Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once I Was
Sheetmusicplus
Non classifié
1 181
Piano & claviers
Piano seul
509
Piano, Voix et Guitare
338
Instruments en Do
304
Piano, Voix
213
Piano Facile
46
Orgue
38
1 Piano, 4 mains
12
2 Pianos, 4 mains
11
Accompagnement Piano
8
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Clavier
1
Accordéon
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
58
Guitare
57
Guitare notes et tablatures
28
2 Guitares (duo)
9
Piano, Guitare (duo)
5
Ukulele
4
4 Guitares (Quatuor)
3
Mandoline
3
3 Guitares (trio)
3
Basse electrique
2
Guitare, Orchestre
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Paroles et Accords
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
221
Chorale 3 parties
57
Chorale 2 parties
42
Voix duo, Piano
21
Chorale TTBB
21
Chorale Unison
18
Voix Baryton, Piano
11
Chorale SSAA
9
Voix seule
7
Voix haute
6
Pack Instrumental pour Chorale
5
Voix duo
5
Voix Soprano, Piano
5
Voix Tenor, Piano
3
Chorale SSATTB
2
Voix Tenor
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
127
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Ensemble de saxophones
105
Ensemble de Clarinettes
50
Quatuor de Saxophones: 4 saxophones
43
Flûte traversière et Piano
41
Quatuor de Clarinettes: 4 clarinettes
32
Flûte, Hautbois, Clarinette, Basson
32
Saxophone Alto et Piano
31
Clarinette et Piano
31
2 Saxophones (duo)
26
Clarinette
23
Flûte traversière
22
Hautbois, Piano (duo)
21
Saxophone Tenor et Piano
21
2 Clarinettes (duo)
20
Ensemble de Flûtes
19
Quintette de Flûte : 5 flûtes
18
Quatuor de Flûtes : 4 flûtes
17
Saxophone Soprano et Piano
17
2 Flûtes traversières (duo)
17
Hautbois (partie séparée)
14
Saxophone Baryton, Piano
10
Saxophone, Clarinette (duo)
8
Cor anglais, Piano
8
2 Hautbois (duo)
8
Clarinette (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor
6
Clarinette, Guitare (duo)
6
Clarinette, Violon (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette (duo)
6
Flûte et Guitare
5
Saxophone (partie séparée)
5
Hautbois, Clarinette (duo)
5
Clarinette Basse, Piano
5
Flute (partie séparée)
5
Trio de Flûtes: 3 flûtes
4
Flûte, Violon
3
Hautbois, Basson (duo)
3
3 Saxophones (trio)
3
Flûte, Alto (duo)
3
Flûte à bec Soprano
3
Flûte, Hautbois, Basson
3
Saxophone Soprano
3
Hautbois, Flûte
3
Flûte, Violon, Piano
3
Clarinette et Alto
3
Flûte, Saxophone (duo)
3
Cor Anglais
3
2 Flûtes traversières, Piano
2
Piccolo
2
Clarinette, Basson (duo)
2
3 Clarinettes (trio)
2
Clarinette, Trompette (duo)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Violoncelle (duo)
2
Hautbois, Guitare (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Ocarina
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Saxophone et Orgue
1
Quatuor de Flûtes à bec
1
Clarinette, Trombone (duo)
1
Piccolo, Piano
1
+ 69 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
Ensemble de Trombones
35
Ensemble de Trompettes
27
Trompette
25
Trombone et Piano
21
Quatuor de Cuivres
20
Trompette, Piano
17
Cor et Piano
12
2 Trombones (duo)
11
2 Trompettes (duo)
10
Trompette (partie séparée)
9
Trombone
9
2 Cors (duo)
9
Cor anglais, Piano
8
Tuba et Piano
8
Trombone (partie séparée)
7
Trio de Cuivres
7
Tuba
7
Cor
7
Trompette, Saxophone (duo)
6
Ensemble de Cors
6
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Tubas (duo)
4
Cor (partie séparée)
3
Trombone basse et Piano
3
Cor Anglais
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums (duo)
2
Tuba (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Ensemble de Tubas
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Trombone basse
1
Cor et Orgue
1
Trombone et orchestre
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
125
Violon et Piano
64
Violon
36
Trio à Cordes: violon, alto, violoncelle
28
Violoncelle, Piano
26
Alto, Piano
26
Harpe
23
2 Violoncelles (duo)
22
Violoncelle
20
Violon, Violoncelle (duo)
19
2 Violons (duo)
19
Ensemble de Violons
19
Ensemble d'Altos
18
Alto seul
12
Violon, Alto (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
2 Altos (duo)
8
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
4
Quatuor à cordes: 4 violons
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Guitare (duo)
3
Harpe, Voix
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
2
2 Contrebasses (duo)
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
Alto et Basson
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
592
Orchestre
101
Orchestre à Cordes
94
Ensemble de cuivres
50
Orchestre de chambre
45
Ensemble Jazz
21
Ensemble de Percussions
11
Jazz combo
8
Fanfare
4
Percussion (partie séparée)
4
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
2
Piano et Orchestre
2
Xylophone
1
Batterie (partie séparée)
1
Batterie
1
2 Marimbas
1
Cloches
1
Marimba
1
Orchestre, Violon
1
+ 15 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3 191
Partitions Numériques
6 395
Librairie Musicale
0
Matériel de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Once I Was
SheetMusicPlus
Partitions à imprimer
6 395 partitions trouvées
<
1
26
51
....
6376
Yesterday, When I Was Young (hier Encore)
#
Piano seul
#
AVANCÉ
#
Roy Clark
#
Timothy Stapay
#
Yesterday, When I Was Young
#
Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
(+)
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
Yesterday Once More
#
Piano seul
#
INTERMÉDIAIRE
#
The Carpenters
#
Timothy Stapay
#
Then
#
Yesterday Once More
#
Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Song...
(+)
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
Concerto for Concert Band (2011) full score
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Concerto for Concert Band
#
Thomas Oboe Lee
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pa...
(+)
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
Rhapsody for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
July 16th, Clara noted in her
#
Brock Lupton
#
Rhapsody for Concert Band
#
Brock Lupton
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
(+)
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
The Drumfire Was Incessant, and Continued All Night With Unabated Fury
#
Piano seul
#
AVANCÉ
#
Andrew Harrison
#
The Drumfire Was Incessant, an
#
Phantom Dog Music
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1226201 By Andrew Harrison. By Andrew Harrison. 21st Century,Classical,Contemporary,Historic. Score. 31 pages. Phantom Do...
(+)
Piano Solo - Level 5 - SKU: A0.1226201 By Andrew Harrison. By Andrew Harrison. 21st Century,Classical,Contemporary,Historic. Score. 31 pages. Phantom Dog Music #822230. Published by Phantom Dog Music (A0.1226201). The Drumfire Was Incessant, and Continued All Night With Unabated Fury is a solo piano piece, inspired by Newton Wanliss’s harrowing account of the Battle of Pozieres in his 1929 war biography The History of the 14th Battalion, A.I.F. The Battle of Pozieres ran between July and August 1916, as part of the First World War’s Somme Offensive. The composition focuses on the days leading up to August 9th, 1916, when my great-great uncle Private Leslie Robins, an infantryman in the 14th Battalion, was shot and wounded.In the early stages of writing the piece, whilst conducting preliminary research into the Battle of Pozieres, I was struck by the disparity between the British High Command’s notion of formulating a ‘plan’ for the battle, and the actuality of what occurred once soldiers ‘went over the top’ into no-man’s land. This dichotomous concept – exerting control over an inherently fluid and dynamic situation – I found to be most intriguing. It segued neatly into my aesthetic explorations of the role of improvisation (a dynamic process) within a larger notated context (a controlled environment). I decided that this dichotomy would play a fundamental role within the piece.Australian pianist Zubin Kanga commissioned The Drumfire… for his 2012 Spectrum concert series. The piece was given its world premiere on August 11th 2012 at the Melbourne Recital Centre, and was also performed at the Independent Theatre in Sydney on August 16th 2012.
$59.99
Allegro (from "Concerto for Four Claviers") (G min) (Violincello Quintet)
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello - Level 5 - SKU: A0.813411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,...
(+)
String Ensemble Cello - Level 5 - SKU: A0.813411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 43 pages. Regis Bookshar #6209863. Published by Regis Bookshar (A0.813411). Violoncello Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Violoncello Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for 5 Violoncellos, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Violoncello Quintet)
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Cello - Level 5 - SKU: A0.813385 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Mul...
(+)
String Ensemble,String Quintet Cello - Level 5 - SKU: A0.813385 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 44 pages. Regis Bookshar #6209779. Published by Regis Bookshar (A0.813385). Violoncello Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Violoncello Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (44 pages). In addition to this version for 5 Violoncellos, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Violin Concerto, opus 129 (2009) for violin solo and orchestra
#
Violon
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Violin Concerto, opus 129
#
Thomas Oboe Lee
#
SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe ...
(+)
Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.
$9.99
I Was Born To Love You
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Rock
#
Queen
#
Freddie Mercury
#
Lorenzo Bocci
#
I Was Born To Love You
#
Lorenzo Bocci
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1474019 By Queen. By Freddie Mercury. Arranged by Lorenzo Bocci. Pop,Rock. 117 pages. Lorenzo Bocci #1051683. Published...
(+)
Concert Band - Level 3 - SKU: A0.1474019 By Queen. By Freddie Mercury. Arranged by Lorenzo Bocci. Pop,Rock. 117 pages. Lorenzo Bocci #1051683. Published by Lorenzo Bocci (A0.1474019). I WAS BORN TO LOVE YOU performed by Queenfor Concert Band - Grade 3 - - More Queen MusicComposed by Freddie Mercury. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'29''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Sus. Cymb., Tambourine, Castanets), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.I Was Born to Love You is a 1985 song by Freddie Mercury that was released as a single from his first solo album, Mr. Bad Guy. After Mercury's death, Queen re-worked this song for their album Made in Heaven in 1995, by having the other members play their instrumental parts over the original track, transforming the song from disco to rock. The Queen version from the Made in Heaven album also includes snippets of Mercury's ad-lib vocals taken from A Kind of Magic and from Living on My Own.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
Madeira Beach Concert March
#
Orchestre d'harmonie
#
Gary Gazlay
#
Madeira Beach Concert March
#
Imagine Music - Digital
#
SheetMusicPlus
Concert Band - SKU: IZ.CBW212-S Composed by Gary Gazlay. Score. 13 pages. Imagine Music - Digital #CBW212-S. Published by Imagine Music - Digital (IZ.CB...
(+)
Concert Band - SKU: IZ.CBW212-S Composed by Gary Gazlay. Score. 13 pages. Imagine Music - Digital #CBW212-S. Published by Imagine Music - Digital (IZ.CBW212-S). 9 x 12 inches.MADEIRA BEACH CONCERT MARCH, was inspired by Paul T. Nicholson who was my amazing Junior High Band Director. He was an incredible teacher and musician who blessed my life and the lives of countless other students.I started playing the trumpet in the 6th grade, and was a horrible player, which continued when I attended Madeira Beach Jr. High School in the 7th grade. If Mr. Nicholson had not allowed me to switch to the french horn, I probably would have dropped out of band, not have become a music teacher, and never composed music. My love for concert band music began with Mr. Nicholson.MADEIRA BEACH CONCERT MARCH, is dedicated to Mr. “Nic and all of the members of the Madeira Beach Junior High School Band, Madeira Beach, Florida, who were touched by his life, and shared so may wonderful memories of being in the “band..
$10.00
Madeira Beach Concert March
#
Orchestre d'harmonie
#
Gary Gazlay
#
Madeira Beach Concert March
#
Imagine Music - Digital
#
SheetMusicPlus
Concert Band - SKU: IZ.CBW212 Composed by Gary Gazlay. Score and Parts. 59 pages. Imagine Music - Digital #CBW212. Published by Imagine Music - Digital ...
(+)
Concert Band - SKU: IZ.CBW212 Composed by Gary Gazlay. Score and Parts. 59 pages. Imagine Music - Digital #CBW212. Published by Imagine Music - Digital (IZ.CBW212). 9 x 12 inches.MADEIRA BEACH CONCERT MARCH, was inspired by Paul T. Nicholson who was my amazing Junior High Band Director. He was an incredible teacher and musician who blessed my life and the lives of countless other students.I started playing the trumpet in the 6th grade, and was a horrible player, which continued when I attended Madeira Beach Jr. High School in the 7th grade. If Mr. Nicholson had not allowed me to switch to the french horn, I probably would have dropped out of band, not have become a music teacher, and never composed music. My love for concert band music began with Mr. Nicholson.MADEIRA BEACH CONCERT MARCH, is dedicated to Mr. “Nic and all of the members of the Madeira Beach Junior High School Band, Madeira Beach, Florida, who were touched by his life, and shared so may wonderful memories of being in the “band..
$60.00
A Himalaya Concerto (all orchestral and solo parts, excluding full score)
#
Orchestre
#
AVANCÉ
#
Stuart Brown
#
1 solo cimbalom
#
A Himalaya Concerto
#
Stuart Brown Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #189260...
(+)
Full Orchestra - Level 5 - SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #1892609. Published by Stuart Brown Music (A0.835443). ** ADVISORY NOTE: This composition was written for a professional clarinettist, who has performed it twice (once in UK, once in Australia). As regards level of difficulty, it is on a par with Richard Strauss's oboe concerto, i.e. one of the most challenging solo works available for the instrument. Purchase only if you feel up to the challenge! ** Copyright © Stuart Brown, July 13th 2015, All rights reserved Performing rights apply (administered by PRS for Music in the UK and the USA) For a description of this work, please refer to A Himalaya Concerto (full score) (item number S0.103467, THIS MUST BE PURCHASED SEPARATELY. For a complete bundled product that gives you the maximum flexibility please refer to the composer's own website, search for Stuart Brown Music shop bundles.) This pack contains: 1 solo clarinet; 1 solo cimbalom; 1 piccolo; 3 flutes; 2 oboes; 1 cor anglais; 2 bassoons; 2 double bassoons; 4 horns; 2 trumpets; 2 tenor trombones; 2 bass trombones; 1 tuba; 1 timpani; 1 tubular bells; 16 first violins; 14 second violins; 12 violas; 10 cellos; 8 double basses.
$165.00
As Vesta Was From Latmos Hill Descending
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Thomas Weelkes
#
Kyle Skrivanek
#
As Vesta Was From Latmos Hill
#
Kyle Skrivanek
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.980052 Composed by Thomas Weelkes. Arranged by Kyle Skrivanek. Classical,Contest,Festival,Instructional,Renaissance. Sc...
(+)
Concert Band - Level 3 - SKU: A0.980052 Composed by Thomas Weelkes. Arranged by Kyle Skrivanek. Classical,Contest,Festival,Instructional,Renaissance. Score and parts. 73 pages. Kyle Skrivanek #2890997. Published by Kyle Skrivanek (A0.980052). As Vesta Was From Latmos Hill Descending tells the story of the Roman Goddess Vesta descending from a mythical hill and encountering the maiden queen, Oriana, ascending. The English composer and organist Thomas Weelkes composed this madrigal as part of a series of madrigals honoring Queen Elizabeth I known as The Triumphes of Oriana (Queen Elizabeth I was often called Oriana). Weelkes employed the technique of word painting in his composition and I maintained as much as possible in this arrangement for concert band. This arrangement is playable by advanced middle school and high school ensembles.
$40.00
ORISKANY CONCERT MARCH
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
Vincent Vitale
#
ORISKANY CONCERT MARCH
#
Vincent Vitale
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.835522 Composed by Vincent Vitale. Contemporary. Score and parts. 33 pages. Vincent Vitale #31771. Published by Vincent...
(+)
Concert Band - Level 3 - SKU: A0.835522 Composed by Vincent Vitale. Contemporary. Score and parts. 33 pages. Vincent Vitale #31771. Published by Vincent Vitale (A0.835522). The Oriskany Concert March was commissioned by the Oriskany Junior/Senior HS Band located in Oriskany, NY. Karen Lodbell was the band director at the time. Being a Navy man I was happy to do this as the Oriskany was a US Navy aircraft carrier. This march has great energy and high spirit. Although it is written for Junior/High School bands your students will find it fun to play and not at all difficult. It is full sounding and will come together with minimal rehearsal time. It will make an enjoyable addition to any concert and both your band and audience will give it high praise. Comes with a full 10 line score and parts for flute, oboe, clarinet 1,2&3, bass clarinet, alto sax 1&2, tenor sax, baritone (TC), baritone sax, f horn, trumpet 1&2, trombone, bassoon, tuba, bells and percussion. Listen to the recording and I know you will want this one in your repertoire.
$24.00
When I Was Your Man (arr. Mac Huff) (4-Piece Digital Pack)
#
Pack Instrumental pour Chorale
#
Rock
#
Bruno Mars
#
Mac Huff
#
When I Was Your Man
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.270208 By Bruno Mars. Arranged by Mac Huff. Concert,Pop,Rock. Choral Instrumental Pak. 1 pages. Duration 210. Hal Leonard - Digital #228788. Pub...
(+)
SKU: HX.270208 By Bruno Mars. Arranged by Mac Huff. Concert,Pop,Rock. Choral Instrumental Pak. 1 pages. Duration 210. Hal Leonard - Digital #228788. Published by Hal Leonard - Digital (HX.270208).
Digital Pack includes
:
When I Was Your Man (arr. Mac Huff) - Synthesizer
When I Was Your Man (arr. Mac Huff) - Guitar
When I Was Your Man (arr. Mac Huff) - Bass
When I Was Your Man (arr. Mac Huff) - Drums
$28.00
I Was Made To Love Her
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Stevie Wonder
#
Manuel Guinand
#
I Was Made To Love Her
#
Aumaitre Guinand
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1156452 By Stevie Wonder. By Henry Cosby, Lula Mae Hardaway, Stevie Wonder, and Sylvia Moy. Arranged by Manuel Guinand....
(+)
Concert Band - Level 3 - SKU: A0.1156452 By Stevie Wonder. By Henry Cosby, Lula Mae Hardaway, Stevie Wonder, and Sylvia Moy. Arranged by Manuel Guinand. Blues,Funk,Hip-Hop,Pop,R & B. Score and parts. 41 pages. Aumaitre Guinand #756770. Published by Aumaitre Guinand (A0.1156452). Arrangement for Vocals, Harmonica, Brass, Strings, Piano, Guitar, Bass and Drums Guitar of Stevie Wonder's song I Was Made To Love Her. Original key. Ideal for intermediate players.
$50.00
Abraham Lincoln Funeral March for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
John Gross Barnard Orchestrate
#
John Gross Barnard
#
Jari A
#
Abraham Lincoln Funeral March
#
JV MUSIC
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.722753 Composed by John Gross Barnard. Arranged by Jari A. Villanueva. Contemporary,Folk,Romantic Period,Spiritual. Sco...
(+)
Concert Band - Level 4 - SKU: A0.722753 Composed by John Gross Barnard. Arranged by Jari A. Villanueva. Contemporary,Folk,Romantic Period,Spiritual. Score and parts. 56 pages. JV MUSIC #3423151. Published by JV MUSIC (A0.722753). Abraham Lincoln Funeral March for Concert BandBy John Gross Barnard Orchestrated by Jari Villanueva This funeral march written by John Gross Barnard was performed by the United States Marine Band during the funeral procession from the Executive Mansion to the Capitol for Abraham Lincoln on April 19, 1865. The march is titled: Funeral March in Memory of the Abraham Lincoln: Played at the Obsequies of the President of the United States by the US Marine Band. The funeral march follows the standard format of dirges of the time (most notable are Webster’s Funeral March, Chopin’s Funeral March and March in Saul by Handel) written in minor keys (considered somber) and divided into eight measure phrases which makes it easy for the funeral cadence to be played underneath. This funeral march, like most written during this time, has a transition to a major key (happier sounding). This march goes to the relative major (D minor to D major) key. Since no parts are extant from the US Band, I was asked to score the march for a modern symphonic band. I hoped to capture the somber drum beat and employed a chime to replicate the bells that tolled along the funeral route.Full Score Piccolo Flutes 1-2 Oboes 1-2 Bassoon 1-2 Eb Clarinet3 Bb ClarinetsAlto ClarinetBass ClarinetAlto Saxophone 1-2Tenor SaxophoneBaritone Saxophone 3 Cornets 2 Trumpets 4 Horns in F3 TrombonesEuphonium (Baritone TC)TubaString BassTimpaniPercussionChimesA retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.https://youtu.be/lTPBn6AkXZw
$65.00
Dimensions - Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
Bryce Styles
#
#
Dimensions - Concert Band
#
Bryce Styles
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1000460 Composed by Bryce Styles. Contemporary. Score and parts. 69 pages. Bryce Styles #4764385. Published by Bryce St...
(+)
Concert Band - Level 3 - SKU: A0.1000460 Composed by Bryce Styles. Contemporary. Score and parts. 69 pages. Bryce Styles #4764385. Published by Bryce Styles (A0.1000460). Originally composed in 2016 while I was still in high school, Dimensions is a thrilling and challenging piece of wind literature that is just under 4 minutes long. The piece is mostly based on one simple motif as it grows and becomes more estatic. I submitted this into a composition competition where my university's wind ensemble was given the chance to first sight-read the piece and then record it. The youtube link sends you to this recording. .
$12.00
How Am I To Know
#
Piano, Voix
#
INTERMÉDIAIRE
#
Tommy Dorsey & His Orchestra
#
Dave Gingras and John E
#
How Am I To Know
#
DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1477702 By Tommy Dorsey & His Orchestra. By Dorothy Parker and Jack King. Arranged by Dave Gingras and John E. Dos...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1477702 By Tommy Dorsey & His Orchestra. By Dorothy Parker and Jack King. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1055083. Published by DAVID LEE GINGRAS (A0.1477702). Aside from the fact that How Am I to Know? was once recored by Frank Sinatra recorded alongside Tommy Dorsey and his Orchestra, I wasn't able to find a lot of info about the history of this tune from 1929. That being said, this version features a root-based chord blocking that John and I have used in a number of our arrangements and we added a few left-hand fills for rhythm. We hope you like what we've done with this grand old tune!
$4.99
My Tears Have Been My Food (for concert band) - Score Only
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
David M
#
David M
#
My Tears Have Been My Food
#
David Sterrett Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1039860 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 21 pages. David Sterrett...
(+)
Concert Band - Level 4 - SKU: A0.1039860 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 21 pages. David Sterrett Music #644719. Published by David Sterrett Music (A0.1039860). This passage from Psalm 42 has been a comfort to me in trying times. I set out to compose a musical setting of the text in hopes that the words and music may be of comfort to others too in seasons of grief, adversity, or doubt. “My tears have been my food both day and night, and all the time, people ask, ‘Where is your God?’ But each day, the Lord pours His unfailing love upon me, and through the night, I sing His songs, praying to God who gives me life.†(Psalm 42:3, 8) I composed the piece originally for a cappella choir, but after finishing, I was inspired to create a transcription for Concert Band as well. This transcription may be performed separately, or combined with choir for more impact if desired.
$19.99
My Tears Have Been My Food (for concert band)
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
David M
#
David M
#
My Tears Have Been My Food
#
David Sterrett Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1039859 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 57 pages. David Sterrett...
(+)
Concert Band - Level 4 - SKU: A0.1039859 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 57 pages. David Sterrett Music #644717. Published by David Sterrett Music (A0.1039859). This passage from Psalm 42 has been a comfort to me in trying times. I set out to compose a musical setting of the text in hopes that the words and music may be of comfort to others too in seasons of grief, adversity, or doubt. “My tears have been my food both day and night, and all the time, people ask, ‘Where is your God?’ But each day, the Lord pours His unfailing love upon me, and through the night, I sing His songs, praying to God who gives me life.†(Psalm 42:3, 8) I composed the piece originally for a cappella choir, but after finishing, I was inspired to create a transcription for Concert Band as well. This transcription may be performed separately, or combined with choir for more impact if desired.
$49.99
Sonata # 1 - 3rd movement, for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Aere Greenway
#
Sonata # 1 - 3rd movement, for
#
Aere R Greenway
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.935333 Composed by Aere Greenway. Contemporary,Romantic Period. Score and parts. 41 pages. Aere R Greenway #6367167. Pu...
(+)
Concert Band - Level 4 - SKU: A0.935333 Composed by Aere Greenway. Contemporary,Romantic Period. Score and parts. 41 pages. Aere R Greenway #6367167. Published by Aere R Greenway (A0.935333). In the mid 1960's, I performed the 3rd movement of my piano sonata at a school assembly, at the time a member of the high school band. Decades later, I have arranged this piece for concert band, so that a high school band, such as I was then in, can perform it. It's a lively, martial piece, just over 3 minutes long.
$14.97
The Anzac Marseillaise - Concert Band Score and Parts PDF
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Patriotique
#
A
#
Brenndan Elliget MAGA 537
#
The Anzac Marseillaise - Conce
#
BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750875 Composed by A. J. Smith around 1915-16. Arranged by Brenndan Elliget MAGA 537. Patriotic. Score and parts. 74 pa...
(+)
Concert Band - Level 3 - SKU: A0.750875 Composed by A. J. Smith around 1915-16. Arranged by Brenndan Elliget MAGA 537. Patriotic. Score and parts. 74 pages. BJE Music #4323859. Published by BJE Music (A0.750875). The Anzac Marseillaise is a battle song written A. J. Smith around 1915-16 dedicated to the ANZAC Heroes. Although not strictly in typical march format, it could be used as such or be used as an accompaniment to the vocal using the original words.I was approached by Ron Bergman (ex-RAN Navy Reserve Band) to arrange this piece from an old copy of the original piano music he had for the use of the band at its reunion and get-together in February 2011.This is the Concert Band version.- most parts are double A4 size. March Card sized parts are also now included as another PDF download.Listen to the MP3 recording - It was recorded with NotePerformer.Piano Accompaniment and Vocal Lead Sheet parts are also included in the PDFGrade = 3.5 Duration = 3:40 mins
$25.00
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Carson Cooman
#
Carson Cooman: Pittsburgh Conc
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
(+)
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Bound For South Australia Concert Band Score and Parts PDF
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Folklorique/Traditionel
#
Traditional Australian Folk So
#
Brendan Elliget MAGA 537
#
Duration = 2:35 mins.
#
Bound For South Australia Conc
#
BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750867 Composed by Traditional Australian Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 40 pa...
(+)
Concert Band - Level 3 - SKU: A0.750867 Composed by Traditional Australian Folk Song. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 40 pages. BJE Music #4322387. Published by BJE Music (A0.750867). In South Australia, I was born Heave away, haul away South Australia round Cape Horn We’re bound for South AustraliaHeave away, you rolling king Heave away, haul away Heave away, oh hear me sing We’re bound for South AustraliaBound for South Australia or South Australia is a sea shanty used by the wool traders who worked the clipper ships between Australian ports and London. This traditional tune is well known as a farewell song, sung at the docks as the big ships were leaving.The song has two distinct parts: The Shanty and Halyard.This is a short arrangement for concert band. I also used this tune in my Australian Folksong Medley No. 2 for concert band. If you use this arrangement, let me know how it goes.Parts include Eb Horns, Bb Bass, and Eb Bass.Grade = 2.5 Duration = 2:35 mins.
$20.00
<
1
26
51
....
6376
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Once I Was
