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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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DEEJAY
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LIVRES
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OCARINA
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VIOLONCELLE
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Ostinato Mass
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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OCARINA
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Vous avez sélectionné:
Ostinato Mass
Partitions à imprimer
11 partitions trouvées
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1
Ostinato Mass
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Piano, Voix
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Carson Cooman
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Ostinato Mass
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Carson Cooman
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.962051 Composed by Carson Cooman. Christian,Contemporary,Sacred. Score. 5 pages. Carson Cooman #6012751. Published by Carson...
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Piano,Vocal,Voice - SKU: A0.962051 Composed by Carson Cooman. Christian,Contemporary,Sacred. Score. 5 pages. Carson Cooman #6012751. Published by Carson Cooman (A0.962051). A setting for voice and organ of the Kyrie, Sanctus, and Agnus Dei from the Ordinary of the Mass. (English language, Book of Common Prayer).
$8.99
Agnus Dei (from the "Intimate Mass") ORGAN VERSION
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Piano, Voix
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INTERMÉDIAIRE
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Ulrich Lehensteiner
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Agnus Dei
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Ulrich Lehensteiner
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1496120 Composed by Ulrich Lehensteiner. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 9 pages. Ul...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1496120 Composed by Ulrich Lehensteiner. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 9 pages. Ulrich Lehensteiner #1072651. Published by Ulrich Lehensteiner (A0.1496120). Solo-edition of the Agnus Dei from the Intimate MassAn upbeat, pop-like setting of the traditional Agnus Dei-mass-text, marking the grand finale of the mass, featuring syncopated 5/8-rhythms and a flowing semiquaver-ostinato in an unusually active organ part.Lehensteiner's Intimate Mass offers a traditional mass setting on a formally very reduced scope; scored for solo voice and organ, it describes a person's inner journey from spiritual uncertainty and doubt to confidence across its five parts (while retaining the original latin-mass-text), combining traditional dramatic settings with more upbeat, pop-like elements, such as the final part, the Agnus Dei.Both in its reduced setup as well as in its emotional subjectiveness a very Intimate Mass.
$8.99
Agnus Dei (from the "Intimate Mass") PIANO VERSION
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Piano, Voix
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INTERMÉDIAIRE
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Ulrich Lehensteiner
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Agnus Dei
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Ulrich Lehensteiner
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1496125 Composed by Ulrich Lehensteiner. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 7 pages. Ul...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1496125 Composed by Ulrich Lehensteiner. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 7 pages. Ulrich Lehensteiner #1072657. Published by Ulrich Lehensteiner (A0.1496125). Solo-edition of the Agnus Dei from the Intimate MassAn upbeat, pop-like setting of the traditional Agnus Dei-mass-text, marking the grand finale of the mass, featuring syncopated 5/8-rhythms and a flowing semiquaver-ostinato in an unusually active piano part.Lehensteiner's Intimate Mass offers a traditional mass setting on a formally very reduced scope; scored for solo voice and organ, it describes a person's inner journey from spiritual uncertainty and doubt to confidence across its five parts (while retaining the original latin-mass-text), combining traditional dramatic settings with more upbeat, pop-like elements, such as the final part, the Agnus Dei.Both in its reduced setup as well as in its emotional subjectiveness a very Intimate Mass.
$8.99
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
Brass Sextet - Allegro Spiritoso
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Contemporain
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Mike Lyons
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Brass Sextet - Allegro Spirito
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Lyons Music Services
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Servic...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00
Crucifixus
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Enjott Schneider
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Crucifixus
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Schott Music - Digital
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SheetMusicPlus
Saxophone-Quartett (SATBar) and organ - advanced - SKU: S9.Q5794 Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and pa...
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Saxophone-Quartett (SATBar) and organ - advanced - SKU: S9.Q5794 Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q5794. Published by Schott Music - Digital (S9.Q5794). This work was composed for the 250th anniversary of J. S. Bach's death. It was premiered in Erfurt cathedral by the Raschèr Saxophone Quartet and Silvius von Kessel, the cathedral organist. The work contains numerous allusions to Bach. The famous bass ostinato from his Mass in B minor serves as the principal inspiration, while the motif B-A-C-H and the formal structure of his 'Toccata, Adagio und Fuge' provide further links to the master.
$31.99
Despite the Storm
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Cloches
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INTERMÉDIAIRE
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Cathy Moklebust
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Despite the Storm
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Chorister's Guild - Digital
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SheetMusicPlus
2 or 3 octaves handbells - Level 3- - SKU: C7.CGB932 Composed by Cathy Moklebust. General. With flute (or violin), 2 or 3 octaves handchimes. Score. 16 ...
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2 or 3 octaves handbells - Level 3- - SKU: C7.CGB932 Composed by Cathy Moklebust. General. With flute (or violin), 2 or 3 octaves handchimes. Score. 16 pages. Chorister's Guild - Digital #CGB932. Published by Chorister's Guild - Digital (C7.CGB932). UPC: 749193022269.Commissioned for the Handbell Musicians of America, Area 8 2016 Festival/Conference, Despite the Storm is dedicated to the memory of Cheryl Abney, longtime Area 8 board member. This original composition for handbells, optional handchimes, and optional flute (or violin) features a nautical, Celtic-flavored melody in G minor, with a gentle LV accompaniment. The second section is in C minor, and includes a repetitive, turbulent 16th-note handbell ostinato played over the bass and lower treble handchime melody. The next section returns to the original melody, but now in G major, it is full and chordal, with a soaring flute descant. The work ends with calming singing bells. The two editions for 2-3 and 3-6 octaves are compatible for massed ringing.
$4.95
Despite the Storm
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Cloches
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INTERMÉDIAIRE
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Cathy Moklebust
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Despite the Storm
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, 5 or 6 octaves handbells - Level 3- - SKU: C7.CGB933 Composed by Cathy Moklebust. General. With flute (or violin), 3, 4, 5, or 6 octaves handchime...
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3, 4, 5 or 6 octaves handbells - Level 3- - SKU: C7.CGB933 Composed by Cathy Moklebust. General. With flute (or violin), 3, 4, 5, or 6 octaves handchimes. Score. 16 pages. Chorister's Guild - Digital #CGB933. Published by Chorister's Guild - Digital (C7.CGB933). UPC: 749193022276.Commissioned for the Handbell Musicians of America, Area 8 2016 Festival/Conference, Despite the Storm is dedicated to the memory of Cheryl Abney, longtime Area 8 board member. This original composition for handbells, optional handchimes, and optional flute (or violin) features a nautical, Celtic-flavored melody in G minor, with a gentle LV accompaniment. The second section is in C minor, and includes a repetitive, turbulent 16th-note handbell ostinato played over the bass and lower treble handchime melody. The next section returns to the original melody, but now in G major, it is full and chordal, with a soaring flute descant. The work ends with calming singing bells. The two editions for 2-3 and 3-6 octaves are compatible for massed ringing.
$4.95
Joyful, Joyful
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Cloches
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FACILE
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William Moats
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William Moats
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Joyful, Joyful
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB925 Hymn to Joy. Composed by William Moats. Arranged by William Moats. General. Score. 8 page...
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3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB925 Hymn to Joy. Composed by William Moats. Arranged by William Moats. General. Score. 8 pages. Chorister's Guild - Digital #CGB925. Published by Chorister's Guild - Digital (C7.CGB925). UPC: 749193022191.Commissioned for the Handbell Musicians of America, Area 8 2016 Festival/Conference, Despite the Storm is dedicated to the memory of Cheryl Abney, longtime Area 8 board member. This original composition for handbells, optional handchimes, and optional flute (or violin) features a nautical, Celtic-flavored melody in G minor, with a gentle LV accompaniment. The second section is in C minor, and includes a repetitive, turbulent 16th-note handbell ostinato played over the bass and lower treble handchime melody. The next section returns to the original melody, but now in G major, it is full and chordal, with a soaring flute descant. The work ends with calming singing bells. The two editions for 2-3 and 3-6 octaves are compatible for massed ringing.
$4.50
A Joyous Fanfare
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Cloches
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INTERMÉDIAIRE
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Fred Gramann
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A Joyous Fanfare
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4 or 5 octaves handbells - Level 3- - SKU: C7.CGB926 Composed by Fred Gramann. General. Score. 8 pages. Chorister's Guild - Digital #CGB926. Publishe...
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3, 4 or 5 octaves handbells - Level 3- - SKU: C7.CGB926 Composed by Fred Gramann. General. Score. 8 pages. Chorister's Guild - Digital #CGB926. Published by Chorister's Guild - Digital (C7.CGB926). UPC: 749193022160.Commissioned for the Handbell Musicians of America, Area 8 2016 Festival/Conference, Despite the Storm is dedicated to the memory of Cheryl Abney, longtime Area 8 board member. This original composition for handbells, optional handchimes, and optional flute (or violin) features a nautical, Celtic-flavored melody in G minor, with a gentle LV accompaniment. The second section is in C minor, and includes a repetitive, turbulent 16th-note handbell ostinato played over the bass and lower treble handchime melody. The next section returns to the original melody, but now in G major, it is full and chordal, with a soaring flute descant. The work ends with calming singing bells. The two editions for 2-3 and 3-6 octaves are compatible for massed ringing.
$4.50
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
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Ostinato Mass
