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On the Common Ground
Partitions à imprimer
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.43 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Common Ground (Digital Backing Track)
Chorale 3 parties
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.956054 Composed by Teresa O…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.956054 Composed by Teresa OConnell. Instructional,Pop,Standards. Octavo. 1 pages. Teresa O'Connell (BMI) #6853375. Published by Teresa O'Connell (BMI) (A0.956054). This is the Digital Backing Track for Common Ground (SSA/Piano) by Teresa OConnell. Purchase the sheet music on sheetmusicplus.com.Common Ground is the perfect piece for your SSA ensemble to unite your singers and inspire your audience to look for Common Ground and how alike we all are. Starting slow with a beautiful solo, it soon becomes a fun pop/rock song with gorgeous melodies and harmonies. A proven winner!
$20.00
18.25 €
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Chorale 3 parties
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Teresa OConnell
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Common Ground
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Teresa O'Connell
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SheetMusicPlus
Common Ground (SSA)
Chorale 3 parties
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.956053 Composed by Teresa O…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.956053 Composed by Teresa OConnell. Graduation,Instructional,Pop,Standards. Octavo. 22 pages. Teresa O'Connell (BMI) #6853371. Published by Teresa O'Connell (BMI) (A0.956053). Common Ground for SSA/Piano uses beautiful melodies and lush harmonies to share the timely message that finding Common Ground is our most important goal for today. Let music unite your singers and inspire your audiences! Starting with a slow, heartfelt solo followed by a pop/rock beat, Common Ground will become your SSA group's favorite song. A gorgeous orchestrated backing track is available separately on sheetmusicplus.com.
$2.99
2.73 €
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Chorale 3 parties
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Teresa OConnell
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Common Ground
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Teresa O'Connell
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.07 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Celebrate In One Voice
(Alto Voice Dominant) - Digital Download SKU: JX.JMG1018A Alto. Composed by …
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(Alto Voice Dominant) - Digital Download SKU: JX.JMG1018A Alto. Composed by Mark Cabaniss. Arranged by Lloyd Larson. Digital Mp3 Download (VoxTrax). Jubilate Music Group - Digital #JMG1018A. Published by Jubilate Music Group - Digital (JX.JMG1018A). For general worship, missions, World Communion Sunday, or unity-themed services, this anthem celebrates Christ and His church with a call to action to share His love. Also, it reminds all the church is a home where everyone can gather together on the common ground of faith...to celebrate in one voice!.
$2.99
2.73 €
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Mark Cabaniss
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Lloyd Larson
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Celebrate In One Voice
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Jubilate Music Group - Digital
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SheetMusicPlus
Blame It On The Boogie
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.555276 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.555276 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer. Arranged by Nathaniel Frisque. Jazz,Pop. Score and parts. 42 pages. Nathaniel Frisque #164885. Published by Nathaniel Frisque (A0.555276). I arranged this piece at the request of my friends in the 2020-2021 Viking Jazz Ensemble at Wisconsin Lutheran High School. We hoped to do Blame it on the Boogie for that year's Prism concert, and they had asked my director to find an arrangement. He found one, but it was out of print. We were already playing an arrangement I did of Don't Start Now by Dua Lipa, so my friends turned to me and said, You can do one more, right? A year later, the 2021-2022 Jazz Ensemble performed this in front of 4 sold-out Prism concerts. This arrangement won first place in the WSMA 2022 Student Composition Project Arrangement Category- High School Division. This arrangement starts with the original melody and harmonies as presented on the original recording. The intro features bass and bari sax, the verse melody is passed to the saxophones, and the chorus is in the hands of the trumpets. I know. Scary. The second verse takes a turn, changing keys to the relative minor and changing feels into a jazz-latin groove. The melody starts in the trumpets and moves to the saxophones, while everyone else is comping on a montuno-based rhythm. The second chorus serves as a Breakdown section and transitions the piece into the solo section. The solo section is heavily inspired by the steel pan music of Trinidad and Tobago. The transition from the chorus into the solo section is stolen from Summersong, a piece of steel pan literature. The chord progression is ripped from the soca tune Pan in A Minor by Lord Kitchener. The backgrounds are traditional strum rhythms from the genre. The transition out of the solo section is a chromatic line also commonly used in steel pan music, especially pieces performed for the annual steel pan competition Panorama. The final chorus is presented in the same style and key as the original recording. Some slight changes are made in the backgrounds, and the entire band brings back the idea from the introduction to bring the piece to an end. This piece exists for one reason only: for you and the audience to have fun.
$54.99
50.19 €
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Ensemble Jazz
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David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer
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Nathaniel Frisque
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Blame It On The Boogie
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Nathaniel Frisque
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SheetMusicPlus
On the Common Ground
Chorale SATB
Solo and SATB choir unaccompanied - Moderately Easy - Digital Download Composed by Al…
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Solo and SATB choir unaccompanied - Moderately Easy - Digital Download Composed by Alice Parker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8995-E. Published by E. C. Schirmer Music Company - Digital
$2.25
2.05 €
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Chorale SATB
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Alice Parker
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On the Common Ground
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Reflections: Ten Solos for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
18.24 €
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Guitare
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Michael Reardon
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Reflections: Ten Solos for Guitar
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Songburd Music
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SheetMusicPlus
Psalm 65: The Seed That Falls On Good Ground
Level 3 - Digital Download SKU: A0.832323 Composed by Bill Hayes. Christian,Praise …
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Level 3 - Digital Download SKU: A0.832323 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. 1 pages. Www.HayesMusicPublishing.com #4820105. Published by www.HayesMusicPublishing.com (A0.832323). Psalm 65 is found at http://www.HayesMusicPublishing.com. This psalm setting is suitable for use in Catholic liturgy and other religious services with a simple refrain and common verse melody. It is written in a lead sheet format with single line melody, chord symbols and ICEL lyrics. Easy to learn. Appropriate for religious services when this psalm is desired as well as the 15th Sunday in Ordinary Time, year A.
$1.99
1.82 €
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Bill Hayes
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Psalm 65: The Seed That Falls On Good Ground
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www.HayesMusicPublishing.com
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SheetMusicPlus
Eight-Bit Impromptus: 12 Pieces for Solo Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.693021 Composed by Ben Dockery. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.693021 Composed by Ben Dockery. Children,Contemporary,Jazz,Standards. Score. 42 pages. Ben Dockery #3539271. Published by Ben Dockery (A0.693021). These twelve short pieces for piano were inspired by the sounds from my childhood, namely the musical themes from games played on eight-bit consoles like Nintendo. Whether or not you share such memories, I’m confident we can find common ground here; each piece attempts to see and hear the world from a child’s imaginative, wonder-filled perspective. All of these impromptus can be heard for free by visiting my website www.bendockery.com. While you’re there, please consider joining my email list to get updates and tons of free music. Dr. Ben Dockery is an Assistant Professor of Music and Director of Keyboard Studies at Tennessee Wesleyan University. There he teaches courses related to music theory, ear training, piano, and orchestration and arranging. After receiving degrees from the University of Tennessee, Knoxville and DePaul University, he completed his D.M.A. from the University of Illinois, Champaign-Urbana in 2012. Dr. Dockery began teaching piano in 1999 and has taught and performed music ever since. Dr. Dockery has composed and arranged for piano, small jazz ensemble, and jazz big band. He has performed on numerous recordings with noted musicians such as Phil Woods, the DePaul Big Band, the late Zim Ngquwana, the Knoxville Jazz Orchestra, and others. In addition to writing the book Conceptualizing the Jazz Piano Trio, Dr. Dockery has written for Chicago Jazz Magazine and continues to publish articles, interviews, compositions, and more at his website www.bendockery.com. He maintains an active performance career playing in regional venues and serves as organist for Inskip Baptist Church.
$9.50
8.67 €
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Piano seul
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Ben Dockery
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Eight-Bit Impromptus: 12 Pieces for Solo Piano
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Ben Dockery
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SheetMusicPlus
Dan Levenson's Master Collection of Old-Time Tunes
Guitare
Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in stand…
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Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in standard notation for all instruments. Country. E-book. 125 pages. Mel Bay Publications - Digital Sheet Music #31088EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31088EB). ISBN 9781513473437. 8.75X11.77 inches.Whether you already play old-time music, or you are just getting started, this is the book for you.áDan LevensonÆs Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in todayÆs sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Song List: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
Song List
: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
$19.99
18.24 €
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Guitare
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Dan Levenson's Master Collection of Old-Time Tunes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Flat as a Flute - Flute solo w piano accompaniment
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Con…
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Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
5.47 €
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Flûte traversière et Piano
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Mike Lyons
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Flat as a Flute - Flute solo w piano accompaniment
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Lyons Music Services
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SheetMusicPlus
Dark Winter
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1008086 Composed by Connie Pwll Walc…
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Choral Choir (SATB) - Digital Download SKU: A0.1008086 Composed by Connie Pwll Walck Tyler. Christmas,Hanukkah,Sacred,Spiritual. Octavo. 7 pages. Connie Tyler #4629455. Published by Connie Tyler (A0.1008086). This choral work for SATB, harp (or piano) and drum sings of five different winter holidays: the Winter Solstice, Hannukah, Christmas, Isra and Mi'raj, (a Muslim holiday that is held according to the Islamic calendar and therefore falls in the winter only on some years) and Kwansaa. I'm sure there are many more holidays and verses could be added for them. It is meant to celebrate both our common ground and our diversity. The recording is generated by computer and the voices are choral oohs, without words. The words are:A candle's glow is hard to see in the light. , , It is made for the dark, warm womb of a winter night. Chorus: Dark winter, nurturing womb of the year, hold at your center the spark of the future here. Solstice night the yule log burning bright. Seeds deep in the earth turn, turn to the light. Chorus Small cruse of oil gave eight long days of light, restoring the temple faithful their former rites. Chorus Tiny Babe born from His mother's dark womb, Under a star shining over the stable room. Chorus Gabriel carried the Prophet through the dark night, to Mecca, Jerusalem, on ‘til Heav'n's gates were in sight. Chorus Kawansa, time of preparation and growth, The new with the old combining the strength of both. Chorus
$8.00
7.3 €
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Chorale SATB
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Connie Pwll Walck Tyler
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Dark Winter
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Connie Tyler
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SheetMusicPlus
Celebrate In One Voice!
Chorale SATB
SATB Chorus, Piano - Digital Download Composed by Mark Cabaniss. Arranged by Lloyd La…
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SATB Chorus, Piano - Digital Download Composed by Mark Cabaniss. Arranged by Lloyd Larson. Church, Choral. Alfred Sacred. Octavo. 12 pages. Jubilate Music Group - Digital #JMG1018. Published by Jubilate Music Group - Digital
6.875 x 10.5 in inches.<br> <br> For general worship, missions, World Communion Sunday, or unity-themed services, this anthem celebrates Christ and His church with a call to action to share His love. Also, it reminds all the church is a home where everyone can gather together on the common ground of faith...to "celebrate in one voice!".6.875 x 10.5 in inches.<br> <br> For general worship, missions, World Communion Sunday, or unity-themed services, this anthem celebrates Christ and His church with a call to action to share His love. Also, it reminds all the church is a home where everyone can gather together on the common ground of faith...to "celebrate in one voice!".
$2.25
2.05 €
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Chorale SATB
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Mark Cabaniss
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Lloyd Larson
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Celebrate In One Voice!
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SheetMusicPlus
Doubt & Determination (An Epic Sonata of Indeterminacy)
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download…
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
6.38 €
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
ReSolUtIo
2 violins, viola and cello - advanced - Digital Download SKU: S9.Q49388 Echoes f…
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2 violins, viola and cello - advanced - Digital Download SKU: S9.Q49388 Echoes from Beethoven's Harp Quartet. Composed by Lucio Franco Amanti. This edition: score and parts. Beethoven year 2020 - Ludwig van Beethoven. Downloadable, Score and parts. Op. 74. Duration 14 minutes. Schott Music - Digital #Q49388. Published by Schott Music - Digital (S9.Q49388). When Cuarteto Casals approached me with the idea of illuminating Beethoven´s quartets anew, you can imagine the many thoughts and feelings that where going through my mind: what a joy, what a great honor… What an intriguing head-scratcher! How can you possibly shine a new light on something that is already perfect? Weeks, months went by in search of a common ground between the Master and myself until I finally found it in the realization that a word lays “hidden†in the St. John’s hymn that gave musical notes their original name: ‘Re, Sol, Ut, Io’ (D, G, C, B in English music notation) Perfect! “Resolutio†in Latin means both the resolution of a problem and the re-solution: a re-blend of many elements that will eventually coagulate to make something new. There was finally the melodic and a rhythmical canvas for my piece. On this canvas I wrote the story of a funny little contest, played on a sunny Mediterranean square, between street musicians and Cuarteto Casals just minutes before they are about to go on stage to perform Beethoven´s “Harp Quartetâ€. After all the characters, each in his own way, had the chance to tell their story, a gentle rain starts to fall, dissolving (Re-solving) again the music sheet to eventually leave us with just a white piece of paper for somebody else to continue the Work. (Lucio Franco Amanti).
$40.99
37.41 €
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Lucio Franco Amanti
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ReSolUtIo
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Schott Music - Digital
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SheetMusicPlus
Carson Cooman: Concerto for Portatif Organ and Strings, score only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
23.68 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.13350…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
13.64 €
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.12937…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
4.55 €
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade - II. Petite Fille Americaine - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SK…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
13.64 €
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fille Americaine - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 -…
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.21 €
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitateur chinois - wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
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