This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music.

ISBN 9781513455723. 8.75 x 11.75 inches.

This book contains the 50 late 19th century tunes in Albert Baurs 1883 anthology, The Banjoists Budget. The collection has roots in four main sources: minstrel songs, Irish popular and folk traditions, clog dancing tunes, and Gilbert and Sullivan favorites- all expertly played by Rob MacKillop on the accompanying online audio recording. The music is clearly typeset in standard notation and tablature for the 5-string banjo in Baurs original eAEG#B tuning; observing the tablature, however, this music can be played in modern-day concert C tuning, gCGBD. While Baur provided no technique instructions, the music can be played in the old minstrel stroke technique, the modern melodic clawhammer style, or fingerstyle. By contrast, MacKillop provides ample performance notes and a few tips within the notation. These melodies constitute an authentic audio window to a past century, when the five-string banjo was a classical instrument studied and played by serious students and expert musicians who read standard notation rather than tablature. In any case, here they are in notation and modern banjo tablature, together with a delightful online recording. Includes access to online audio.

Many polyrhythms and polymeters (simultaneous combinations of more than one rhythmic pattern) exist in today's music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.

ISBN 9781619118829.

The age-old sounds of Ireland, England, Scotland and early America come to life with this remarkable book and online audio. This tin whistle book is compatible with all tin whistles, pennywhistles and flageolets in the key of D. Renowned author/musician Bill Ochs has gone to great lengths to create a package that truly has something for everyone. The lessons are so clear and easy to follow that a complete beginner can learn to play a simple tune at first sitting. Intermediate and advanced players will enjoy exploring this book's exciting collection of traditional music. There are 83 pieces in all - gigs, reels, hornpipes, fife tunes, slow airs, Highland flings, morris dances and lots more. Each piece is played on the online audio by renowned New York tin whistle teacher, Bill Ochs. An advanced ornamentation tutorial is also included with key of D. Includes access to online audio. For Beginning Players: An Easy-To-Use Learning Method - No previous knowledge of music is required. Using tablature based on the first seven letters of the alphabet, the complete beginner can learn to play a simple tune in a matter of minutes. Then through a specially selected series of folk tunes, beginners are carefully guided through all the basics of playing, one step at a time. For Intermediate Players: A Great Collection of Traditional Music - Those who already know the basics are sure to enjoy exploring the bookas outstanding selection of traditional tunes a rollicking pieces such as The Muckina Oa Geordieas Byre, The Oyster Wivesa Rant, Rufty Tufty, Hot Punch, For the Sakes of Old Decency and many, many more. The tunes have been specially chosen to demonstrate the wide range of the tin whistleas musical possibilities. For Advanced Players: A Clear & Concise Guide to Ornamentation - For players who want to dress up their music, hereas a chance to learn the secrets of all those cuts, rolls, crans and strikes that give tin whistle playing its distinctive flavor. These techniques are thoroughly explained and demystified. A series of advanced lessons contains step-by-step breakdowns of each ornament, as well as tunes in which to practice the techniques.

ISBN 9781619116733.

This book is aimed at beginner lute and guitar players interested in playing Renaissance lute music on either instrument. Lute and guitar tablature are included, along with notes on technique, biographies of lute composers from the 16th century, and general advice on buying, stringing and tuning a lute. The book starts with single-line melodies, before progressing to two-part and full repertoire pieces. Selections include works by great Renaissance composers such as John Dowland, Francesco da Milano, Alonso Mudarra, Francesco Spinacino and others, with music from England, Scotland, Italy, France and Germany. A useful chord chart is also included. Every piece in the book has been recorded for download by Rob MacKillop--in itself, an album worth owning. Access to the online audio is included.

ISBN 9781609748708.

A thorough, easily understood workbook of basic music fundamentals. Includes many examples and exercises, as well as an excellent section on harmony. Designed for individual group study. A good supplement to any basic method and a valuable text for any music student.

8.75 x 11.75 inches.

Autoharping the Gospels with autoharp arrangements written by Carol Stober is an extension of Flatpickin' the Gospels by Steve Kaufman. She makes it easy to learn these great gospel tunes on the autoharp! This book can be used to play chords along with singing, or for playing the melody solo, or with the recording. The arrangements are written as simply as possible to facilitate sight reading, so that you do not have to memorize the tune in order to play up to tempo. Complete lyrics are included. In notation and tablature. Most tunes are played 3 times on the recording by guitarist, Steve Kaufman. First time through, play only the chords below the Autoharp tab line using a rhythm strum pattern. Once rhythm is established, then try playing the chords above the Autoharp tab line for melody on the 2nd or 3rd verse. Includes access to online audio.

Item Number: M0.30865EB

ISBN 9781513455013.

The Essential Classical Guitar Scale Book can be used by all guitarists no matter where you are on your path to mastering the instrument. For the teacher and student, this book is essential because it is a complete and codified scale system that can be used to learn proper finger placement, coordination, music theory, practice techniques, and a general knowledge of the guitar fretboard. In addition to the traditional 2 and 3 octave scales, modes, whole tone, and diminished scales are covered. Useful practice schedules for mastery are also included. Work on theory, sight reading, tone, synchronization, speed, legato and more while keeping scale practice fresh.

ISBN 9781619119314.

Mastering the Classical Guitar Book 2B is the fourth book in a carefully graduated method series that uses a broad spectrum of technical exercises, music theory, chord studies, and repertoire to provide a solid technical foundation for the beginning to advanced-intermediate classical guitar student. This book is appropriate for students who have completed Books 1A, 1B and 2A and can read standard notation in the first and second positions. The book is written in three sections: Progressive Studies and Pieces, Technical Exercises, and Chords and Chord Progressions. Tips on how to integrate the three sections are given throughout the book. Mastering the Classical Guitar Book 2B introduces: notes on the second string, ascending and descending slurs, ornamentation, polyphony, and playing in the third and fifth positions. The bookas chord studies venture into new territory of seventh chords and jazz chord progressions. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Aguado, Carulli, Carcassi, Coste, Giuliani, Mertz, Sor, and Tarrega. Written in standard notation only. Includes access to online audio.

ISBN 9781619117747.

The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods, the authoras new T3N technique for creating banjo harmonics will add new dimensions to your playing. While particularly useful in the three-finger style, T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjo over the 12th, 7th and 5th frets, or perhaps the 4th and 9th frets, so that in typical G-tuning, the open G-chord, D-chord, octave G-chord, and B-chord notes are chimed. With the T3N technique presented in this book, entire scales can be chimed, with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques, while the second part explores the exciting new T3Napproach. Written in tablature only, for 5-string banjo in GDGBD tuning.

ISBN 9781619119567.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the authoras companion recording. The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little adirta thrown into the mix. Skillful bodhran and djembe playing on many of the tracks adds to the dynamic nature of the recording. Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you donat read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader. Written in standard notation and guitar tablature. Includes access to online audio.

ISBN 9781610657648.

The mysteries of the challenging flamenco style are unlocked in this exciting method for guitarists at all levels. Carefully graded examples present every flamenco form, first with basic techniques and then with increased virtuosity. Written in standard notation and tablature, complete with chord diagrams and detailed right-hand instructions. Every example in the book appears on the companion audio download available online

ISBN 9781513459660. 8.75x11.75 inches.

This meticulously researched anthology presents detailed biographies and transcriptions, including bowing, ornamentation, and accentuation of 39 fiddle tunes as played by 25 Newfoundland fiddlers from locations throughout the island. For unparalleled authenticity, the authors live field recordings of each tune are available online, offering a unique perspective of the various types of tunes and techniques favoured by past and present Newfoundland fiddlers.Newfoundland, a former British colony, possesses a rich and varied cultural heritage due to its history of unique settlement patterns. Beginning in the 16th ?century, European migrants from Ireland, Scotland, West-Country England, and France settled on the island, bringing with them their various cultural practices, including their fiddles! This collection provides insight to the backgrounds, geographical locations, and musical preferences of the individual players, and how music-making and the role and status of Newfoundland fiddlers have evolved over time. The tunes included here vary from original compositions and revival collectors treasures, to reinterpreted versions of timeless Irish, Scottish, and French tunes. Together, they form a part of the modern-day Newfoundland fiddling tradition.This book will delight fiddle players and any musician who wishes to further enhance their repertoire and technique, or simply learn more about the island of Newfoundland and its music. Includes access to online audio.

Song List: 5th Avenue Swing Ain't Gonna Work Tomorrow American Hornpipe An Comhra Donn Angels Rock Me To Sleep Bacon In The Skillet Balkan Sunset Barney's Goat Bennett's Favorite Reel Bill Cheathum Billy in the Lowground Black And White Rag Blackberry Blossom Blanchard's Hornpipe Bluesin' the Frets Bottom of Punch Bowl Hornpipe Brian Boru's March Brighton Beach Bring Back to Me My Wandering Boy Brunswick Dance Brush Creek Bumpin' Buster's Reel Buttermilk Jig Caleb's Gorge Cape Cod Reel Carolan's Draught Carrie's Dream Catawissa Reel Catskill Night Cold, Frosty Morning Coldwater Creek Collin's Quest Copthorne Blues Crazy Creek Cumberland Gap Cumberland Ridge D Lite Days Of 'Lang Syne Devil's Dream Dixie Breakdown Don't Go Out Tonight, My Darling/East Virginia Down In The Willow Garden Dublin Dance East Tennessee Blues Echo Canyon Echo Waltz Eighth Of January Eleven Mile Canyon Em Study Fair And Tender Ladies Far From Home Gladiator Reel Green Fields Of America Guster Halloween Harvest Moon Strathspey Haste to the Wedding Haul Away, Joe Heebie Jeebie Hens In The Kitchen High Barbaree High five Hills of Roane County Hooker's Hornpipe I Never Will Marry I'll Be All Smiles Tonight Indian Creek Isle Of Cumbrae Ivy Leaf Reel Jacks Fork Rendezvous Jackson's Jig Katy Trail Kitchen Girl Lady's Fancy Lark in the Morning League Reel Little House 'Round the Corner London Hornpipe Lonesome River Lost Indian Luckie Bawdin's Reel Maddie's Bonnet Martha's Cider Mere Point Midnight Flight Mississippi Basin Missouri Mud Molambe Morrison's Jig National Lancer's Hornpipe Neapolitan Threshers Night Voyage North Sea Obadiah Johnson Peeler Creek Waltz Powder Mill Raqad Red Fox Waltz Red Haired Boy Reel De Lapin Rickett's Hornpipe Roll On Buddy Sally In The Garden Shannon's Well Ships Are Sailing Reel Short Life Of Trouble Shuckin' The Corn Sidney Street Silver Bell Silverheel's Shuffle Song Soppin' The Gravy Soulard St Anne's Reel St Clair's Hornpipe Star Of Bethlehem Step Around Johnny Stepping Out Stone's Rag Storms Are On The Ocean Suffolk Stroll Sugar In The Gourd Sundance Swallowtail Jig Sweet Lillie Sweet Sunny South Swing LTD Swing Steppin' The Burning Of The Piper's Hut The Clergy's Lamentation The Cuckoo The Downfall Of Paris The Girl I Loved in Sunny Tennessee The Promenade The Rights Of Man The Teetotaller's Reel The Unfortunate Rake The Wild Mare Whiskey Before Breakfast Wilson's Hornpipe Witch Of The Wave Reel Young McGoldrick

ISBN 9781513455440. 8.75 x 11.75 inches.

Presents the Contradanzas Habaneras of Manuel Saumell (1817-1870), who has been called a Pioneer of the Cuban danza. Originally written for the piano, this collection of contradanzas is a good example of Saumell's innate sensitivity to the rhythms characteristic of Cuban Music. Written in standard notation and tablature.