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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On s\
Non classifié
12 179
Piano & claviers
Piano seul
6 971
Piano grosses notes
3 314
Piano, Voix
2 579
Piano Facile
2 433
Orgue
2 261
Piano, Voix et Guitare
1 474
Accordéon
951
Instruments en Do
904
1 Piano, 4 mains
246
Accompagnement Piano
236
Piano (partie séparée)
162
Piano Trio: piano, violon, violoncelle
155
2 Pianos, 4 mains
82
Clavier
60
Piano Quatuor: piano, violon, alto, violoncelle
33
Piano Quintette: piano, 2 violons, alto, violoncelle
22
Piano Quatuor: piano, 2 violons, violoncelle
17
Orgue, Piano (duo)
16
Accordéon, Corde(s)
12
Clavecin
11
1 Piano, 6 mains
11
Orgue, Trompette (duo)
9
Accordéon, Voix
5
Accordéon, Piano
5
2 Pianos, 8 mains
4
Ligne De Mélodie, Piano
2
2 Accordéons
2
Accordéon et Orchestre
1
+ 23 instrumentations
Retracter
Guitares
Guitare
738
Guitare notes et tablatures
629
Basse electrique
391
Ligne De Mélodie, (Paroles) et Accords
280
Guitare (partie séparée)
274
Ukulele
166
2 Guitares (duo)
75
Paroles et Accords
66
Piano, Guitare (duo)
42
4 Guitares (Quatuor)
32
Dulcimer
32
Mandoline
29
Banjo
24
3 Guitares (trio)
17
Ensemble de guitares
15
Basse électrique (partie séparée)
14
Ensemble de Ukulélés
4
Ukulele Baryton
4
2 Ukuleles
3
Dobro
3
Mandoline, Guitare (duo)
2
2 Mandolines (duo)
2
Mandoline, Piano (duo)
1
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
3 160
Chorale 3 parties
876
Chorale TTBB
677
Chorale 2 parties
629
Chorale Unison
471
Chorale SSAA
449
Voix Soprano, Piano
134
Voix duo, Piano
115
Voix Tenor, Piano
100
Voix Alto, Piano
93
Voix duo
83
Voix haute
79
Voix seule
64
Voix Baryton, Piano
51
Chorale
31
Voix moyenne, Piano
27
Voix basse, Piano
17
Voix Tenor
15
Chorale SSAATTBB
15
Pack Instrumental pour Chorale
12
Voix Mezzo-Soprano, Piano
11
Soli, choeur mixte et accompagnement
6
Chorale SSATTB
6
Voix Soprano
5
Chorale SSATB
5
Voix Soprano, Orchestre
5
Voix basse
4
Voix, Guitare
2
Chorale SSAB, Piano
2
Chorale SATBB
2
Chorale SSATBB
1
Chorale SSAATB
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Chorale SATTBB A Cappella
1
Voix et basse continue
1
Paroles Seulement
1
+ 32 instrumentations
Retracter
Vents
Saxophone (partie séparée)
1 923
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
828
Quatuor de Saxophones: 4 saxophones
827
Flûte traversière et Piano
749
2 Saxophones (duo)
730
Flûte traversière
679
Clarinette (partie séparée)
623
Clarinette et Piano
592
Flûte, Hautbois, Clarinette, Basson
587
Clarinette
575
Hautbois (partie séparée)
554
Hautbois, Piano (duo)
544
Saxophone Alto et Piano
517
Saxophone Alto
458
Quatuor de Clarinettes: 4 clarinettes
445
Quintette de Saxophone: 5 saxophones
411
2 Flûtes traversières (duo)
396
Saxophone Tenor
387
2 Clarinettes (duo)
358
Flute (partie séparée)
327
Saxophone Tenor et Piano
302
Saxophone
243
Saxophone Soprano et Piano
234
Quatuor de Flûtes : 4 flûtes
203
Saxophone, Clarinette (duo)
170
2 Hautbois (duo)
168
Flûte, Clarinette (duo)
159
Saxophone Baryton, Piano
146
Ensemble de saxophones
146
Clarinette, Violon (duo)
145
3 Saxophones (trio)
132
Ensemble de Clarinettes
127
2 Flûte à bec (duo)
118
3 Clarinettes (trio)
112
Quintette de Clarinettes: 5 clarinettes
112
Hautbois
110
Clarinette, Trompette (duo)
105
Cor anglais, Piano
104
Hautbois, Basson (duo)
99
Ensemble de Flûtes
97
Flûte à Bec
95
Flûte et Guitare
92
Hautbois, Clarinette (duo)
92
Saxophone Soprano
91
Flûte, Violon
91
Flûte irlandaise
84
Quintette de Flûte : 5 flûtes
75
Clarinette et Alto
72
Flûte, Alto (duo)
68
Trio de Flûtes: 3 flûtes
67
Flûte, Saxophone (duo)
65
Clarinette Basse, Piano
63
Flûte à bec Soprano
60
Clarinette, Guitare (duo)
58
Hautbois, Flûte
56
Flûte, Trompette (duo)
53
Flûte, Clarinette et Basson
45
Flûte, Hautbois, Clarinette (trio)
40
Hautbois, Clarinette, Basson (trio d'anches)
39
Flûte, Violoncelle
38
Flûte, Violon, Piano
38
Cor Anglais
38
Clarinette, Violoncelle (duo)
37
Saxophone Baryton
36
Quatuor de Flûtes à bec
35
Ensemble De Flûte à bec
35
Clarinette, Basson (duo)
32
Flûte, Hautbois (duo)
31
Hautbois, Violoncelle
28
Flûte à bec Alto
27
Flûte, Hautbois, Basson
25
Hautbois, violon (duo)
18
Flûte à bec Tenor
17
Hautbois, Guitare (duo)
15
Harmonica
15
Flûte, Trombone (duo)
13
Cor anglais, Guitare (duo)
13
3 Flûtes à bec (trio)
13
Ocarina
12
Saxophone et Guitare
12
Clarinette, Trombone (duo)
12
Flûte à bec Soprano, Piano
12
Clarinette, Harpe (duo)
12
Clarinette Basse
12
2 Flûtes traversières, Piano
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte, Clarinette, Piano (trio)
9
Flûte à bec Alto, Piano
8
Flute, harpe et violon
8
2 Saxophones, Piano
8
Piccolo, Piano
7
Flûte, Harpe et Violoncelle
7
2 Clarinettes, Piano
7
Flûte, Hautbois, Piano (trio)
7
Flûte, Basson et Piano
6
2 Cors Anglais Et Pianoforte
6
Saxophone et Orgue
5
3 Hautbois
5
Clarinette, Violoncelle, Piano (trio)
5
Piccolo
5
Flûte, Clarinette, Violon (trio)
5
Hautbois et alto (duo)
5
Flûte, Violoncelle, Piano (trio)
5
5 Flûtes à bec
5
Saxophone et Piano
4
Clarinette, Contrebasse (duo)
4
Flûte, Violon et Violoncelle
4
Instruments en Mib
3
Ensemble de Hautbois
3
Clarinette, Orgue
3
2 Clarinettes, Basson
3
Cornemuse
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Hautbois, Harpe
2
Flûte, Violoncelle, Guitare
2
Flûte, Violon, Violoncelle et Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, Tuba (duo)
2
Hautbois, Violon, Piano
2
4 Hautbois
2
Clarinette, Tuba
2
Flûte traversière, Orgue (duo)
1
Flûte, Alto et Piano
1
Flûte et Trio à cordes
1
Clarinette, Orchestre
1
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois, Violon
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone et violoncelle
1
Flûte traversière, Orchestre
1
Flûte à bec Alto, Basse continue
1
Cor anglais et Harpe (duo)
1
2 Flûtes traversières, Harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois, Trompette (duo)
1
Hautbois, trombone (duo)
1
2 Flûtes à bec, Guitare
1
Flûte traversière, Basse continue
1
+ 134 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
1 171
Trompette (partie séparée)
1 057
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
862
Trompette
624
Quatuor de Cuivres : 2 trompettes, trombone, tuba
526
Trombone
489
Trompette, Piano
469
Trombone et Piano
435
Cor et Piano
360
Cor (partie séparée)
342
Cor
280
Tuba (partie séparée)
275
Tuba
222
Tuba et Piano
210
2 Trombones (duo)
195
Quatuor de Cuivres
187
2 Trompettes (duo)
184
Quatuor de Cuivres: 2 trompettes, Cor, trombone
154
Trompette, Saxophone (duo)
124
Trompette, Trombone (duo)
113
Cor anglais, Piano
104
Euphonium, Piano (duo)
93
Quatuor de cuivres: 4 trombones
82
2 Cors (duo)
79
Ensemble de Trompettes
70
Ensemble de Trombones
63
Euphonium
45
Cor Anglais
38
2 Tubas (duo)
37
Quatuor de cuivres: 4 cors
30
3 Trombones (trio)
28
Trompette, Cor (duo)
28
2 Euphoniums (duo)
23
Trio de Cuivres
21
4 Tubas
16
Quatuor de cuivres: 4 trompettes
14
Cor, Violoncelle (duo)
14
Cor anglais, Guitare (duo)
13
Trombone basse
13
Ensemble de Cors
13
Trompette, Basson (duo)
13
2 Euphoniums et 2 Tubas
12
Trompette, Violoncelle (duo)
11
Tuba et Orgue
11
3 Trompettes (trio)
11
3 Cors (trio)
8
3 Tubas (trio)
7
Cor et Basson (duo)
6
2 Cors Anglais Et Pianoforte
6
Euphonium, Tuba (duo)
6
Cor, Orchestre
5
Trombone, Cor (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Bass Clef Instruments
4
Euphonium (partie séparée)
4
Trombone basse et Piano
4
Trompette, violon (duo)
4
Trompette, Violoncelle et Piano
4
Trombone, Tuba (duo)
4
Trompette, Tuba (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor et Harpe
3
Trompette, Trombone, Piano
3
Trombone, Orgue
3
Instruments en Sib
3
Cor, Tuba (duo)
2
3 Euphoniums
2
Trompette et Guitare
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor, Trompette, Trombone (trio)
2
Trompette, Harpe
2
Trombone, Violon (duo)
2
Cor et Orgue
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Trombone et orchestre
1
Instruments en Fa
1
Cor anglais et Harpe (duo)
1
Tuba ou Euphonium ou Saxhorn
1
+ 74 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 028
Violon et Piano
934
Violon
862
Violoncelle, Piano
649
Violoncelle
607
Alto, Piano
540
Harpe
424
Violon (partie séparée)
416
Violon, Violoncelle (duo)
410
Alto seul
380
Contrebasse (partie séparée)
358
2 Violons (duo)
311
Alto (partie séparée)
302
Trio à Cordes: violon, alto, violoncelle
297
Quintette à cordes: 2 violons, alto, violoncelle, basse
215
2 Violoncelles (duo)
211
Contre Basse
208
Violon, Alto (duo)
191
Contrebasse, Piano (duo)
183
2 Altos (duo)
167
Trio à Cordes: 2 violons, violoncelle
154
Violoncelle (partie séparée)
118
Violon, Guitare (duo)
49
Alto, Violoncelle (duo)
48
2 Harpes (duo)
43
Harpe, Flûte (duo)
42
Trio à cordes: 3 violins
38
4 Violoncelles
33
Piano Trio: Violon, Alto, Piano
33
2 Contrebasses (duo)
29
Trio à Cordes: 3 violoncelles
27
Violoncelle , Guitare (duo)
22
Violon, Basson (duo)
21
Quatuor à cordes: 4 violons
19
Harpe, Voix
18
Alto et Basson
18
Trio à cordes: 3 altos
18
Trio à Cordes: 2 violons, alto
17
Ensemble de Violons
17
Violoncelle, Contrebasse (duo)
16
Harpe, Violon (duo)
16
Quintette à cordes: 2 violons, 2 altos, violoncelle
16
Ensemble d'Altos
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
14
Violoncelle, Orchestre
14
Quatuor à cordes : 4 altos
12
Alto, Guitare (duo)
11
Trio à cordes
10
Harpe, Violoncelle (duo)
9
Violoncelle, Orgue
9
Alto et Harpe
8
2 Violons, Piano
6
Harpe (partie séparée)
6
Flûte, Contrebasse (duo)
5
Harpe et Piano
5
Ensemble de Violoncelles
5
2 Violoncelles, Piano
4
Harpe, Violon, Violoncelle
4
Autoharp
3
3 Contrebasses
2
Violon, Clarinette, Piano (trio)
2
4 Contrebasses
2
Alto, Orgue
2
Violon, Tuba (duo)
2
Violon, Violoncelle, Clarinette
1
2 Altos, Piano
1
Alto et orchestre
1
Violoncelle, Basse continue
1
Violon, Orgue
1
Harpe et mandoline
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 346
Orchestre
1 052
Orchestre à Cordes
671
Ensemble Jazz
649
Cloches
534
Ensemble de cuivres
420
Percussion (partie séparée)
385
Orchestre de chambre
297
Fanfare
226
Batterie
204
Batterie (partie séparée)
193
Jazz combo
127
Ensemble de Percussions
89
Timbales (partie séparée)
88
Piano et Orchestre
38
Marimba
25
Xylophone
23
Orchestre, Violon
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
20
Xylophone, Piano
19
Vibraphone
13
Percussion
6
2 Xylophones
6
2 Marimbas
4
Quintette de Cuivres: autres combinaisons
4
Ensemble d'École
3
3 Marimbas
2
Bongos
2
Quintette à Vent
2
Voix et Orchestre
2
Vibraphone (partie séparée)
1
Bodhran
1
Caisse Claire
1
Timbales
1
Vibraphone et Marimba
1
+ 30 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Théorie de la musique
4
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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9976
Christophe Maé : On s'attache (niveau intermédiaire)
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Batterie
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INTERMÉDIAIRE
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Chanson Française
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Christophe Maé
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On s'attache
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Christophe Maé : On s'attache - Version originale (niveau intermédiaire/difficile)
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Chanson Française
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Christophe Maé
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On s'attache
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Telechargez la partition Batterie On s'attache - Version originale (niveau intermediaire/difficile) de Christophe Mae. Partition avec audio Play Along. Variete française
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Christophe Maé : On s'attache (niveau débutant)
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Batterie
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DÉBUTANT
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Chanson Française
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Christophe Maé
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On s'attache
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Christophe Maé : On s'attache (niveau facile)
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Batterie
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FACILE
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Chanson Française
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Christophe Maé
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On s'attache
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Telechargez la partition Batterie On s'attache (niveau facile) de Christophe Mae. Partition avec audio Play Along. Variete française...
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Telechargez la partition Batterie On s'attache (niveau facile) de Christophe Mae. Partition avec audio Play Along. Variete française
5.99€
Christophe Maé : On s'attache (niveau facile)
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Guitare
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FACILE
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Chanson Française
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Christophe Maé
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On s'attache
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Tomplay
Telechargez la tablature et la partition Guitare On s'attache (niveau facile) de Christophe Mae. Tab pour Rhythm Guitar -- Variete française...
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Telechargez la tablature et la partition Guitare On s'attache (niveau facile) de Christophe Mae. Tab pour Rhythm Guitar -- Variete française
5.99€
Christophe Maé : On s'attache
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Voix seule
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FACILE
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Chanson Française
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Christophe Maé
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On s'attache
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Tomplay
Telechargez la partition Chant On s'attache de Christophe Mae. Partition pour Avec accompagnement orchestre -- Variete française...
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Telechargez la partition Chant On s'attache de Christophe Mae. Partition pour Avec accompagnement orchestre -- Variete française
5.99€
Christophe Maé : On s'attache - Version originale (niveau intermédiaire)
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Guitare
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INTERMÉDIAIRE
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Chanson Française
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Christophe Maé
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On s'attache
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Tomplay
Telechargez la tablature et la partition Guitare On s'attache - Version originale (niveau intermediaire) de Christophe Mae. Tab pour Rhythm Guitar -- Varie...
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Telechargez la tablature et la partition Guitare On s'attache - Version originale (niveau intermediaire) de Christophe Mae. Tab pour Rhythm Guitar -- Variete française
5.99€
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
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Trompette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. P...
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Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
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Trompette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. P...
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Trumpet Solo - Level 4 - SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Flute 2
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Pub...
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Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Publ...
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Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Viola
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Alto (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Pub...
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Viola Solo - Level 4 - SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Published by Benjamin Sajo (A0.1018903). Programme Notes: Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or dawn song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. A song for the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences, camping in Northern Canada, a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection in this case is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves--the dawn of his special genius.About the Composer:Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Now Proclaim Messiah's Birth - Reproducible Inst Parts
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Noël
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arr
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Andrea Handley
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Now Proclaim Messiah's Birth -
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Chorister's Guild - Digital
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SheetMusicPlus
Includes parts for Now Proclaim Messiah’s Birth combines two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High into a sti...
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Includes parts for Now Proclaim Messiah’s Birth combines two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High into a stirring arrangement that works well as a stand-alone handbell piece, a choral SATB anthem, or in a - SKU: C7.CGRP53 Composed by arr. Andrea Handley. Arranged by Andrea Handley. With Includes parts for “Now Proclaim Messiah’s Birth combines two favorite carols, “Angels from the Realms of Glory and “Angels We Have Heard on High into a stirring arrangement that works well as a stand-alone handbell piece, a choral SATB anthem, or in. Set of parts. 20 pages. Chorister's Guild - Digital #CGRP53. Published by Chorister's Guild - Digital (C7.CGRP53). Now Proclaim Messiah’s Birth combines two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High into a stirring arrangement that works well as a stand-alone handbell piece, a choral SATB anthem, or in a variety of other options using various combinations of the optional organ, brass quintet, and percussion parts. The refrains from both of the carols are combined creatively as the piece moves through exciting key changes. The final triumphant stanza features a descant from the refrain of Angels We Have Heard on High superimposed over the tune of Angels from the Realms of Glory. This is a versatile and exciting work that can be used in many arenas throughout the Christmas season.
$17.95
Angels from the Realms of Glory (Variations on Regent Square) - Full Score
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Cloches
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INTERMÉDIAIRE
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Noël
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Jane McFadden and Janet Linker
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Angels from the Realms of Glor
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4 or 5 octaves handbells, Conductor's Score - Level 3+ - SKU: C7.CGB462 Composed by Jane McFadden and Janet Linker. Christmas. With 3 octaves handchi...
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3, 4 or 5 octaves handbells, Conductor's Score - Level 3+ - SKU: C7.CGB462 Composed by Jane McFadden and Janet Linker. Christmas. With 3 octaves handchimes, Brass Quintet, Timpani, Organ. Full score. 28 pages. Chorister's Guild - Digital #CGB462. Published by Chorister's Guild - Digital (C7.CGB462). UPC: 749193011515.The optional brass quintet may substitute for organ, if desired. When both brass and organ are used, suggestions are offered for the brass to tacet during parts of the piece. The setting may be played in its entirety, or sections may be used separately in various ways. The fanfare introduction and first variation may accompany congregational singing. The second variation modulates and is written in 6/8 time, including the use of handchimes on the melody. The rhythm and texture build on the third variation. A return to the original key and style features the organ trumpet on melody with handbells malleting the accompaniment. The fanfare returns to close the arrangement. Additional suggestions for use are offered. The piece is a festive, challenging and versatile addition to the Christmas celebration.
$14.95
Get on Board, Little Children
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Cloches
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INTERMÉDIAIRE
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Greg Gilpin and Martha Lynn Th
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Get on Board, Little Children
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Chorister's Guild - Digital
#
SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3 - SKU: C7.CGB826 Composed by Greg Gilpin and Martha Lynn Thompson. Arranged by Greg Gilpin and Martha Lynn Thomps...
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3, 4, or 5 octaves handbells - Level 3 - SKU: C7.CGB826 Composed by Greg Gilpin and Martha Lynn Thompson. Arranged by Greg Gilpin and Martha Lynn Thompson. General. Score. 8 pages. Chorister's Guild - Digital #CGB826. Published by Chorister's Guild - Digital (C7.CGB826). UPC: 749193019535.This handbell arrangement of Get on Board, Little Children is based on Greg Gilpin’s spirited and fun choral setting of the spiritual. In the handbell arrangement, the accompaniment makes extensive use of bells malleted on the table while the melody is rung above. A train whistle is optional, but adds much fun to the arrangement. There is a key change in the middle, but it shouldn't cause any train wrecks! The 3 octave version is as musically satisfying as the 4 and 5 octave versions. Ringers of all ages will enjoy this lively piece.
$4.50
Mary's Song
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Chorale Unison
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FACILE
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Musique Sacrée
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Meg Baker
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Mary's Song
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Chorister's Guild - Digital
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SheetMusicPlus
Unison choir or cantor - Easy - SKU: C7.CGA1498 The Magnificat. Composed by Meg Baker. Advent, Christmas. With Guitar, Congregation. Sacred Anthe...
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Unison choir or cantor - Easy - SKU: C7.CGA1498 The Magnificat. Composed by Meg Baker. Advent, Christmas. With Guitar, Congregation. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1498. Published by Chorister's Guild - Digital (C7.CGA1498). UPC: 749193028094.This liturgical anthem, based on the Magnificat, is a lovely addition to worship on the 4th Sunday of Advent. A cantor or unison choir recounts Mary’s song of God’s faithfulness, while the assembly may join on the refrain. A reproducible congregational page and guitar chords are included.
$2.45
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
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Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Ride On!
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Chorale SATB
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Musique Sacrée
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Taylor Davis
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Ride On!
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGA1116 Composed by Taylor Davis. Palm Sunday. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1116. Published by ...
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SATB chorus - SKU: C7.CGA1116 Composed by Taylor Davis. Palm Sunday. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1116. Published by Chorister's Guild - Digital (C7.CGA1116). UPC: 749193012710.Triumphant and bold, this Palm Sunday anthem for mixed voices combines the 19th-century hymn text Ride On! Ride On in Majesty! by Henry Hart Milman with invigorating new music by Taylor Davis. Recurring duplet patterns in both the vocal parts and piano accompaniment create ongoing two-against-three rhythms throughout the anthem written in 6/8 meter. Melodic repetition and mainly unison voicing in the men's vocal part offer choirs with limited rehearsal time the chance to learn the piece quickly and easily.
$1.95
Variations on a Theme by Brahms
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Cloches
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FACILE
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Classique
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Johannes Brahms and Michael He
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Variations on a Theme by Brahm
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB425 Composed by Johannes Brahms and Michael Helman. Arranged by Johannes Brahms and Michael Helman. ...
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3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB425 Composed by Johannes Brahms and Michael Helman. Arranged by Johannes Brahms and Michael Helman. General. With Congregation. Score. 8 pages. Chorister's Guild - Digital #CGB425. Published by Chorister's Guild - Digital (C7.CGB425). UPC: 749193010921.Commissioned in memory of Carolyn Tenery, the bright opening and closing themes of this original composition are filled with syncopation, expressing the colorful and happy nature of Carolyn's personality. Sections using mallets, echoes, martellatos and shakes are employed, as Carolyn was a percussionist who loved techniques on handbells. The contrasting middle section is the blue period, and is best played on handchimes if possible. This work is suitable for worship, festivals and concerts. The alternate title, The Colors of Love, may be used in secular settings.
$4.50
Ride on, Ride on in Majesty
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Musique Sacrée
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John Ferguson
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Ride on, Ride on in Majesty
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Chorister's Guild - Digital
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SheetMusicPlus
Mixed chorus - SKU: C7.CGA843 Composed by John Ferguson. Palm Sunday. Combined Choirs. With Organ. Sacred Anthem. Octavo. 16 pages. Chorister's Guild - ...
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Mixed chorus - SKU: C7.CGA843 Composed by John Ferguson. Palm Sunday. Combined Choirs. With Organ. Sacred Anthem. Octavo. 16 pages. Chorister's Guild - Digital #CGA843. Published by Chorister's Guild - Digital (C7.CGA843). UPC: 749193005996.Combined Unison SAB and SATB choirs with Organ Palm Sunday- A majestic new tune and setting of Henry Milman's famous Palm Sunday text contrasts the jubilant hosannas of Palm Sunday with the approaching sacrifice of Good Friday. Envisioned for three choirs (although it can be done by adult and children's ensembles), each choir has a stanza to sing alone, in addition to the antiphonal singing of joyous hosannas.
$2.10
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