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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One More Song
Non classifié
1 654
Piano & claviers
Piano seul
495
Piano, Voix
428
Piano Facile
406
Piano, Voix et Guitare
250
Piano grosses notes
164
Orgue
99
Instruments en Do
79
Accompagnement Piano
30
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
15
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavier
1
Accordéon
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
94
Guitare
63
Ukulele
39
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
10
4 Guitares (Quatuor)
8
Dulcimer
6
Paroles et Accords
3
Banjo
3
2 Guitares (duo)
3
2 Ukuleles
2
Ensemble de guitares
2
Mandoline
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
+ 10 instrumentations
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Voix
Chorale SATB
284
Chorale 3 parties
112
Chorale TTBB
84
Chorale SSAA
75
Chorale 2 parties
59
Chorale Unison
19
Voix Baryton, Piano
15
Voix Alto, Piano
14
Voix haute
13
Pack Instrumental pour Chorale
13
Voix duo, Piano
12
Voix Soprano, Piano
7
Voix Tenor, Piano
5
Voix seule
4
Voix basse, Piano
4
Voix duo
4
Voix Tenor
2
Chorale
2
Voix moyenne, Piano
2
Voix Baryton
1
Chorale SSATTB
1
Voix, Guitare
1
+ 17 instrumentations
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Vents
2 Saxophones (duo)
435
Quatuor de Saxophones: 4 saxophones
223
Saxophone Alto
187
Saxophone Alto et Piano
177
Saxophone, Clarinette (duo)
165
Quintette de Saxophone: 5 saxophones
150
Saxophone Tenor
147
Saxophone Soprano et Piano
147
Saxophone Tenor et Piano
140
Saxophone Baryton, Piano
125
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
114
Saxophone (partie séparée)
110
Clarinette, Violon (duo)
108
Flûte, Hautbois, Clarinette, Basson
105
2 Clarinettes (duo)
100
Clarinette, Trompette (duo)
94
Flûte traversière et Piano
87
2 Flûtes traversières (duo)
80
Flûte traversière
75
Hautbois, Basson (duo)
72
Flûte, Clarinette (duo)
71
3 Saxophones (trio)
62
Hautbois, Clarinette (duo)
62
Clarinette et Alto
59
Clarinette et Piano
58
Saxophone Soprano
57
Hautbois, Piano (duo)
53
Flûte, Saxophone (duo)
53
Flûte, Violon
51
Ensemble de saxophones
51
Hautbois, Flûte
50
Clarinette
49
2 Hautbois (duo)
42
Flûte, Trompette (duo)
42
Quatuor de Clarinettes: 4 clarinettes
38
Flûte, Alto (duo)
34
Hautbois
26
2 Flûte à bec (duo)
21
Cor anglais, Piano
18
Saxophone
17
Hautbois (partie séparée)
17
Saxophone Baryton
15
Quatuor de Flûtes : 4 flûtes
14
Ensemble de Clarinettes
14
Ensemble de Flûtes
13
Flûte et Guitare
13
Clarinette Basse, Piano
12
Flûte à bec Soprano
11
Ensemble De Flûte à bec
9
3 Clarinettes (trio)
9
Piccolo, Piano
8
Cor Anglais
8
Quintette de Clarinettes: 5 clarinettes
8
Saxophone et Guitare
8
Ocarina
8
Quintette de Flûte : 5 flûtes
8
Clarinette, Basson (duo)
7
Flûte à Bec
7
Flûte à bec Alto
6
Hautbois, Guitare (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Hautbois, Clarinette (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois (duo)
5
Clarinette, Guitare (duo)
4
3 Flûtes à bec (trio)
4
Flûte, Clarinette et Basson
4
Quatuor de Flûtes à bec
4
Flûte à bec Alto, Piano
3
Harmonica
3
Flûte, Hautbois, Basson
2
Clarinette, Violoncelle (duo)
2
4 Hautbois
2
5 Flûtes à bec
2
Flûte irlandaise
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Soprano, Piano
1
Ensemble de Hautbois
1
Saxophone, Basson (duo)
1
Flute, harpe et violon
1
Hautbois, violon (duo)
1
Flûte, Violon, Piano
1
Flûte et Trio à cordes
1
Ensemble à vent
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte de Pan
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
284
Trombone et Piano
182
Trombone
151
Trompette, Saxophone (duo)
115
Quatuor de Cuivres : 2 trompettes, trombone, tuba
108
2 Trombones (duo)
100
Quatuor de Cuivres: 2 trompettes, Cor, trombone
98
Trompette
80
Trompette, Trombone (duo)
71
Quatuor de Cuivres
64
Cor et Piano
52
Trompette, Piano
43
2 Trompettes (duo)
43
Tuba et Piano
26
Cor
25
Euphonium, Piano (duo)
19
Cor anglais, Piano
18
2 Cors (duo)
16
Tuba
15
Quatuor de cuivres: 4 trombones
13
2 Tubas (duo)
9
Cor Anglais
8
Trombone, Tuba (duo)
7
Trombone, Cor (duo)
7
Ensemble de Trompettes
7
Ensemble de Trombones
6
Trompette, Cor (duo)
6
Trompette (partie séparée)
5
Quatuor de cuivres: 4 cors
4
Trompette, Tuba (duo)
4
3 Trombones (trio)
4
Trombone (partie séparée)
4
Euphonium
3
Quatuor de cuivres: 4 trompettes
3
Cor, Tuba (duo)
2
Ensemble de Cors
2
Euphonium, Tuba (duo)
2
Trio de Cuivres
2
Trompette, Trombone, Piano
1
Trompette et Guitare
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
2 Euphoniums (duo)
1
3 Cors (trio)
1
2 Cors Anglais Et Pianoforte
1
Tuba et Orgue
1
4 Tubas
1
3 Tubas (trio)
1
+ 43 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
332
Violon, Violoncelle (duo)
122
Violon
101
Violon et Piano
89
Violoncelle
75
Violon, Alto (duo)
66
Violoncelle, Piano
62
Quintette à cordes: 2 violons, alto, violoncelle, basse
61
2 Altos (duo)
55
Alto, Piano
54
2 Violoncelles (duo)
51
2 Violons (duo)
51
Trio à Cordes: violon, alto, violoncelle
51
Harpe
47
Alto seul
36
Trio à Cordes: 2 violons, violoncelle
27
Contre Basse
19
Contrebasse, Piano (duo)
15
Violon, Guitare (duo)
11
Violoncelle , Guitare (duo)
10
Alto, Violoncelle (duo)
8
4 Violoncelles
7
Alto (partie séparée)
6
Violoncelle, Contrebasse (duo)
4
Harpe, Flûte (duo)
3
Piano Trio: Violon, Alto, Piano
3
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Trio à cordes: 3 violins
2
Violoncelle, Orgue
2
Ensemble d'Altos
2
2 Contrebasses (duo)
2
Ensemble de Violons
2
Quatuor à cordes : 4 altos
2
Violon (partie séparée)
1
Autoharp
1
Contrebasse (partie séparée)
1
Alto, Guitare (duo)
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
Violoncelle (partie séparée)
1
4 Harpes
1
Quatuor à cordes: 4 violons
1
+ 39 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
228
Ensemble de cuivres
82
Orchestre
66
Ensemble Jazz
64
Orchestre à Cordes
49
Fanfare
33
Orchestre de chambre
29
Jazz combo
24
Cloches
20
Batterie
8
Xylophone
3
Marimba
2
Vibraphone
2
Ensemble de Percussions
2
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Xylophone, Piano
1
Percussion
1
+ 13 instrumentations
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Autres
Théorie de la musique
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
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Vous avez sélectionné:
One More Song
Partitions à imprimer
12 384 partitions trouvées
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9976
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Lesl...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
The First Noel for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Trombone &a
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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Piano,Trombone - Level 1 - SKU: A0.548503 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387395. Published by jmsgu3 (A0.548503). The First Noel arranged for Trombone & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trombone Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
One More Time
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
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Steve Perry
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Jeff Tincher
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One More Time
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.585965 By Steve Perry. By Lincoln Brewster and Stephen Ray Perry. Arranged by Jeff Tincher. Con...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.585965 By Steve Perry. By Lincoln Brewster and Stephen Ray Perry. Arranged by Jeff Tincher. Contemporary. Score and parts. 15 pages. Jeff Tincher #6518313. Published by Jeff Tincher (A0.585965). Why they didn't release this song as a single is beyond me. This is a beautiful love song. In the original key from Steve Perry's For The Love Of Strange Medicine CD, this is one of Steve Perry's hottest love songs. Duration = 3:28. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
One More Sleep
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Saxophone Alto et Piano
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FACILE
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Leona Lewis
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Phil Thrift
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One More Sleep
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Phil Thrift
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1112080 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by ...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1112080 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil Thrift. Christmas,Pop. Score and part. 9 pages. Phil Thrift #714260. Published by Phil Thrift (A0.1112080). The Leona Lewis hit One More Sleep has all the ingredients that make up a successful song for the holiday season. This is the Eb alto saxophone + keyboard edition of the original recording for trombone and rhythm section, which you can hear on SoundCloud.
$4.99
One More Sleep
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Saxophone Tenor et Piano
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FACILE
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Leona Lewis
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Phil Thrift
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One More Sleep
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Phil Thrift
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1112081 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1112081 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil Thrift. Christmas,Pop. Score and part. 9 pages. Phil Thrift #714262. Published by Phil Thrift (A0.1112081). The Leona Lewis hit One More Sleep has all the ingredients that make up a successful song for the holiday season. This is the Bb tenor saxophone + keyboard edition (in a different key) of the original recording for trombone and rhythm section, which you can hear on SoundCloud.
$4.99
One More Sleep 'til Christmas
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Saxophone Tenor
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Paul Williams
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Bobby Hesch
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One More Sleep 'til Christmas
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Bobby Hesch
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SheetMusicPlus
Tenor Saxophone Solo - Level 4 - SKU: A0.839624 Composed by Paul Williams. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch ...
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Tenor Saxophone Solo - Level 4 - SKU: A0.839624 Composed by Paul Williams. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6497517. Published by Bobby Hesch (A0.839624). ONE MORE SLEEP 'TIL CHRISTMAS!!! WRITTEN BY PAUL WILLIAMS FOR THE MOVIE THE MUPPET CHRISTMAS CAROL!!!AFTER ALL THERE'S ONLY ONE MORE SLEEP 'TIL CHRISTMAS DAY!!! LET'S PLAY SOME JAZZ!!! KEY OF A/Bb!!! LOW F#-HIGH ALTISSIMO G!!! MP3 FOR JAZZ STYLE&INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch E MAIL QUESTIONS, I CAN HELP!!! REMEMBER THE GREAT JIM HENSON!!! PUT THIS GREAT SONG IN YOUR CHRISTMAS SET!!! I LOVE THIS SONG!!!
$4.99
One More Sleep 'til Christmas
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Paul Williams
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Bobby Hesch
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One More Sleep 'til Christmas
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.839620 Composed by Paul Williams. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #...
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Alto Saxophone Solo - Level 4 - SKU: A0.839620 Composed by Paul Williams. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6496825. Published by Bobby Hesch (A0.839620). ONE MORE SLEEP 'TIL CHRISTMAS!!! WRITTEN BY PAUL WILLIAMS FOR THE MUPPET CHRISTMAS CAROL!!! AFTER ALL THERE'S ONLY ONE MORE SLEEP TIL CHRISTMAS DAY!!! LET'S PLAY SOME JAZZ!!! I LOVE THIS SONG!!! KEY OF E/F!!! LOW C# - HIGH D!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! LOTS OF SYNCOPATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch E MAIL QUESTIONS, I CAN HELP!!! PUT THIS GREAT SONG IN YOUR CHRISTMAS BOOK!!! REMEMBER THE GREAT JIM HENSON!!!
$4.99
One More Time
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Saxophone (partie séparée)
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Kenny G
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Dennis Benning
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One More Time
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Dennis Benning
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SheetMusicPlus
Soprano Saxophone Solo - SKU: A0.925682 By Kenny G. By Ed Hill and Karyn Rochelle. Arranged by Dennis Benning. Contemporary,Pop. Individual part. 3 page...
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Soprano Saxophone Solo - SKU: A0.925682 By Kenny G. By Ed Hill and Karyn Rochelle. Arranged by Dennis Benning. Contemporary,Pop. Individual part. 3 pages. Dennis Benning #6201485. Published by Dennis Benning (A0.925682). One More Time is a transcription of the saxophone parts Kenny G plays in the original song. This download includes only the soprano saxophone part, and is meant to be played with a karaoke backing track as well as a vocalist. This download does not include the vocal part, neither by itself nor built into the saxophone part. Dennis Benning, the arranger, currently lives in Denver. He teaches flute and clarinet, records music for his YouTube channel (Flute Dude Music), and has recently engaged in flute repair. Check out his TikTok, YouTube, and Facebook (Flute Dude Music) pages to follow what he is doing, and to see exclusive videos!
$4.99
Luther: Out of the Depths for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part...
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Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Jingle Bells for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Noël
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James Pierpont
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James M
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Jingle Bells for Baritone Sax
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages....
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Love, Trombone Duet
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2 Trombones (duo)
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INTERMÉDIAIRE
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David McKeown
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Love, Trombone Duet
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.590607 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. Score. 4 pages. David McKeown #...
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Trombone Duet Trombone - Level 3 - SKU: A0.590607 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. Score. 4 pages. David McKeown #6216887. Published by David McKeown (A0.590607). Love is a beautiful original composition by David McKeown, arranged as a duet for two Trombones, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the songs from the great American Songbook. Musical theatre on Broadway reached its heyday in the ‘30s and ‘40s with composers such as George Gershwin and Cole Porter writing regular new shows. This period coincided with the jazz and swing era; as well as countless instrumental interpretations, singers such as Frank Sinatra and Ella Fitzgerald brought these songs to new audiences outside the theatre. They remain popular today, providing a soundtrack for every romantic occasion, and Love aims to capture the melody, form and spirit of these timeless songs.Love is written for players at an intermediate standard and upwards. Expressive throughout, after the rubato preamble, the song is a classic 32 bar AABA structure. Love has a performance time of around three minutes and a half minutes. Click the link above to listen to a full YouTube performance the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
The Long Song
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Trombone et Piano
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INTERMÉDIAIRE
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Film/TV
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Murray Jonathan Gold
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Dan Wattis
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The Long Song
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Dan Wattis
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1044092 Composed by Murray Jonathan Gold. Arranged by Dan Wattis. Film/TV. Score and part. 5 pages. Dan Wattis #64882...
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Piano,Trombone - Level 3 - SKU: A0.1044092 Composed by Murray Jonathan Gold. Arranged by Dan Wattis. Film/TV. Score and part. 5 pages. Dan Wattis #648820. Published by Dan Wattis (A0.1044092). Part of the Doctor Who Songbook for Trombone (more instruments coming soon).
$9.99
Saw Ye My Savior? — trombone (or euphonium, cello) and piano
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Trombone et Piano
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INTERMÉDIAIRE
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American folk hymn tune
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Todd Marchand
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Saw Ye My Savior? — trom
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Con Spirito Music
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional....
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Piano,Tenor Trombone - Level 3 - SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional. Score and part. 8 pages. Con Spirito Music #802815. Published by Con Spirito Music (A0.1204336). Here's a lovely, lyrical tune that's ideal for use during Holy Week or as a meditative prelude, offertory, or communion selection for trombone (or euphonium, cello) and piano.Saw Ye My Savior? is an early 19th-century American folk hymn with a tune that predates it by perhaps 100 years or more. Both the text and the tune seem to have been freely adapted to the subject of the song (whether secular or sacred) and the singer, which is typical of folk songs and folk hymns handed down from one generation to the next. For example, the text of the hymn, which begins Saw ye my Savior, saw ye my Savior, saw ye my savior and my God? is similar to that of an English folk song, Saw you my father, saw you my mother, saw you my true love John?In the 1858 edition of William Walker's shape-note hymnal, The Southern Harmony, and Musical Companion, the source cited for the text and tune is Baptist Harmony (1834), p. 477. However, William Hauser and Benjamin Turner's collection, The Olive Leaf (1878), refers to the tune as a Scotch air; and certainly, the Scotch snap rhythm in measures 3 and 4 of the tune lend credence to that. The website, hymnary.org, cites Saw Ye My Savior? as having been published in 167 hymnals (all prior to 1979 but one). Two similar tunes, CRUCIFIXION (Southern Harmony) and ATONEMENT are associated with the text. Because the subject of the text is Christ's crucifixion (see representative text here), Saw Ye My Savior? has often been used as a choral anthem in Palm Sunday, Good Friday, and Holy Saturday worship services. This arrangement of the lovely, flowing tune for trombone (or euphonium, cello) and piano is ideal at any time as a meditative prelude to worship, or as an offertory or communion selection. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved.
$6.00
An Old Fashioned Love Song
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Rock
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Three Dog Night
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Jeff Tincher
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An Old Fashioned Love Song
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583891 By Three Dog Night. By...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.583891 By Three Dog Night. By Paul Williams. Arranged by Jeff Tincher. Rock. 15 pages. Jeff Tincher #5000849. Published by Jeff Tincher (A0.583891). Here is one of Three Dog Night's biggest hits. Back in the day recording companies would issue more than one version of a recording. This song was released differently between the album release and the single release. This is in the original key from their Harmony album. The optional live ending is from the Soundstage 1975 performance. Duration = 3:33. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Jingle Bells for Trombone & Piano
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Trombone et Piano
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FACILE
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Noël
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James Pierpont
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James M
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Jingle Bells for Trombone &
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3...
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Piano,Trombone - Level 2 - SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408227. Published by jmsgu3 (A0.548658). Jingle Bells arranged for trombone & piano featuring an unusual final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wed...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Don't Get Around Much Anymore
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Jazz
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Bob Russell and Duke Ellington
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Keith Terrett
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Don't Get Around Much Anymore
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Keith Terrett
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russe...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.746864 Composed by Bob Russell and Duke Ellington. Arranged by Keith Terrett. Jazz. 8 pages. Keith Terrett #4784301. Published by Keith Terrett (A0.746864). Arranged for Saxophone Quintet, Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942.Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the other by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$14.99
The Lazy Song
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE
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Rock
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Bruno Mars
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Michael Pilley
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The Lazy Song
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Michael Pilley Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.746239 By Bruno Mars. By Ari Levine, Bruno Mars, Keinan Warsame, and Philip Lawrence. Arranged by Michael Pi...
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Brass Ensemble Trombone - Level 3 - SKU: A0.746239 By Bruno Mars. By Ari Levine, Bruno Mars, Keinan Warsame, and Philip Lawrence. Arranged by Michael Pilley. Hip-Hop,Pop,R and B. Score and parts. 19 pages. Michael Pilley Music #5712527. Published by Michael Pilley Music (A0.746239). The smash hit by Bruno Mars is now available for Trombone Quartet! Written in the original shuffle feel, with some jazz-inspired harmony, this arrangement is a perfect crowd pleaser. With the top trombone taking most of the melody, and an open solo section, your quartet will enjoy playing this as much as the audience loves hearing it. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic Follow Super Bone at https://www.youtube.com/superbonequartet, https://www.facebook.com/SuperBoneQuartet, https://twitter.comSuperBoneTweets and https://www.instagram.com/superbonequartet
$20.00
Delibes: Duo des Fleurs for Trombone Duo & Piano
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2 Trombones (duo)
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INTERMÉDIAIRE
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Leo Delibes
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James M
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Delibes: Duo des Fleurs for Tr
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jmsgu3
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.552414 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,W...
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Trombone Duet Trombone - Level 3 - SKU: A0.552414 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score. 7 pages. Jmsgu3 #6342767. Published by jmsgu3 (A0.552414). Duo of the flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
Love, Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
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David McKeown
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Love, Trumpet and Trombone Due
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590612 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. S...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.590612 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. Score and parts. 4 pages. David McKeown #6216897. Published by David McKeown (A0.590612). Love is a beautiful original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the songs from the great American Songbook. Musical theatre on Broadway reached its heyday in the ‘30s and ‘40s with composers such as George Gershwin and Cole Porter writing regular new shows. This period coincided with the jazz and swing era; as well as countless instrumental interpretations, singers such as Frank Sinatra and Ella Fitzgerald brought these songs to new audiences outside the theatre. They remain popular today, providing a soundtrack for every romantic occasion, and Love aims to capture the melody, form and spirit of these timeless songs.Love is written for players at an intermediate standard and upwards. Expressive throughout, after the rubato preamble, the song is a classic 32 bar AABA structure. Love has a performance time of around three minutes and a half minutes. Click the link above to listen to a full YouTube performance the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
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