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One Little Victory
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Vous avez sélectionné:
One Little Victory
Partitions à imprimer
21 partitions trouvées
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1
The Americans Come! An Episode in France in the Year 1918. A Victory Song
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Piano, Voix
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Elizabeth A
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The Americans Come! An Episode
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.23027 Composed by Elizabeth A. Wilbur & Fay Foster. World War I, Soldiers, Flags, Patriotism, War allies. Lester S. Levy Colle...
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Piano and voice - SKU: LV.23027 Composed by Elizabeth A. Wilbur & Fay Foster. World War I, Soldiers, Flags, Patriotism, War allies. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23027). The Americans Come! An Episode in France in the Year 1918. A Victory Song. Elizabeth A. Wilbur. Fay Foster. Published 1918 by J. Fischer & Bro., Fourth Avenue and Eighth Street (Astor Place) in New York. Composition of through-composed with piano and voice instrumentation. Subject headings for this piece include World War I, Soldiers, Flags, Patriotism, War allies. First line reads What is the cheering, my little one? oh, that my blinded eyes could see!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
One Little Victory
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Guitare notes et tablatures
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Rush
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One Little Victory
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar TAB - SKU: AX.00-PS-0003407 By Rush. By Alex Lifeson and Geddy Lee. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0003407. Publish...
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Guitar TAB - SKU: AX.00-PS-0003407 By Rush. By Alex Lifeson and Geddy Lee. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0003407. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0003407).
$2.99
One Little Victory
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Guitare Tab, Voix, Basse, Batterie
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Rock
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Rush
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One Little Victory
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Hal Leonard
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SheetMusicPlus
Bass Voice, Drums, Guitar, Keyboard - By Rush. This edition: scorch. Rock. Transcribed Score. 26 pages. Hal Leonard #256016. Published by Hal Leonard...
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Bass Voice, Drums, Guitar, Keyboard - By Rush. This edition: scorch. Rock. Transcribed Score. 26 pages. Hal Leonard #256016. Published by Hal Leonard
$5.99
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
One Little Victory by Rush - Guitar TAB
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Guitare notes et tablatures
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Rock
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Rush
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One Little Victory
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Musicnotes
Performed by: Rush: One Little Victory Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this ...
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Performed by: Rush: One Little Victory Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar/Vocal;Guitar Tab, instruments: Voice;Guitar 1;Guitar 2;Guitar 3;Strum; 8 pages -- Arena Rock~~Art-Rock/Progressive~~Hard Rock~~Album Rock
$5.50
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
A Mighty Fortress Is Our God (Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Paul D
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A Mighty Fortress Is Our God
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, optional congregation, children's choir, organ, brass ensemble, timpani, percussion - Medium - SKU: MQ.60-8005-E Composed by Paul D. Weber. ...
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SATB choir, optional congregation, children's choir, organ, brass ensemble, timpani, percussion - Medium - SKU: MQ.60-8005-E Composed by Paul D. Weber. Reformation. Score. 20 pages. MorningStar Music Publishers - Digital Sheet Music #60-8005-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-8005-E). Commissioned for the 2001 Reformation Festival in Catawba County, North Carolina, this expanded setting on the tune Ein feste Burg was first performed in remembrance of 9/11 by adult and children's choirs, brass, and percussion (Timpani and Gong). Using Luther's own vigorous rhythms and a grand choral refrain from Psalm 46, this setting engages the singers and assembly in an exciting and dramatic experience. Verse 3 includes the choirs echoing each other in playful fashion while the accompaniment introduces Luther's Christmas hymn, From Heaven Above, all to portray God's victory over evil with one little Word, Jesus Christ. This stunning work can be performed with organ alone (Organ plays from Choral score) or with organ and brass (Organ plays from Full Score or Organ Part included in Instrumental Parts packet). When performed with organ and brass Organist plays from Full Score or Organ Part included in Instrumental Parts packet.
$3.15
A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
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Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
One Little Victory
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Basse electrique
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Rock
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Rush
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Rock
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One Little Victory
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Rush. Pop; Rock. Bass TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Rush. Pop; Rock. Bass TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
One Little Victory
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Guitare notes et tablatures
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Rock
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Rush
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Rock
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One Little Victory
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Rush. Pop; Rock. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Rush. Pop; Rock. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Rush: One Little Victory - chamber ensemble (Transcribed Score)
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Orchestre de chambre
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INTERMÉDIAIRE
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Rock
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Rush
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Virtualsheetmusic
Instantly printable sheet music by Rush for chamber ensemble (Transcribed Score) of MEDIUM skill level. / rock
Instantly printable sheet music by Rush for chamber ensemble (Transcribed Score) of MEDIUM skill level. / rock
$9.97
Geddy Lee: One Little Victory - guitar solo (tablature)
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Guitare notes et tablatures
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FACILE
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Rock
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Geddy Lee
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Virtualsheetmusic
Instantly printable sheet music by Geddy Lee for guitar solo (tablature) of EASY/MEDIUM skill level. / pop,rock
Instantly printable sheet music by Geddy Lee for guitar solo (tablature) of EASY/MEDIUM skill level. / pop,rock
$6.97
Rush: One Little Victory - bass (tablature) (bass guitar)
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Basse electrique
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INTERMÉDIAIRE
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Rock
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Rush
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Virtualsheetmusic
Instantly printable sheet music by Rush for bass (tablature) (bass guitar) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Rush for bass (tablature) (bass guitar) of MEDIUM skill level. / pop,rock
$8.97
Rush: One Little Victory - guitar (tablature)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Rush
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Virtualsheetmusic
Instantly printable sheet music by Rush for guitar (tablature) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Rush for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97
An American Civil War Poem for satb choir
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Chorale SATB
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Jamie Dawson Wilcutts
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An American Civil War Poem for
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WilcuttsMusPub
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SheetMusicPlus
Choral Choir (SATB divisi) - SKU: A0.1008843 Composed by Jamie Dawson Wilcutts. 20th Century,A Cappella,Contemporary,Patriotic. Octavo. 10 pages. Wilcut...
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Choral Choir (SATB divisi) - SKU: A0.1008843 Composed by Jamie Dawson Wilcutts. 20th Century,A Cappella,Contemporary,Patriotic. Octavo. 10 pages. WilcuttsMusPub #6027693. Published by WilcuttsMusPub (A0.1008843). An American Civil War Poem is a choral setting of the following poem by George Booker:  Blood, blood! The lines of every printed sheet  Through their dark Arteries reek with running gore;  At hearth, at board, before the household door,  ’T is the sole subject with which neighbors meet.  Girls at the feast, and children in the street,   Prattle of horrors; flash their little store   Of simple jests against the cannon’s roar,   As if mere slaughter kept existence sweet.  O, heaven, I quail at the familiar way   This fool, the world, disports his jingling cap;   Murdering or dying with one grin agap!  Our very Love comes draggled from the fray,   Smiling at victory, scowling at mishap,   with gory Death companioned and at play. As you can see, the poem holds nothing back in its description. (Commissions are accepted by Jamie D. Wilcutts for works for instrument(s) or choral ensembles of any size or experience. E-mailing your initial commissioning proposal to wilcuttsmuspub@gmail.com with the subject line: Commission Proposal)
$4.25
A Luta Interna--Internal Struggle (for Brass Trio)
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Dr
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A Luta Interna--Internal Strug
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet - Level 5 - SKU: A0.1158422 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 20 pages. Https://gildedmusicpress....
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Horn,Trombone,Trumpet - Level 5 - SKU: A0.1158422 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 20 pages. Https://gildedmusicpress.com/ #758708. Published by https://gildedmusicpress.com/ (A0.1158422). The introductory turbulent feel of the work intimately involves all three players. There is little respite for the nearly two and a half busy minutes of music. Much interplay rhythmically and motivically throughout presents an outward expression of an internal struggle. Within every person to ever live on this earth is a fight that stretches in many directions. Conflicts result from differences in opinion, stresses in relationships, societal demands vs. moral convictions, and even tastes in trivial matters. Internal struggles happen. They often push a person into a very bad day. Ultimately, the aural painting of this work intends to portray the victory of one’s decision to conquer the struggle, musically portraying my adopted mantra: It's OK to have a bad day; don't let it turn into a bad week!.
$19.95
Flexible Offertories for Piano
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Jayne Nitz
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Flexible Offertories for Piano
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Jayne Nitz
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.922829 Composed by Various. Arranged by Jayne Nitz. Christian,Sacred. Score. 19 pages. Jayne Nitz #6327373. Published by ...
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Piano Solo - Level 3 - SKU: A0.922829 Composed by Various. Arranged by Jayne Nitz. Christian,Sacred. Score. 19 pages. Jayne Nitz #6327373. Published by Jayne Nitz (A0.922829). The unique aspect of these short hymn-based offertories is their flexible length. When the offertory goes by quickly, as it does in a smaller church or even an efficient larger church, a pianist needs to be able to end a piece quickly, or extend it if there are a few more in attendance. I’ve included directions for doing this written right into the music.Each arrangement takes the tune in a bit of a new direction and could be used as pre-service music, post-service music, and for filling other awkward variable-length silences in a church service (as when the organist/pianist takes communion).Titles by common hymn name: (listening sample has excerpts of titles with * below)Amazing Grace*Beautiful Savior*Behold the Lamb of God (Lent, Good Friday)Christ Has Arisen, Alleluia (Easter)*Lord, Thee I Love With All My HeartOpen Now They Gates of Beauty*Rock of Ages, Cleft for Me*The Angel Gabriel from Heaven Came/ Oh, Come, Oh, Come, Emmanuel (Advent, Christmas)*The Strife Is O’er, the Battle Done (Easter)Titles by hymn tune: ECCE AGNUSGABRIEL’S MESSAGE/ VENI, EMMANUELHERZLICH LIEB HAB ICH DICH, O HERRMFURAHINI HALELUYANEW BRITAINSCHÖNSTER HERR JESUTOPLADYUNSER HERRSCHERVICTORYIf you like these flexible-length offertories, I have another volume of ten titled Little Offertories for Little Churches published with Northwestern Publishing House at:www.nph.net.
$12.00
Righteousness Eternal, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Righteousness Eternal, sacred
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1082672 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 8 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1082672 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. Kevin G. Pace #686886. Published by Kevin G. Pace (A0.1082672). Sacred music for SATB choir with music by Kevin G. Pace and text by Mark R. Fotheringham. See text below: Righteousness Eternal, the Son of God supernal, Descended He by God's decree to bless us with His love. He came to earth of humble birth, no beauty to desire. Yet those who heard His sacred Word were blessed with holy fire. None was more deserving, yet He was ever serving. The poor and meek would humbly seek to hear the Master speak. Each story told would make them bold to live a better life, To serve and give, joyfully live and comfort those in strife. Selfless was His power. He sought to bless each hour. With little bread, the masses fed. He even raised the dead. Though sinless, He the Lamb would be, a sacrifice for sin, To save us all from Eden’s fall and lead us back again. Grief and pain He suffered, much more than any other. He leant His breath to mortal death, then took it back again. This victory He shares with thee, so all men yet may thrive. Be it our prayer to meet Him where the righteous come alive.
$1.99
Te Deum
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Marc-Antoine Charpentier
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Te Deum
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Soli: SSATB – Chor: SATB – 2./2Blfl.2.0.0. – 0.2.0.0. – Pk – 2Vl.2Va.Vc – Bc(Org) mixed choir (SATB) with solo parts (...
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Soli: SSATB – Chor: SATB – 2./2Blfl.2.0.0. – 0.2.0.0. – Pk – 2Vl.2Va.Vc – Bc(Org) mixed choir (SATB) with solo parts (SSATB) and orchestra - intermediate - SKU: S9.Q588709 Composed by Marc-Antoine Charpentier. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Von den 4 erhaltenen Vertonungen des Te Deum von Charpentier ist dieses zweifellos sein berühmtestes Werk, bekannt als Eurovisions-Erkennungsmelodie. Downloadable, Study score. Duration 27 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q588709. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q588709). Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et très guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Te Deum but it has been suggested that it may have been performed during the celebrations of the military victory of Steinkerque (3 August 1692). It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687.
$24.99
Te Deum H 146
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Chorale SATB
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Te Deum H 146
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Schott Music - Digital
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SheetMusicPlus
Soli: SSATB – Chor: SATB – 2./2Blfl.2.0.0. – 0.2.0.0. – Pk – 2Vl.2Va.Vc – Bc(Org) mixed choir (SATB) with solo parts (...
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Soli: SSATB – Chor: SATB – 2./2Blfl.2.0.0. – 0.2.0.0. – Pk – 2Vl.2Va.Vc – Bc(Org) mixed choir (SATB) with solo parts (SSATB) and orchestra - intermediate - SKU: S9.Q22898 Composed by Marc-Antoine Charpentier. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 27 minutes. Schott Music - Digital #Q22898. Published by Schott Music - Digital (S9.Q22898). Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et très guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers who chose its opening prelude to be the Eurovision signature tune in the early 1950s. Although Charpentier's Parisian career is quite well documented, little is known about the genesis and first performance of the Te Deum but it has been suggested that it may have been performed during the celebrations of the military victory of Steinkerque (3 August 1692). It is likely, however, that it was commissioned by the Jesuits of the church of Saint-Louis (today, Saint-Paul-Saint-Louis) for whom Charpentier had been working as maître de musique since 1687.
$13.99
Hymn #9 - Judgement and Uprightness
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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David Taylor II
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David Taylor II
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Hymn #9 - Judgement and Uprigh
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HOUSE OF DT INC.
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1021016 Composed by David Taylor II. Arranged by David Taylor II. Christian,Sacred. Octavo. 3 pages. HOUSE OF DT...
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Choral Choir (SATB) - Level 3 - SKU: A0.1021016 Composed by David Taylor II. Arranged by David Taylor II. Christian,Sacred. Octavo. 3 pages. HOUSE OF DT INC. #6114539. Published by HOUSE OF DT INC. (A0.1021016). Hymn #9, Judgement and Uprightness, based on Psalm 9.This one is a little more advance in key, in range, and time signature, but perfectfor celebrating any victory. SATB all day!
$1.99
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