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Vous avez sélectionné:
Our Flirtation March
Partitions à imprimer
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Our Flirtation March
Piano seul
Piano - Digital Download SKU: LV.20720 Composed by John Philip Sousa. Flowers. Lest…
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Piano - Digital Download SKU: LV.20720 Composed by John Philip Sousa. Flowers. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20720). Poupular Compositions for Piano by John Philip Sousa. Our Flirtation March. Composed by John Philip Sousa. Published 1890 by Harry Coleman, 228 North 9th St. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Flowers. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano seul
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John Philip Sousa
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Our Flirtation March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Our Flirtations
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip S…
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Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
13.68 €
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Orchestre d'harmonie
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Our Flirtation
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1170262 C…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1170262 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #770623. Published by Matthew Nunes Music (A0.1170262). Taken from Sousa’s musical comedy of the same name. The First Strain features the first extended use of a skipping rhythm found in other Sousa marches. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Our Flirtation was composed in 1880, and the referenced edition was made Public Domain in 2015. The piece is catalogued as Volume 1, No. 9.
$1.99
1.82 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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John Philip Sousa
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Matthew Nunes
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Our Flirtation
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Matthew Nunes Music
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SheetMusicPlus
Our Flirtation
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1261285 By John Philip Sousa. By John Philip Sousa. Arranged by Sean Sullivan. 19th Century,March,Romantic Period. 20 pages. Sean Sullivan #854358. Published by Sean Sullivan (A0.1261285). Our Flirtation by John Philip Sousa is a delightful and playful piece that has been expertly arranged for clarinet quintet. With its infectious melodies and lively rhythms, this arrangement is sure to get your toes tapping and bring a smile to your face. The four clarinets and bass clarinet work together seamlessly to create a rich and varied texture, while the optional part for alto clarinet adds an extra layer of complexity and interest. Whether you're a fan of Sousa's original composition or just love the sound of the clarinet, this arrangement is not to be missed.
$14.99
13.68 €
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Quintette de Clarinettes: 5 clarinettes
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John Philip Sousa
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Sean Sullivan
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Our Flirtation
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Sean Sullivan
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SheetMusicPlus
Volume 1 - The Complete Marches of John Philip Sousa
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1177300 C…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1177300 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic,March,Patriotic. 322 pages. Matthew Nunes Music #777309. Published by Matthew Nunes Music (A0.1177300). Includes 17 Marches:Review, The Honored Dead, Revival, Across the Danube, Esprit De Corps, On the Tramp, Resumption, Globe and Eagle, Our Flirtation, Recognition, Guide Right, President Garfield’s Inauguration, In Memoriam, Right Forward, The Wolverine, Yorktown Centennial, Congress HallThese Brass Quintet arrangements were made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa scores as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Section titles (such as “First Strain†and “Trioâ€) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute. Volume 1 is a collection of Sousa’s earliest efforts of march composition, from 1873 to 1882. Here we witness experimentations in form, key, and construction as the later-dubbed “March King†hones his stride. These arrangements are intended for concert and ceremony alike, enabling brass players to enjoy and share one of their champions.
$24.99
22.81 €
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John Philip Sousa
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Matthew Nunes
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Volume 1 - The Complete Marches of John Philip Sousa
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Matthew Nunes Music
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SheetMusicPlus
Our Flirtation
Quintette de Flûte : 5 flûtes
Flute Quintet,Woodwind Ensemble Flute,Piccolo - Level 3 - Digital Download SKU: A0.1261…
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Flute Quintet,Woodwind Ensemble Flute,Piccolo - Level 3 - Digital Download SKU: A0.1261286 By John Philip Sousa. By John Philip Sousa. Arranged by Sean Sullivan. 19th Century,March,Romantic Period. 16 pages. Sean Sullivan #854361. Published by Sean Sullivan (A0.1261286). Our Flirtation, originally composed by John Philip Sousa, has been given a new life in this dazzling arrangement for flute quintet. With the snappy rhythms and playful melodies, this piece is the perfect addition to any performance or recital. The arrangement has been tailored for a piccolo and four flutes, allowing each player to showcase their unique talent and skill. The combination of the five flutes creates a harmonious blend of sound that is sure to captivate and delight any listener. This charming and lively piece is a must-have for any flute ensemble looking to add a touch of flair to their repertoire.
$13.99
12.77 €
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Quintette de Flûte : 5 flûtes
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John Philip Sousa
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Sean Sullivan
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Our Flirtation
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Sean Sullivan
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SheetMusicPlus
Social Dances from the 18th/19th Century, Book 1
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1514771 By Nina Kopparhed. By Traditional. Arranged by Nina Kopparhed. 19th Century,Classical,Film/TV,Folk,Traditional. 39 pages. Arcantora Publications #1089261. Published by Arcantora Publications (A0.1514771). A selection of popular Social Dances in common use during the 18th and 19th Centuries, perfect for bringing a bit of a Costume Drama/Bridgerton vibe to your evening or event. The tunes have been arranged for String Quartet, and repeats have been added, as if they will be used for dancing. Contents (the tunes are often known under several different names):1) Trad.: The Comical Fellow 2) Purcell: The Virtuous Wife/The Dutch Skipper3) Anon: Flirtation/Le Cor de Chasse4) Anon: La Riswic (from The Gautier Collection)5) Trad.: Le Pistolet/Smith's Rant/May DayThese were all premiered at a weekend of costume balls in March 2024, where they were used for dancing: dance instructors taught the participants the dances, and the floor was then filled with dancers, with a caller helping with the steps.However, the arrangements work equally well as background music, to give the atmosphere of an 18th/19th Century ballroom to any event.We hope that you'll be enjoying these arrangements and thank you for your interest.
$20.00
18.25 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Nina Kopparhed
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Nina Kopparhed
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Social Dances from the 18th/19th Century, Book 1
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Arcantora Publications
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SheetMusicPlus
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