts. 41 pages. Andre...
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Concert Band - Level 3 - SKU: A0.890756 Composed by Traditional. Arranged by Andrew Wainwright. Christian,Sacred,World. Score and parts. 41 pages. Andrew Wainwright #6446259. Published by Andrew Wainwright (A0.890756). A highly evocative arrangement of the popular hymn, also known as Slane. The arranger Andrew Wainwright responds to the ethereal quality of the tune with an exquisite layering of texture. The three-verse setting grows to a glorious climax on the final verse, before dying away to a serene ending.
$54.99
Bittersweet
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Piano seul
#
FACILE
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MD Morgan
#
LA Morgan
#
Bittersweet
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L A Morgan
#
SheetMusicPlus
Piano - Level 2 - SKU: A0.1402407 By MD Morgan. By MD Morgan. Arranged by LA Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 2 pages....
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Piano - Level 2 - SKU: A0.1402407 By MD Morgan. By MD Morgan. Arranged by LA Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 2 pages. L A Morgan #985622. Published by L A Morgan (A0.1402407). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
Impromptu Tango
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Piano seul
#
FACILE
#
L A Morgan
#
L A Morgan
#
Impromptu Tango
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L A Morgan
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1402392 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Chords/Lyrics. 2 pages. L A...
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Guitar - Level 2 - SKU: A0.1402392 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Chords/Lyrics. 2 pages. L A Morgan #985607. Published by L A Morgan (A0.1402392). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
Retourne
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Piano seul
#
FACILE
#
MD Morgan
#
LA Morgan
#
Retourne
#
L A Morgan
#
SheetMusicPlus
Piano - Level 2 - SKU: A0.1402404 By MD Morgan. By MD Morgan. Arranged by LA Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 2 pages....
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Piano - Level 2 - SKU: A0.1402404 By MD Morgan. By MD Morgan. Arranged by LA Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 2 pages. L A Morgan #985619. Published by L A Morgan (A0.1402404). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
Medley of Romance
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Piano seul
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FACILE
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LD Morgan
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LA Morgan
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Medley of Romance
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L A Morgan
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SheetMusicPlus
Piano - Level 2 - SKU: A0.1402408 By LD Morgan. By LA Morgan, MD Morgan. Arranged by LA Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics...
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Piano - Level 2 - SKU: A0.1402408 By LD Morgan. By LA Morgan, MD Morgan. Arranged by LA Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 5 pages. L A Morgan #985623. Published by L A Morgan (A0.1402408). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
The Love That Could Have Been
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Piano seul
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FACILE
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L A Morgan
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L A Morgan
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The Love That Could Have Been
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L A Morgan
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1402400 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Chords/Lyrics. 2 pages. L A...
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Guitar - Level 2 - SKU: A0.1402400 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Chords/Lyrics. 2 pages. L A Morgan #985616. Published by L A Morgan (A0.1402400). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
When We Were Only Friends Elaine
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Piano seul
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FACILE
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L A Morgan
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L A Morgan
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When We Were Only Friends Elai
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L A Morgan
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SheetMusicPlus
Piano - Level 2 - SKU: A0.1402396 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pag...
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Piano - Level 2 - SKU: A0.1402396 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985611. Published by L A Morgan (A0.1402396). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
Whispers in the Wind
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Piano seul
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FACILE
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L A Morgan
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L A Morgan
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Whispers in the Wind
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L A Morgan
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SheetMusicPlus
Piano - Level 2 - SKU: A0.1402399 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 4 pag...
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Piano - Level 2 - SKU: A0.1402399 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 4 pages. L A Morgan #985615. Published by L A Morgan (A0.1402399). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
When We Were Only Friends James
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Piano seul
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FACILE
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L A Morgan
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L A Morgan
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When We Were Only Friends Jame
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L A Morgan
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SheetMusicPlus
Piano - Level 2 - SKU: A0.1402397 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pag...
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Piano - Level 2 - SKU: A0.1402397 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985612. Published by L A Morgan (A0.1402397). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
Secret Kisses
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Piano seul
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FACILE
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L A Morgan
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L A Morgan
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Secret Kisses
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L A Morgan
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SheetMusicPlus
Piano - Level 2 - SKU: A0.1402393 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pag...
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Piano - Level 2 - SKU: A0.1402393 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985608. Published by L A Morgan (A0.1402393). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
Parallel Tracks
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Piano Quatuor: piano, violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Eg veit i himmerik ei borg (I know a castle in heaven)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3...
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Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
Eg veit i himmerik ei borg (I know a castle in heaven)
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - SKU: A0.940772 Composed by Nick Walkley. Christian,Contemporary,Patriotic,World. Score and parts. 15 pages. Nick Walk...
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Brass Ensemble Trumpet - Level 3 - SKU: A0.940772 Composed by Nick Walkley. Christian,Contemporary,Patriotic,World. Score and parts. 15 pages. Nick Walkley #3433499. Published by Nick Walkley (A0.940772). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for and performed by the cornet section of the Band of the Welsh Guards, before being also expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above, shining as bright as the sun; you'll find no sin nor sorrow there, and never a tear is shed.I am a weary traveller; may my path lead me from here to my Father's land; God, bless me on my way.We thank you for eternity God the Father, one in three. For you are gentle and mild to us in Jesus Christ! Amen.Note to performers:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for all brass musicians!
$15.00
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
It Came Upon a Midnight Clear
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Chorale SATB
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INTERMÉDIAIRE
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Noel
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Ken Litton
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It Came Upon a Midnight Clear
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1499790 Composed by Noel. Arranged by Ken Litton. 19th Century,Advent,Christian,Christmas,Holiday. 8...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1499790 Composed by Noel. Arranged by Ken Litton. 19th Century,Advent,Christian,Christmas,Holiday. 8 pages. Artist of Note, Inc. #1075857. Published by Artist of Note, Inc. (A0.1499790). It Came Upon the Midnight ClearNOEL CMD Trad. English Melodyarranged by Ken Litton (ASCAP)Sheet Music PlusSheet Music DirectAlso available: As well as via Hal Leonard InStore™ retailers.The text is the familiar hymn of Edmund Hamilton Sears (1810-1876), an American clergyman ministering for many years in Massachusetts. After a retirement due to health concerns, his second Christmas hymn dating from about 1849 was published in The Christian Register. Of it a fellow minister by the name of Morrison wrote, I always feel that, however poor my Christmas sermon may be, the reading and singing of It Came Upon the Midnight Clear are enough to make up for all deficiencies.”Here the tune is NOEL (CMD). The arrangement begins in Eb moving up to F, followed by an expressive (optionally a cappella) section in Dm. After a brief return to F for the final stanza (with a descant limited to top space F) there is a subtle surprise by joy to Em and on to a singable ending in G, with options for second soprano. The voicing range from unison to 2-part and on to 3 and 4 parts, but in a singable, approachable range for choirs of medium ability and only a hint of easily sung divisi.The accompaniment is active but playable and the score suggests a harpsichord voice as the keyboard option. The style of the piece——as well as the mp3 instrumentation—allude to abasso continuo optional part for cello, bassoon, or other C bass instrument, a separate medium difficulty part included.And mp3 demo/slass accompaniment track is available separately.Be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$2.99
It Came Upon the Midnight Clear
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NOEL CMD Trad
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Ken Litton
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It Came Upon the Midnight Clea
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Artist of Note, Inc.
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SheetMusicPlus
Cello,Harpsichord Accompaniment - Level 3 - SKU: A0.1500764 Composed by NOEL CMD Trad. English Melody. Arranged by Ken Litton. Historic,Religious,Sacred...
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Cello,Harpsichord Accompaniment - Level 3 - SKU: A0.1500764 Composed by NOEL CMD Trad. English Melody. Arranged by Ken Litton. Historic,Religious,Sacred,Standards. Accompaniment. Duration 188. Artist of Note, Inc. #1076843. Published by Artist of Note, Inc. (A0.1500764). It Came Upon the Midnight ClearNOEL CMD Trad. English Melodyarranged by Ken Litton (ASCAP)Audio Demo/Accompaniment trackAlso available: Sheet Music Plushttps://www.sheetmusicplus.com/en/product/it-came-upon-a-midnight-clear-22842289.htmlSheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1606059/Product.aspxThe text is the familiar hymn of Edmund Hamilton Sears (1810-1876), an American clergyman ministering for many years in Massachusetts. After a retirement due to health concerns, his second Christmas hymn dating from about 1849 was published in The Christian Register. Of it a fellow minister by the name of Morrison wrote, I always feel that, however poor my Christmas sermon may be, the reading and singing of It Came Upon the Midnight Clear are enough to make up for all deficiencies.”Here the tune is NOEL (CMD). The arrangement begins in Eb moving up to F, followed by an expressive (optionally a cappella) section in Dm. After a brief return to F for the final stanza (with a descant limited to top space F) there is a subtle surprise by joy to Em and on to a singable ending in G, with options for second soprano. The voicing range from unison to 2-part and on to 3 and 4 parts, but in a singable, approachable range for choirs of medium ability and only a hint of easily sung divisi.The accompaniment is active but playable and the score suggests a harpsichord voice as the keyboard option. The style of the piece——as well as the mp3 instrumentation—allude to abasso continuo optional part for cello, bassoon, or other C bass instrument, a separate medium difficulty part included.And mp3 demo/slass accompaniment track is available separately.All this from the places you go for the best in downloadable resources as well as via Hal Leonard InStore™ retailers.Be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99
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On My Way Final Ending