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Organ Symphony VI
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--INSTRUMENTS--
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Crtitères actifs :
Organ Symphony VI
Partitions à imprimer
3 partitions trouvées
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Organ Symphony VI
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Classique
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Charles Marie Widor and Widor
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Nelson Ramos
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Organ Symphony VI
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Alto Saxophone,B-Flat Clarinet,Flute,Horn,Piano,Soprano Saxophone,Trombone - Level 4 - SKU: A0.1141660 Composed by Charles Marie Widor and Widor. Arrang...
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Alto Saxophone,B-Flat Clarinet,Flute,Horn,Piano,Soprano Saxophone,Trombone - Level 4 - SKU: A0.1141660 Composed by Charles Marie Widor and Widor. Arranged by Nelson Ramos. 19th Century,Chamber,Classical,Romantic Period. 33 pages. Published / Arranged by Nelson Ramos #742004. Published by Published / Arranged by Nelson Ramos (A0.1141660). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, which takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.Contact me for the parts PDF, and having been shown proof of acquisition, I will gladly send them.I adapted/arranged this Organ Symphony for a Mixed Ensemble, constituted by Piano, Soprano and Alto Saxophone, Flute, Clarinet in Bb, Trombone and French Horn, apropos of a small project I used to have with a class at EAB, in Portugal – that explains the unusual orchestration. Inasmuch as there was no tuba, the French Horn part, played by myself, had to play really low notes.
$20.00
Swedish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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Keith Terrett
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Keith Terrett
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Swedish National Anthem for Sy
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.746958 By Keith Terrett. By Alberich Zwyssig. Arranged by Keith Terrett. Classical,Multicultural,Patriotic,Traditiona...
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Full Orchestra - Level 3 - SKU: A0.746958 By Keith Terrett. By Alberich Zwyssig. Arranged by Keith Terrett. Classical,Multicultural,Patriotic,Traditional,World. 29 pages. Keith Terrett #5033583. Published by Keith Terrett (A0.746958). Arranged for the Orchestre national d'ÃŽle-de-France, The Swiss Psalm (German: Schweizerpsalm [ˈʃvaɪtsÉ™rËŒpsalm] / Trittst im Morgenrot daher...; French: Cantique suisse, [kɑ̃tik sÉ¥is]; Italian: Salmo svizzero, [ˈsalmo ˈzvittsero]; Romansh: Psalm Svizzer, [ˈ(p)salm ˈʒviËtser]) is the national anthem of Switzerland.It was composed in 1841, by Alberich Zwyssig (1808–1854). Since then, it has been frequently sung at patriotic events. The Federal Council declined, however, on numerous occasions to accept the psalm as the official anthem. This was because the council wanted the people to express their say on what they wanted as a national anthem. From 1961 to 1981, it provisionally replaced Rufst du, mein Vaterland (When You Call, My Country; French Ô monts indépendants; Italian Ci chiami o patria, Romansh E clomas, tger paeis), the anthem by Johann Rudolf Wyss (1743–1818) that was set to the melody of God Save the King. On 1 April 1981, the Swiss Psalm was declared the official Swiss national anthem.In 2014, the Société suisse d'utilité publique [fr] organized a public competition and unofficial vote to change the lyrics of the national anthem.
$38.00
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
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Organ Symphony VI