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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Hundred Years
Non classifié
17
Piano & claviers
Piano seul
13
Piano, Voix
8
Piano Facile
3
Piano, Voix et Guitare
2
Instruments en Do
1
Guitares
Ukulele
3
Guitare notes et tablatures
2
Banjo
1
Guitare
1
Voix
Chorale SATB
9
Chorale 3 parties
4
Voix Baryton, Piano
4
Chorale TTBB
3
Voix Alto, Piano
1
Vents
Quatuor de Saxophones: 4 saxophones
8
Saxophone Alto et Piano
4
Saxophone Tenor et Piano
3
Clarinette et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Quintette de Saxophone: 5 saxophones
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois, Piano (duo)
2
Cor anglais, Piano
2
Flûte traversière et Piano
2
Ensemble de saxophones
1
Flûte à bec Tenor
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Soprano et Piano
1
Flûte à bec Soprano, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Ocarina
1
+ 13 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette, Piano
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba et Piano
1
Trombone
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon et Piano
4
Violon
3
Violon, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: violon, alto, violoncelle
1
4 Violoncelles
1
Alto, Piano
1
Violoncelle, Piano
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6
Orchestre à Cordes
3
Jazz combo
1
Orchestre
1
Batterie
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
235
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
One Hundred Years
Partitions à imprimer
154 partitions trouvées
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.587902 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042565. Published by David McKeown (A0.587902). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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G F Handel
#
David McKeown
#
Handel's Largo from Xerxes, Om
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David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score a...
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Alto Saxophone,Piano - Level 2 - SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042587. Published by David McKeown (A0.587913). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
#
G F Handel
#
David McKeown
#
Handel's Largo from Xerxes, Om
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David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.587901 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Scor...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.587901 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042563. Published by David McKeown (A0.587901). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Soprano Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Sto lat (One Hundred Years), Polish Traditional Song [LEAD SHEET]
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Instruments en Do
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Polish Traditional Song
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Darek
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Sto lat
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Darek
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SheetMusicPlus
C Instrument - SKU: A0.1326109 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Lead Sheet / Fake Book. 1 pages....
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C Instrument - SKU: A0.1326109 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Lead Sheet / Fake Book. 1 pages. Darek #914309. Published by Darek (A0.1326109). Lead Sheet arrangement of Sto lat (One Hundred Years), Polish Traditional Song [LEAD SHEET]For various instruments | Piano | Keyboard | Guitar | Flute | Violin | Saxophone | Glockenspiel | Traditional Polish Song | Polish Version of Happy Birthday to You | Urodziny | Niech żyje żyje nam | Nuty z akordami | Lead Sheet Included: Chords and Lyrics.
$2.00
Sto lat (One Hundred Years), Polish Traditional Song [VERY EASY PIANO]
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Piano Facile
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DÉBUTANT
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Polish Traditional Song
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Darek
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Sto lat
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Darek
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1326088 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Score. 1 pages. Darek #9...
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Easy Piano - Level 1 - SKU: A0.1326088 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Score. 1 pages. Darek #914288. Published by Darek (A0.1326088). Simplified arrangement for pianists of Sto lat (One Hundred Years), Polish Traditional Song [VERY EASY PIANO]Very easy version for pianists | Beginner Version | Very easy Piano Sheet Music | Arrangement for Beginners | Piano | Keyboard | Traditional Polish Song | Polish Version of Happy Birthday to You | Nuty na Pianino czy Keyboard | Letter Noteheads | Beginner Notes | Very easy Piano | Nuty Literowe na Keyboard | Urodziny | Letter Notes | Niech żyje żyje namIncluded: Fingering, Chords, Letter Notes, Lyrics and simple video YouTube tutorial.
$2.00
Sto lat (One Hundred Years), Polish Traditional Song [EASY PIANO]
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Piano Facile
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FACILE
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Polish Traditional Song
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Darek
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Sto lat
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1326095 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Score. 1 pages. Darek #9...
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Easy Piano - Level 2 - SKU: A0.1326095 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Score. 1 pages. Darek #914295. Published by Darek (A0.1326095). Simplified arrangement for pianists of Sto lat (One Hundred Years), Polish Traditional Song [EASY PIANO]Easy version for pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for Beginners | Piano | Keyboard | Traditional Polish Song | Polish Version of Happy Birthday to You | Nuty na Pianino czy Keyboard | Easy Piano |  | Urodziny | Niech żyje żyje namIncluded: Fingering, Chords, Lyrics and simple video YouTube tutorial.
$2.00
Sto lat (One Hundred Years), Polish Traditional Song [GUITAR TAB]
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Guitare notes et tablatures
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DÉBUTANT
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Polish Traditional Song
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Darek
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Sto lat
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Darek
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1326106 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Tablature. 1...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1326106 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Tablature. 1 pages. Darek #914305. Published by Darek (A0.1326106). Guitar arrangement of Sto lat (One Hundred Years), Polish Traditional Song [GUITAR TAB]Simplified arrangement for guitarists | Easy arrangement for beginners | Simplified version for guitarists | Simplified guitar TABS | Guitar | Traditional Polish Song | Polish Version of Happy Birthday to You | Urodziny | Niech żyje żyje nam | TabulaturaIncluded: Sheet Music, Tabulature, Chords and simple YouTube tutorial.
$2.00
Sto lat (One Hundred Years), Polish Traditional Song [HARD PIANO]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Polish Traditional Song
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Darek
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Sto lat
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1326103 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Score. 1 pages. Darek #9...
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Piano Solo - Level 4 - SKU: A0.1326103 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Score. 1 pages. Darek #914301. Published by Darek (A0.1326103). Advanced arrangement for pianists of Sto lat (One Hundred Years), Polish Traditional Song [HARD PIANO]Advanced version for pianists | Advanced Version | Advanced Piano Sheet Music | Arrangement for Advanced | Piano | Keyboard | Traditional Polish Song | Polish Version of Happy Birthday to You | Nuty na Pianino czy Keyboard | Advanced Piano | Urodziny | Niech żyje żyje nam | Nuty na FortepianIncluded: Fingering and simple video YouTube tutorial.
$2.00
Sto lat (One Hundred Years), Polish Traditional Song [MEDIUM PIANO]
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Piano seul
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INTERMÉDIAIRE
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Polish Traditional Song
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Darek
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Sto lat
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1326098 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Score. 1 pages. Darek #9...
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Piano Solo - Level 3 - SKU: A0.1326098 Composed by Polish Traditional Song. Arranged by Darek. Multicultural,Traditional,World. Score. 1 pages. Darek #914298. Published by Darek (A0.1326098). Intermediate arrangement for pianists of Sto lat (One Hundred Years), Polish Traditional Song [MEDIUM PIANO]Intermediate version for pianists | Intermediate Version | Intermediate Piano Sheet Music | Piano | Keyboard | Traditional Polish Song | Polish Version of Happy Birthday to You | Nuty na Pianino czy Keyboard | Intermediate Piano | Urodziny | Niech żyje żyje namIncluded: Fingering, Lyrics and simple video YouTube tutorial.
$2.00
One Hundred Years of Fanfares
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Elizabeth Raum
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One Hundred Years of Fanfares
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Elizabeth Raum
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1030882 Composed by Elizabeth Raum. Contemporary. Score and parts. 58 pages. Elizabeth Raum #38933. Published by Elizab...
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Concert Band - Level 5 - SKU: A0.1030882 Composed by Elizabeth Raum. Contemporary. Score and parts. 58 pages. Elizabeth Raum #38933. Published by Elizabeth Raum (A0.1030882). This Fanfare is meant to commemorate the Centenary of the Canadian province of Saskatchewan with the events of the first 100 years being represented as echoes of fanfares. The piece begins with a clarion call from the brass, the fanfares of the present culminating in the Maestoso. Then the music becomes more distant, fanfares of the past played by woodwinds and muted brass. The transition brings us back to the present with the return to the full band’s salute to Saskatchewan’s Centennial.
$30.00
The Trombone Virtuoso, an Advanced Method
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Simone Mantia
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Cherry Classics Music
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The Trombone Virtuoso, an Adva
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.811111 Composed by Simone Mantia. Arranged by Cherry Classics Music. Instructional. Individual part. 127 pages. Gordon...
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Trombone Solo - Level 4 - SKU: A0.811111 Composed by Simone Mantia. Arranged by Cherry Classics Music. Instructional. Individual part. 127 pages. Gordon Cherry #5042821. Published by Gordon Cherry (A0.811111). Simone Mantia's Trombone Virtuoso was one of the most important method books for the instrument in the mid 20th Century. Many major Trombonists used this book as young artists, finding it added greatly to their progress on the instrument. Mantia's method book covers all clefs, keys and techniques necessary for a sound footing on the Trombone. Although some of the styles in the book may seem dated, they were in vogue at the time. Mantia performed with the Metropolitan Opera Company for many years and was for quite a while, its Personnel Manager, coming across hundreds of top instrumentalists who migrated and lived in New York City. As a young performer, he was also a leading soloist with the Sousa band and toured with it throughout North America.
$22.50
Oh Shenandoah (for alto saxophone and piano)
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Saxophone Alto et Piano
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FACILE
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Americana
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Anniversary, Wedding, Americana. Set of Parts. 9 pages. Published by Col...
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Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Anniversary, Wedding, Americana. Set of Parts. 9 pages. Published by Colin Kirkpatrick Publications
This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your saxophone recital, or it would make an excellent encore piece. The top note is D (written) above the treble staff and the duration is 03:55.
As with most folk songs, there are many different versions of Shenandoah, and it?s impossible to determine the song?s exact provenance with any degree of certainty. It probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years.
Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your repertoire today!
$6.99
A hundred years
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Ocarina
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FACILE
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Traditional
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songbooks
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A hundred years
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songbooks.info
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SheetMusicPlus
Ocarina - Level 2 - SKU: A0.1328773 Composed by Traditional. Arranged by songbooks.info. Early Music,Folk,Traditional. Score. 2 pages. Songbooks.info #9...
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Ocarina - Level 2 - SKU: A0.1328773 Composed by Traditional. Arranged by songbooks.info. Early Music,Folk,Traditional. Score. 2 pages. Songbooks.info #916795. Published by songbooks.info (A0.1328773). Shanties from all over the world - notated for the Ocarina with 10/12 holes. The classic musical notation indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Ocarina is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Seemannslieder aus aller Welt - notiert für die Okarina mit 10/12 Löchern. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Okarina ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.49
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
A Hundred Years From Today
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Piano, Voix
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INTERMÉDIAIRE
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Frank Sinatra
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London Arrangements
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A Hundred Years From Today
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London Arrangements
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1412164 By Frank Sinatra. By Joe Young, Ned Washington, and Victor Young. Arranged by London Arrangements. 20th Ce...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1412164 By Frank Sinatra. By Joe Young, Ned Washington, and Victor Young. Arranged by London Arrangements. 20th Century,Jazz,Standards. Score. 4 pages. London Arrangements #994397. Published by London Arrangements (A0.1412164). Piano / vocal transcription of Frank Sinatra's 1954 NBC Radio broadcast. This is quite different to the arrangement found on Sinatra's 1984 studio album recording of the song with Quincy Jones.
$5.99
A Hundred Years From Today
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Chorale TTBB
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INTERMÉDIAIRE
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Frank Sinatra
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Nick Schurmann
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A Hundred Years From Today
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Nick Schurmann
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1289799 By Frank Sinatra. By Joe Young, Ned Washington, and Victor Young. Arranged by Nick Schurmann. 20t...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1289799 By Frank Sinatra. By Joe Young, Ned Washington, and Victor Young. Arranged by Nick Schurmann. 20th Century,A Cappella,Barbershop,Jazz. 4 pages. Nick Schurmann #880498. Published by Nick Schurmann (A0.1289799). TTBB barbershop arrangement.Ranges:Tenor - Bb3-C5Lead - Eb3-G4Baritone - D3-E4Bass - F2-C4.
$1.99
Marta Mia (2018) for baritone and piano
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Marta Mia
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Thomas Oboe Lee
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.869570 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 65 pages. Thomas Ob...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.869570 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 65 pages. Thomas Oboe Lee #3510969. Published by Thomas Oboe Lee (A0.869570). Luigi Pirandello met Marta Abba an actress in one of his plays in 1925. He fell head over heels for her. She was 25 and he was 58. Over the next ten years before he died in 1935 Pirandello wrote over 600 letters to her. Marta Abba never reciprocated his affection and always kept him at arm's length. But he never gave up trying to woo her. I gleaned through these hundreds of letters translated by Benito Ortolani in his book, Pirandello's Love Letters to Marta Abba, and extracted excerpts from eight letters that give a small vignette of Pirandello's obsession with his muse, Marta. The setting is in the original Italian for baritone and piano.Audio link: https://thomasoboelee.bandcamp.com/album/marta-mia-2018Video link: https://youtu.be/nzwKgWanb6c
$9.99
95@500
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Quatuor de cuivres: 4 trombones
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Willard Zirk
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95@500
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Imagine Music - Digital
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SheetMusicPlus
Trombone quartet - SKU: IZ.IMF178 Composed by Willard Zirk. Score and Parts. 23 pages. Imagine Music - Digital #IMF178. Published by Imagine Music - Dig...
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Trombone quartet - SKU: IZ.IMF178 Composed by Willard Zirk. Score and Parts. 23 pages. Imagine Music - Digital #IMF178. Published by Imagine Music - Digital (IZ.IMF178). 9 x 12 in inches.This set of variations on Ein Feste Burg was originally written for a trombone quartet. It was commissioned by the students of my colleague and friend, trombone professor, Donald Babcock. They are Daniel Larson, Manuel Smith, Jack Porath, and Kyle Wickham. These fine trombonists gave the premiere of 95@500 during the 2017 EMU Music Now Fest, February 16, 2017. When I received the request to write something for them, I took the opportunity to fulfill my wish to write a piece to commemorate the 500th anniversary of the beginning of the Reformation. The title refers to Martin Luther's nailing 95 theses on the door of the Castle Church in Wittenberg, October 31, 1517. This act began a revolution in the Christian church that had great consequences. One major change was the creation of more simple music that could be sung by the congregation instead of a trained choir. Hence, the Lutheran chorale was born. It is not known exactly when Martin Luther wrote Ein feste Burg ist unser Gott, but it is thought to have been written between 1527-1529. A copy exists with his signature that can be viewed on the Internet. Luther wrote the melody with no harmony, but many composers have since harmonized it. About two hundred years after Ein feste Burg was written, Bach used it in his Chorale Cantata, BWV 80, to be sung on Reformation Day. Luther had set it with irregular rhythms and that gave rise to the unique rhythms in this set of variations. However, the last variation follows the well-known regular meter.
$18.00
Sing-along Medley #3 (for Saxophone Quartet SATB or AATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Various
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Kenneth Abeling
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Sing-along Medley #3
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1180967 Composed by Various. Arranged by Kenneth Abeling. 20th Century,Film/TV,Ragtime. 37 pages...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1180967 Composed by Various. Arranged by Kenneth Abeling. 20th Century,Film/TV,Ragtime. 37 pages. LINCOLN MUSIC PUBLICATIONS #780800. Published by LINCOLN MUSIC PUBLICATIONS (A0.1180967). Sing-along Medley #3, arranged for Saxophone Quartet is a collection 5 timeless Old Time classics from the years, 1926 and 1927. The Titles in this Medley/Collection are; “Ain’t She Sweetâ€, “The Best Things in Life Are Freeâ€, “Me and My Shadowâ€, “Side by Side†and “Five Foot Two Eyes of Blueâ€. The songs within this intermediate level arrangement can either be played as a medley, or individually with or without the repeats. This is perfect for performances for elderly audiences or as a music history-teaching tool for younger audiences as well as other performance applications. The approximate playing times are, 8:45 with the repeats and 4:30 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$13.99
Sto lat poziom drugi piano- one hundred years level two easy
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Piano seul
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DÉBUTANT
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CatalinAda
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Katarzyna Adamowska
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Sto lat poziom drugi piano- on
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Katarzyna Adamowska
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.934679 Composed by CatalinAda. Arranged by Katarzyna Adamowska. Children,Holiday,Instructional,Wedding,World. Score. 1 pa...
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Piano Solo - Level 1 - SKU: A0.934679 Composed by CatalinAda. Arranged by Katarzyna Adamowska. Children,Holiday,Instructional,Wedding,World. Score. 1 pages. Katarzyna Adamowska #3692053. Published by Katarzyna Adamowska (A0.934679). Piano, Kids, Children, Easy sheetmusic,
$1.99
One Hundred Years Of Downton (from the Motion Picture Downton Abbey)
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Piano seul
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Film/TV
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John Lunn
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One Hundred Years Of Downton
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.457935 Composed by John Lunn. This edition: Interactive Download. Film/TV. Piano Solo. 7 pages. Published by Hal Leonard - D...
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Interactive Download SKU: HX.457935 Composed by John Lunn. This edition: Interactive Download. Film/TV. Piano Solo. 7 pages. Published by Hal Leonard - Digital (HX.457935).
$4.99
Sto lat pierwszy poziom prawa ręka- one hundred years first level easy
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Piano seul
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DÉBUTANT
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CatalinAda
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Katarzyna Adamowska
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Sto lat pierwszy poziom prawa
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Katarzyna Adamowska
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.934677 Composed by CatalinAda. Arranged by Katarzyna Adamowska. Children,Holiday,Instructional,Wedding,World. Score. 1 pa...
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Piano Solo - Level 1 - SKU: A0.934677 Composed by CatalinAda. Arranged by Katarzyna Adamowska. Children,Holiday,Instructional,Wedding,World. Score. 1 pages. Katarzyna Adamowska #3691925. Published by Katarzyna Adamowska (A0.934677). Easy, right hand, childen, kids, happy birthday, piano, 一百年, å©å, 鋼ç´.
$1.99
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One Hundred Years