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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On The Border
Non classifié
38
Piano & claviers
Piano seul
8
Piano, Voix
8
Piano, Voix et Guitare
6
Accordéon
4
Piano Facile
2
Orgue
1
Piano grosses notes
1
Instruments en Do
1
Accompagnement Piano
1
+ 4 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
4
Mandoline
3
Guitare notes et tablatures
3
Guitare
2
Basse electrique
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
9
Chorale 3 parties
4
Chorale 2 parties
4
Voix duo, Piano
3
Chorale Unison
2
Chorale SSAA
1
+ 1 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
5
2 Saxophones (duo)
5
Saxophone, Clarinette (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte traversière et Piano
2
Saxophone Alto et Piano
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Hautbois, Piano (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
2 Clarinettes (duo)
2
Saxophone Alto
1
Flûte, Violon
1
Flûte, Trompette (duo)
1
Flûte traversière
1
Clarinette et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
2 Flûtes traversières (duo)
1
2 Saxophones, Piano
1
Saxophone (partie séparée)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
+ 22 instrumentations
Retracter
Cuivres
2 Trombones (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Saxophone (duo)
2
Trombone et Piano
2
Tuba et Piano
2
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
+ 7 instrumentations
Retracter
Cordes
Harpe
9
Violon et Piano
4
Quatuor à cordes: 2 violons, alto, violoncelle
3
Alto, Violoncelle (duo)
2
4 Violoncelles
1
2 Violons (duo)
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
Violoncelle, Piano
1
Violon
1
Violon, Alto (duo)
1
4 Harpes
1
Violon, Violoncelle (duo)
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Orchestre
6
Batterie
2
Ensemble de cuivres
2
Ensemble de Percussions
1
Ensemble Jazz
1
Orchestre à Cordes
1
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Vous avez sélectionné:
On The Border
Partitions à imprimer
254 partitions trouvées
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251
Colores (Let the Children Teach Us)
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions ...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
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Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
#
Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
A Day on Hellroaring Plateau
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Robert Myers
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A Day on Hellroaring Plateau
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.976732 Composed by Robert Myers. 20th Century,Contemporary,Folk. Score and parts. 186 pages. WheatMyer Music #6252911. ...
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Concert Band - Level 4 - SKU: A0.976732 Composed by Robert Myers. 20th Century,Contemporary,Folk. Score and parts. 186 pages. WheatMyer Music #6252911. Published by WheatMyer Music (A0.976732). A Day on Hellroaring Plateau for Concert Band or Wind SymphonyDownload includes transposed score and all parts.Difficulty is Grade 5.Duration is approximately 9:30.Preview the entire score at https://wheatmyermusic.com/product/a-day-on-hellroaring-plateau/The Hellroaring Plateau is a landmass on the northeast extremity of the Absaroka mountain range straddling the Montana-Wyoming border. Its relatively flat topography and high elevation lead to intense winds and unpredictable storms bestowing the plateau's colorful moniker. Contrary to the title, the music reflects a compilation of impressions from multiple visits over a decade’s time, gathered with my son’s first-hand reports of overnight stays, rather than a single day’s experience. My original objective for the music was to portray the stark and stony landscape alternatively caressed and buffeted in a stew of breezes and gales, sunshine and storms. However, as I was writing the piece it became apparent the true theme of the music is rather a daily high-altitude drama pitting light versus darkness, a drama staged on the plateau’s rocks, meadows, streams, and lakes depicting a perpetually shifting kaleidoscope of distinctive lighting unlike any I have experienced elsewhere. The transparent, thin air reveals indigo blue skies and scalding-white clouds overarching stunning vistas stretching a hundred miles or more. The landscape glitters under the radiance of high latitude sunlight. The only word I can think of to describe the golden glow of sunbeams slicing through a summer snow squall is ethereal. The utter absence of artificial light makes for the darkest night skies and brightest stars one can experience on earth.
$125.00
Beyond The Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
#
SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
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Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
Border Song
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Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Elton John
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Jacob A Smith
#
Border Song
#
Jacob A Smith
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1140575 By Elton John. By Bernie Taupin and Elton John. Arranged by Jacob A Smith. 20th Century,Blues,Folk,...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1140575 By Elton John. By Bernie Taupin and Elton John. Arranged by Jacob A Smith. 20th Century,Blues,Folk,Rock. Score. 3 pages. Jacob A Smith #740813. Published by Jacob A Smith (A0.1140575). Border Song is a song by Elton John with music by John and lyrics by Bernie Taupin.[2] The song initially appeared on the 1970 album Elton John, and was released in the spring of 1970 as the LP's first single. After failing to chart in the UK, it was released in North America a few months later. It met with more success there, especially in Canada, where it peaked at No. 34.[3] The appearance of Border Song on the Canadian charts was John's first chart appearance in any country. Border Song was also John's first song to chart in the United States, peaking at No. 92 on the Billboard Hot 100 and No. 69 on the Cash Box Top 100[4] in October 1970. A cover by soul icon Aretha Franklin (with Holy Moses following the title in parentheses to reflect the repeated phrase in the song) fared better reaching No. 37 on the Billboard Hot 100 and No. 23 in the Cash Box Top 100 in December 1970.[5] It was included as the closing track of Aretha's 1972 Young, Gifted and Black album as well. The song's melody is similar to that of a spiritual.[7] A choir sings during an instrumental break led by John's piano. John has said that the song is about the alienation Taupin felt in and about London at the time (Brand of people who ain't my kind), and his desire to visit home as often as he could. John himself wrote and added the last verse, which departs from the theme of alienation and speaks against bigotry: Holy Moses, let us live in peace/let us strive to find a way to make all hatred cease/there's a man over there. What's his colour I don't care/he's my brother let us live in peace..
$4.99
De facto Anthems of the Confederate States of America
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Charles W
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Keith Terrett
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De facto Anthems of the Confed
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emm...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1'' - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De Cœniél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$19.99
Across the Border - Scottish Border Tunes for Cello Quartet
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4 Violoncelles
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INTERMÉDIAIRE
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Anon Folk Tunes
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Karen E McAulay
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Across the Border - Scottish B
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Dr Karen E McAulay
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.984246 Composed by Anon Folk Tunes. Arranged by Karen E McAulay. 20th Century,Folk. 16 pages. Dr...
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String Quartet Cello,String Quartet - Level 3 - SKU: A0.984246 Composed by Anon Folk Tunes. Arranged by Karen E McAulay. 20th Century,Folk. 16 pages. Dr Karen E McAulay #3675569. Published by Dr Karen E McAulay (A0.984246). Evoke the sounds of the Scottish Borders, the smallpipes (bagpipes) and Border Ballads, all on cello quartet. This is one of my favourite arrangements - 12 minutes of music with repeats. Songs: I saw my love come passing by (Northumbrian Minstrelsie); Noble Squire Dacre (Northumbrian Minstrelsie and named in Walter Scott's The Lay of the Last Minstrel); Gloomy Winter's now awa' (Scottish borders); My love is like a red, red rose; Jock o' Hazeldean (another Borders melody).
$20.00
On The Border
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Batterie
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DÉBUTANT
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Rock
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The Eagles
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Felipe Gonçalves
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On The Border
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Felipe Gonçalves
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SheetMusicPlus
Drums - Level 1 - SKU: A0.1509452 By The Eagles. By Bernie Leadon, Don Henley, and Glenn Frey. Arranged by Felipe Gonçalves. Rock. Score. 4 pages. Feli...
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Drums - Level 1 - SKU: A0.1509452 By The Eagles. By Bernie Leadon, Don Henley, and Glenn Frey. Arranged by Felipe Gonçalves. Rock. Score. 4 pages. Felipe Gonçalves #1084691. Published by Felipe Gonçalves (A0.1509452). Drums simplified arrangement sheet transcription music On The Border by Eagles Álbum: on the borderYear: 1974Drums easy Eagles.
$4.99
On The Border
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Al Stewart
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Volker Coutandin
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On The Border
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Volker Coutandin
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1046146 Composed by Al Stewart. Arranged by Volker Coutandin. Latin,Pop,Rock. Score. 6 pages. Volker Coutan...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1046146 Composed by Al Stewart. Arranged by Volker Coutandin. Latin,Pop,Rock. Score. 6 pages. Volker Coutandin #650652. Published by Volker Coutandin (A0.1046146). On the Boarder was Al Stewarts 2nd Hit from his 1976 Album Year of the Cat. It reached number 42 of the US- Charts. This arrangement for Piano/ Vocal/ Guitar includes the atmospheric spanish guitar solos as played by Al Stewart.
$4.99
VOSS ON THE ROCKS
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Lars Ek
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VOSS ON THE ROCKS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068913 Composed by Lars Ek. Folk,World. Full Performance. Duration 161. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068913 Composed by Lars Ek. Folk,World. Full Performance. Duration 161. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924317. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068913). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
THE HAPPY NORRLANDS MATADOR
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Lars Ek
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THE HAPPY NORRLANDS MATADOR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068912 Composed by Lars Ek. Folk,World. Full Performance. Duration 138. Lars Ek Cosmos Music c/o Musik & Underh...
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Accordion,Double Bass,Guitar - SKU: A0.1068912 Composed by Lars Ek. Folk,World. Full Performance. Duration 138. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1924313. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068912). My first acquaintance with Lars Ek Hot Trio refers to the autumn of 1982. It took place in Bergen during the annual enrollment of accordionist by the name TREKKSPILLGALLA In Grieghallen where Lars Ek until now been unknown. It has become a tradition with a Swedish touch during these autumn hits. Strong names Ebbe Jularbo, Roland Cedermark, Norwegian-Swede Olaf Wernersen to name a few. But no one has so far been stormed the audience as Lars Ek Hot Trio did. To experience the original Frosini, Nisse Lind, Ragnar Sundquist represents something new and good in the Accordion music. Genuine original accordion music that we remember so dearly good from the 1930-40's and which had been lying idle since then. The above-mentioned debut has caused several national border crossings for the trio. The last is the spring tour in western Norway this year (1985), where I had the honor to accompany the ensemble from Nor fjord Bergen. An experience for both the audience and the musicians. Yet we feel the turbulence after Lasses bellows murmur down the valley-society’s country. At Voss reached climax when history's first Trekkspill-fan-club became a fact of Lars Ek Fan Club. In alternating western country natural emanation from our flower at the fjord to the mountain huge snowstorm where we stood firm on the Vika Mountain on our way to Voss. After waiting up to a snow plow and colon driving, Lars Ek experience a new Norway. These strong impression of the natural contrasts mixed with the local population intimacy and spontaneity and contact Lasse put on the idea of a Norway-LP, which therefore now been completed in record time. Finally, I would quote one of Norway's largest newspapers to: Lars Ek is the best we have heard - and seen - on the accordion. Do not let it go three more years before he is in Bergen again. Welcome back, Lasse, Bengt and Kalle. Bergen in May 1985 Kind regards from John Mandelid.
$1.99
On The Border
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Paroles et Accords
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Rock
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The Eagles
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On The Border
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Hal Leonard - Digital
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SheetMusicPlus
Guitar (chords only) - SKU: HX.286725 By The Eagles. Pop,Rock. 3 pages. Published by Hal Leonard - Digital (HX.286725). ...
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Guitar (chords only) - SKU: HX.286725 By The Eagles. Pop,Rock. 3 pages. Published by Hal Leonard - Digital (HX.286725).
$1.99
On The Border
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Guitare notes et tablatures
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Rock
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The Eagles
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On The Border
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.430074 By The Eagles. Pop,Rock. Guitar TAB. 13 pages. Duration 240. Published by Hal Leonard - Digital (HX.430074). ...
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SKU: HX.430074 By The Eagles. Pop,Rock. Guitar TAB. 13 pages. Duration 240. Published by Hal Leonard - Digital (HX.430074).
$4.99
The Wondrous Cross (A Cappella)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Matthew Gawronski
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The Wondrous Cross
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Matthew Gawronski
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.883692 Composed by Matthew Gawronski. A Cappella,Christian,Easter,Sacred,Spiritual. Octavo. 13 pages. Matthew Ga...
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Choral Choir (SATB) - Level 3 - SKU: A0.883692 Composed by Matthew Gawronski. A Cappella,Christian,Easter,Sacred,Spiritual. Octavo. 13 pages. Matthew Gawronski #3586367. Published by Matthew Gawronski (A0.883692). The classic hymn, The Wondrous Cross is packed with beautiful lyrics reflecting on what Christ's victory on the cross means for us today. With this modern setting, nearly any church choir can attempt to tackle the beautiful a cappella harmonies that drive this beautiful message home to both listeners and performers at Easter or nearly any time of the year!<iframe src=https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2F258397017899388%2Fv...; width=560 height=315 style=border:none;overflow:hidden scrolling=no frameborder=0 allowTransparency=true allowFullScreen=true></iframe>.
$3.50
(ghost) Riders In The Sky (a Cowboy Legend)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Johnny Cash
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Arthur Jesse & Peet du Toit
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(ghost) Riders In The Sky
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporary. Score and parts. 9 pages. Peet du Toit #6023995. Published by Peet du Toit (A0.802616). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt, in which a supernatural group of hunters passes the narrator in wild pursuit.Stan Jones stated that he had been told the story when he was 12 years old by an old Native American who resided north-east of the Douglas, Arizona border town, a few miles behind D Hill, north of Agua Prieta, Sonora. The Native Americans, possibly Apache, who lived within Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had told him, looking in amazement as the cloudy shapes were identified as the ghost riders that years later, would be transposed into lyrics. The melody is based on the song When Johnny Comes Marching Home.
$15.00
Border Lands
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Paula Goodwin
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Border Lands
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JPM Services
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1204082 Composed by Paula Goodwin. Contemporary,Contest,Festival,Folk,Instructional,Patriotic. Score and parts. 89 page...
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Concert Band - Level 3 - SKU: A0.1204082 Composed by Paula Goodwin. Contemporary,Contest,Festival,Folk,Instructional,Patriotic. Score and parts. 89 pages. JPM Services #802652. Published by JPM Services (A0.1204082). Inspired by the border lands between England and Scotland we open as a new day emerges as the mists clear and the people wake up, then move into a lively dance like section based on the Northumbrian folk song John Peel which eventualy emerges from the dance. Next we move into a soulful section of extended woodwind solos with the oboe and bassoon taking the initial lead. We finish up with a triumphant march section recognising the regeon's long military traditions.A lively piece with something for everyone in the band, excellent either as an opener or as and finale.
$39.99
The Far North Land: Passages for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Greg Bartholomew
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The Far North Land: Passages f
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Burke & Bagley
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.787240 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Folk. 16 pages. B...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.787240 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Folk. 16 pages. Burke & Bagley #48429. Published by Burke & Bagley (A0.787240). Parts for Eb Clarinet, 2 Bb Clarinets and Bass Clarinet in Bb, with alternate 3d Bb Clarinet part in lieu of Eb Clarinet. My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was 'The Far North Land.' Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of her movies. I later transcribed the song from that recording and used it as the foundation for this piece. My aunts told me they recalled my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as 'Fletch's song.' It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes in the border lakes region where Minnesota meets Canada. The tune is also known in the U.K. as The Road to the Isles. The arrangement for string quartet was premiered by the OdeonQuartet at Seattle's Town Hall on October 21, 2003. The arrangement for clarinet quartet was made in 2013 for the Livas Quartet. The arrangment for string orchestra is available from Imagine Music Publishing.
$14.00
The Far North Land
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Orchestre d'harmonie
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FACILE
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Gregory Hoepfner
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The Far North Land
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - SKU: IZ.CBS166-S Composed by Gregory Hoepfner. Score. 17 pages. Imagine Music - Digital #CBS166-S. Published by Imagine Music -...
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Concert band - Grade 2 - SKU: IZ.CBS166-S Composed by Gregory Hoepfner. Score. 17 pages. Imagine Music - Digital #CBS166-S. Published by Imagine Music - Digital (IZ.CBS166-S). 9 x 12 in inches.My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was TheFar North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of hermovies. Years later I transcribed the song from that recording and used it as the foundation for this piece. My aunts tell methey recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch'ssong. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes inthe border lakes region where Minnesota meets Canada.The original arrangement, for string quartet, was premiered by the OdeonQuartet on October 21, 2003, at Seattle's TownHall.
$10.00
The Far North Land
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Orchestre d'harmonie
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FACILE
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Gregory Hoepfner
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The Far North Land
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - SKU: IZ.CBS166 Composed by Gregory Hoepfner. Score and Parts. 45 pages. Imagine Music - Digital #CBS166. Published by Imagine M...
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Concert band - Grade 2 - SKU: IZ.CBS166 Composed by Gregory Hoepfner. Score and Parts. 45 pages. Imagine Music - Digital #CBS166. Published by Imagine Music - Digital (IZ.CBS166). 9 x 12 in inches.My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was TheFar North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of hermovies. Years later I transcribed the song from that recording and used it as the foundation for this piece. My aunts tell methey recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch'ssong. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes inthe border lakes region where Minnesota meets Canada.The original arrangement, for string quartet, was premiered by the OdeonQuartet on October 21, 2003, at Seattle's TownHall.
$60.00
The Far North Land: Passages for Wind Ensemble
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Greg Bartholomew
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The Far North Land: Passages f
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Burke & Bagley
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.787312 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Score and parts. 42 pages. Burke & Bagley #50...
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Concert Band - Level 3 - SKU: A0.787312 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Score and parts. 42 pages. Burke & Bagley #50567. Published by Burke & Bagley (A0.787312). Scored for Piccolo, Flute 1 & 2, Oboe, Clarinet in Bb 1, 2 & 3, Bass Clarinet in Bb, Bassoon, Alto Saxophone 1 & 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2 & 3, Horn in F 1 & 2, Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, Snare Drum and Marimba. Also available in arrangements for string quartet, string orchestra, clarinet quartet, clarinet choir and flute quartet. My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was The Far North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of her movies. I recently transcribed the song from that recording and used it as the foundation for this piece. My aunts tell me they recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch’s song. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes in the border lakes region where Minnesota meets Canada. A Back to School 2015 feature.
$19.99
Sketches from the Border: Duet for Tenor and Bass Trombone
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2 Trombones (duo)
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AVANCÉ
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Contemporain
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Classique
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Jonathan Figueroa
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Sketches from the Border: Duet
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Songburd Music
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SheetMusicPlus
Trombone Duet Trombone - Level 5 - SKU: A0.1411470 Composed by Jonathan Figueroa. Classical,Contemporary. Score. 14 pages. Songburd Music #993736. Publi...
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Trombone Duet Trombone - Level 5 - SKU: A0.1411470 Composed by Jonathan Figueroa. Classical,Contemporary. Score. 14 pages. Songburd Music #993736. Published by Songburd Music (A0.1411470). Sketches From the Border was commissioned by trombonist Juan Saldivar Jr. for the Between Borders project. Â It premiered at the International Trombone Festival on July 13, 2022 at the University of Utah in Salt Lake City.
$24.99
The Peebles Beltane Festival Suite (Opus 1)
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Graham Hamilton
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The Peebles Beltane Festival S
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1444584 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. Brass Band. 215 pages. Hambone Music #1024482. Published by Hambone Music (A0.1444584). An epic 4 piece suite based on the Peebles Beltane Festival and its traditions which have been going on for almost 200 years. The first movement follows a day in the life of a novice monk and the arduous trek they make to and from one of their religious sites and features and encounter with some knights on the way ro reinforce a local castle which is under siege.The second movement sees us introduced to some young 'lassies' who are dancing their way through the beautiful rolling hills and valleys of the Scottish Borders to join in the festivities.The third movement joins us on the Thursday evening in front of the Crown Hotel, where the local 'cornet' and his lass perform a type of dance called a reel which grows in intensity and tempo until the dancers collapse in an exhausted heap.The fourth, and final movement is based on the local festal song theme which is played during ythe parade and at the crowning ceremony at the Old Parish Church steps on the 'red letter day' of Beltane Saturday and culminates in an excerpt of 'God Save the Queen' and the Beltane Fanfare.
$149.99
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On The Border
