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AUTRES
Vous avez sélectionné:
Organ or Piano Solo
Partitions à imprimer
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3151
Air for Organ or Piano
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.984489 Composed by Jonathan Battish…
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Piano Solo - Level 2 - Digital Download SKU: A0.984489 Composed by Jonathan Battishill. Arranged by (b. 1940), A.Mus.D, and Robert M. Thompson. Classical,Sacred. Score. 1 pages. Bob Thompson #6119025. Published by Bob Thompson (A0.984489). Beautiful short easy piece for organ or piano. Battishill was a famous concert tenor, chorister at St. Paul's Cathedral, London, William Boyce's assistant, harpsichordist, organist, composer of church music, conductor Covent Garden and noted improviser. .
$7.50
6.72 €
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Piano seul
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Jonathan Battishill
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(b
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Air for Organ or Piano
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Bob Thompson
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SheetMusicPlus
Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in Gb Major
Orgue
Organ - Level 2 - Digital Download SKU: A0.1499254 Composed by Tomas Luis de Victor…
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Organ - Level 2 - Digital Download SKU: A0.1499254 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. Score. 2 pages. Müller Publishing company #1075306. Published by Müller Publishing company (A0.1499254). Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in Gb MajorExplore the richness of Renaissance music with Ave Maria by Tomás Luis de Victoria, edited for organ or piano solo by L. Müller. This edition captures the serene and contemplative essence of the original work, sensitively adapted for keyboard instruments. Ideal for performances or liturgical use, this sheet music offers a unique opportunity for instrumentalists to interpret one of the gems of sacred Renaissance music.
$5.99
5.36 €
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Orgue
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Tomas Luis de Victoria
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L
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Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in Gb Major
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Müller Publishing company
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SheetMusicPlus
Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in Ab Major
Orgue
Organ - Level 2 - Digital Download SKU: A0.1499256 Composed by Tomas Luis de Victor…
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Organ - Level 2 - Digital Download SKU: A0.1499256 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. Score. 2 pages. Müller Publishing company #1075308. Published by Müller Publishing company (A0.1499256). Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in Ab MajorExplore the richness of Renaissance music with Ave Maria by Tomás Luis de Victoria, edited for organ or piano solo by L. Müller. This edition captures the serene and contemplative essence of the original work, sensitively adapted for keyboard instruments. Ideal for performances or liturgical use, this sheet music offers a unique opportunity for instrumentalists to interpret one of the gems of sacred Renaissance music.
$5.99
5.36 €
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Orgue
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Tomas Luis de Victoria
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L
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Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in Ab Major
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Müller Publishing company
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SheetMusicPlus
Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in F Major
Orgue
Organ - Level 2 - Digital Download SKU: A0.1499253 Composed by Tomas Luis de Victor…
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Organ - Level 2 - Digital Download SKU: A0.1499253 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. Score. 2 pages. Müller Publishing company #1075305. Published by Müller Publishing company (A0.1499253). Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in F MajorExplore the richness of Renaissance music with Ave Maria by Tomás Luis de Victoria, edited for organ or piano solo by L. Müller. This edition captures the serene and contemplative essence of the original work, sensitively adapted for keyboard instruments. Ideal for performances or liturgical use, this sheet music offers a unique opportunity for instrumentalists to interpret one of the gems of sacred Renaissance music.
$5.99
5.36 €
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Orgue
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Tomas Luis de Victoria
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L
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Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in F Major
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Müller Publishing company
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SheetMusicPlus
Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in G Major
Orgue
Organ - Level 2 - Digital Download SKU: A0.1499255 Composed by Tomas Luis de Victor…
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Organ - Level 2 - Digital Download SKU: A0.1499255 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. Score. 2 pages. Müller Publishing company #1075307. Published by Müller Publishing company (A0.1499255). Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in G MajorExplore the richness of Renaissance music with Ave Maria by Tomás Luis de Victoria, edited for organ or piano solo by L. Müller. This edition captures the serene and contemplative essence of the original work, sensitively adapted for keyboard instruments. Ideal for performances or liturgical use, this sheet music offers a unique opportunity for instrumentalists to interpret one of the gems of sacred Renaissance music.
$5.99
5.36 €
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Orgue
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Tomas Luis de Victoria
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L
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Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in G Major
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Müller Publishing company
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SheetMusicPlus
Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in A Major
Orgue
Organ - Level 2 - Digital Download SKU: A0.1499382 Composed by Tomas Luis de Victor…
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Organ - Level 2 - Digital Download SKU: A0.1499382 Composed by Tomas Luis de Victoria. Arranged by L. Müller. A Cappella,Christian,Classical,Renaissance,Sacred. Score. 2 pages. Müller Publishing company #1075309. Published by Müller Publishing company (A0.1499382). Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in A MajorExplore the richness of Renaissance music with Ave Maria by Tomás Luis de Victoria, edited for organ or piano solo by L. Müller. This edition captures the serene and contemplative essence of the original work, sensitively adapted for keyboard instruments. Ideal for performances or liturgical use, this sheet music offers a unique opportunity for instrumentalists to interpret one of the gems of sacred Renaissance music.
$5.99
5.36 €
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Orgue
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Tomas Luis de Victoria
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L
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Ave Maria - Tomas Luis de Victoria - for Organ or Piano Solo - in A Major
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Müller Publishing company
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SheetMusicPlus
FAITH OF OUR FATHERS - Euphonium/Trombone Solo with Organ or Piano Accompaniment
Accompagnement Piano
Instrumental Duet Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU…
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Instrumental Duet Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.806764 Composed by Henri Hemy. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 15 pages. Arrangements by GPoehlmann #5820843. Published by arrangements by GPoehlmann (A0.806764). FAITH OF OUR FATHERS - Euphonium (or Trombone) Solo with Organ (or Piano) accompaniment.117 measures. Performance Time approx. 4:05. Key: F - G - Ab. Meter:3/4 - 4/4. Medium in Difficulty.Instrument Ranges (C4=middle C): Euphonium/Trombone Ab2 - F4 (opt. A4). Baritone TC part included. Bb3 - G5Organ and Piano Accompaniment parts provided.
$6.00
5.37 €
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Accompagnement Piano
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Henri Hemy
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Glen Poehlmann
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FAITH OF OUR FATHERS - Euphonium/Trombone Solo with Organ or Piano Accompaniment
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arrangements by GPoehlmann
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SheetMusicPlus
Wedding March (Bridal Chorus from 'Lohengrin': Here Comes The Bride) - organ or piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.563239 Composed by Richard Wagner. …
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Piano Solo - Level 4 - Digital Download SKU: A0.563239 Composed by Richard Wagner. Arranged by Austin Ralphson. Opera,Romantic Period,Standards,Wedding. Score. 3 pages. Austin Ralphson #3510569. Published by Austin Ralphson (A0.563239). Wagner's famous Bridal Chorus from 'Lohengrin' has become a classic choice for brides to walk down the aisle to. It is presented here for organ or piano, and includes the contrasting B section as well as two options for the end.
$3.99
3.57 €
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Piano seul
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Richard Wagner
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Austin Ralphson
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Wedding March
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Austin Ralphson
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SheetMusicPlus
The Staff of Faith (My Faith It Is an Oaken Staff) for oboe & piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1399185 By Hilton Kean Jones. By Sw…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1399185 By Hilton Kean Jones. By Swiss folk melody. Arranged by Hilton Kean Jones. Christian,Religious,Sacred. Score and part. 7 pages. Hilton Kean Jones #982482. Published by Hilton Kean Jones (A0.1399185). A fun piece to play, especially the center section. May be performed as a solo trumpt piece with organ (or piano) accompaniment, or as an accompaniment to congregational singing of the familiar hymn. PDF contains full score (trumpet and organ) plus extracted trumpet part.
$6.99
6.26 €
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Hautbois, Piano (duo)
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Hilton Kean Jones
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Hilton Kean Jones
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The Staff of Faith
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Hilton Kean Jones
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SheetMusicPlus
Pachelbel: Canon in D for Solo Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1096204 Composed by Johann Pachelbe…
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Piano Solo - Level 3 - Digital Download SKU: A0.1096204 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score. 4 pages. Jmsgu3 #700167. Published by jmsgu3 (A0.1096204). Score: 4 pages. Duration: 2:27. The famous Pachelbel Canon arranged for Solo Piano. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
29.51 €
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Piano seul
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Solo Piano
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jmsgu3
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SheetMusicPlus
No Fear in Love (piano/tenor)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1465260 Composed by Melody M…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1465260 Composed by Melody Mills. Arranged by Jon Burr. Christian,Religious,Sacred. Score. 5 pages. Melody Mills #1043957. Published by Melody Mills (A0.1465260). Sacred Solo for church service. Available in 2 versions for Tenor, organ or piano.Lyrics include these words:Strengthened in the inner man,when you're ready for the plan of God.Perfect Love has perfect peace;therefore set your heart at ease in God.In the place where[chorus]There is no fear in Love,There is no fear to obey;No intimidation, No terror night or day;Expect no limitation,since Love will guide the way.There is no fear in Love, no fear in Love.
$4.27
3.82 €
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Piano, Voix
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Melody Mills
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Jon Burr
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No Fear in Love
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Melody Mills
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SheetMusicPlus
Resurrections ~ Awake (Celeste Piano Collections)
Piano Facile
Piano Solo - Early Intermediate - Digital Download Composed by Lena Raine. Arranged…
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Piano Solo - Early Intermediate - Digital Download Composed by Lena Raine. Arranged by Trevor Alan Gomes. Movies, TV. 11 pages. Published by Materia Editions
Music from the official Celeste Piano Collections, composed by Lena Raine, arranged and performed by Trevor Alan Gomes, and engraved by David Peacock.<br> <br> Digital album available on bandcamp, iTunes, Spotify, and elsewhere. Limited edition CDs and vinyl available. Also available as a physical book!<br> <br> Capturing the echoed, persistent sound of the arpeggios in this tune was a particular joy. I find that the result is very satisfying and comfortable to play; the secret is taking your time and never letting the tempo feel too rushed, allowing the notes of each arpeggio to unfurl organically. The arrival of the groovier, backbeat-driven section keeps that sort of calm, collected feeling, even as the intensity is rising. Then the final section creates a false sense of security before launching into the ferocious opening of Awake!<br> <br> Part of what makes the music of Celeste compelling is the high energy that so many of the tracks have. Lena is particularly skilled in creating rhythmically-saturated, high octane grooves. In this particular arrangement, the way I chose to capture that was through constant 16ths in the right hand, almost like a Chopin etude or Hanon exercise might have. While the bulk of this track is certain to keep you “awake,” the ending brings the themes to a melancholy conclusion.
$3.99
3.57 €
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Piano Facile
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Lena Raine
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Trevor Alan Gomes
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Resurrections ~ Awake
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Materia Editions
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SheetMusicPlus
Bach-Gounod: Ave Maria for Clarinet and Piano
Clarinette et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.12 €
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Clarinette et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Clarinet and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.12 €
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.12 €
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Saxophone Alto et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute and Piano
Flûte traversière et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.12 €
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Flûte traversière et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Flute and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Schubert: Mass in G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) Vocal Score
Piano seul
Piano Solo - Digital Download SKU: A0.768511 Composed by Franz Schubert. Arranged b…
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Piano Solo - Digital Download SKU: A0.768511 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score. 58 pages. KVAMusic Edition #5321077. Published by KVAMusic Edition (A0.768511). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$10.00
8.96 €
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Piano seul
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Franz Schubert
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Roar Kvam
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Schubert: Mass in G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Hommage an Ursula [piano solo]
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa S…
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Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00
3.58 €
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Piano seul
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
”Wachet auf, ruft uns die Stimme“ Trancribed By Ferruccio Busoni - For Piano
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-…
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Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque Period, Sacred, Christmas, Easter, Recital. Score. 8 pages. Published by Flavio Regis Cunha
Choralvorspiel ”Wachet auf, ruft uns die Stimme“<br> <br> Trancribed By Ferruccio Benvenuto Busoni - For Piano<br> <br> Wachet auf, ruft uns die Stimme, BWV 645 adheres pointedly to the melodic and rhythmic contours of one of Bach’s most indelible chorales.<br> <br> "Wachet auf, ruft uns die Stimme" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "Wie schön leuchtet der Morgenstern". It appears in German hymnals and in several English hymnals in translations such as "Wake, Awake, for Night Is Flying" (Catherine Winkworth, "Wake, O wake! with tidings thrilling" (Francis Crawford Burkitt, 1906), and "Up! Awake! From Highest Steeple" (George Ratcliffe Woodward, 1908). Johann Sebastian Bach based a chorale cantata on the hymn, Wachet auf, ruft uns die Stimme, BWV 140, one of its many settings for organ and for voices.<br> <br> Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$5.99
5.36 €
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Piano seul
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Johann Sebastian Bach
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Flavio Regis Cunha
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”Wachet auf, ruft uns die Stimme“ Trancribed By Ferruccio Busoni - For Piano
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Flavio Regis Cunha
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz) - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download By Judy Garland. Arranged by Mario Stall…
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Piano Solo - Intermediate - Digital Download By Judy Garland. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "Over the Rainbow" on piano!<br> <br> With this piano sheet music, you can play "Over the Rainbow" in a beautiful arrangement, with just the right amount of jazzy chords and "blue notes".<br> <br> The full melody of the song is included in the piano part, so it sounds great when it's just played as an instrumental version. But of course, you can use these sheets to accompany singers, or sing along yourself as well!<br> <br> The famous ballad "Over the Rainbow" was composed by Harold Arlen for the 1939 film "The Wizard of Oz" starring Judy Garland (as Dorothy Gale), Frank Morgan abd Ray Bolger.<br> <br> The film is certainly one of Judy Garland's most famous works, and her performance of "Over the Rainbow" is one of the reasons!<br> "Over the Rainbow" won an Academy Award for "Best Original Song" in 1940.<br> <br> If you like this arrangement, please consider leaving a review - it would mean a lot!
$4.99
4.47 €
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Piano seul
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Judy Garland
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Mario Stallbaumer
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Over The Rainbow
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Mario Stallbaumer
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SheetMusicPlus
The Holy City Piano Organ Duet Advanced
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.848636 Composed by ADAMS. Ar…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.848636 Composed by ADAMS. Arranged by Gene Roberson. Concert,Contemporary,Easter,Sacred. Score. 12 pages. Gene Roberson #4320817. Published by Gene Roberson (A0.848636). Here is the famous Vocal song The Holy City arranged for Organ and Piano Duet.Different intro, and harmonies with typical advanced piano styles. Organ part has suggestions for registrations on the pipe organ. Can also be played on Hammond Organs or Synths,The audio sample war recorded on my Technics Keyboard with multiple patches to give you an idea of the arrangement.Perfect for concerts, recitals, and worship service solos.
$4.99
4.47 €
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Piano, Voix
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ADAMS
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Gene Roberson
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The Holy City Piano Organ Duet Advanced
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Gene Roberson
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SheetMusicPlus
Robe Yourself with Joy and Gladness (Piano or Organ solo)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1245797 Composed by W…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1245797 Composed by Words: Johann Franck, tr. Catherine Winkworth / Music: Lyndell Leatherman. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #840629. Published by Leatherman Music Services (A0.1245797). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).In addition, you will find my FESTIVAL CHOIR arrangement of this hymn here: https://www.arrangeme.com/title/436143And I have published a PIANO/ORGAN duet of the hymn here: https://www.arrangeme.com/title/436144Finally, to facilitate congregational involvement, I have created a four-part hymn-style arrangement of this hymn here: ************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
2.68 €
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Piano, Voix et Guitare
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Words: Johann Franck, tr
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Lyndell Leatherman
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some were not
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Robe Yourself with Joy and Gladness
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Leatherman Music Services
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SheetMusicPlus
Andante from Organ Concerto Op. 7 no. 1 (G.F. Handel) - Organ-piano duet
Orgue, Piano (duo)
Instrumental Duet,Organ - Level 5 - Digital Download SKU: A0.901730 Composed by Geo…
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Instrumental Duet,Organ - Level 5 - Digital Download SKU: A0.901730 Composed by George Frideric Handel. Arranged by C. van Graan. Baroque,Classical. 9 pages. C. van Graan #6204289. Published by C. van Graan (A0.901730). Originally a concerto for organ accompanied by orchestra, this second movement (Andante) from Handel's Organ Concerto Op. 7 no. 1 in B-flat major has been adapted for organ and piano!The organ part is mostly unabridged; a few pedal notes were added to enhance the harmonies in the piano part, and bars 105-112 are played by the piano in this arrangement.The piano part is mostly an orchestral reduction; a few sustained chords were added during the long organ solo towards the end.This movement is more or less four minutes in duration. The piano part ranges in level from Intermediate to Advanced Intermediate, and the organ part is for an advanced organist. The score shows both parts: the organ part at the top, and the piano part at the bottom.
$9.99
8.95 €
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Orgue, Piano (duo)
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George Frideric Handel
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C
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Andante from Organ Concerto Op. 7 no. 1
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C. van Graan
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SheetMusicPlus
Agnus Dei for High or Medium Voice and Organ
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.882264 Composed by G. F. Han…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.882264 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score. 7 pages. Adrian D Biggs #5728909. Published by Adrian D Biggs (A0.882264). Agnus dei for high or medium Solo Voice and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (SSA, SAB, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Also available in piano versions
$6.00
5.37 €
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Piano, Voix
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G
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A
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Agnus Dei for High or Medium Voice and Organ
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Adrian D Biggs
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SheetMusicPlus
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