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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once In Time
Non classifié
3 243
Piano & claviers
Piano seul
5 392
Piano, Voix
2 646
Piano Facile
226
Piano, Voix et Guitare
165
Instruments en Do
122
Accompagnement Piano
89
Orgue
77
1 Piano, 4 mains
71
Piano Trio: piano, violon, violoncelle
35
2 Pianos, 4 mains
16
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
3
Piano (partie séparée)
2
Clavecin
2
Accordéon
2
Ensemble de Pianos
1
+ 14 instrumentations
Retracter
Guitares
Guitare
107
Guitare notes et tablatures
75
Ligne De Mélodie, (Paroles) et Accords
40
2 Guitares (duo)
36
4 Guitares (Quatuor)
10
Mandoline
9
3 Guitares (trio)
8
Paroles et Accords
8
Ukulele
7
Piano, Guitare (duo)
4
Guitare (partie séparée)
4
Banjo
4
Mandoline, Guitare (duo)
3
Mandoline, Piano (duo)
2
Dulcimer
2
Basse electrique
2
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 253
Chorale 2 parties
299
Chorale 3 parties
279
Voix duo, Piano
100
Chorale Unison
84
Chorale TTBB
77
Chorale SSAA
48
Voix duo
47
Voix Soprano, Piano
24
Voix Tenor, Piano
23
Voix Alto, Piano
16
Voix haute
9
Voix Baryton, Piano
9
Voix Tenor
7
Voix seule
5
Pack Instrumental pour Chorale
5
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
2
Voix Soprano, Orchestre
1
Chorale SSATB
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix basse
1
Chorale
1
Voix Soprano
1
+ 20 instrumentations
Retracter
Vents
2 Saxophones (duo)
605
Saxophone, Clarinette (duo)
269
2 Clarinettes (duo)
258
2 Flûtes traversières (duo)
248
Flûte traversière et Piano
235
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
229
Flûte traversière
194
Clarinette et Piano
190
Clarinette, Violon (duo)
189
Quintette de Saxophone: 5 saxophones
173
Quatuor de Saxophones: 4 saxophones
171
Clarinette, Trompette (duo)
169
Hautbois, Piano (duo)
166
Saxophone Alto et Piano
160
Clarinette
147
Flûte, Clarinette (duo)
146
Flûte, Hautbois, Clarinette, Basson
144
Saxophone Soprano et Piano
136
Saxophone Tenor et Piano
134
2 Hautbois (duo)
124
Hautbois, Clarinette (duo)
104
Flûte, Saxophone (duo)
101
Clarinette et Alto
97
Hautbois, Basson (duo)
97
Quatuor de Clarinettes: 4 clarinettes
95
Flûte, Violon
94
Ensemble de saxophones
84
Flûte, Alto (duo)
79
Hautbois, Flûte
77
Flûte, Trompette (duo)
72
Ensemble de Clarinettes
71
2 Flûte à bec (duo)
59
Quatuor de Flûtes : 4 flûtes
57
Saxophone Alto
50
Saxophone Baryton, Piano
50
Saxophone (partie séparée)
47
Cor anglais, Piano
46
3 Saxophones (trio)
46
Ensemble de Flûtes
38
Hautbois (partie séparée)
37
Saxophone Tenor
36
Flûte à Bec
35
Hautbois
34
Quintette de Flûte : 5 flûtes
34
Quintette de Clarinettes: 5 clarinettes
33
Trio de Flûtes: 3 flûtes
31
Clarinette Basse, Piano
31
3 Clarinettes (trio)
28
Flûte à bec Soprano
27
Cor Anglais
23
Saxophone
20
Clarinette (partie séparée)
16
Flûte, Hautbois, Clarinette (trio)
16
2 Flûtes traversières, Piano
15
Flûte et Guitare
15
Clarinette, Basson (duo)
15
Flute (partie séparée)
12
Flûte, Hautbois (duo)
11
Flûte, Violoncelle, Piano (trio)
11
Saxophone Soprano
10
Quatuor de Flûtes à bec
9
Clarinette, Trombone (duo)
9
Flûte, Hautbois, Basson
8
Clarinette, Violoncelle, Piano (trio)
8
Flûte, Violoncelle
8
Hautbois, Clarinette, Basson (trio d'anches)
8
2 Clarinettes, Piano
8
Clarinette, Guitare (duo)
8
Flûte, Violon, Piano
7
Flûte, Clarinette, Piano (trio)
7
Flûte, Clarinette et Basson
7
Flûte, Hautbois, Piano (trio)
7
Piccolo
6
Saxophone Baryton
6
2 Cors Anglais Et Pianoforte
6
Flûte à bec Alto
5
Flûte, Violon et Violoncelle
5
Flûte, Basson et Piano
5
Flûte à bec Soprano, Piano
4
Clarinette, Violoncelle (duo)
4
Flûte, Alto et Piano
4
Hautbois, violon (duo)
4
3 Flûtes à bec (trio)
3
2 Saxophones, Piano
3
Piccolo, Piano
3
Flûte, trombone et piano
3
5 Flûtes à bec
3
Hautbois, Guitare (duo)
3
Ensemble De Flûte à bec
2
Flûte à Bec, Piano
2
Saxophone et Orgue
2
Clarinette, Harpe (duo)
2
Hautbois, Violoncelle
2
2 Clarinettes, Basson
2
Flûte à bec Tenor
2
Flute, harpe et violon
1
Flûte, alto et harpe
1
Clarinette Basse
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Piano
1
Cor anglais, Guitare (duo)
1
Ensemble de Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
Flûte irlandaise
1
Flûte et Trio à cordes
1
Flûte traversière, Orchestre
1
4 Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble à vent
1
Flûte à bec Alto, Basse continue
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Saxophone et Guitare
1
Hautbois, Harpe
1
Flûte, Hautbois, Violon
1
Flûte, Clarinette, Violon (trio)
1
+ 111 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
210
Trompette, Saxophone (duo)
206
Quatuor de Cuivres : 2 trompettes, trombone, tuba
155
Trombone et Piano
148
Trompette, Piano
133
2 Trombones (duo)
132
2 Trompettes (duo)
132
Trompette, Trombone (duo)
130
Trompette
124
Cor et Piano
98
Quatuor de Cuivres: 2 trompettes, Cor, trombone
74
Cor
51
Ensemble de Trompettes
50
Cor anglais, Piano
46
Euphonium, Piano (duo)
45
Trombone
41
Ensemble de Trombones
39
Tuba et Piano
30
Quatuor de Cuivres
30
Trompette (partie séparée)
28
Trombone (partie séparée)
25
Cor Anglais
23
2 Cors (duo)
22
Trompette, Cor (duo)
17
Quatuor de cuivres: 4 cors
14
Tuba
13
Euphonium
12
2 Euphoniums (duo)
11
Ensemble de Cors
11
Cor (partie séparée)
10
Tuba (partie séparée)
10
Quatuor de cuivres: 4 trombones
9
Trio de Cuivres
8
Quatuor de cuivres: 4 trompettes
7
3 Trompettes (trio)
7
2 Cors Anglais Et Pianoforte
6
Trompette, Violoncelle et Piano
5
2 Tubas (duo)
4
Trombone basse et Piano
4
2 Trompettes, Clavier (piano ou orgue)
4
3 Trombones (trio)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Trombone, Piano
3
Trombone basse
3
4 Tubas
3
Cor, Tuba (duo)
2
Instruments en Sib
2
Tuba et Orgue
2
Trombone, Cor (duo)
2
2 Euphoniums et 2 Tubas
2
Cor et Basson (duo)
2
Cor, Violoncelle (duo)
2
Trombone, Tuba (duo)
1
Cor, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
2 Trombones, Piano
1
Euphonium, Tuba (duo)
1
Trombone et orchestre
1
Trompette, Tuba (duo)
1
+ 55 instrumentations
Retracter
Cordes
Violon
344
Quatuor à cordes: 2 violons, alto, violoncelle
327
Violon et Piano
239
Violon, Violoncelle (duo)
211
Violoncelle, Piano
180
Violoncelle
167
Alto, Piano
165
Violon, Alto (duo)
140
2 Violoncelles (duo)
140
2 Violons (duo)
131
2 Altos (duo)
123
Alto seul
109
Trio à Cordes: violon, alto, violoncelle
79
Harpe
58
Violon (partie séparée)
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Contre Basse
30
Piano Trio: Violon, Alto, Piano
27
Alto (partie séparée)
22
Ensemble de Violons
21
Contrebasse, Piano (duo)
20
Trio à Cordes: 2 violons, violoncelle
19
Ensemble d'Altos
18
Alto, Violoncelle (duo)
18
Trio à cordes: 3 violins
17
4 Violoncelles
16
Contrebasse (partie séparée)
16
Violon, Guitare (duo)
9
Trio à Cordes: 3 violoncelles
9
Quatuor à cordes: 4 violons
8
Quatuor à cordes : 4 altos
8
Violoncelle (partie séparée)
8
Harpe, Flûte (duo)
5
Trio à Cordes: 2 violons, alto
4
Trio à cordes: 3 altos
4
Ensemble de Violoncelles
4
Violoncelle, Orchestre
4
2 Contrebasses (duo)
3
2 Violons, Piano
3
Alto et Basson
3
Harpe, Voix
3
Harpe, Violon, Violoncelle
3
Violoncelle, Contrebasse (duo)
2
Violoncelle, Basse continue
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orgue
2
Harpe, Violon (duo)
2
Alto, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Harpes (duo)
2
Alto, Orgue
1
Autoharp
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 888
Orchestre
388
Orchestre à Cordes
314
Ensemble de cuivres
104
Orchestre de chambre
85
Cloches
55
Ensemble Jazz
53
Ensemble de Percussions
22
Percussion (partie séparée)
16
Jazz combo
15
Batterie
13
Fanfare
9
Orchestre, Violon
4
Piano et Orchestre
3
Instrumentation Flexible
3
Batterie (partie séparée)
3
Xylophone, Piano
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
2
Timbales (partie séparée)
2
Quintette à Vent
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
2 Marimbas
1
Percussion
1
Xylophone
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
Once In Time
Partitions à imprimer
30 017 partitions trouvées
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51
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9976
Fractures in Time (31-Piece Digital Pack)
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Michael Sweeney
#
Fractures in Time
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 4 - SKU: HX.381773 Composed by Michael Sweeney. This edition: scorch. Concert. 2 pages. Duration 405. Hal Leonard - Digital #0. Published by Hal L...
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Level 4 - SKU: HX.381773 Composed by Michael Sweeney. This edition: scorch. Concert. 2 pages. Duration 405. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.381773).
Digital Pack includes
:
Fractures in Time - Conductor Score (Full Score)
Fractures in Time - Piccolo/Flute 3
Fractures in Time - Flute 1
Fractures in Time - Flute 2
Fractures in Time - Oboe
Fractures in Time - Bassoon
Fractures in Time - Bb Clarinet 1
Fractures in Time - Bb Clarinet 2
Fractures in Time - Bb Clarinet 3
Fractures in Time - Bb Bass Clarinet
Fractures in Time - Eb Alto Saxophone 1
Fractures in Time - Eb Alto Saxophone 2
Fractures in Time - Bb Tenor Saxophone
Fractures in Time - Eb Baritone Saxophone
Fractures in Time - Bb Trumpet 1
Fractures in Time - Bb Trumpet 2
Fractures in Time - Bb Trumpet 3
Fractures in Time - F Horn 1
Fractures in Time - F Horn 2
Fractures in Time - Trombone 1
Fractures in Time - Trombone 2
Fractures in Time - Trombone 3
Fractures in Time - Baritone B.C.
Fractures in Time - Baritone T.C.
Fractures in Time - Tuba
Fractures in Time - String Bass
Fractures in Time - Percussion 1
Fractures in Time - Percussion 2
Fractures in Time - Percussion 3
Fractures in Time - Percussion 4
Fractures in Time - Percussion 5
$85.00
Cambini - String Quintet No.30 in C major
String Quintet : Violin, 2 violas, 2 violoncellos
#
Giuseppe Maria Cambini
#
J
#
Cambini - String Quintet No.30
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quintet Cello,Viola,Violin - SKU: A0.1379030 Composed by Giuseppe Maria Cambini. Arranged by J.G. Cucó Barber. Chamber,Classical. 57 pages. J....
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String Quintet Cello,Viola,Violin - SKU: A0.1379030 Composed by Giuseppe Maria Cambini. Arranged by J.G. Cucó Barber. Chamber,Classical. 57 pages. J.G. Cuco Barber #963751. Published by J.G. Cuco Barber (A0.1379030). Title String Quintet No.30 in C majorComposer Giuseppe Maria CambiniComposed in between 1773 and 1795Composer Time Period ClassicalPiece Style ClassicalInstrumentation 2 violins, viola, 2 cellos.
$23.00
The Four Seasons - Concerto No. 1 In E Major, Op. 8, No. 1, RV 269 - "Spring" -allegro lead sheet
#
Instruments en Do
#
Classique
#
Antonio Vivaldi
#
Andre Maaker
#
The Four Seasons - Concerto No
#
SheetMusicHub
#
SheetMusicPlus
C Instrument - SKU: A0.737424 Composed by Antonio Vivaldi. Arranged by Andre Maaker. Baroque,Classical. Lead Sheet / Fake Book. 4 pages. SheetMusicHub #...
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C Instrument - SKU: A0.737424 Composed by Antonio Vivaldi. Arranged by Andre Maaker. Baroque,Classical. Lead Sheet / Fake Book. 4 pages. SheetMusicHub #345590. Published by SheetMusicHub (A0.737424). This is a lead sheet style (melody/chords/form) notation of Allegro from The Spring / la Primavera by Antonio Vivaldi. Lead sheet by Andre Maaker. From Wikipedia: The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concertos by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718−1720, when Vivaldi was the court chapel master in Mantua. They were published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention). The Four Seasons is the best known of Vivaldi's works. Though three of the concerti are wholly original, the first, Spring, borrows patterns from a sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, and warm winter fires. #vivaldi #fourseasons #sheetmusic.
$4.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ri...
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Concert Band - Level 3 - SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
String Trio in E-flat (Benton 401)
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Trio à Cordes: violon, alto, violoncelle
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Classique
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Ignaz Josef Pleyel
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Artaria Editions
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String Trio in E-flat
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Artaria Editions
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts...
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String Ensemble,String Trio Cello,Viola,Violin - SKU: A0.961407 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts. 18 pages. Artaria Editions #4365296. Published by Artaria Editions (A0.961407). ScoreArtaria Editions AE439Edited by Allan Badley 14 pagesIgnaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Pleyel's three Trios Concertants, as they are styled in the earliest extant editions, appeared in 1787. Unlike the composer's quartets and quintets, which are generally in three movements, the string trios are cast in two movements - an opening Allegro and a Rondo - a practice unusual in Vienna but popular in France. The use of the term 'concertant' in the title signifies an equality of parts; that is, each of the instruments in the ensemble plays an important role in presenting thematic material. Pleyel's trios share many stylistic qualities with his quartets and quintets. His feel for the medium is at once apparent in his impressive exploitation of contrasting musical textures which range from bold, homophonic writing in a quasi-orchestral style to brief sections of canonic writing. The beauty and sophistication of these small-scale works can only make one regret that he did not write more works in the medium. Allan Badley.
$28.00
Concert and Contest Collection for Trombone
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Pub...
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Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002521). UPC: 884088111168. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471790)• Piano Accompaniment Book (HL04471800)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002522)Contents: Allegro Vivace from Concerto for Trombone (Rimsky-Korsakov) • Après un Rêve (After a Dream) (Faure) • Canzonetta (Mozart) • Concerto in F Minor (Lauga) • Concerto Miniature (Ostransky) • Crepuscule (Twilight) (Faure) • Love Thoughts (Pryor) • Morceau de Concours (Missa) • Prelude and Fanfaronade (Koepke) • Sarabande and Vivace (Handel) • Solo de Concert (Dubois) • Thème de Concours (Clerisse) • Two Spanish Dances (Ostransky) • Valse Sentimentale (Tchaikovsky).
Song List
: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) Après un rêve Apres Un Reve
$9.95
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Variations on a Theme in D Flat
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Orchestre d'harmonie
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FACILE
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Contemporain
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Kendra Brown
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Variations on a Theme in D Fla
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Kendra Brown
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323)....
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Concert Band - Level 2 - SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
Elegy Sentimentale for Concert Band
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Orchestre d'harmonie
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Keith Terrett
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Elegy Sentimentale for Concert
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Keith Terrett
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SheetMusicPlus
Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749).
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Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Piano Concerto In Two Uninterrupted Speeds
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Orchestre d'harmonie
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AVANCÉ
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Julia Perry
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John Ivor Holland
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Piano Concerto In Two Uninterr
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1474986 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Contemporary,Contest,Festival,Mu...
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Concert Band - Level 5 - SKU: A0.1474986 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. 126 pages. John Ivor Holland #1052577. Published by John Ivor Holland (A0.1474986). Julia Perry (25 March 1924 – 24 April 1979) was an American classical composer and teacher who combined European classical and neo-classical training with her African-American heritage. In 1952, Perry began studying under Nadia Boulanger in Paris, during which time she was awarded the Boulanger Grand Prix for her Viola Sonata; after five and a half years in Europe, Perry returned to America and continued her work in composition. 'Piano Concerto in Two Uninterrupted Speeds' was composed between 1964-1969 and this arrangement has been made as part of an ongoing project to widen the repertoire of music by women composers for concert band around the world.
$99.99
Trumpet Concerto in Eb
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Orchestre d'harmonie
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FACILE
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Classique
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Guiseppe Tartini
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Alex Wilson
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Trumpet Concerto in Eb
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Alexander Wilson
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.775244 Composed by Guiseppe Tartini. Arranged by Alex Wilson. Baroque. Score and parts. 120 pages. Alexander Wilson #43...
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Concert Band - Level 2 - SKU: A0.775244 Composed by Guiseppe Tartini. Arranged by Alex Wilson. Baroque. Score and parts. 120 pages. Alexander Wilson #4370282. Published by Alexander Wilson (A0.775244). Originally the Violin Concerto in E major, D.53, Guiseppe Tartini’s concerto was transcribed for the piccolo trumpet by Maurice André and has remained a popular repertoire choice for trumpet players ever since. All three movements of the work are here arranged in the key of Eb (not D!) for piccolo trumpet in Bb and wind band (including 2 flute parts, oboe, bassoon, 3 clarinets, bass clarinet, 2 alto saxes, tenor sax, bari sax, 2 trumpets, 2 horns, 2 trombones, BC and TC euphonium, tuba, and timpani). Performance time is generally around 10 or 11 minutes. Please note that the parts for the accompanying ensemble are at an early intermediate level, as indicated on this page, but the solo part for piccolo trumpet is very challenging.
$20.00
Once Upon a Time
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Piano, Voix et Guitare
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Tony Bennett
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Once Upon a Time
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015716 By Tony Bennett. By Charles Strouse. Standards. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015716. P...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015716 By Tony Bennett. By Charles Strouse. Standards. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015716. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015716). ISBN 9780739099339. UPC: 038081464053. Lee Adams.No one in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. This collection of classics spans his career from the beginning, to the current hits he continues to send onto the charts. Also included are rare photos, a biography, and a timeline of Tony's career highlights. Titles: Because of You * The Best Is Yet to Come (with Diana Krall) * Blue Velvet * Body and Soul (with Amy Winehouse) * The Boulevard of Broken Dreams * Don't Get Around Much Anymore (with Michael BublA(c)) * Fly Me to the Moon (In Other Words) * For Once in My Life (with Stevie Wonder) * How Do You Keep the Music Playing? * I Left My Heart In San Francisco * I Wanna Be Around (with Bono) * If I Ruled the World * It Don't Mean a Thing (If It Ain't Got That Swing) * It Had To Be You (with Carrie Underwood) * Just in Time * The Lady Is a Tramp (with Lady Gaga) * Mood Indigo * My Favorite Things * Night and Day * Once Upon a Time * One for My Baby (And One More for the Road) * Put On a Happy Face (with James Taylor) * Rags to Riches * The Shadow of Your Smile * Smile (with Barbra Streisand) * Speak Low (with Norah Jones) * Steppin' Out with My Baby * Stranger in Paradise (with Andrea Bocelli) * This Is All I Ask (with Josh Groban) * The Very Thought of You (with Paul McCartney) * The Way You Look Tonight (with Faith Hill) * When Do the Bells Ring for Me (with Mariah Carey) * When Joanna Loved Me * Who Can I Turn To When Nobody Needs Me (with Queen Latifah) * Yesterday I Heard the Rain (with Alejandro Sanz).
$3.99
Mythos Unleashed - for young concert band
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Orchestre d'harmonie
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DÉBUTANT
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John McAllister
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Mythos Unleashed - for young c
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John McAllister
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1284242 Composed by John McAllister. 20th Century,21st Century,Contest,Festival,Film/TV,Video Game. Score and Parts. 44...
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Concert Band - Level 1 - SKU: A0.1284242 Composed by John McAllister. 20th Century,21st Century,Contest,Festival,Film/TV,Video Game. Score and Parts. 44 pages. John McAllister #875417. Published by John McAllister (A0.1284242). Mythos Unleashed is a musical odyssey that captures the enigmatic allure and captivating exploits of legendary heroes. The opening employs idiomatic chords, melodies, and motives to create a truly “cinematic†atmosphere that draws listeners in from the very first note. Then the piece “unleashes†and burns forward with passion and intrigue, with every section getting a moment to play melodic material. This thrilling addition to any concert program is the perfect opportunity for students to transport their audience on a magical journey back in time to the era of ancient heroes.This piece directly correlates with the Foundation Warm-Up Series. This series is designed to follow most beginning band methods. The early sets focus primarily on airflow, common patterns, and reinforcing concepts presented in the method books. As the series develops, the sets become more like a traditional band warm-up, including long tones, flexibility exercises, articulation, scale patterns, and a chorale.
$30.00
Oldest and Finest Concert March (Complete)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Oldest and Finest Concert Marc
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DR GARY D BELSHAW
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Pub...
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Concert Band - Level 4 - SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Published by DR GARY D BELSHAW (A0.796595). Set of Parts. 194 pages, letter format sheets, intended to be printed in booklet format; blank sheets are included to make each part come out with the appropriate number of pages.Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The conductor's score is available separately right here in Sheet Music Plus.
$65.00
Once In Love With Amy
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Brass Press #5020113. Published by Sweetwater Brass Press (A0.808700). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet. This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Oldest and Finest Concert March (Score)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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Oldest and Finest Concert Marc
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DR GARY D BELSHAW
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.796594 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 24 pages. DR GARY D BELSHAW #2958021. Publ...
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Concert Band - Level 4 - SKU: A0.796594 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 24 pages. DR GARY D BELSHAW #2958021. Published by DR GARY D BELSHAW (A0.796594). Conductor's Score. 24 pages, letter format sheets. Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The set of parts is also available right here in Sheet Music Plus.
$8.00
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Once In Love With Amy
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Just in Time
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Piano, Voix et Guitare
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Tony Bennett
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Just in Time
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015721 By Tony Bennett. By Jule Styne. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015721. Publis...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015721 By Tony Bennett. By Jule Styne. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015721. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015721). ISBN 9780739099339. UPC: 038081464053. Betty Comden; Adolph Green.No one in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. This collection of classics spans his career from the beginning, to the current hits he continues to send onto the charts. Also included are rare photos, a biography, and a timeline of Tony's career highlights. Titles: Because of You * The Best Is Yet to Come (with Diana Krall) * Blue Velvet * Body and Soul (with Amy Winehouse) * The Boulevard of Broken Dreams * Don't Get Around Much Anymore (with Michael BublA(c)) * Fly Me to the Moon (In Other Words) * For Once in My Life (with Stevie Wonder) * How Do You Keep the Music Playing? * I Left My Heart In San Francisco * I Wanna Be Around (with Bono) * If I Ruled the World * It Don't Mean a Thing (If It Ain't Got That Swing) * It Had To Be You (with Carrie Underwood) * Just in Time * The Lady Is a Tramp (with Lady Gaga) * Mood Indigo * My Favorite Things * Night and Day * Once Upon a Time * One for My Baby (And One More for the Road) * Put On a Happy Face (with James Taylor) * Rags to Riches * The Shadow of Your Smile * Smile (with Barbra Streisand) * Speak Low (with Norah Jones) * Steppin' Out with My Baby * Stranger in Paradise (with Andrea Bocelli) * This Is All I Ask (with Josh Groban) * The Very Thought of You (with Paul McCartney) * The Way You Look Tonight (with Faith Hill) * When Do the Bells Ring for Me (with Mariah Carey) * When Joanna Loved Me * Who Can I Turn To When Nobody Needs Me (with Queen Latifah) * Yesterday I Heard the Rain (with Alejandro Sanz).
$3.99
Castello : Sonate concertate in stil moderno, Libro II - Sonate n° 1
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Flûte à Bec
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AVANCÉ
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Classique
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Castello
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Sonate concertate in stil mode
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Tomplay
Telechargez la partition Flûte à bec Sonate concertate in stil moderno, Libro II - Sonate n° 1 de Castello. Partition pour Duo -- Classique...
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Telechargez la partition Flûte à bec Sonate concertate in stil moderno, Libro II - Sonate n° 1 de Castello. Partition pour Duo -- Classique
6.99€
Castello : Sonate concertate in stil moderno, Libro II - Sonate n° 1
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Flûte traversière
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AVANCÉ
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Classique
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Castello
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Sonate concertate in stil mode
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Tomplay
Telechargez la partition Flûte Sonate concertate in stil moderno, Libro II - Sonate n° 1 de Castello. Partition pour Duo (Flûte-Piano) -- Classi...
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Telechargez la partition Flûte Sonate concertate in stil moderno, Libro II - Sonate n° 1 de Castello. Partition pour Duo (Flûte-Piano) -- Classique
6.99€
Castello : Sonate concertate in stil moderno, Libro II - Sonate n° 1
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Violon
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AVANCÉ
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Classique
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Castello
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Sonate concertate in stil mode
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Tomplay
Telechargez la partition Violon Sonate concertate in stil moderno, Libro II - Sonate n° 1 de Castello. Partition pour Duo (Violon-Piano) -- Classique...
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Telechargez la partition Violon Sonate concertate in stil moderno, Libro II - Sonate n° 1 de Castello. Partition pour Duo (Violon-Piano) -- Classique
6.99€
Concert and Contest Collections - Trombone (Piano Accompaniment Part)
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Trombone - Piano Part Piano Accompaniment; Trombone - Grade 3-4 SKU: HL.4471800 Piano Accompaniment. Edited by H. Voxman. Concert Band Method. Rub...
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Trombone - Piano Part Piano Accompaniment; Trombone - Grade 3-4 SKU: HL.4471800 Piano Accompaniment. Edited by H. Voxman. Concert Band Method. Rubank Solo Collection. Classical, Contest, Solos. Softcover. 72 pages. Rubank Publications #RUBL296B. Published by Rubank Publications (HL.4471800). ISBN 9781423445609. UPC: 073999718003. 9.0x12.0x0.173 inches.A top-rated collection of solo literature offering each instrument a variety that is simply superb. A very high percentage of the solos in these books are included on various state contest lists. Piano accompaniments published separately.
Song List
: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) Après un rêve Apres Un Reve
$11.99
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Once In Time