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FLUTE A DIX…
FLUTE DE PA…
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PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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SheetMusicPlus
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Pertinence
Ventes
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A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
32679
PIANO & CLAVIERS
Piano seul
11943
Piano, Voix
4770
Piano, Voix et Guitare
4383
Piano Facile
3518
Accompagnement Piano
1540
Instruments en Do
1192
Orgue
912
1 Piano, 4 mains
484
Piano grosses notes
225
Piano Trio: piano, violon, violoncelle
200
Accordéon
152
2 Pianos, 4 mains
123
Piano (partie séparée)
118
Piano Quatuor: piano, 2 violons, violoncelle
59
Piano Quatuor: piano, violon, alto, violoncelle
49
Orgue, Trompette (duo)
43
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Orgue, Piano (duo)
28
1 Piano, 6 mains
19
Clavecin
16
2 Pianos, 8 mains
8
Clavier
7
Ligne De Mélodie, Piano
5
Accordéon et Orchestre
2
2 Accordéons
2
Ensemble d'Accordéons
2
Concertina
1
Accordéon, Piano
1
Accordéon, Voix
1
Orgue et Orchestre
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
2572
Ligne De Mélodie, (Paroles) et Accords
1331
Guitare
1233
Paroles et Accords
932
Basse electrique
586
Ukulele
566
Guitare (partie séparée)
226
Ukulele Baryton
179
2 Guitares (duo)
129
Dulcimer
65
4 Guitares (Quatuor)
62
Piano, Guitare (duo)
49
Mandoline
47
Banjo
41
3 Guitares (trio)
30
Ensemble de guitares
28
2 Dulcimers (duo)
10
Partitions De Groupes
9
Mandoline, Guitare (duo)
8
Guitare, Violon, Violoncelle (trio)
7
Ensemble de Ukulélés
6
2 Ukuleles
5
Mandoline, Piano (duo)
3
2 Mandolines (duo)
3
Guitare Pedal Steel
2
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
6030
Chorale 3 parties
1902
Chorale 2 parties
1444
Chorale TTBB
1169
Chorale SSAA
660
Chorale Unison
626
Pack Instrumental pour Chorale
446
Voix duo, Piano
403
Voix Baryton, Piano
349
Voix duo
269
Voix Soprano, Piano
195
Chorale
186
Voix seule
117
Voix Tenor, Piano
115
Voix Alto, Piano
113
Voix haute
105
Voix moyenne, Piano
51
Voix basse, Piano
50
Chorale SSAATTBB
21
Voix Tenor
15
Voix basse
13
Voix Mezzo-Soprano, Piano
12
Voix Soprano
11
Soli, choeur mixte et accompagnement
10
Chorale SSATTB
10
Chorale SSATB
9
Chorale SSAB a cappella
9
Voix, Guitare
6
Chorale SSAB, Piano
5
Chorale SATBB
3
Voix d'Enfants
2
Voix Baryton
2
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Chorale SSATBB
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
6703
Saxophone (partie séparée)
5952
Saxophone Alto
5830
Saxophone Tenor
5173
Saxophone Alto et Piano
3698
2 Saxophones (duo)
3593
Saxophone Tenor et Piano
2550
Saxophone
2173
Quintette de Saxophone: 5 saxophones
1987
Flûte traversière et Piano
1720
3 Saxophones (trio)
1586
Flûte, Hautbois, Clarinette, Basson
1574
Saxophone Soprano et Piano
1510
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1113
Clarinette et Piano
1099
Flûte traversière
953
Hautbois, Piano (duo)
951
Clarinette
811
Quatuor de Clarinettes: 4 clarinettes
801
2 Flûtes traversières (duo)
795
Saxophone Baryton, Piano
788
Ensemble de saxophones
782
2 Clarinettes (duo)
693
Saxophone, Clarinette (duo)
493
Saxophone Soprano
432
Flûte, Clarinette (duo)
369
Quatuor de Flûtes : 4 flûtes
365
Hautbois (partie séparée)
356
Clarinette, Violon (duo)
335
Ensemble de Clarinettes
306
Ocarina
292
Flûte à bec Soprano
291
Clarinette, Trompette (duo)
271
2 Hautbois (duo)
245
Hautbois, Basson (duo)
239
Ensemble de Flûtes
217
Flûte à bec Alto
215
Flûte, Saxophone (duo)
211
Hautbois, Clarinette (duo)
209
Quintette de Clarinettes: 5 clarinettes
192
Saxophone Baryton
191
3 Clarinettes (trio)
189
Clarinette (partie séparée)
180
Clarinette et Alto
174
Flûte, Violon
171
2 Flûte à bec (duo)
166
Flûte et Guitare
152
Hautbois, Flûte
148
Flûte, Alto (duo)
144
Flute (partie séparée)
143
Hautbois
133
Cor anglais, Piano
131
Trio de Flûtes: 3 flûtes
129
Flûte, Trompette (duo)
126
Flûte, Violon, Piano
101
Flûte, Trombone (duo)
96
Saxophone et Guitare
91
Clarinette Basse, Piano
88
Quatuor de Flûtes à bec
82
Saxophone et Piano
76
Clarinette, Guitare (duo)
73
Quintette de Flûte : 5 flûtes
70
Flûte à Bec
61
2 Saxophones, Piano
61
Clarinette, Basson (duo)
57
Flûte, Hautbois, Clarinette (trio)
52
Flûte, Hautbois (duo)
50
Hautbois, Violoncelle
49
Hautbois, Clarinette, Basson (trio d'anches)
48
Clarinette, Trombone (duo)
47
Clarinette, Violoncelle (duo)
47
Flûte, Clarinette et Basson
47
Flûte, Violoncelle
46
Harmonica
41
Flûte à bec Alto, Piano
40
Instruments en Mib
39
Cor Anglais
38
2 Flûtes traversières, Piano
38
Saxophone et Orgue
38
3 Flûtes à bec (trio)
33
Ensemble De Flûte à bec
28
5 Flûtes à bec
27
Hautbois, trombone (duo)
26
Saxophone et Harpe
26
Hautbois, Guitare (duo)
23
Flûte, Violoncelle, Piano (trio)
22
Flûte, Hautbois, Basson
22
Hautbois, violon (duo)
21
Cor anglais, Guitare (duo)
21
Piccolo, Piano
19
Flûte à bec Tenor
17
Saxophone, Violon (duo)
17
Flûte, Clarinette, Cor, Basson (Quartet)
17
Flûte, Clarinette, Piano (trio)
16
Flûte à bec Soprano, Piano
16
Flûte, Basson et Piano
13
Piccolo
13
4 Hautbois
13
Flûte, Hautbois, Piano (trio)
13
Clarinette, Violoncelle, Piano (trio)
13
Clarinette Basse
12
3 Hautbois
12
Flûte, Violon et Violoncelle
12
2 Clarinettes, Piano
12
Saxophone, Basson (duo)
10
Flute, harpe et violon
8
Hautbois et alto (duo)
8
Ensemble à vent
8
Clarinette, Harpe (duo)
7
2 Clarinettes, Basson
7
Flûte, Alto et Piano
7
Flûte et Trio à cordes
6
Flûte à Bec, Piano
6
Clarinette, Basson, Piano (trio)
6
Saxophone et violoncelle
5
Clarinette, Orgue
5
Flûte irlandaise
5
Hautbois, Harpe
5
Flûte à bec, Guitare (duo)
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Flûte traversière, Orgue (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Harpe et Violoncelle
3
Flûte, trombone et piano
3
2 Cors Anglais Et Pianoforte
3
Flûte, Clarinette, Violon (trio)
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte de Pan
2
Clarinette, Tuba
2
Flûte, alto et harpe
2
Flûte traversière, Basse continue
2
Clarinette, trompette et piano
2
Hautbois, Violon, Piano
2
Clarinette, Contrebasse (duo)
1
Flûte, Tuba (duo)
1
2 Hautbois et Basson
1
Clarinette, Alto et Piano (trio)
1
Saxophone, Tuba (duo)
1
2 Hautbois et Cor anglais
1
Flûte, Hautbois, Violon
1
Clarinette, Saxophone, Piano
1
Cornemuse
1
Melodica
1
Hautbois, Basson et Piano
1
Ensemble de Hautbois
1
Clarinette, Orchestre
1
Flute, Cor (duo)
1
Flûte, Violoncelle, Guitare
1
2 Flûtes à bec, Guitare
1
Flûte à bec Alto, Basse continue
1
2 Flûtes, Basse continue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6561
Trombone
5333
Trombone et Piano
3290
Trombone (partie séparée)
3183
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2710
2 Trombones (duo)
1351
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1142
Quatuor de Cuivres
1049
Trompette
940
Trompette, Piano
815
Quatuor de cuivres: 4 trombones
762
Trompette, Trombone (duo)
746
Cor et Piano
638
Trompette (partie séparée)
612
Cor
424
Trompette, Saxophone (duo)
412
2 Trompettes (duo)
326
Ensemble de Trombones
324
Tuba et Piano
314
Tuba
289
Trio de Cuivres
247
3 Trombones (trio)
236
Euphonium, Piano (duo)
219
2 Cors (duo)
153
Cor (partie séparée)
152
Ensemble de Trompettes
148
Cor anglais, Piano
131
Tuba (partie séparée)
117
Trompette, Cor (duo)
108
Quatuor de cuivres: 4 cors
93
Euphonium
81
2 Tubas (duo)
70
Quatuor de cuivres: 2 trompettes, 2 trombones
68
Trombone, Tuba (duo)
65
2 Euphoniums et 2 Tubas
62
Trombone basse
61
Trombone, Cor (duo)
54
Trombone basse et Piano
54
Bass Clef Instruments
52
4 Tubas
47
Instruments en Sib
43
Ensemble de Cors
41
Cor Anglais
38
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
38
Trombone, Violon (duo)
38
Trombone, Orgue
37
Quatuor de cuivres: 4 trompettes
35
Trompette, Trombone, Piano
33
Tuba ou Euphonium ou Saxhorn
33
3 Trompettes (trio)
29
2 Euphoniums (duo)
25
Cor, Violoncelle (duo)
23
Cor anglais, Guitare (duo)
21
Cor, Trompette, Trombone (trio)
18
Trompette, Basson (duo)
18
Euphonium, Tuba (duo)
17
Trompette, Violoncelle (duo)
15
Tuba et Orgue
14
Cor et Basson (duo)
14
Trombone, violoncelle (duo)
13
2 Trombones, Piano
13
3 Cors (trio)
12
3 Tubas (trio)
12
Trombone et orchestre
8
Trompette, Tuba (duo)
8
Trompette, Violoncelle et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
2 Trompettes, Clavier (piano ou orgue)
7
Cor et Orgue
6
Trompette et Guitare
5
Cor, Tuba (duo)
5
Trompette, Harpe
3
3 Euphoniums
3
2 Cors Anglais Et Pianoforte
3
Clarinette, Cor (duo)
3
Trombone, Alto (duo)
3
Cor et Harpe
3
Trompette, Euphonium (duo)
2
Trompette, Orchestre
2
Trompette, violon (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Ensemble de Tubas
1
2 Cors, Piano
1
Cornet et orchestre
1
Instruments en Fa
1
Euphonium (partie séparée)
1
Cornet et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3666
Violon et Piano
1624
Violon
1412
Violoncelle, Piano
1116
Alto, Piano
925
Violoncelle
920
Violon, Violoncelle (duo)
916
Harpe
756
Trio à Cordes: violon, alto, violoncelle
652
2 Violons (duo)
523
Alto seul
493
Violon, Alto (duo)
426
2 Violoncelles (duo)
411
Quintette à cordes: 2 violons, alto, violoncelle, basse
347
2 Altos (duo)
305
Violon (partie séparée)
277
Contrebasse (partie séparée)
243
Contre Basse
237
Contrebasse, Piano (duo)
226
Trio à Cordes: 2 violons, violoncelle
209
Alto (partie séparée)
181
Alto, Violoncelle (duo)
114
Piano Trio: Violon, Alto, Piano
112
4 Violoncelles
102
Violon, Guitare (duo)
86
Trio à cordes: 3 violins
72
2 Harpes (duo)
57
2 Contrebasses (duo)
57
Harpe, Flûte (duo)
53
Trio à Cordes: 3 violoncelles
51
Violoncelle , Guitare (duo)
50
Violoncelle (partie séparée)
49
Quatuor à cordes: 4 violons
38
Trio à cordes: 3 altos
38
Violoncelle, Contrebasse (duo)
37
Violon, Basson (duo)
36
Alto, Guitare (duo)
36
Quatuor à cordes : 4 altos
33
Harpe, Violon (duo)
32
Trio à cordes
28
Harpe, Voix
26
Ensemble de Violons
24
Trio à Cordes: 2 violons, alto
21
Ensemble d'Altos
21
Alto et Basson
20
Alto et Harpe
20
Harpe, Violoncelle (duo)
19
Quintette à cordes: 2 violons, 2 altos, violoncelle
16
Harpe, Trombone (duo)
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Flûte, Contrebasse (duo)
10
Violoncelle, Orgue
9
Ensemble de Violoncelles
7
Violon, Clarinette, Piano (trio)
6
Violon, Orgue
5
Violoncelle, Orchestre
5
Harpe, Violon, Violoncelle
5
3 Harpes
4
4 Contrebasses
4
2 Violons, Piano
4
Autoharp
3
Harpe et Piano
2
Violon, Basse continue
2
Harpe et mandoline
2
5 Harpes
2
2 Violoncelles, Piano
2
Violon, Trompette et Piano
2
Violon, Tuba (duo)
1
Violoncelle, Basse continue
1
Harpe, Quatuor à cordes
1
4 Harpes
1
3 Contrebasses
1
Harpe, Orchestre
1
Alto et orchestre
1
Harpe (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
12250
Ensemble Jazz
2713
Orchestre
2092
Ensemble de cuivres
1638
Orchestre à Cordes
1556
Fanfare
1399
Cloches
675
Orchestre de chambre
566
Jazz combo
467
Batterie
264
Ensemble de Percussions
225
Xylophone
215
Percussion (partie séparée)
132
Batterie (partie séparée)
123
Xylophone, Piano
85
Marimba
64
Percussion
53
Vibraphone
30
2 Xylophones
28
Quintette de Cuivres: autres combinaisons
15
Big band
12
Ensemble d'École
11
Quintette à Vent
10
Timbales (partie séparée)
8
Piano et Orchestre
6
Instrumentation Flexible
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre, Violon
4
2 Marimbas
3
Xylophone (partie séparée)
3
3 Marimbas
3
Marimba ou Xylophone et Piano
3
Timbales
2
Caisse Claire
1
Bodhran
1
Quatuor à Vent : 4 instruments à vents
1
Cajon
1
Bongos
1
2 Percussions
1
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
Orchestre Symphonique
1
Marimba et Orgue
1
3 Percussions
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
11
Théorie de la musique
2
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"Us" for Jazz Trombone Quintet & Rhythm Section
Ensemble de Trombones
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Th…
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Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set of Parts. 45 pages. Published by Cherry Classics Music
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.<br> <br> David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals. <br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.<br> <br> David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals. <br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.
$25.00
22.87 €
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Ensemble de Trombones
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Thad Jones
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Fletcher, David
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"Us" for Jazz Trombone Quintet & Rhythm Section
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Cherry Classics Music
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SheetMusicPlus
E lucevan le stelle from "Tosca" (Puccini) - Solo Trombone or Euphonium and Piano
Trombone et Piano
B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor …
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B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1490460 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and individual part. 10 pages. Rob Bushnell #1067302. Published by Rob Bushnell (A0.1490460). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement (for solo euphonium and piano accompaniment) includes an alternative part for euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHYOther searchable terms: Luciano Pavarotti.
$19.99
18.29 €
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Trombone et Piano
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Giacomo Puccini
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Rob Bushnell
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E lucevan le stelle from "Tosca"
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Rob Bushnell
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SheetMusicPlus
The Ecstasy Of Gold from THE GOOD, THE BAD AND THE UGLY
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528389
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528389 By Metallica. By Ennio Morricone. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Rock,Standards. Score and parts. 11 pages. Diego Marani #5954901. Published by Diego Marani (A0.528389). The Ecstasy of Gold (Italian: L'estasi dell'oro) is a musical composition by Ennio Morricone, part of his score for the 1966 Sergio Leone film The Good, the Bad and the Ugly. It is played while Tuco (Eli Wallach) is frantically searching a cemetery for the grave that holds $200,000 in gold coins. Sung by Edda Dell'Orso, it stands as one of the most well known of Morricone's themes. American metal band Metallica has used The Ecstasy of Gold as the introductory music for its concerts since 1984. New York City-based punk rock band Ramones used this theme as the outro music for their concerts since 1991. This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.It is suitable for classroom, repertoire and recital.
$19.99
18.29 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Metallica
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Diego Marani
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The Ecstasy Of Gold from THE GOOD, THE BAD AND THE UGLY
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Diego Marani
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SheetMusicPlus
Twelve Duos for Trombones based on Armenian Folk Songs
2 Trombones (duo)
Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. …
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Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. 23 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.<br> <br> My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.<br> <br> Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.<br> <br> This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.<br> <br> These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.
$22.50
20.58 €
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2 Trombones (duo)
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Petros Shoujounian
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Twelve Duos for Trombones based on Armenian Folk Songs
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Cherry Classics Music
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SheetMusicPlus
Galliard Battaglia for Trombone Quintet from i Tromboni
Ensemble de Trombones
Trombone Quintet - Advanced - Digital Download Composed by Samuel Scheidt (1587-1654)…
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Trombone Quintet - Advanced - Digital Download Composed by Samuel Scheidt (1587-1654). Arranged by Bennett, Neal. Baroque Period, Renaissance. 22 pages. Published by Cherry Classics Music
Samuel Scheidt's Galliard Battaglia composed around 1621, has become one of the most recognized works in the brass quintet repertoire. This secular work was originally written for five viols. The Galliard dance style, very popular at the time serves as a perfect "foil" for the music's echoing back-and-forth fanfares and brilliant scales.<br> <br> Neal Bennett of iTromboni has done a great job of arranging this music for Trombone quintet of 2 altos (possible on tenor also), 2 tenors & bass, playable by advanced performers. Length is about 2 minutes. <br> <br> The brilliant sound track sample is taken from a live performance by iTromboni.Samuel Scheidt's Galliard Battaglia composed around 1621, has become one of the most recognized works in the brass quintet repertoire. This secular work was originally written for five viols. The Galliard dance style, very popular at the time serves as a perfect "foil" for the music's echoing back-and-forth fanfares and brilliant scales.<br> <br> Neal Bennett of iTromboni has done a great job of arranging this music for Trombone quintet of 2 altos (possible on tenor also), 2 tenors & bass, playable by advanced performers. Length is about 2 minutes. <br> <br> The brilliant sound track sample is taken from a live performance by iTromboni.
$17.50
16.01 €
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Ensemble de Trombones
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Samuel Scheidt (1587-1654)
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Bennett, Neal
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Galliard Battaglia for Trombone Quintet from i Tromboni
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Cherry Classics Music
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SheetMusicPlus
The Ecstasy Of Gold for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
By Ennio Morricone. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published…
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By Ennio Morricone. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani
"The Ecstasy of Gold" (Italian: L'estasi dell'oro) is a musical composition by Ennio Morricone, part of his score for the 1966 Sergio Leone film The Good, the Bad and the Ugly. It is played while Tuco (Eli Wallach) is frantically searching a cemetery for the grave that holds $200,000 in gold coins. Sung by Edda Dell'Orso, it stands as one of the most well known of Morricone's themes. American metal band Metallica has used "The Ecstasy of Gold" as the introductory music for its concerts since 1984. New York City-based punk rock band Ramones used this theme as the outro music for their concerts since 1991. <br> <br> This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.<br> It is suitable for classroom, repertoire and recital."The Ecstasy of Gold" (Italian: L'estasi dell'oro) is a musical composition by Ennio Morricone, part of his score for the 1966 Sergio Leone film The Good, the Bad and the Ugly. It is played while Tuco (Eli Wallach) is frantically searching a cemetery for the grave that holds $200,000 in gold coins. Sung by Edda Dell'Orso, it stands as one of the most well known of Morricone's themes. American metal band Metallica has used "The Ecstasy of Gold" as the introductory music for its concerts since 1984. New York City-based punk rock band Ramones used this theme as the outro music for their concerts since 1991. <br> <br> This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.<br> It is suitable for classroom, repertoire and recital.
$19.99
18.29 €
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Quatuor de Saxophones: 4 saxophones
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Ennio Morricone
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The Ecstasy Of Gold for Saxophone Quartet
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SheetMusicPlus
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
Ensemble de Trombones
Trombone Choir Ensemble - Advanced - Digital Download Composed by Charles Ives (1874-…
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Trombone Choir Ensemble - Advanced - Digital Download Composed by Charles Ives (1874-1954). Arranged by Ross Holcombe. 20th Century, Americana. Score, Set of Parts. 44 pages. Published by Cherry Classics Music
Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.<br> <br> Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven’s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process. <br> <br> The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.<br> <br> This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.<br> <br> Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven’s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process. <br> <br> The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.<br> <br> This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.
$37.50
34.3 €
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Ensemble de Trombones
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Charles Ives (1874-1954)
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Ross Holcombe
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The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
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Cherry Classics Music
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SheetMusicPlus
The Progressive Warm Up-Trombone Edition
Trombone
Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exe…
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Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.5 €
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Trombone
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The Progressive Warm Up-Trombone Edition
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SheetMusicPlus
Tango Pour Claude for Alto Saxophone and Piano
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax, Baritone Sax - Intermediate - Digital Download By Ri…
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Piano Accompaniment, Alto Sax, Baritone Sax - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.<br> Astor strongly encouraged Richard to create the French “New Musette”, as he himself had previously invented the Argentinean “New Tango”.<br> Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,<br> Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.<br> <br> This arrangement for alto sax with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.<br> Astor strongly encouraged Richard to create the French “New Musette”, as he himself had previously invented the Argentinean “New Tango”.<br> Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,<br> Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.<br> <br> This arrangement for alto sax with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99
11.88 €
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Saxophone Alto et Piano
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Richard Galliano
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Tango Pour Claude for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Romanza and Scherzo for solo Bass Trombone and Piano
Trombone basse et Piano
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed b…
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Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
$22.50
20.58 €
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Trombone basse et Piano
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Pierce, Alan
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Romanza and Scherzo for solo Bass Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Debussy: Arabesque 1 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551632 Composed by Cl…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551632 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325663. Published by jmsgu3 (A0.551632). Claude Debussy: Arabesque 1. Duration: ca. 3:30 . Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.14 €
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Saxophone Baryton, Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Debussy: Arabesque 2 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551647 Composed by Cl…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.551647 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5330251. Published by jmsgu3 (A0.551647). Claude Debussy: Arabesque No. Duration ca 3:45Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.14 €
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Saxophone Baryton, Piano
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Fanfare from La Peri for Trombone Quintet
Ensemble de Trombones
Trombone Quintet - Advanced - Digital Download Composed by Paul Dukas (1865- 1935). Ar…
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Trombone Quintet - Advanced - Digital Download Composed by Paul Dukas (1865- 1935). Arranged by Andrew Poirier. 20th Century, Romantic Period, Opera. Score, Set of Parts. 13 pages. Published by Cherry Classics Music
La Peri is a ballet in one act by Paul Dukas, written in 1912 and first performed in Paris. The Fanfare was originally scored for full brass ensemble, however this great arrangement for Trombone Quintet by Andrew Poirier is one of the favorites of the Canadian Trombone Ensemble iTromboni.<br> <br> For advanced performers, the work is about 2 minutes in length.La Peri is a ballet in one act by Paul Dukas, written in 1912 and first performed in Paris. The Fanfare was originally scored for full brass ensemble, however this great arrangement for Trombone Quintet by Andrew Poirier is one of the favorites of the Canadian Trombone Ensemble iTromboni.<br> <br> For advanced performers, the work is about 2 minutes in length.
$22.50
20.58 €
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Ensemble de Trombones
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Paul Dukas
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Andrew Poirier
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Fanfare from La Peri for Trombone Quintet
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Cherry Classics Music
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SheetMusicPlus
The Mask of Zorro main title
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Trumpet, Trombone, Tuba, Horn in F, Brass Quintet - Early Intermediate - Digital Dow…
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Trumpet, Trombone, Tuba, Horn in F, Brass Quintet - Early Intermediate - Digital Download Arranged by Alessandro Macrì. Individual Part, Score, Set of Parts. 11 pages. Published by Music Macri Editions
Right after James Horner wrote the gigantic hit charting Titanic soundtrack he started composing his eponymous The Mask of Zorro. Clocking around the 74 minutes its one of the longer productions from his side. You will recognize his motifs, but in this case these are combined with Hispanic folklore and flamenco. He also composed a song for Marc Anthony and Australian singer Tina Arena called “I Want to Spend My Lifetime Loving You”, charting both in the French and Dutch hit lists. James’ elegant music and wonderful themes bringing the storyline of the movie to higher regions.<br> The instrumental creativity combined with his typical sounds resulting in one if his finest soundtracks from the ‘90s.<br> The Mask of Zorro is a 1998 American film based on the character of the masked vigilante Zorro, portrayed in this movie by Antonio Banderas. The film also stars Anthony Hopkins, Catherine Zeta-Jones, and Stuart Wilson. The Mask of Zorro was released to critical and commercial success.Right after James Horner wrote the gigantic hit charting Titanic soundtrack he started composing his eponymous The Mask of Zorro. Clocking around the 74 minutes its one of the longer productions from his side. You will recognize his motifs, but in this case these are combined with Hispanic folklore and flamenco. He also composed a song for Marc Anthony and Australian singer Tina Arena called “I Want to Spend My Lifetime Loving You”, charting both in the French and Dutch hit lists. James’ elegant music and wonderful themes bringing the storyline of the movie to higher regions.<br> The instrumental creativity combined with his typical sounds resulting in one if his finest soundtracks from the ‘90s.<br> The Mask of Zorro is a 1998 American film based on the character of the masked vigilante Zorro, portrayed in this movie by Antonio Banderas. The film also stars Anthony Hopkins, Catherine Zeta-Jones, and Stuart Wilson. The Mask of Zorro was released to critical and commercial success.
$13.00
11.89 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Alessandro Macrì
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The Mask of Zorro main title
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced Intermediate - Digital Download By The Andrews Sisters. …
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Trombone Quartet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 14 pages. Published by Music for all Occasions
Arranged for Trombone Quartet "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!<br> <br> Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.<br> <br> Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).<br> <br> In Quebec the song has been used for several decades in commercials for Sico paint.<br> <br> In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.<br> <br> This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.<br> <br> In season one of Narcos: Mexico, episode 3 ("El Padrino”), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.<br> <br> The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.<br> <br> Choro (Portuguese pronunciation: [ˈʃoɾu], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.Arranged for Trombone Quartet "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!<br> <br> Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.<br> <br> Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).<br> <br> In Quebec the song has been used for several decades in commercials for Sico paint.<br> <br> In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.<br> <br> This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.<br> <br> In season one of Narcos: Mexico, episode 3 ("El Padrino”), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.<br> <br> The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.<br> <br> Choro (Portuguese pronunciation: [ˈʃoɾu], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
11.88 €
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Quatuor de cuivres: 4 trombones
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
Prelude Op. 3 No. 2 for 8-part Trombone Ensemble
Ensemble de Trombones
Trombone Choir Ensemble Octet - Advanced - Digital Download Composed by Sergei Rachma…
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Trombone Choir Ensemble Octet - Advanced - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Kevin R. Dombrowski. 20th Century, Romantic Period. Score, Set of Parts. 14 pages. Published by Cherry Classics Music
Sergei Rachmaninoff's Prelude Op. 3, No. 2 is one of the composer's most famous compositions and is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes. (Wikipedia).<br> <br> This fantastic arrangement in C minor (the original is in C#) by Kevin Dombrowski for 8-part Trombone Ensemble certainly retains the immense gravity and solemnity of the piano version if not more, with the rich and dramatic sounds of the trombones.<br> <br> The 4-minute arrangement is appropriate for advanced performers.Sergei Rachmaninoff's Prelude Op. 3, No. 2 is one of the composer's most famous compositions and is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes. (Wikipedia).<br> <br> This fantastic arrangement in C minor (the original is in C#) by Kevin Dombrowski for 8-part Trombone Ensemble certainly retains the immense gravity and solemnity of the piano version if not more, with the rich and dramatic sounds of the trombones.<br> <br> The 4-minute arrangement is appropriate for advanced performers.
$30.00
27.44 €
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Ensemble de Trombones
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Sergei Rachmaninoff
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Kevin R
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Prelude Op. 3 No. 2 for 8-part Trombone Ensemble
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Saxophone (partie séparée)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Jos…
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Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Saxophone (partie séparée)
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Slide Ride
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SheetMusicPlus
Recordare (from "Requiem") (F) (Saxophone Quintet - 1 Sop, 1 Alto, 2 Ten, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1108365 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711007. Published by Regis Bookshar (A0.1108365). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophones and 1 Baritone Saxophone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.61 €
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Saxophone Quintet - 1 Sop, 2 Alto, 1 Ten, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1108370 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711010. Published by Regis Bookshar (A0.1108370). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.61 €
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Saxophone Quintet - 3 Alto, 1 Ten, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1108376 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711017. Published by Regis Bookshar (A0.1108376). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Saxophone Quintet, consisting of 3 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.61 €
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Regis Bookshar
#
Recordare
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Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Saxophone Quintet - 2 Alto, 2 Ten, 1 Bari)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1108373 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711013. Published by Regis Bookshar (A0.1108373). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.61 €
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
The First Noel (Trombone Duet)
2 Trombones, Piano
Piano Accompaniment, Trombone, Brass Duet - Early Intermediate - Digital Download C…
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Piano Accompaniment, Trombone, Brass Duet - Early Intermediate - Digital Download Composed by Traditional, Johann Pachelbel. Arranged by Stephen DeCesare. Christian, Sacred, Praise & Worship, Jazz, Christmas. Score, Set of Parts. 16 pages. Published by Exultet Music
One of the most widely used traditional English Christmas carols of all time has now been freshly arranged with jazz harmonies and also utilizes Johann Pachelbel's "Canon In D" and scored as a duet for Trombone with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.One of the most widely used traditional English Christmas carols of all time has now been freshly arranged with jazz harmonies and also utilizes Johann Pachelbel's "Canon In D" and scored as a duet for Trombone with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.56 €
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2 Trombones, Piano
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Traditional, Johann Pachelbel
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Stephen DeCesare
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Worship, Jazz, Christmas
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The First Noel
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SheetMusicPlus
The Magic of Harry Potter: 1st Trombone
Trombone (partie séparée)
Full Orchestra - Digital Download SKU: AX.00-PC-0015970_TN1 1st Trombone. Ar…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015970_TN1 1st Trombone. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015970_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015970_TN1). UPC: 038081451275.The Magic of Harry Potter contains themes from all eight motion pictures in the Harry Potter series. The themes included are Hedwig's Theme and Nimbus 2000 from Harry Potter and the Sorcerer's Stone, Fawkes the Phoenix from Harry Potter and the Chamber of Secrets, Double Trouble from Harry Potter and the Prisoner of Azkaban, Hogwarts' Hymn from Harry Potter and the Goblet of Fire, Dumbledore's Army from Harry Potter and the Order of the Phoenix, Harry and Hermione from Harry Potter and the Half-Blood Prince, Ministry of Magic from Harry Potter and the Deathly Hallows -- Part 1, Showdown from Harry Potter and the Deathly Hallows -- Part 2, and Leaving Hogwarts, which appeared at the end of both the first and last movies. This arrangement is scored for full orchestra, but is completely playable by strings alone. (6:00) This title is available in SmartMusic.
$3.00
2.74 €
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Trombone (partie séparée)
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Michael Story
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The Magic of Harry Potter: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Recordare (from "Requiem") (F) (Trombone Sextet)
Ensemble de Trombones
Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1111397 Composed by…
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Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1111397 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713684. Published by Regis Bookshar (A0.1111397). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Sextet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Sextet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.27 €
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Ensemble de Trombones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Trombone Septet)
Ensemble de Trombones
Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1112148 Composed by…
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Trombone Ensemble Trombone - Level 4 - Digital Download SKU: A0.1112148 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714334. Published by Regis Bookshar (A0.1112148). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Trombone Septet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Trombone Septet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Trombone Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
32.93 €
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Ensemble de Trombones
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
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