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Opening Night: Mallets
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Vous avez sélectionné:
Opening Night: Mallets
Partitions à imprimer
7 partitions trouvées
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Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Opening Night: Mallets
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Orchestre
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Opening Night: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0019084_M1 Instructional. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0019084_M1. Published by Alfred Music - Digi...
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Full Orchestra - SKU: AX.00-PC-0019084_M1 Instructional. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0019084_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0019084_M1). UPC: 038081579269.
$3.00
Academy Nights Remembered (The Music of Diane Warren): Mallets
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Orchestre d'harmonie
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Methodes
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Diane Warren
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Patrick Roszell
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Academy Nights Remembered
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015729_M1 Mallets. Composed by Diane Warren. Arranged by Patrick Roszell. Instructional. Part. 1 pages. Alfred Musi...
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Concert Band - SKU: AX.00-PC-0015729_M1 Mallets. Composed by Diane Warren. Arranged by Patrick Roszell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015729_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015729_M1). UPC: 038081351599.From the opening music right through the end of the awards, this very musical medley has your audience right there! Featuring How Do I Live, Nothings Gonna Stop Us Now, and Because You Love Me, the medley concludes with all the grandeur from the awards broadcast. All composed by award winner Diane Warren, this medley is sure to bring the house down! (5:26).
$3.00
All Night, All Day
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Cloches
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FACILE
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Susan Geschke
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All Night, All Day
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Hope Publishing - Digital
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SheetMusicPlus
Handbells handbell choir (2-3 octaves) - Level 2 - SKU: H1.2265DP Arranged by Susan Geschke. General Worship. Handbell score. 7 pages. Hope Publishing -...
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Handbells handbell choir (2-3 octaves) - Level 2 - SKU: H1.2265DP Arranged by Susan Geschke. General Worship. Handbell score. 7 pages. Hope Publishing - Digital #2265DP. Published by Hope Publishing - Digital (H1.2265DP). Youthful Spiritual From the pen of Susan Geschke comes an accessible 2-3 octave arrangement of this youthful spiritual. Following a simple, transparent opening statement of the tune, the mood becomes spirited as mallets and TD are employed to drive this setting forward with lots of energy. A flowing, worshipful verse provides contrast before returning to the bouncy rhythms for a big finish. Uplifting and fun, this charming Level 2 piece is sure to brighten any worship service or occasion.
$6.25
Ring Praise, O My Soul
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Cloches
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DÉBUTANT
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Noël
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Margaret R Tucker
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Ring Praise, O My Soul
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Chorister's Guild - Digital
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SheetMusicPlus
2 or 3 octaves handbells - Level 1+ - SKU: C7.CGB400 Composed by Margaret R Tucker. Christmas. With 2 octaves handchimes. Score. 8 pages. Chorister's Gu...
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2 or 3 octaves handbells - Level 1+ - SKU: C7.CGB400 Composed by Margaret R Tucker. Christmas. With 2 octaves handchimes. Score. 8 pages. Chorister's Guild - Digital #CGB400. Published by Chorister's Guild - Digital (C7.CGB400). UPC: 749193010341.Hydom, Hydom (Shepherds Watch Their Flocks by Night), an exciting arrangement of the traditional Czech carol, employs numerous handbell techniques: martellato, pluck/mallet, mart lifts, ring, LV, and mallets on suspended bells. A lyrical middle section provides contrast to the vigorous opening and closing sections. Intended to stand alone as a handbell piece, it can also serve as the accompaniment to the unison anthem by Tom Mitchell (CGA787).
$4.50
Hydom, Hydom
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Cloches
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FACILE
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Martha Lynn Thompson and Tom M
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Hydom, Hydom
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB407 Composed by Martha Lynn Thompson and Tom Mitchell. Christmas, General. With Tambourine, Finger C...
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3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB407 Composed by Martha Lynn Thompson and Tom Mitchell. Christmas, General. With Tambourine, Finger Cymbals. Score. 8 pages. Chorister's Guild - Digital #CGB407. Published by Chorister's Guild - Digital (C7.CGB407). UPC: 749193010419.Hydom, Hydom (Shepherds Watch Their Flocks by Night), an exciting arrangement of the traditional Czech carol, employs numerous handbell techniques: martellato, pluck/mallet, mart lifts, ring, LV, and mallets on suspended bells. A lyrical middle section provides contrast to the vigorous opening and closing sections. Intended to stand alone as a handbell piece, it can also serve as the accompaniment to the unison anthem by Tom Mitchell (CGA787).
$4.50
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
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