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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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One Thought Away
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--INSTRUMENTS--
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One Thought Away
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Partitions à imprimer
151 partitions trouvées
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Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Away In A Manger: for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Trombone
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548479 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3...
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Piano,Trombone - Level 1 - SKU: A0.548479 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386541. Published by jmsgu3 (A0.548479). Traditional Christmas song arranged for Trombone & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Away In A Manger: for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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piano
#
Away In A Manger: for Alto Sax
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 ...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386519. Published by jmsgu3 (A0.548472). Traditional Christmas song arranged for alto sax & piano. Final verse features an alternate harmonization.Score: 2 pages. Part: 1 page.Away in a Manger – Alto Sax Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
One Thought Away (Medium Voice)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Elizabeth Ragsdale
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One Thought Away
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Elizabeth Ragsdale
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.947863 Composed by Elizabeth Ragsdale. Christian,Sacred. Score. 7 pages. Elizabeth Ragsdale #4796113. Published by...
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Piano,Vocal,Voice - Level 3 - SKU: A0.947863 Composed by Elizabeth Ragsdale. Christian,Sacred. Score. 7 pages. Elizabeth Ragsdale #4796113. Published by Elizabeth Ragsdale (A0.947863). This heartfelt solo tackles self-doubt with the promise that love, truth, peace, and healing are just one thought away. Easy to sing and play. Duration: 3:58. Vocal range: C4–E5.
$4.79
Christmas Song (I sought him where the marble shone) for wind quartet and piano
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David Warin Solomons
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Christmas Song
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - SKU: A0.1486154 Composed by David Warin Solomons. Christmas,Classical,Contemporary,Religious...
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Bassoon,Clarinet,Flute,Oboe,Piano Accompaniment - Level 3 - SKU: A0.1486154 Composed by David Warin Solomons. Christmas,Classical,Contemporary,Religious. 23 pages. David Warin Solomons #1063211. Published by David Warin Solomons (A0.1486154). Instrumental arrangement of my setting of Christmas song - being a meditation on finding the Christ child within oneself - the poem is by Audrey Vaughan. I sought him where the marble shoneand rang with singing echoesto the hurrying prelates' feetand found him notI sought him where the golden glowand painted heav'n-eyed saints adorn the sleeping altarsand found him notI sought him where all nature's beauty burnedwith autumn leaves afirewith death against the long blue skyand found him not I sought him down the stone sett streets dull beneath the misty rain which closed the surrounding hillsand found him notI sought him in the eyes of strangersbright with giving thoughtsand in the hearts of friendsbut found him notI sought himhim whom I lovedin ev'ry thing I lovedin my own heart's lovingbut this night I found him notbut still I sought himthis gurgling boy of joy, but where?the dark sky all above and round melike a suffocating empty cloaktook time awaymy thoughts awaymy search awayand the peace of emptiness of selfopened the low brown doorand there his newness tiny laydeep in the shriven hollow of my heart, cradled thereI found him©Audrey VaughanThe audio preview is an mp3 of the first couple of minutes - a full version will be available later.The pdf contains score and parts.
$11.00
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Easy Peasy Quartets for Christmas - 12 easy SATB Saxophone Quartets by Bronco Hutchings
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Noël
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Bronco Hutchings
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Bronco Hutchings
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Easy Peasy Quartets for Christ
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Masquerade Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1299155 Composed by Bronco H...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.1299155 Composed by Bronco Hutchings. Arranged by Bronco Hutchings. Advent,Christian,Christmas,Holiday,Religious. 66 pages. Masquerade Music #889007. Published by Masquerade Music (A0.1299155). Easy Peasy Quartets...for Christmas! - 12 easy to prepare SATB saxophone quartets arranged by Bronco Hutchings, contains many well (and some lesser) known Christmas Carols. Contents:1. Once in Royal David's City2. A Child This Day is Born3. Away in a Manger4. Good King Wenceslas5. A Virgin Most Pure6. O Little Town of Bethlehem7. A Little Child on the Earth Has Been Born8. O Come All Ye Faithful9. The Sussex Mummer's Carol10. Christians Awake, Salute the Happy Morn11. Come All You Worthy Gentlemen12. Angels From the Realms of Glory Careful thought has been put into arranging these with one of the aims being that they can be prepared at short notice and the instrument ranges are kept to comfortable notes (for example the highest note in the soprano saxophone part is A just above the stave, and the baritone saxophone only uses low A in one carol, in all the others the lowest note for the baritone sax is low D).The Youtube video shows excerpts (around half) of all 12 Christmas Carols in the book. Full length videos can be found on this Youtube playlist:You will receive a printed posted SATB score and four separate pull out saxophone parts (soprano, alto, tenor, and baritone). Sample pages visible at the start can be omitted when printing (they are just shown to give you an idea of difficulty level for each saxophone, and some score samples).Remember to check out more of our saxophone music (including more popular Christmas titles!) at www.masquerade-music.com and www.moonhousemusic.com.
$14.00
Four Psalms for Four Trombones
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Musique Sacrée
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Jeff Reynolds
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Cherry Classics Music
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maybe not for the 1st player
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Four Psalms for Four Trombones
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792665 Composed by Jeff Reynolds. Arranged by Cherry Classics Music. Christian,Jewish,Sacred. Score and part...
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Brass Ensemble Trombone - Level 4 - SKU: A0.792665 Composed by Jeff Reynolds. Arranged by Cherry Classics Music. Christian,Jewish,Sacred. Score and parts. 24 pages. Gordon Cherry #5320113. Published by Gordon Cherry (A0.792665). Here is a description of the Four Psalms for Four Trombones by Jeff Reynolds. Musical settings of The Psalms of David are a staple in the Compline world, and are indeed the musical nut of Compline. I composed these in modes for a choir of men, with countertenors and text, and thought these settings would be a soothing repast for the trombone world; maybe not for the 1st player. The lack of stems and meter is a way to get away from the rhythmic feel of western music and into the lumpy, arhythmic, text driven zone of chant. There are only 3 basic note lengths: a larger white note is a whole note; a smaller white note is a half note surrogate; and a black note is a quarter note. Be not anxious to get to the new phrase. Taking time for breaths is a good thing. Psalm 130 is a Penitential Psalm, with music in the acerbic style of Igor Stravinsky after the 2nd trombone solo from the Russian Easter of Korsakov. Mr. Reynolds has written settings for Psalms 4, 91 Qui habitat, 130 De profundis and 103. The Psalms are appropriate for moderately advanced to intermediate level performers.
$27.50
Away In A Manger: for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548475 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548475 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386527. Published by jmsgu3 (A0.548475). Traditional Christmas song arranged for Bb Clarinet & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Away In A Manger: for Flute & Piano
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Flûte traversière et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Flute &a
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published...
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Flute,Piano - Level 1 - SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published by jmsgu3 (A0.548476). Traditional Christmas song arranged for Flute & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Away In A Manger: for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for French H
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jms...
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French Horn,Piano - Level 1 - SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386535. Published by jmsgu3 (A0.548477). Traditional Christmas song arranged for Horn in F and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Away In A Manger: for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Viola &a
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3...
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Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Away In A Manger: for Bassoon & Piano
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Basson, Piano (duo)
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Bassoon
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - SKU: A0.548473 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Sco...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - SKU: A0.548473 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and parts. 3 pages. Jmsgu3 #3386521. Published by jmsgu3 (A0.548473). Traditional Christmas song arranged for Bassoon & Piano. Third verse features modified harmony. Score: 2 pg. Part: 1 pg. Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Away In A Manger: for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Oboe &am
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #33...
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Oboe,Piano - Level 1 - SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386539. Published by jmsgu3 (A0.548478). Traditional Christmas song arranged for Oboe & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Away In A Manger: for Violin & Piano
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Violon et Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Violin &
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.548483 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 3 pages. Jmsgu3 #3386549. Publish...
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Piano,Violin - Level 1 - SKU: A0.548483 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 3 pages. Jmsgu3 #3386549. Published by jmsgu3 (A0.548483). Traditional Christmas song arranged for Violin & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Away In A Manger: for Tuba & Piano
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Tuba et Orgue
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for Tuba &am
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548481 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #33...
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Piano,Tuba - Level 1 - SKU: A0.548481 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386545. Published by jmsgu3 (A0.548481). Traditional Christmas song arranged for Tuba and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Away In A Manger for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880's the cradle song was
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Mueller
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James M
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Away In A Manger for String Qu
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 1 - SKU: A0.548635 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405927. ...
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String Quartet String Quartet - Level 1 - SKU: A0.548635 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405927. Published by jmsgu3 (A0.548635). Away in a Manger arranged for string quartet with a re-harmonization for the final verse. Very easy to play and easy on the ear. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the music. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95
Away In a Manger for Piano Trio
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Noël
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the 1880's the cradle song was
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Mueller
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James M
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Away In a Manger for Piano Tri
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3...
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Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3 (A0.548637). Arranged for Piano Trio with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95
Away In A Manger for Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jms...
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Piano Quartet - Level 1 - SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Nothing Can Keep My Jesus Away
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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John E
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Nothing Can Keep My Jesus Away
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Ravensbourne Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1012500 Composed by John E. Wampler. Christian,Easter,Sacred. Octavo. 4 pages. Ravensbourne Press #4338743. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1012500 Composed by John E. Wampler. Christian,Easter,Sacred. Octavo. 4 pages. Ravensbourne Press #4338743. Published by Ravensbourne Press (A0.1012500). One Easter the thought came that the Easter Story is one of growing despair until the very end when Christ rises from the tomb. Our struggles in this life are mitigated by the constant, un-wavering love of God, but our biggest impediment to experiencing it is ourselves.
$3.50
Away in a Manger - 3 strings
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Noël
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W
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Leonardo de Lima
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a 1996
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Away in a Manger - 3 strings
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Leonardo de Lima
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.978496 Composed by W.J. Kirkpatrick. Arranged by Leonardo de Lima. Christian,Christmas,Gospel. Score and...
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String Ensemble,String Trio - Level 2 - SKU: A0.978496 Composed by W.J. Kirkpatrick. Arranged by Leonardo de Lima. Christian,Christmas,Gospel. Score and parts. 1 pages. Leonardo de Lima #6118985. Published by Leonardo de Lima (A0.978496). Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols; a 1996 Gallup Poll ranked it joint second. Although it was long claimed to be the work of German religious reformer Martin Luther, the carol is now thought to be wholly American in origin.[1] The two most-common musical settings are William J. Kirkpatrick (1895) and James Ramsey Murray (1887).
$4.50
Away in a Manger
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Guitare notes et tablatures
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DÉBUTANT
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Noël
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Unknown
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Edina Balczo
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Away in a Manger
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Edina Balczo
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1326035 Composed by Unknown. Arranged by Edina Balczo. Christian,Christmas,Classical,Holiday,Spiritual. Guitar Tab. 2 pages. ...
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Guitar - Level 1 - SKU: A0.1326035 Composed by Unknown. Arranged by Edina Balczo. Christian,Christmas,Classical,Holiday,Spiritual. Guitar Tab. 2 pages. Edina Balczo #914234. Published by Edina Balczo (A0.1326035). Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols. Although it was long claimed to be the work of German religious reformer Martin Luther, the carol is now thought to be wholly American in origin.[1] The two most common musical settings are by William J. Kirkpatrick (1895) and James Ramsey Murray (1887). Arranged for classical/fingertsyle guitar.
$4.99
Away in a Manger - Solo piano piece
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Piano Facile
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FACILE
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Noël
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W
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Leonardo de Lima
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a 1996
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Away in a Manger - Solo piano
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Leonardo de Lima
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.978495 Composed by W.J. Kirkpatrick. Arranged by Leonardo de Lima. Christian,Christmas,Traditional. Score. 1 pages. Leona...
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Easy Piano - Level 2 - SKU: A0.978495 Composed by W.J. Kirkpatrick. Arranged by Leonardo de Lima. Christian,Christmas,Traditional. Score. 1 pages. Leonardo de Lima #6118817. Published by Leonardo de Lima (A0.978495). Away in a Manger is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols; a 1996 Gallup Poll ranked it joint second. Although it was long claimed to be the work of German religious reformer Martin Luther, the carol is now thought to be wholly American in origin.[1] The two most-common musical settings are by William J. Kirkpatrick (1895) and James Ramsey Murray (1887).
$4.50
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sac...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
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One Thought Away
