Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Op. 47
Non classifié
49
Piano & claviers
Piano, Voix
216
Piano seul
176
Piano Facile
10
Orgue
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Clavecin
2
1 Piano, 4 mains
2
Piano, Voix et Guitare
1
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
2 Guitares (duo)
8
Guitare
7
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
2
Guitare notes et tablatures
1
Voix
Voix Baryton, Piano
12
Chorale SATB
9
Chorale TTBB
2
Voix basse, Piano
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
+ 1 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
15
Flûte traversière et Piano
11
Clarinette et Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Saxophones: 4 saxophones
4
Saxophone Alto et Piano
4
Flûte et Guitare
3
Hautbois, Piano (duo)
3
Clarinette, Guitare (duo)
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette, Basson
2
Quintette de Saxophone: 5 saxophones
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte traversière
2
Trio de Flûtes: 3 flûtes
2
2 Flûtes traversières (duo)
2
Hautbois (partie séparée)
2
5 Flûtes à bec
1
Ensemble de saxophones
1
Piccolo, Piano
1
Ensemble à vent
1
Saxophone Tenor et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Baryton, Piano
1
Saxophone Alto
1
Saxophone Soprano et Piano
1
Clarinette
1
+ 22 instrumentations
Retracter
Cuivres
Trompette, Piano
4
Trombone et Piano
4
Trompette
2
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone basse et Piano
1
Tuba et Piano
1
Euphonium, Tuba (duo)
1
+ 4 instrumentations
Retracter
Cordes
Violon et Piano
21
Violoncelle, Piano
19
Quatuor à cordes: 2 violons, alto, violoncelle
18
Alto, Piano
10
Violon (partie séparée)
6
Violon, Guitare (duo)
4
Violoncelle
4
Violon
2
Alto (partie séparée)
2
Alto seul
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Violoncelle (duo)
2
Violoncelle (partie séparée)
1
Trio à cordes
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre à Cordes
12
Orchestre
11
Orchestre de chambre
3
Orchestre, Violon
2
Ensemble de cuivres
1
Instrumentation Flexible
1
Ensemble Jazz
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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HALLOWEEN
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
Op. 47
Partitions à imprimer
802 partitions trouvées
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801
4 Hymni Mariani, Op.47 (for Clarinet Trio)
#
3 Clarinettes (trio)
#
FACILE
#
Musique Sacrée
#
Franciszek Walczyński
#
Andrew Lamb
#
4 Hymni Mariani, Op.47
#
Andrew Lamb
#
SheetMusicPlus
Clarinet Trio,Woodwind Ensemble Clarinet - Level 2 - SKU: A0.1270743 Composed by Franciszek Walczyński. Arranged by Andrew Lamb. 19th Century,Praise...
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Clarinet Trio,Woodwind Ensemble Clarinet - Level 2 - SKU: A0.1270743 Composed by Franciszek Walczyński. Arranged by Andrew Lamb. 19th Century,Praise & Worship. 15 pages. Andrew Lamb #863118. Published by Andrew Lamb (A0.1270743). Introducing 4 Hymni Mariani, Op.47 – a captivating arrangement for Clarinet Trio, exquisitely composed by Franciszek Walczyński. This sacred hymn, consisting of four movements, has been skillfully adapted for three clarinets, with the added convenience of alternative parts for Eb Clarinet and Eb Alto Clarinet.The arrangement strikes a harmonious balance between beauty and accessibility, making it an ideal choice for intermediate-level clarinet ensembles. Whether you're performing in concerts, recitals, educational settings, or religious ceremonies, 4 Hymni Mariani, Op.47 will enrapture audiences with its spiritual depth and melodic charm.Walczyński's profound composition comes to life through the expressive voices of the clarinet trio, creating an unforgettable musical experience. Each movement weaves a tapestry of emotions, guiding listeners on a journey of reflection and spiritual contemplation.Enrich your clarinet ensemble's repertoire with this versatile arrangement, embracing the power of sacred hymns in a new and captivating form. Elevate your performances with the timeless beauty of 4 Hymni Mariani, Op.47.
$4.00
"Whether Day Reigns" Op.47 N6 Lower key. DICTION SCORE with IPA and translation
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Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
"Whether Day Reigns"
#
Natalia Melnik
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1214660 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Cl...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1214660 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #811647. Published by Natalia Melnik (A0.1214660). P.Tchaikovsky. День ли царит ... / Den' li tsarit... / Whether Day Reigns... Op. 47 No 6. Lower keyRange:C#4 - G5 (Mezzo-Soprano)C#3 - G4 (Baritone)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-whether-day-reigns-op-47-n6-lower-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/zUlrH4dt68o
$8.50
"Whether Day Reigns" Op.47 N6 Original key. DICTION SCORE with IPA and translation
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Piano, Voix
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
"Whether Day Reigns"
#
Natalia Melnik
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1214661 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Cl...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1214661 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #811648. Published by Natalia Melnik (A0.1214661). P.Tchaikovsky. День ли царит ... / Den' li tsarit... / Whether Day Reigns... Op. 47 No 6. Original keyRange:D#4 - A5 (Soprano)D#3 - A4 (Tenor)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-whether-day-reigns-op-47-n6-orig-key-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/zUlrH4dt68o
$8.50
Franciszek Walczyński | 4 Hymni Mariani, Op.47 (for Bassoon Trio)
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3 Bassons
#
FACILE
#
Musique Sacrée
#
Franciszek Walczyński
#
Andrew Lamb
#
Franciszek Walczyński | 4
#
Andrew Lamb
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.1357025 By Franciszek Walczyński. By Franciszek Walczyński. Arranged by Andrew Lamb....
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.1357025 By Franciszek Walczyński. By Franciszek Walczyński. Arranged by Andrew Lamb. 19th Century,Praise & Worship,Sacred. 10 pages. Andrew Lamb #941652. Published by Andrew Lamb (A0.1357025). 🎵 Immerse yourself in the exquisite sounds of Franciszek Walczyński's 4 Hymni Mariani, Op. 47 with this captivating Bassoon Trio adaptation! 🎶 Originally composed for three equal voices, this arrangement is thoughtfully crafted for 3 Bassoons, bringing a new dimension to the timeless melodies. 🎼🌟 Level of Difficulty: Easy 🌟Ideal for both beginners and seasoned musicians, this arrangement promises an effortless yet enchanting performance. 🎻 Whether for a concert or recital, this adaptation adds a touch of classical elegance to any musical setting. 🎹Dive into the musical legacy of Franciszek Walczyński, a Polish composer, Catholic priest, and educator. 🌈 His influence on sacred music is gracefully manifested in this arrangement, showcasing the depth of his creative spirit. 🎺🎉 Elevate your trio performance with the harmonious blend of three Bassoons, creating a rich and resonant experience for both performers and audiences. 🎶👉 This adaptation is more than just notes on paper; it's a journey into the soul of the composer's sacred melodies. 👈🔗 Discover the beauty of 4 Hymni Mariani, Op. 47 through this Bassoon Trio adaptation – a musical experience like no other. 🔗Please like and subscribe for more videos and music arrangements. 🌟.
$4.00
4 Hymni Mariani, Op.47 (for Oboe Trio)
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Musique Sacrée
#
Franciszek Walczyński
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Andrew Lamb
#
4 Hymni Mariani, Op.47
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Andrew Lamb
#
SheetMusicPlus
Woodwind Ensemble English Horn,Oboe Trio - Level 2 - SKU: A0.1337440 By Franciszek Walczyński. By Franciszek Walczyński. Arranged by Andrew Lamb...
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Woodwind Ensemble English Horn,Oboe Trio - Level 2 - SKU: A0.1337440 By Franciszek Walczyński. By Franciszek Walczyński. Arranged by Andrew Lamb. Praise & Worship,Sacred. 11 pages. Andrew Lamb #923266. Published by Andrew Lamb (A0.1337440). 🎶 Immerse yourself in the timeless beauty of Franciszek Walczyński's 4 Hymni Mariani, Op. 47 with this enchanting Oboe/English Horn Trio adaptation! 🎶 Originally composed for three equal voices, this arrangement skillfully weaves the harmonies into a delightful tapestry for 2 Oboes and 1 English Horn. 🎼🌟 Level of Difficulty: Easy 🌟Perfect for both seasoned musicians and those looking to add a touch of classical elegance to their repertoire, this arrangement offers a captivating musical journey. 🎵 Its gentle melodies and harmonious interplay make it an ideal choice for concerts, recitals, or any occasion where the magic of sacred music is appreciated. 🎹🌈 Dive into the rich legacy of Franciszek Walczyński, a Polish composer, Catholic priest, and educator. His profound influence on sacred music in Galicia is beautifully encapsulated in this arrangement. 🎻🎉 Elevate your performance with this arrangement, transporting your audience to a realm of divine melodies and harmonies. 🎺👉 This arrangement is not just about the music; it's about experiencing the spiritual resonance that Franciszek Walczyński envisioned. 👈🔗 Discover the sacred beauty of 4 Hymni Mariani, Op. 47 – an arrangement crafted for the soul. 🔗Please like and subscribe for more videos and music arrangements. 🌟.
$4.00
Op. 47, No. 7: Verse sans fin from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 47, No. 7: Verse sans fin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-40E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-40E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-40E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-40E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 47, No. 3: Chanson, voici
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-36E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 47, No. 1: Page, suis-moi from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 47, No. 1: Page, suis-moi
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-34E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 47, No. 4: Bonjour from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 4: Bonjour from So
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-37E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-37E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-37E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-37E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 47, No. 6: Le doux Sommeil from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 6: Le doux Sommeil
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-39E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-39E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-39E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-39E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 47, No. 5: Adieu from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 5: Adieu from Song
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-38E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-38E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-38E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-38E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 47, No. 2: Que vous ai-je fait? from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 2: Que vous ai-je
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-35E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau difficile)
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Piano seul
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AVANCÉ
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Classique
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau difficile) de Schumann (Robert). Partition pour Pi...
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Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau difficile) de Schumann (Robert). Partition pour Piano seul -- Classique
5.99€
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau intermédiaire)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau intermediaire) de Schumann (Robert). Partition pou...
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Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau intermediaire) de Schumann (Robert). Partition pour Piano seul -- Classique
5.99€
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau très facile)
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Piano seul
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DÉBUTANT
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Classique
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau très facile) de Schumann (Robert). Partitio...
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Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau très facile) de Schumann (Robert). Partition pour Piano seul -- Classique
4.99€
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau intermédiaire/difficile)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau intermediaire/difficile) de Schumann (Robert). Par...
(+)
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau intermediaire/difficile) de Schumann (Robert). Partition pour Piano seul -- Classique
5.99€
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau facile)
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Piano seul
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FACILE
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Classique
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau facile) de Schumann (Robert). Partition pour Piano...
(+)
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau facile) de Schumann (Robert). Partition pour Piano seul -- Classique
4.99€
Schumann : Quatuor avec piano en mi bémol majeur, Op. 47 - III. Andante cantabile (niveau facile/intermédiaire)
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Piano seul
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FACILE
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Classique
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Schumann
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Quatuor avec piano en mi bémo
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Tomplay
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau facile/intermediaire) de Schumann (Robert). Partit...
(+)
Telechargez la partition Piano Quatuor avec piano en mi bemol majeur, Op. 47 - III. Andante cantabile (niveau facile/intermediaire) de Schumann (Robert). Partition pour Piano seul -- Classique
5.99€
Tchaikovsky: Bride's Lament Op. 47 No 7 Lower key (E min). DICTION SCORE with IPA and translation
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Piano, Voix
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AVANCÉ
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Peter Ilyich Tchaikovsky
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Russian for Singers
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Tchaikovsky: Bride's Lament Op
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1409086 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Cl...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1409086 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #991692. Published by Natalia Melnik (A0.1409086). Tchaikovsky: Bride's Lament / Ya li v pole da ne travushka byla / Я ли в поле да не травушка была... Op. 47 No 7 Lower key (E min)Range:D4 - A5FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 We are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to the Russian for Singers YouTube Channel and watch the free video diction tutorials for this and many other Russian songs and ariashttps://www.youtube.com/watch?v=N3pEC-6mp7g&t=33s
$8.50
Bagatelle 1 from 5 Bagatelles for Harmonium and Sting Trio, Op. 47
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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EnsembleSheetMusic
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Sjoerd van der Veen
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Bagatelle 1 from 5 Bagatelles
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Sjoerd van der Veen
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1398604 By EnsembleSheetMusic. By Antonin Dvorak. Arranged by Sjoerd van der Veen. 19th Century,C...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1398604 By EnsembleSheetMusic. By Antonin Dvorak. Arranged by Sjoerd van der Veen. 19th Century,Chamber,Romantic Period,Wedding. 16 pages. Sjoerd van der Veen #981880. Published by Sjoerd van der Veen (A0.1398604). The first bagatelle from 5 Bagatelles for harmonium and string trio, Op. 47 by Antonin Dvorak, in a colorful arrangement for woodwind quintet. This music fits surprisingly well with a wind quintet. The melody lines sound beautifully varied in all voices.The main theme of the set is the opening of the folk song “Hrály dudy†(The bagpipes played). Dvorak really enjoyed writing the Bagatelles, and you can hear that in this lyrical music... and it's a joy to play!
$16.90
Bagatelle 1 from 5 Bagatelles for Harmonium and Sting Trio, Op. 47
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Quatuor de Saxophones: 4 saxophones
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Classique
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EnsembleSheetMusic
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Sjoerd van der Veen
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Bagatelle 1 from 5 Bagatelles
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Sjoerd van der Veen
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1394768 By EnsembleSheetMusic. By Anto...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1394768 By EnsembleSheetMusic. By Antonin Dvorak. Arranged by Sjoerd van der Veen. Classical,Romantic Period. 13 pages. Sjoerd van der Veen #978243. Published by Sjoerd van der Veen (A0.1394768). The first bagatelle from 5 Bagatelles for harmonium and string trio, Op. 47 by Antonin Dvorak, arranged for saxophone quartet.The main theme of the set is the opening of the folk song “Hrály dudy†(The bagpipes played). Dvorak really enjoyed writing the Bagatelles, and you can hear that in this lyrical music... and it's a joy to play!
$13.95
Chopin - Ballade No. 3 in Aâ™ major, Op. 47 - Original For Piano Solo With Fingered
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Piano seul
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AVANCÉ
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Classique
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Frédéric François Cho
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poon
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Chopin - Ballade No. 3 in Aâ
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poon
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1388697 Composed by Frédéric François Chopin. Arranged by poon. Classical. Score. 13 pages. Poon #972202. Publis...
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Piano Solo - Level 5 - SKU: A0.1388697 Composed by Frédéric François Chopin. Arranged by poon. Classical. Score. 13 pages. Poon #972202. Published by poon (A0.1388697). Chopin - Ballade No. 3 in A♠major, Op. 47 - Original For Piano Solo With Fingered.
$1.99
Tchaikovsky: Bride's Lament Op. 47 No 7 Original key. DICTION SCORE with IPA and translation
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Piano, Voix
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AVANCÉ
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Peter Ilyich Tchaikovsky
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Russian for Singers
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Tchaikovsky: Bride's Lament Op
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1314138 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Cl...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1314138 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #902873. Published by Natalia Melnik (A0.1314138). Tchaikovsky: Bride's Lament / Ya li v pole da ne travushka byla / Я ли в поле да не травушка была... Op. 47 No 7 Original key (F-sharp minor)Range:E4 - B5FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/tchaikovsky-bride-s-lament-diction-guideWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the freehttps://www.youtube.com/watch?v=Mkeqo3HNWtk
$8.50
Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro for Clarinet in Bb
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Rainer's Rainbow
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Rainer Grant Roth
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Albeniz 1889 Op 47 Suite Espa
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Rainer's Rainbow
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SheetMusicPlus
A Clarinet Solo,B-Flat Clarinet Solo,Bass Clarinet Solo,E-Flat Clarinet Solo - Level 4 - SKU: A0.902092 By Rainer's Rainbow. By Issac Albeniz. Arranged ...
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A Clarinet Solo,B-Flat Clarinet Solo,Bass Clarinet Solo,E-Flat Clarinet Solo - Level 4 - SKU: A0.902092 By Rainer's Rainbow. By Issac Albeniz. Arranged by Rainer Grant Roth. Romantic Period. Individual part. 2 pages. Rainer's Rainbow #6333397. Published by Rainer's Rainbow (A0.902092). The original piece by Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro, was written for Piano. It is offered here for the first time for a solo Clarinet in Bb.
$5.99
Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro in G minor for Flute
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Rainer's Rainbow
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Rainer Grant Roth
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Albeniz 1889 Op 47 Suite Espa&
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Rainer's Rainbow
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.902095 By Rainer's Rainbow. By Isaac Albeniz. Arranged by Rainer Grant Roth. Latin,Romantic Period. Individual part. 2 pa...
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Flute Solo - Level 4 - SKU: A0.902095 By Rainer's Rainbow. By Isaac Albeniz. Arranged by Rainer Grant Roth. Latin,Romantic Period. Individual part. 2 pages. Rainer's Rainbow #6333405. Published by Rainer's Rainbow (A0.902095). The original piece by Albeniz 1889 Op 47 Suite Española Nr 5 Asturias Leyenda Preludio Allegro, was written for Piano. It is offered here for the first time for a solo Flute in the key of G minor. This arrangement is for advanced players. (unaccompanied).
$4.99
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