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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ora Labora--Come, Labor On
Non classifié
60
Piano & claviers
Piano seul
38
Piano Facile
9
Instruments en Do
6
Piano, Voix et Guitare
6
Orgue
5
Piano, Voix
4
1 Piano, 4 mains
2
Clavecin
1
+ 3 instrumentations
Retracter
Guitares
Guitare
3
Guitare notes et tablatures
3
Ukulele
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
Voix
Chorale SATB
10
Voix Soprano, Piano
7
Chorale Unison
6
Voix duo, Piano
5
Voix Alto, Piano
3
Chorale 3 parties
3
Chorale 2 parties
2
Voix duo
1
Chorale SSAA
1
Chorale TTBB
1
Chorale SSAATTBB
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
6
Saxophone Alto et Piano
4
Clarinette et Piano
3
2 Flûtes traversières (duo)
3
Saxophone Tenor et Piano
2
Flûte traversière
2
Clarinette
2
Hautbois, Piano (duo)
2
Ensemble de saxophones
1
Piccolo, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Alto
1
Cor anglais, Piano
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Baryton, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Ensemble de Clarinettes
1
Flûte, Violoncelle, Guitare
1
Clarinette Basse, Piano
1
+ 14 instrumentations
Retracter
Cuivres
Trombone et Piano
5
Trompette
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Piano
2
Trompette, Basson (duo)
1
Cor anglais, Piano
1
3 Euphoniums
1
Euphonium, Piano (duo)
1
Trombone
1
Cor
1
+ 7 instrumentations
Retracter
Cordes
Violon et Piano
7
Violoncelle, Piano
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon, Violoncelle (duo)
4
2 Violons (duo)
3
Violon, Alto (duo)
2
Alto, Piano
2
Violon
2
Violoncelle
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Violon, Violoncelle, Clarinette
1
Harpe, Flûte (duo)
1
Alto seul
1
Harpe
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Orchestre
9
Orchestre à Cordes
2
Orchestre de chambre
2
Cloches
2
Ensemble de Percussions
1
Ensemble Jazz
1
+ 2 instrumentations
Retracter
Autres
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EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Crtitères actifs :
Ora Labora--Come, Labor On
Partitions à imprimer
333 partitions trouvées
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Chorus in D Major from Christmas Oratorio by J. S. Bach
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Alessandro Macrì
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Chorus in D Major from Christm
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.931264 Composed by Johann Sebastian Bach. Arranged by Alessandro Macrì. Baroque,Christm...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.931264 Composed by Johann Sebastian Bach. Arranged by Alessandro Macrì. Baroque,Christmas,Instructional,Sacred. Score and parts. 43 pages. Music Macri Editions #5805697. Published by Music Macri Editions (A0.931264). The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander).The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the Ascension Oratorio (BWV 11) and the Easter Oratorio (BWV 249). All three of these oratorios to some degree parody earlier compositions. The Christmas Oratorio is by far the longest and most complex work of the three.The Christmas Oratorio is in six parts, each part being intended for performance on one of the major feast days of the Christmas period. The piece is often presented as a whole or split into two equal parts. The total running time for the entire work is nearly three hours.The first part (for Christmas Day) describes the Birth of Jesus, the second (for December 26) the annunciation to the shepherds, the third (for December 27) the adoration of the shepherds, the fourth (for New Year's Day) the circumcision and naming of Jesus, the fifth (for the first Sunday after New Year) the journey of the Magi, and the sixth (for Epiphany) the adoration of the Magi.
$21.00
Chorale Partita with Seven Variations for 5-part Tuba Ensemble
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Chorale SATB
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AVANCÉ
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Classique
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Johann Pachelbel
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Terrett, Keith
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Chorale Partita with Seven Var
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Gordon Cherry
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.792121 Composed by Johann Pachelbel. Arranged by Terrett, Keith. Baroque,Classical. Octavo. 19 pages. Gordon C...
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Choral Choir (4-Part) - Level 5 - SKU: A0.792121 Composed by Johann Pachelbel. Arranged by Terrett, Keith. Baroque,Classical. Octavo. 19 pages. Gordon Cherry #3565739. Published by Gordon Cherry (A0.792121). Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen müssen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas. Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Tuba Ensemble quintet of advanced performers.
$20.00
Ding Dong! Merrily on High (Downloadable)
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Chorale SATB
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AVANCÉ
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Noël
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Musique Sacrée
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Robert Rhein
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Ding Dong! Merrily on High
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi (a cappella) - Difficult - SKU: MQ.50-1062-E Composed by Robert Rhein. Christmas, Christmas-Sacred. Instrument part. 15 pages. Morning...
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SATB choir divisi (a cappella) - Difficult - SKU: MQ.50-1062-E Composed by Robert Rhein. Christmas, Christmas-Sacred. Instrument part. 15 pages. MorningStar Music Publishers - Digital Sheet Music #50-1062-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1062-E). Vigorous 8 part a cappella with constant vocal imitation of bells. Elaborate counterpoint and canonic devices. Completely diatonic, harmonically and melodically conservative. Rhythmic ostinatos give non-stop energy leading to dazzling finish. Based on DING DONG MERRILY.
$2.85
Meditation on Veni Creator
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Violoncelle
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FACILE
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Nigel Poole
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Meditation on Veni Creator
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Nigel Poole Music
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.1206928 Composed by Nigel Poole. Classical,Contemporary,Medieval,Sacred. Individual part. 2 pages. Nigel Poole Music #805...
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Cello Solo - Level 2 - SKU: A0.1206928 Composed by Nigel Poole. Classical,Contemporary,Medieval,Sacred. Individual part. 2 pages. Nigel Poole Music #805111. Published by Nigel Poole Music (A0.1206928). A quiet meditation, elaborating on the old plainsong chant, Veni Creator Spiritus.Nigel Poole is a composer based in Canberra, Australia.More information at http://nigelsmusic.net.
$2.50
Organ Improvisation on hymn tune Caswall
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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F
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Enoch Kwasi Boahen
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Organ Improvisation on hymn tu
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Enoch Kwasi Boahen
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1040091 Composed by F. Filitz. Arranged by Enoch Kwasi Boahen. Sacred. Score. 34 pages. Enoch Kwasi Boahen #644704. Published ...
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Organ - Level 3 - SKU: A0.1040091 Composed by F. Filitz. Arranged by Enoch Kwasi Boahen. Sacred. Score. 34 pages. Enoch Kwasi Boahen #644704. Published by Enoch Kwasi Boahen (A0.1040091). This Book uses excerpt Hymn from the “Ancient and Modern Hymnâ€, as well as the “Methodist Hymn Book†to illustrate the various forms of Improvisation. It is very useful for different occasions, including at weddings, church services and concerts, amongst others. It elaborates on the different forms of improvisatory skills that can be found in most pieces dating back to the Baroque and Modern eras. The Mp3 audio below is a sample from this book.
$15.00
Morango ... almost a tango, full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Thomas Oboe Lee
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Morango ... almost a tango, fu
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
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String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
Ave verum
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Chorale SSAATTBB
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Gaetano Lorandi
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Ave verum
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSAATTBB) a cappella - SKU: S9.Q40357 Composed by Gaetano Lorandi. This edition: score. Distinguished Choral Music. Downloadable, Score. Sc...
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Mixed choir (SSAATTBB) a cappella - SKU: S9.Q40357 Composed by Gaetano Lorandi. This edition: score. Distinguished Choral Music. Downloadable, Score. Schott Music - Digital #Q40357. Published by Schott Music - Digital (S9.Q40357). Latin.Gaetano Lorandi's eight-part 'Ave verum' for mixed a-cappella choir was awarded a prize by the jury of the International Federation of Choral Music in 2013 for its high repertoire value and its great elaborateness. Based on the Latin prayer 'Ave verum' from the 14th century, this sacred a-cappella choral work captures the special atmosphere of the mystery of the Eucharist in a musically impressive way. Characterized by dense chromaticism and successive changes of time and dynamics, it is based on a sophisticated handling of the text and a subtle musical language. Thus, the work is a demanding addition to existing Ave verum settings, both with regard to the music and to the performance practice.
$5.99
Game Of Thrones
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Chorale SATB
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INTERMÉDIAIRE
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Ramin Djawadi
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Aletha Jones Jacobs
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Game Of Thrones
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AlethaJacobsMusic
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1490032 By Ramin Djawadi. By Ramin Djawadi. Arranged by Aletha Jones Jacobs. 21st Century,Contempora...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1490032 By Ramin Djawadi. By Ramin Djawadi. Arranged by Aletha Jones Jacobs. 21st Century,Contemporary,Film/TV,Jazz. 67 pages. AlethaJacobsMusic #1066895. Published by AlethaJacobsMusic (A0.1490032). This is a great SATB arrangement for jazz vocal choir with a twist! It starts out similar to the original. It is written in 3/4 but has a definite feel of 6/8. After the initial theme is presented, a jazz waltz feel is introduced with some scat syllable elaborations on the main theme. A great addition to any choir concert, especially when looking for something different with a 3/4 - 6/8 feel. Level 3.
$2.99
Lux in tenebris (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Zebulon M
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Lux in tenebris
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.8705-E Composed by Zebulon M. Highben. Lent, Funeral, Tenebrae. Instrument part. 8 pages. Dur...
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SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.8705-E Composed by Zebulon M. Highben. Lent, Funeral, Tenebrae. Instrument part. 8 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8705-E. Published by E. C. Schirmer Music Company - Digital (MQ.8705-E). Latin. John 1:5.The text of Lux in tenebris—a single verse from the prologue to the gospel of John—was chosen in conjunction with the commissioning party, who requested a sacred text with universal appeal that could address the hopes and fears that all people share. The composition elaborates on the text's juxtaposition between the darkness of despair and the light of hope. Dissonant, layered ostinati built on fragments of the text illustrate the omnipresent darkness (mm. 1-25). The second half of the piece (m. 29ff.) changes key and meter, employing the entire text to emphasize the persistent shining and eternal triumph of the light. Duration: 4:30Lux in tenebris was premiered in December 2016 by the Chamber Singers of First Community Church (Columbus, Ohio) at the church’s annual Candlelight Christmas concert, and reprised for the Holy Week Tenebrae service in April 2017.
$2.25
O Domine Jesu Christe
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Chorale 3 parties
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Classique
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Claudio Monteverdi
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O Domine Jesu Christe
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Oxford University Press Digital
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SheetMusicPlus
SSA chorus unaccompanied - SKU: OX.9780193557000 Composed by Claudio Monteverdi. Sheet music. Octavo. 4 pages. Oxford University Press Digital #97801935...
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SSA chorus unaccompanied - SKU: OX.9780193557000 Composed by Claudio Monteverdi. Sheet music. Octavo. 4 pages. Oxford University Press Digital #9780193557000. Published by Oxford University Press Digital (OX.9780193557000). ISBN 9780193557000.For SSA unaccompanied. This motet in two parts is devotional in character, with each section opening with homophonic writing before elaborating on close imitative polyphonic lines. The text is based on the first two stanzas of a prayer attributed to Pope Gregory I that contemplates the Passion of Our Lord.
$2.85
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Gospel of Grace
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Chorale SATB
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Musique Sacrée
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Mary McDonald
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Gospel of Grace
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano - SKU: LX.10-5425L Composed by Mary McDonald. Rhythm Section. Sacred Anthem, General, Holy Week. Octavo. 12 pages. Lorenz Publishing -...
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SATB choir, Piano - SKU: LX.10-5425L Composed by Mary McDonald. Rhythm Section. Sacred Anthem, General, Holy Week. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5425L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5425L). ISBN 9780787769178.In a relaxed gospel groove, Mary McDonald infuses her creativity and originality into traditional texts and melodies. Drawing from Amazing Grace, an original chorus elaborates on sentiments from the universally loved hymn. A rhythm section can be incorporated to enhance the gospel style.
$2.50
Variations on an Old Appalachian Folksong
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Flûte traversière
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FACILE
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Edgar F Girtain IV
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Variations on an Old Appalachi
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Edgar F. Girtain IV
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SheetMusicPlus
Flute Solo,Soprano Flute - Level 2 - SKU: A0.1365125 Composed by Edgar F Girtain IV. 21st Century,Celtic,Classical,Contest,Festival,Folk,Irish. Individu...
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Flute Solo,Soprano Flute - Level 2 - SKU: A0.1365125 Composed by Edgar F Girtain IV. 21st Century,Celtic,Classical,Contest,Festival,Folk,Irish. Individual part. 4 pages. Edgar F. Girtain IV #949431. Published by Edgar F. Girtain IV (A0.1365125). This original piece for solo flute offers an approachable rendition of the Appalachian folksong 'The Rocky Mountain Top.' The piece starts with a simple and bare theme, and then introduces four variations that elaborate on the melody in interesting ways. These variations add ornamentation and flair to the original tune, providing a pleasant and accessible musical experience for the flutist and listener alike.
$7.00
Chagall Reflection II (Elaboration)
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Piano seul
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INTERMÉDIAIRE
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Robert A
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Chagall Reflection II
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.998788 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 4 pages. Robert A. Howard #6009611. Publ...
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Piano Solo - Level 3 - SKU: A0.998788 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 4 pages. Robert A. Howard #6009611. Published by Robert A. Howard (A0.998788). The church of All Saints Tudeley, outside Maidstone in Kent (England) has stained glass windows like few other churches. Fairly unusually, all of the current windows were designed by a single person, the great Russian twentieth-century artist Marc Chagall. They make for a dazzling spectacle in that small church, as they are characterised by strong, bold colours. However, behind their commissioning lies a heart-wrenching true story as they commemorate the tragic death of a young local girl in a boating accident. This piano piece aims to reflect some of the poignancy of these images. The work is characterised by a constant ostinato pedal (a repeated pattern on a single note). Around this, various triadic harmonies are juxtaposed, as the piece gradually makes what may be interpreted as a 'heavenly' ascent in pitch to the piano's highest register. The piece is highly accessible and is appropriate for most standards of pianist, including students and advanced players.
$2.99
Gigue for solo piano - studies on hexachords #4
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Piano seul
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AVANCÉ
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Contemporain
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Scott Munson
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Gigue for solo piano - studies
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AmeriKlectic Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1016772 Composed by Scott Munson. Contemporary. Score. 6 pages. AmeriKlectic Music #6352759. Published by AmeriKlectic Mu...
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Piano Solo - Level 5 - SKU: A0.1016772 Composed by Scott Munson. Contemporary. Score. 6 pages. AmeriKlectic Music #6352759. Published by AmeriKlectic Music (A0.1016772). A short, fast paced, lively and modern (but not to modern!) gigue for solo piano (duration 2:00).This gigue for solo piano is based on a single hexachord, given at a number of transpositions and often stacked vertically.Inspired by the book Hexachords – a resource for composers by Sonny Kompanek, Mr. Munson's piano piece, #4 in a series, is based on the hexachord 22122.As stated in the Mr. Kompanek's book Each digit represents the number of half steps from the lowest to highest note of the hexachord, reading from left to right. So, at transposition 0, 22122 would represent c,d,e,f,g,a. There are 80 primary hexachords in the 12 tone scale.Yet displacement of notes, stacking of transpositions and other techniques provide a wealth of material. Mr. Munson elaborates: I take many liberties as the piece progresses and develops, where the primary principal that takes over at a point is motivic development – carved out from the principal hexachord. Tonal structures as well are often derived from selecting certain notes from stacked hexachords.
$2.99
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major
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Adrian Gagiu
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
Chorale Prelude on Rockingham (When I survey the wondrous cross)
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Orgue
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Musique Sacrée
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Chris Kovarik
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Chorale Prelude on Rockingham
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Chris Kovarik
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SheetMusicPlus
Instrumental Solo,Organ - SKU: A0.1374145 Composed by Chris Kovarik. Classical,Lent,Praise & Worship,Sacred. Individual part. 7 pages. Chris Kovarik #95...
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Instrumental Solo,Organ - SKU: A0.1374145 Composed by Chris Kovarik. Classical,Lent,Praise & Worship,Sacred. Individual part. 7 pages. Chris Kovarik #958719. Published by Chris Kovarik (A0.1374145). Chorale Prelude on Rockingham (composed 2018, duration ca. 4’ 10â€). The text most commonly associated with this tune (When I survey the wondrous cross) is reflective, and inward looking. In it the writer marvels at the depth of God’s love for us, and is humbled by the vastness of our challenge in reciprocating it. We can only stand in awe at the impossibility of our task. Likewise the task of the arranger who tries to capture, in music, a fraction of these feelings. The piece begins very simply and grows more complex, with each statement of the hymn tune more elaborate than the last. Flowing triplets keep the motion going, and the rich harmonic palette is accentuated by several unexpected modulations. The mood is serene, though not always quiet, and often with uncertainty bubbling right under the surface.
$3.99
Sandcastle Underneath the Sea
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Chorale 2 parties
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DÉBUTANT
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Contemporain
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Katherine Ruhle
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Sandcastle Underneath the Sea
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Katherine Louise Ruhle
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.827177 Composed by Katherine Ruhle. Contemporary. Octavo. 8 pages. Katherine Louise Ruhle #4299533. Published by K...
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Choral Choir (SA) - Level 1 - SKU: A0.827177 Composed by Katherine Ruhle. Contemporary. Octavo. 8 pages. Katherine Louise Ruhle #4299533. Published by Katherine Louise Ruhle (A0.827177). Sandcastle Underneath the Sea is a beautiful song composed especially for young voices. Through it's haunting melodic line and exquisite piano accompaniment, this composition portrays a magical underwater world where the Japanese Puffer Fish makes elaborate sandcastles on the ocean floor. With it's clever use of echo singing and an optional harmony part, this piece is well suited for choirs starting to sing in two parts. Sandcastle Underneath the Sea is sure to be a favourite with choirs and with audiences. .
$2.50
Mein Fahrrad
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Chorale TTBB
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INTERMÉDIAIRE
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Die Prinzen
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Sophia Transistor
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Mein Fahrrad
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Sophia Transistor
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.851134 By Die Prinzen. By Sebastian Krumbiegel and Tobias Kuenzel. Arranged by Sophia Transistor. A Cappella. Oc...
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Choral Choir (TTBB) - Level 3 - SKU: A0.851134 By Die Prinzen. By Sebastian Krumbiegel and Tobias Kuenzel. Arranged by Sophia Transistor. A Cappella. Octavo. 25 pages. Sophia Transistor #6401511. Published by Sophia Transistor (A0.851134). Description mostly in German, because this song is also in german ;-):Ein Lied über Bipolartransistoren aus Siliziumkarbid in der Leistungselektronik. Ein A-Capella Arrangement des Songs mein Fahrrad von den Prinzen, umgedichtet von Sophia Transistor zu einer Elektrotechniker-Hymne.Lyrics:1. Strophe:Ja ich frag'mich immer wieder,warum gibt's so wenig Liederüber Leistungselektronikoder Halbleiterphysik.das sind Themen, die Bewegennen' Antrieb oder Strom.Betriebszustände: active, desat,failure, off and on.2. Strophe:Mein schöner Bipolartransistor,leitet vorwärts richtig gut,auch sein Steuerstrom ist kraftvoll,Treiber bauen kostet Mut.Soviel kann dabei passieren,wer soll das dann reparieren?Desatschutz und Bypass,sicheres Booting das macht Spaß!REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.3. Strophe:Diese Manager, die meinen:Transistorforschung darf nicht bleiben!Hör'n nicht die Physikerproteste:Unser Bipo ist der Beste!Ingenieure sollen's bauen:Ihr schafft das, hab't vertrauen!Zu spät, der Bipo ist vom Markt verbannt,obwohl zu recht total verkannt.REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.Referenzen / Quellenangabe:https://de.wikipedia.org/wiki/SiliciumEigene alte Power Point Präsentationen von mir (Sophia Transistor)Power Semiconductor Deviceshttps://de.wikipedia.org/wiki/Gallium-Arsenidhttps://en.wikipedia.org/wiki/History_of_the_transistorEigene Aufnahmen aus meiner LaborarbeitszeitNotenreferenz (keine Sorge, dieses Stück ist Teil des SMP arrange-me Programmes, das bedeutet: Arrangieren erlaubt: Copyright © BMG RIGHTS MANAGEMENT GMBH (GERMANY) / LAKEWORTH MUSIC PUBLISHING): Gesangsstimmen:- Part: Solo Voice (Tenor oder Alt) einmal auf 2 Notenseiten und einmal kleiner auf nur einer Seite notiert- Part: 2nd Voice (Alt oder Tenor)- Part: 3rd Voice (Tenor)- Part: 4th Voice (Baritone)- Part: Percussive Baritone (optional)- Part: 5th Voice (Bass)Instrumente (optional):- Part: Piano; ausgeschriebene Klavierbegleitung mit zusätzlichen Akkordsymbolen auf 2 Seiten- Part: Basslinie notiert in C und im Bassschlüssel (Kontrabass, E-Bass, Posaune, Tenorhorn, etc.) notiert auf einer Seite + zusätzlichen Akkordsymbolen- Part: Percussive Bassline (optional zum Gesangspart), ebenfalls als Bassstimme notiert- Part: Drum Set; Schlagzeugnotation (Fahrradklingel steht auch drin)Ultimatives Chor Noten Arrangement von Mein Fahrrad - A Capella Version umgedichtet zu einem Transistor Song.Inhaltsangabe mit timestamps: 00:00 Intro mit Sophia an der Gitarre00:18 Das großartige Transistorlied02:15 Outro mit Gitarre und übertriebenen Laboreinsichten voller Elektronik03:34 Doppelseitig gekühltes package mit rosa Blümchen und SchmetterlingenVideo created, arranged, performed and edited by Sophia Transistor* Disclaimer: Ich habe einen Tonumfang von maximal 2 Oktaven und kann sehr tief singen. Die Bassstimme kann also auch von manchen Frauen komplett ausgefüllt werden.YouTube.
$14.99
Higher Ground
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Chorale Unison
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Charles H
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Colin P
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Higher Ground
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Flying Baton Publications
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.965380 Composed by Charles H. Gabriel, Johnson Oatman, and Jr. Arranged by Colin P. Langille. Christian,Gospel...
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Choral Choir (Unison) - Level 2 - SKU: A0.965380 Composed by Charles H. Gabriel, Johnson Oatman, and Jr. Arranged by Colin P. Langille. Christian,Gospel,Praise & Worship,Sacred. Octavo. 9 pages. Flying Baton Publications #5204073. Published by Flying Baton Publications (A0.965380). While this arrangement can be performed as an instrumental, it was conceived as the hymn was originally intended: for congregational worship, and includes lyrics for multiple verses. This arrangement uses a very basic choral texture during the hymn itself, saving any elaborations for the instrumental introduction and conclusion.Higher Ground can also be found in my collection of hymn arrangements--The Solid Ground - Volume 2, also for sale on Sheet Music Plus: https://www.sheetmusicplus.com/title/the-solid-rock-volume-2-digital-sheet-music/21673336?ac=1. Volumes 1 and 3 are also available on this site.
$8.99
Céad Míle Fáilte Romhat
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Folklorique/Traditionel
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Irish Traditional
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Thomas Quigley
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Céad Míle F&aacu
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Thomas Quigley
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.731815 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Christian,Holiday,Praise & Worship. Octa...
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Choral Choir (SAB) - Level 3 - SKU: A0.731815 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Christian,Holiday,Praise & Worship. Octavo. 6 pages. Thomas Quigley #3393837. Published by Thomas Quigley (A0.731815). The well-known traditional Irish hymn is fairly elaborately treated in this arrangement. A rich and flowing piano accompaniment enhances the singers - especially at the climax point with its densely textured chords. After the glorious fortissimo the music ends quietly on a sustained chord. This is a very suitable choice for a school or Church choir to perform at a liturgical ceremony. Singers will like the part-writing, with the melody interchanging among the voices and the congregation will find it fulfilling, inspirational and uplifting. It is possible to sing it in Church on St. Patrick's Day.
$2.00
Chorale Partita with Seven Variations for Trombone Quintet
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Classique
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Johann Pachelbel
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Keith Terrett
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Chorale Partita with Seven Var
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792468 Composed by Johann Pachelbel. Arranged by Keith Terrett. Baroque,Classical,Renaissance. Score and par...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792468 Composed by Johann Pachelbel. Arranged by Keith Terrett. Baroque,Classical,Renaissance. Score and parts. 19 pages. Gordon Cherry #4988169. Published by Gordon Cherry (A0.792468). Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen müssen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas. Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Trombone quintet of advanced performers.
$20.00
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Ora Labora--Come, Labor On