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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One More Time
Non classifié
2 113
Piano & claviers
Piano seul
629
Piano Facile
341
Piano, Voix
190
Piano, Voix et Guitare
155
Instruments en Do
42
Accompagnement Piano
38
Orgue
21
2 Pianos, 4 mains
17
1 Piano, 4 mains
17
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
6
Accordéon
3
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Accordéons
1
Clavecin
1
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
63
Guitare notes et tablatures
51
Ligne De Mélodie, (Paroles) et Accords
27
Ukulele
15
2 Guitares (duo)
12
4 Guitares (Quatuor)
10
Paroles et Accords
9
Piano, Guitare (duo)
8
Basse electrique
4
Guitare (partie séparée)
4
Banjo
4
Mandoline
4
Dulcimer
3
Ensemble de guitares
2
Mandoline, Guitare (duo)
2
3 Guitares (trio)
2
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
220
Chorale 3 parties
67
Chorale TTBB
43
Chorale 2 parties
37
Chorale SSAA
30
Voix seule
17
Chorale Unison
17
Voix Soprano, Piano
14
Voix Alto, Piano
13
Pack Instrumental pour Chorale
8
Voix duo, Piano
6
Voix haute
6
Voix Baryton, Piano
4
Chorale
3
Voix duo
3
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Voix Tenor
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
848
Saxophone, Clarinette (duo)
396
2 Clarinettes (duo)
276
Clarinette, Violon (duo)
265
Clarinette, Trompette (duo)
230
2 Flûtes traversières (duo)
217
Quatuor de Saxophones: 4 saxophones
181
Quintette de Saxophone: 5 saxophones
163
Saxophone Alto et Piano
162
Flûte, Clarinette (duo)
150
Flûte traversière et Piano
145
Saxophone Soprano et Piano
144
Hautbois, Basson (duo)
139
Hautbois, Clarinette (duo)
132
Flûte, Saxophone (duo)
132
Clarinette et Alto
131
Flûte, Violon
127
Saxophone Tenor et Piano
126
Hautbois, Flûte
118
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
117
Clarinette et Piano
109
Flûte, Alto (duo)
107
Flûte, Trompette (duo)
106
2 Hautbois (duo)
97
Hautbois, Piano (duo)
97
Clarinette
89
Saxophone Baryton, Piano
89
Saxophone Alto
83
Saxophone
77
Flûte traversière
71
Saxophone Tenor
69
Saxophone (partie séparée)
64
Ensemble de saxophones
48
3 Saxophones (trio)
47
Quatuor de Clarinettes: 4 clarinettes
46
Flûte, Hautbois, Clarinette, Basson
46
Clarinette Basse, Piano
37
Cor anglais, Piano
36
2 Flûte à bec (duo)
35
Hautbois
34
Saxophone Soprano
30
Hautbois (partie séparée)
27
Ensemble de Flûtes
22
Saxophone Baryton
20
Ensemble de Clarinettes
19
Quatuor de Flûtes : 4 flûtes
18
Flûte à bec Soprano
13
Flûte et Guitare
12
Hautbois, Clarinette, Basson (trio d'anches)
12
3 Clarinettes (trio)
11
Quintette de Flûte : 5 flûtes
11
Quintette de Clarinettes: 5 clarinettes
10
Trio de Flûtes: 3 flûtes
10
Flûte, Hautbois, Clarinette (trio)
10
Harmonica
9
Flûte, Hautbois (duo)
8
Clarinette, Trombone (duo)
7
Clarinette, Violoncelle (duo)
7
Hautbois, violon (duo)
6
Cor Anglais
6
Flûte à Bec
4
Clarinette, Guitare (duo)
4
Quatuor de Flûtes à bec
4
3 Flûtes à bec (trio)
4
Piccolo, Piano
4
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle, Piano (trio)
3
5 Flûtes à bec
3
Hautbois, Guitare (duo)
3
Ocarina
3
Clarinette (partie séparée)
2
2 Flûtes traversières, Piano
2
Flûte à bec Alto
2
2 Saxophones, Piano
2
Flute (partie séparée)
2
Flûte, Clarinette et Basson
2
Flûte irlandaise
2
Flûte, Violon, Piano
2
Hautbois, Violoncelle
2
Clarinette, Basson (duo)
2
Flûte à bec Tenor
2
Ensemble de Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Ensemble De Flûte à bec
1
Flûte et Trio à cordes
1
Clarinette Basse
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Ensemble à vent
1
Clarinette, Harpe (duo)
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
309
Trompette, Saxophone (duo)
276
2 Trombones (duo)
167
Trombone et Piano
156
Trompette, Trombone (duo)
155
Trombone
103
2 Trompettes (duo)
99
Quatuor de Cuivres : 2 trompettes, trombone, tuba
89
Trompette, Piano
84
Trompette
83
Cor et Piano
73
Quatuor de Cuivres: 2 trompettes, Cor, trombone
72
Euphonium, Piano (duo)
52
Tuba et Piano
42
Cor anglais, Piano
36
Quatuor de Cuivres
36
Cor
28
Tuba
26
Quatuor de cuivres: 4 trombones
24
Trombone (partie séparée)
24
Trompette (partie séparée)
14
Ensemble de Trompettes
13
Ensemble de Trombones
10
2 Cors (duo)
9
2 Euphoniums (duo)
8
2 Euphoniums et 2 Tubas
8
2 Tubas (duo)
6
Cor Anglais
6
Trombone, Cor (duo)
5
3 Trombones (trio)
4
3 Trompettes (trio)
3
Trombone basse et Piano
3
Trio de Cuivres
3
Quatuor de cuivres: 4 trompettes
3
4 Tubas
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Euphonium
2
Trompette, Violoncelle et Piano
2
Tuba (partie séparée)
1
Trombone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Tuba et Orgue
1
Cor (partie séparée)
1
3 Euphoniums
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
375
Violon, Violoncelle (duo)
365
Violon
235
Trio à Cordes: violon, alto, violoncelle
213
Violon, Alto (duo)
161
Quintette à cordes: 2 violons, alto, violoncelle, basse
136
Violon et Piano
126
2 Violons (duo)
121
2 Altos (duo)
104
Violoncelle, Piano
103
Alto, Piano
102
2 Violoncelles (duo)
93
Violoncelle
62
Alto seul
47
Contrebasse, Piano (duo)
31
Contre Basse
27
Harpe
27
Trio à Cordes: 2 violons, violoncelle
16
Alto, Violoncelle (duo)
13
4 Violoncelles
10
Alto (partie séparée)
9
Trio à cordes: 3 violins
5
Violon (partie séparée)
5
Trio à Cordes: 3 violoncelles
4
Contrebasse (partie séparée)
4
2 Contrebasses (duo)
4
Ensemble d'Altos
4
Ensemble de Violons
4
Quatuor à cordes : 4 altos
3
2 Harpes (duo)
3
Ensemble de Violoncelles
3
Harpe, Flûte (duo)
3
Quatuor à cordes: 4 violons
3
Harpe, Violon, Violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
2 Violoncelles, Piano
1
Violoncelle , Guitare (duo)
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
Violon, Basson (duo)
1
4 Harpes
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
300
Orchestre à Cordes
147
Ensemble Jazz
84
Orchestre
75
Ensemble de cuivres
61
Fanfare
33
Orchestre de chambre
30
Jazz combo
21
Cloches
16
Xylophone, Piano
14
Ensemble de Percussions
8
Batterie
8
Xylophone
5
Ensemble d'École
4
Batterie (partie séparée)
3
Percussion (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
1
Caisse Claire
1
Vibraphone
1
Percussion
1
+ 16 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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Quickpartitions
SheetMusicPlus
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Nouveautes
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difficulté (tous)
débutant
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avancé
expert
avec audio
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Vous avez sélectionné:
One More Time
Partitions à imprimer
15 677 partitions trouvées
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9976
One More Time
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Saxophone (partie séparée)
#
Kenny G
#
Dennis Benning
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One More Time
#
Dennis Benning
#
SheetMusicPlus
Soprano Saxophone Solo - SKU: A0.925682 By Kenny G. By Ed Hill and Karyn Rochelle. Arranged by Dennis Benning. Contemporary,Pop. Individual part. 3 page...
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Soprano Saxophone Solo - SKU: A0.925682 By Kenny G. By Ed Hill and Karyn Rochelle. Arranged by Dennis Benning. Contemporary,Pop. Individual part. 3 pages. Dennis Benning #6201485. Published by Dennis Benning (A0.925682). One More Time is a transcription of the saxophone parts Kenny G plays in the original song. This download includes only the soprano saxophone part, and is meant to be played with a karaoke backing track as well as a vocalist. This download does not include the vocal part, neither by itself nor built into the saxophone part. Dennis Benning, the arranger, currently lives in Denver. He teaches flute and clarinet, records music for his YouTube channel (Flute Dude Music), and has recently engaged in flute repair. Check out his TikTok, YouTube, and Facebook (Flute Dude Music) pages to follow what he is doing, and to see exclusive videos!
$4.99
Zoe the Zen Zombie, Spooky Halloween Duet for Trombone
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2 Trombones (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Zoe the Zen Zombie, Spooky Hal
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David McKeown
#
SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.592475 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. Davi...
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Trombone Duet Trombone - Level 3 - SKU: A0.592475 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6359889. Published by David McKeown (A0.592475). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for two Trombones. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Violin and Trombone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .
$3.99
One More Time
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Contemporain
#
Steve Perry
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Jeff Tincher
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One More Time
#
Jeff Tincher
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.585965 By Steve Perry. By Lincoln Brewster and Stephen Ray Perry. Arranged by Jeff Tincher. Con...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.585965 By Steve Perry. By Lincoln Brewster and Stephen Ray Perry. Arranged by Jeff Tincher. Contemporary. Score and parts. 15 pages. Jeff Tincher #6518313. Published by Jeff Tincher (A0.585965). Why they didn't release this song as a single is beyond me. This is a beautiful love song. In the original key from Steve Perry's For The Love Of Strange Medicine CD, this is one of Steve Perry's hottest love songs. Duration = 3:28. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
...baby One More Time
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Trombone
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FACILE
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Pop musique
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Britney Spears
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Wesley S
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...baby One More Time
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Wesley S. Silva
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 2 - SKU: A0.1440667 By Britney Spears. By Max Martin. Arranged by Wesley S. SIlva. Pop. Individual part. 2 pages. W...
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Tenor Trombone,Trombone Solo - Level 2 - SKU: A0.1440667 By Britney Spears. By Max Martin. Arranged by Wesley S. SIlva. Pop. Individual part. 2 pages. Wesley S. Silva #1020644. Published by Wesley S. Silva (A0.1440667).
$4.99
Zoe the Zen Zombie, Spooky Halloween Duet for Trumpet and Trombone
#
Trompette, Trombone (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Zoe the Zen Zombie, Spooky Hal
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.592480 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,S...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.592480 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359901. Published by David McKeown (A0.592480). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Trumpet and one Trombone. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .
$3.99
Zoe the Zen Zombie, Spooky Halloween Duet for Trumpet and Tenor Saxophone
#
Trompette, Saxophone (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Zoe the Zen Zombie, Spooky Hal
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.592479 Composed by David McKeown. 20th Century,Concert,Contemporary,Hall...
(+)
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.592479 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359899. Published by David McKeown (A0.592479). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Trumpet and one Tenor Saxophone. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .
$3.99
Zoe the Zen Zombie, Spooky Halloween Duet for Clarinet and Tenor Saxophone
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Saxophone, Clarinette (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Zoe the Zen Zombie, Spooky Hal
#
David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.592451 Composed by David McKeown. 20th Century,Contemporary,Standards. ...
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Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.592451 Composed by David McKeown. 20th Century,Contemporary,Standards. Score and parts. 4 pages. David McKeown #6359839. Published by David McKeown (A0.592451). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Clarinet and one Tenor Saxophone. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Tenor Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements.
$3.99
Zoe the Zen Zombie, Spooky Halloween Duet for Flute and Alto Saxophone
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Flûte, Saxophone (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Zoe the Zen Zombie, Spooky Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - SKU: A0.592459 Composed by David McKeown. 20th Century,Concert,Contemporary,Hallowe...
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Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - SKU: A0.592459 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359857. Published by David McKeown (A0.592459). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Flute and one Alto Saxophone. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Flute and Alto Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .
$3.99
Zoe the Zen Zombie, Spooky Halloween Duet for Trumpet and Alto Saxophone
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Trompette, Saxophone (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Zoe the Zen Zombie, Spooky Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - SKU: A0.592478 Composed by David McKeown. 20th Century,Concert,Contemporary,Hallo...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - SKU: A0.592478 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359897. Published by David McKeown (A0.592478). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Trumpet and one Alto Saxophone. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Alto Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements.
$3.99
Zoe the Zen Zombie, Spooky Halloween Duet for Clarinet and Alto Saxophone
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Saxophone, Clarinette (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Zoe the Zen Zombie, Spooky Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - SKU: A0.592450 Composed by David McKeown. 20th Century,Concert,Contemporary,Hall...
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Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - SKU: A0.592450 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween. Score and parts. 4 pages. David McKeown #6359837. Published by David McKeown (A0.592450). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Clarinet and one Alto Saxophone. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Alto Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .
$3.99
Zoe the Zen Zombie, Spooky Halloween Duet for Soprano Saxophone and Clarinet
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Saxophone, Clarinette (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Zoe the Zen Zombie, Spooky Hal
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.592472 Composed by David McKeown. 20th Century,Concert,Contemporary,H...
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Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.592472 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359883. Published by David McKeown (A0.592472). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Soprano Saxophone and one Clarinet. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Soprano Saxophone and Clarinet.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements.
$3.99
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Luther: Out of the Depths for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wed...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Love Theme (Tema D'amore)
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Saxophone Alto
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INTERMÉDIAIRE
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Andrea Morricone and Ennio Mor
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Hollywood Charts
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Love Theme
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Hollywood Charts
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.1474832 Composed by Andrea Morricone and Ennio Morricone. Arranged by Hollywood Charts. Classical,Film/TV. Indiv...
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Alto Saxophone Solo - Level 3 - SKU: A0.1474832 Composed by Andrea Morricone and Ennio Morricone. Arranged by Hollywood Charts. Classical,Film/TV. Individual part. 2 pages. Hollywood Charts #1052451. Published by Hollywood Charts (A0.1474832). Experience the enchanting beauty of Ennio Morricone's timeless Love Theme from Cinema Paradiso with this meticulously crafted lead sheet transcription for Eb Instruments such as Alto Saxophone. This piece, renowned for its hauntingly beautiful melody and emotional depth, is a favorite among musicians and film lovers alike. The theme captures the essence of love, nostalgia, and the bittersweet moments of life, making it a perfect addition to any repertoire.Our lead sheet transcription includes the essential elements needed to bring this masterpiece to life: the melody line, chord symbols, and lyrics. Designed for intermediate to advanced musicians, this sheet music provides a clear and accurate representation of Morricone's exquisite composition, allowing you to perform with confidence and expression.Whether you're preparing for a performance, looking to enhance your collection, or simply wish to enjoy playing one of cinema's most beloved themes, this lead sheet will serve as an invaluable resource. Let the Love Theme from Cinema Paradiso transport you to a world of romance and reminiscence, and add a touch of cinematic magic to your musical journey.
$4.99
Luther: Out of the Depths for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part...
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Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
One More Last Time for solo baritone saxophone
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Saxophone (partie séparée)
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Contemporain
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Nicholas Russoniello
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One More Last Time for solo ba
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Nicholas Russoniello
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SheetMusicPlus
Baritone Saxophone Solo - SKU: A0.921104 Composed by Nicholas Russoniello. Contemporary. Individual part. 5 pages. Nicholas Russoniello #2832587. Publis...
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Baritone Saxophone Solo - SKU: A0.921104 Composed by Nicholas Russoniello. Contemporary. Individual part. 5 pages. Nicholas Russoniello #2832587. Published by Nicholas Russoniello (A0.921104). A sensual last tango for the solo baritone saxophone.
$15.00
One More Time
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Contemporain
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Steve Perry
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Jeff Tincher
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One More Time
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.585963 By Steve Perry. By Lin...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.585963 By Steve Perry. By Lincoln Brewster and Stephen Ray Perry. Arranged by Jeff Tincher. Contemporary. 14 pages. Jeff Tincher #6518307. Published by Jeff Tincher (A0.585963). Why they didn't release this song as a single is beyond me. This is a beautiful love song. In the original key from Steve Perry's For The Love Of Strange Medicine CD, this is one of Steve Perry's hottest love songs. Duration = 3:28. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Trumpet Tune and Air, by Purcell; Trombone Duet
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2 Trombones (duo)
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.587673 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding....
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Trombone Duet Trombone - Level 3 - SKU: A0.587673 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score. 3 pages. David McKeown #4729545. Published by David McKeown (A0.587673). The Trumpet Tune and Air was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a duet for two Trombones and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet and Alto Saxophone version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trompette, Trombone (duo)
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
The Sea-Shells Waltz for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Frederick N
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Chris Buckholz
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The Sea-Shells Waltz for Tromb
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced Intermediate - Composed by Frederick N. Innes. Arranged by Chris Buckholz. 20th Century, Romantic Period, P...
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Piano Accompaniment, Trombone - Advanced Intermediate - Composed by Frederick N. Innes. Arranged by Chris Buckholz. 20th Century, Romantic Period, Patriotic, Old-time, Americana. Piano Reduction, Solo Part. 21 pages. Published by Cherry Classics Music
The Sea-Shells Waltz was written in 1880 as part of a musical challenge Innes posed to the great French cornetist, Jules Levy. They were both in New York performing as soloists with the legendary Gilmore band for some summer concerts. Levy would play a solo and Innes would follow with an even more elaborate one. One day Levy brought in a new solo in which he injected his own extemporaneous cadenza made up of everything he could do on the cornet. When his turn came to play, Innes also had something up his sleeve. He had written a brand new solo for the trombone, entitled The Sea-Shells Waltz with a minute and one-half cadenza.
This legendary musical duel brought forth a delightful solo that has been rediscovered and edited by Trombonist Chris Buckholz. The solo is about 8-minutes in length for advanced performers.
Below is a gorgeous sample of some of the concert band version of the work (soon to be published) beautifully performed by Chris Buckholz, from his double CD album Versatility.
$17.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published b...
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Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Do That To Me One More Time
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Piano seul
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FACILE
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Rock
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Captain & Tennille
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Javier MartÃnez
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Do That To Me One More Time
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.742486 By Captain & Tennille. By Toni Tennille. Arranged by Javier MartÃnez. Pop,Rock. Score. 4 pages. Arte Nova Music...
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Piano Solo - Level 2 - SKU: A0.742486 By Captain & Tennille. By Toni Tennille. Arranged by Javier MartÃnez. Pop,Rock. Score. 4 pages. Arte Nova Music Lab #4742233. Published by Arte Nova Music Lab (A0.742486). Do That to Me One More Time is a song performed by the American pop duo Captain & Tennille. It was their 13th charting hit in the United States, and their second number 1 hit on the Billboard Hot 100 chart. The song was included on the duo's 1979 studio album, Make Your Move, and was written by Toni Tennille. It features a Lyricon solo by saxophonist Tom Scott, though Captain mimed to this part on adescant recorder in the promotional video. Even though an edited version was released as a single, yet another version was created for their many TV performances promoting the song. This version contained a natural ending, opposed to the fade-out ending that was featured on the single and album versions. This version was mainly lip-synced by Tennille on such TV programs. Taken from https://en.wikipedia.org/wiki/Do_That_to_Me_One_More_Time
$10.00
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