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Vous avez sélectionné:
Our Freedom Was Not Free
Partitions à imprimer
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Our Freedom Was Not Free
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1032081 Composed by Doug Lon…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1032081 Composed by Doug Long. Arranged by Tim Addy. Folk,Holiday,Patriotic. Score. 3 pages. Tim Addy #4338813. Published by Tim Addy (A0.1032081). This patriotic piece was written to honor those who have been willing to sacrifice everything to fight for the freedoms that we all enjoy in the United States of America. The powerful words serve as a reminder to those of us who have not served in the Armed Forces that our freedom was bought with a heavy price and that we should be thankful for those who give up having a normal life to defend our great nation. The lyrics were composed by Opelika, Alabama resident, Doug Long, who was currently serving as Assistant to the Music Minister at Purpose Baptist Church in Opelika. The Music Minister at the time was Rev. Tim Addy, who put the words to music. .
$1.99
1.83 €
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Piano, Voix
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Doug Long
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Tim Addy
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Our Freedom Was Not Free
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Tim Addy
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SheetMusicPlus
Freedom is a Thorny Crown (Parts and Score)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.734843 Composed by Joseph Hasper.…
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Concert Band - Level 4 - Digital Download SKU: A0.734843 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 118 pages. Joseph Hasper #3579047. Published by Joseph Hasper (A0.734843). A bold, modern piece for full concert band composed in 2018. 7'00 duration. Contains a full score and a full set of parts. (A separate listing with score only is available separately.)Christian readers will need no further elucidation of the title. It affirms that freedom [from sin and death] is personified in Jesus Christ, who having defeated death was resurrected and crowned in glory. The crown is called thorny here in remembrance of the crown of thorns Jesus endured in his passion, a reminder our freedom was not won without a cost.
$39.00
35.81 €
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Orchestre d'harmonie
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Joseph Hasper
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7'00 duration
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Freedom is a Thorny Crown
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Joseph Hasper
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SheetMusicPlus
Freedom is a Thorny Crown (Parts only - score available separately)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.734844 Composed by Joseph Hasper.…
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Concert Band - Level 4 - Digital Download SKU: A0.734844 Composed by Joseph Hasper. Contemporary. Score and parts. 84 pages. Joseph Hasper #3580345. Published by Joseph Hasper (A0.734844). A bold, modern piece for full concert band composed in 2018. 7'00 duration. Contains instrument parts only; a full score is available separately.Christian readers will need no further elucidation of the title. It affirms that freedom [from sin and death] is personified in Jesus Christ, who having defeated death was resurrected and crowned in glory. The crown is called thorny here in remembrance of the crown of thorns Jesus endured in his passion, a reminder our freedom was not won without a cost.
$45.00
41.32 €
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Orchestre d'harmonie
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Joseph Hasper
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Freedom is a Thorny Crown
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Joseph Hasper
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
62.44 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Only from Blood Does Freedom Grow (Piano/Choral Score)
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
3.67 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Free Flow
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.999484 Composed by Alex Lewis. 20th…
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Piano Solo - Level 5 - Digital Download SKU: A0.999484 Composed by Alex Lewis. 20th Century,Concert,Contemporary,Standards. Score. 8 pages. Alex Lewis #6302621. Published by Alex Lewis (A0.999484). Free Flow is about the free flow of information. Freedom of speech is one of the most important pillars of a liberal society. And it seems as though that's being eroded too easily these days.I am reminded, ironically, of the quote by Henry Ford after showcasing the now-famous Model-T, You can have this vehicle in any color you want, as long as it's black. It seems as though the appropriate quote that the media has adopted is, You may have any opinion you want, as long as it's our opinion. I don't know why black was the only option for the Model-T, but perhaps there was a good excuse for it. There is no good reason to silence anybody's voice. What I want in this country is diversity. After all, doesn't everybody agree that diversity creates a better life than monotony? But I'm not just talking about Asians, Blacks, Whites, and others living in the same country. I'm not just talking about people of different ancestries working in the same economy. The pinnacle of diversity is when people of different philosophies and ideologies work together, collaborate together, and fight together. Censorship, then, is the greatest enemy of diversity. You may think censorship is needed. You may think censorship is justified. But censorship is used as a weapon against 'dangerous' people. I will clarify. Censorship is not being used against criminals, but against individuals with controversial ideas. Free Flow of information is the only safeguard against tyranny.
$5.99
5.5 €
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Piano seul
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Alex Lewis
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Free Flow
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Alex Lewis
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SheetMusicPlus
Another Day
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
4.55 €
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Voix Alto, Piano
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit (Downloadable Concertato Choral Score)
Chorale SATB
Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Eas…
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Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - Digital Download SKU: MQ.60-6015-E Composed by Normand Gouin. Cathedral Series. Ordination, Pentecost, Confirmation, Ordination/Installation, 21st Century. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-6015-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6015-E). English.This new hymn, with words by Andrew Ciferni and music by Normand Gouin, was chosen as the official hymn of the World Meeting of Families 2015, and it will be used at the liturgies in Philadelphia during Pope Francis' first visit to the United States. This festive concertato features brass and percussion, and includes a special introduction appropriate for a solemn procession. The arrangement may also be pared down to fit available musical resources and liturgical use. It includes a second text, by Anthony Corvaia, that invokes the Holy Spirit and is appropriate for general use and for Pentecost. A special optional verse is provided for use at Confirmation and Ordination.Instrumental parts packet includes: Trumpets I and II C and in B-flat, Trombones I and II, Horn in F (sub for Trombone I), Bass Trombone/Tuba, Timpani, Suspended Cymbal, OrganNotes regarding Congregation Card Pack, 60-6015C: Printed on white card stock and are sold in quantities of 50 packs. Dimensions: 5.5†width; 8.5†length. Notes regarding Downloadable Congregation Part, file_60-6015C-E:Purchaser may reproduce this page for the congregation under these circumstances:-With valid license from OneLicense or LicenSing. -Usage must be reported to either OneLicense or LicenSing. -Copyright notice must be included. -If the purchaser does not have a license from OneLicense or LicenSing, one may be obtained directly from the publisher. Click here to email the MorningStar Music Publishers Copyright Department. -If the purchaser does not wish to purchase a license, then they should purchase the printed congregational cards, product 60-6015C. Notes regarding SATB/Accompaniment Hymn Only:This publication serves as the accompaniment to the hymn Sound the Bell of Holy Freedom. The publication may also be used as a simple SATB version for the choir. If used by the choir, multiple copies need to be purchased. -Reprint permission is not included with the purchase of this publication.-Multiple copies must be purchased for additional instrumentalists, or the choir.-This publication is available in two forms, either as a downloadable publication, or as a printed publication.
$2.65
2.43 €
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Chorale SATB
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Normand Gouin
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Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Daedalus and Icarus Journey
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 …
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99
8.26 €
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Apostolos Paraskevas
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The Daedalus and Icarus Journey
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Silver Sickle Publications
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SheetMusicPlus
Frolic (theme From Curb Your Enthusiasm)
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1306598 By Luci…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1306598 By Luciano Michelini. By Larry David, Luciano Michelini, and Wendell Yuponce. Arranged by AZSAP MUSiC. Reggae. 4 pages. AZSAP MUSiC #895942. Published by AZSAP MUSiC (A0.1306598). Embark on a whimsical and entertaining musical adventure with our string trio arrangement of Frolic, the iconic theme from Curb Your Enthusiasm. This lively rendition captures the playful and humorous spirit of the original, making it a perfect choice for performances that seek to infuse a sense of fun and merriment into any setting.Key Features:1. **Lighthearted Joy:** Frolic from Curb Your Enthusiasm is known for its irreverent and humorous vibe. Our string trio arrangement captures the essence of the original while adding a classical touch, resulting in a performance that's both entertaining and fun.2. **Flexible Ensemble:** This arrangement offers flexibility by allowing you to perform it with either the second violin or viola, thanks to the inclusion of both parts. It accommodates a variety of ensemble setups, ensuring you can tailor the performance to your preferences.3. **Ideal for Various Occasions:** Whether you're planning a fun and light-hearted concert, a quirky private event, or even a performance to inject humor into a formal setting, this arrangement adds a playful atmosphere to your repertoire.4. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your trio has meticulously crafted parts that harmonize seamlessly, delivering a polished and expressive performance.5. **Room for Artistic Interpretation:** While remaining true to the original's character, our arrangement allows for artistic interpretation, giving your ensemble the freedom to infuse their unique style and humor into the performance.6. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation convenient and efficient.Infuse humor and lightheartedness into your performances with Frolic from Curb Your Enthusiasm and your string trio. This arrangement was thoughtfully designed to bridge the gap between irreverent humor and classical elegance, offering a delightful and entertaining musical experience. Order your copy today and embark on a musical journey that is sure to bring smiles and laughter to your audience and ensemble.
$12.99
11.93 €
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Trio à Cordes: violon, alto, violoncelle
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Luciano Michelini
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AZSAP MUSiC
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Frolic
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AZSAP MUSiC
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SheetMusicPlus
Free at Last
Piano Facile
Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. Spirit…
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Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. Spiritual, New Age. Sheet Music Single. 7 pages. Published by Landon Creative, Inc.
Healing Hearts 2<br> Louis Landon<br> 2015 / Landon Creative<br> 66 minutes<br> Review by Kathy Parsons<br> Louis Landon continues to soar on the wings of an amazingly creative period - now going on several years! Healing Hearts 2 is the follow-up to Healing Hearts, which was released the end of 2014 and is nominated for Album of the Year on Whisperings Solo Piano Radio. This is Landon’s second album for 2015 and he’s already working on his first release for 2016! The fourteen tracks on Healing Hearts 2 were gathered from improvisations created during sessions at Landon’s Healing Piano of Sedona (AZ), so the piano solos are very smooth and soothing - probably the most relaxed and relaxing album of Landon’s career. Recorded on a Steinway B grand piano at The Peace Palace in Sedona and mastered by Joe Bongiorno at Piano Haven, also in Sedona, the piano sound is impeccable - very warm and enveloping. Landon told me that this is the best music he never wrote, referring to the fact that the music just flows out of him during these sessions, reflective of each client’s wants and needs at the time of the session.<br> <br> The full Healing Hearts 2 album is a little more than an hour of quietly uplifting music and works exceptionally well as a relaxing and healing experience. I’d like to mention a few favorite pieces, though. The album begins with “Sisters,” a very gentle piece that expresses the love and special bond that can exist between sisters. Very light and free, it’s a beautiful start. “Free At Last” starts out almost mournfully - dark and searching - gradually becoming livelier and more optimistic. It’s an amazing musical journey and development! “Relax and Enjoy” expresses the warm comfort of just letting go and “being” for awhile - leisurely and contented. “Feeling the Love” is so warm and open that it feels like a musical embrace - melodic yet very free. “All Is Well” is almost ambient, but what a wonderful atmosphere of quiet contentment it creates - a perfect peace. “Transition” is like floating on a cloud - effortless and so peaceful. “Dark Nights” is one of the most beautiful pieces Landon has recorded. It reminds me a little bit of Beethoven’s “Moonlight Sonata” and some of Chopin’s Nocturnes - so poignant and heartfelt that it takes my breath away. The gracefully flowing “Dancer” expresses freedom and elegant movement. “Lullaby” closes this excellent album with a piece so soothing it could melt the tension out of anyone. Gorgeous!<br> <br> If you are looking for music that will relax and refresh your inner being, you need to look no further than Healing Hearts 2. This is the real deal when it comes to soothing piano music with substance and heart. It is available from louislandon.com, Amazon, iTunes, and CD Baby. Highly recommended!<br> November 1, 2015<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.82 €
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Piano Facile
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Louis Landon
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Free at Last
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Landon Creative, Inc.
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SheetMusicPlus
The Road to Freedom
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1316871 By Sharon Kaplan. By Sharon…
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Piano Solo - Level 3 - Digital Download SKU: A0.1316871 By Sharon Kaplan. By Sharon Kaplan. 19th Century,20th Century,Contemporary,Folk,Historic. Score. 16 pages. Weopleland #905541. Published by Weopleland (A0.1316871). The Road to Freedom is a collection of settings of four spirituals meant to describe the longing of the African-American slaves on American plantations for freedom. Many of these were based on biblical themes, the better to fool the slave-owners. The first song, Let My People Go, was used to let slaves know that Harriet Tubman, known as Moses, was in the area and ready to lead them from slavery to freedom. The second, Deep River,  refers to the River Jordan and to crossing into campground, the promised Biblical land, but that was code for the Ohio River and passing into the north and freedom.  Wade in the Water reminded slaves running away that by wading in the water they could hide their scent from the dogs pursuing them.  Oh, Wasn't That a Wide River - and then one more and maybe another to cross on the way to freedom. These lovely arrangements catch the spirit of the experience.
$5.00
4.59 €
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Piano seul
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Sharon Kaplan
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The Road to Freedom
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Weopleland
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SheetMusicPlus
Op. 21, No. 6: Amour brisé from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-24E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-24E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 21, No. 6: Amour brisé from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 8: Mon bel et doux tourment from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-08E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-08E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 8: Mon bel et doux tourment from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.96 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Born This Way
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1422717 By Lady Gaga. By Fernando…
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Concert Band - Level 2 - Digital Download SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini. 21st Century,Pop. 104 pages. Simone Orsini #1004068. Published by Simone Orsini (A0.1422717). BORN THIS WAY performed by Lady GagaFor Concert Band - Performance Time 3:40 - Digital DownloadComposed by Fernando Garibay, Stefani Germanotta, Paul Blair, Jeppe LaursenArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Bongos, Cowbell) El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Born This Way is a song by American singer Lady Gaga, and the lead single from her second studio album of the same name. Written by Gaga and Jeppe Laursen, who produced it along with Fernando Garibay and DJ White Shadow, the track was developed while Gaga was on the road with the Monster Ball Tour. Inspired by 1990s music which empowered women, minorities, and the LGBT community, Gaga explained that Born This Way was her freedom song. It was also inspired by Carl Bean and his song I Was Born This Way, released in 1977. She sang part of the chorus at the 2010 MTV Video Music Awards and announced it as the lead single from the album, released on February 11, 2011.The song is backed by rumbling synth sounds, a humming bass and additional chorus percussion, with sole organ toward the end. The lyrics discuss the self-empowerment of the LGBT community and racial minorities. Critics positively reviewed the song, calling it a club-ready anthem. In 2023, Rolling Stone named Born This Way the Most Inspirational LGBT Song of All Time. It reached number one in over 25 countries and was her third single to top the US Billboard Hot 100 chart and the 1,000th song in that chart's history (since 1958) to reach number one. Born This Way has sold 8.2 million copies worldwide, making it one of the best-selling singles of all time.Nick Knight directed the accompanying music video, which was inspired by surrealist painters like Salvador Dalí and Francis Bacon. Gaga is depicted as giving birth to a new race during a prologue. After a series of dance sequences, the video concludes with the view of a city populated by this race. Critics noted the video's references to the work of Madonna, Michael Jackson and fashion designer Alexander McQueen, as well as to Greek mythology and surrealism.Gaga performed the song at the 53rd Annual Grammy Awards after coming out of an incubating vessel. Shortly after, she added it to the setlist of the last leg of the Monster Ball Tour. Born This Way was later performed on television shows, such as Saturday Night Live, Dick Clark's New Year's Rockin' Eve and Good Morning America, many of the singer's tours, and it was notably part of her Super Bowl LI halftime show set. The song was treated with different remixes, including a Country Road version recorded by Gaga herself and another by Indian production duo Salim–Sulaiman. It has been covered by artists such as Alice Cooper, Madonna, and Katy Perry.
$68.00
62.44 €
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Orchestre d'harmonie
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Lady Gaga
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Fernando Garibay, Stefani Germanotta, Paul Blair, Jeppe Laursen
Arranged by Simone Orsini
Instrumentation:
Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El
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Simone Orsini
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Born This Way
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Simone Orsini
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SheetMusicPlus
The Butterfly
Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Dan…
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Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00
11.02 €
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.26 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Preghiera
Piano seul
Piano Solo - Digital Download SKU: A0.976836 Composed by Monica Bergo. Christian,Sa…
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Piano Solo - Digital Download SKU: A0.976836 Composed by Monica Bergo. Christian,Sacred,Spiritual. Score. 7 pages. Monica Bergo #3235483. Published by Monica Bergo (A0.976836). 2017 Holiday Contest EntryPrayer I remember, as a child That church scared me low voices, eyes down And people did not laugh Your suffering face From the cross looking at me your hands tormented And the blood dripping And I remember those nights when I will praying and invoked you Change quickly my life Only this I was wondering And I was fragile Like a leaf in the wind so useless prey to every torment and I was still but always in motion voice of the soul screaming without complaint I remember gray days in which I was looking for you, and you begged and the silence around me amplified my empty and retrace the hours when there was nothing to hold onto and the question was: God exist or not? Kneeling in your church They say this is your home I am seeking warmth and yet I feel stateless And it was cold the bench, as my heart I look at your mother and her pain To be loved, is what I want too And I will pray It will be an incredible dialogue Inside me I hear you in every fiber of my being and reborn we are born to regret because every day here we die a little ' I will rise again? and I will pray and your voice that will envelop me already it turns into freedom you, father, friend You know that peace do not ever leave me stops my time at this moment while you're in me, so present I ask for nothing more and you are shelter and belief a search of attention I always hovering well between damnation and redemption no fate is already sealed and you delete my past and my days without faith I leave them behind me a thousand prayers I will invent I do not follow a book, I have only one chant written by my Lord, I do not see but it is always beside me ... .. Monica Bergo
$3.99
3.66 €
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Piano seul
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Monica Bergo
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Preghiera
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Monica Bergo
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
7.11 €
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Voix haute
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
The Spirit of the Lord - for Cantor and Congregation
Orgue
Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By …
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Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,Religious,Sacred. Score. 7 pages. School Sisters of St. Francis #989483. Published by School Sisters of St. Francis (A0.1406728). “The Spirit of the Lord† Sr. Theophane Hytrek OSFDedicated to Robert Verwoert on the occasion of his ordination to the priesthood — May 1971Sr. Theophane Hytrek OSF earned her PhD in composition from the University of Rochester (Eastman School of Music) in 1955.  She is known for a variety of compositional genres, e.g. keyboard (organ and piano), voice, and orchestra. Compositions for voice include masses, responses, psalm settings, hymns for congregation, choral music and solos.TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.Rehearsal recommendation:The verse text is notated in consistent eighth-notes. Do not interpret this to mean that all syllables are to receive equal time.  Speak the text in natural cadence and then sing the pitches in that same natural cadence.  This will best represent Sr. Theophane’s intention.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$4.99
4.58 €
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Orgue
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Dr
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Dr
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The Spirit of the Lord - for Cantor and Congregation
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School Sisters of St. Francis
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SheetMusicPlus
THE MISSING LINK
Piano seul
Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749). Music and song composed by me, dedicated to my sister dead THE MISSING LINK I often still get surprised looking for you between people in a gesture in an instant in an evasive shadow and I remain hooked between past and present a recurring sensation alone among people. Lying and pretending than inside me nothing is missing a pathetic clown always happy and smiley I write music and words to tame the fire inside me because only we know where this pain is taking us where are you? where are you? my sweet missing link you will come back to fill my mind I step back once again and I am limbing next to you hand in hand resigned, while the grey was oppressing for the two of us at every awakening a battle would start I pushed that moment back I didn't wanna be awake but you always protected me even from a cruel child my fearless sister so storng and independent you used to talk to me about guys and how to kiss them I used to blush and my heart beating fast I will look for and call my missing ring and you will answer with the same silence used to ask me if you were beautiful with that storng make up on you looked like a sad Pierrot tired of being avoided you were uncomofortable and people used to push you away many ignorant hypocrits looking like saints and again the two of us together in the open abyss me climbing up slowly but you remain behind I give you my hand but your destiny was written you fall down deep and far in that damned hell it will shine, it will shine my missing ring I will show it proudly to the people and you flew away in that boiling July the freeze inside my heart you, unconscous and paralyzed and for your last travel few hopeless people for the life she used to live it's better that she s gone but they know nothing about it about your unheard shout of my diamonds ring dropped in the mud freedom is a meaningless word oh you, bling and deaf butterfly your wings are now open you will fly, I will fly and I will delete the distance I will find my missing ring.. Monica Bergo
$5.00
4.59 €
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Piano seul
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Monica Bergo
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THE MISSING LINK
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Moni Bergo
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SheetMusicPlus
Wading In The Velvet Sea
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1232300 By Phis…
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String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1232300 By Phish. By Tom Marshall and Trey Anastasio. Arranged by AZSAP MUSiC. Rock. 17 pages. AZSAP MUSiC #827989. Published by AZSAP MUSiC (A0.1232300). Take a deep dive into the serene sounds of Wading in the Velvet Sea by Phish with our exquisite string trio arrangement. This rendition transports the essence of the original song, inviting you to wade in a tranquil sea of music. With the optional viola part included, this arrangement offers even more flexibility and depth for your ensemble.Key Features:1. **Serene Transformation:** Wading in the Velvet Sea is known for its tranquil and emotive qualities. Our string trio arrangement preserves the song's serene essence, creating a soothing and mesmerizing performance.2. **Versatile Ensemble:** This arrangement can be performed as a trio, and the included optional viola part opens up the possibility for a quartet, allowing you to tailor your ensemble's configuration to your preferences.3. **Ideal for Multiple Occasions:** Whether you're planning a relaxed recital, an intimate gathering, or a special event, this arrangement provides a serene and emotionally resonant backdrop for your performance.4. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your ensemble has meticulously crafted parts that harmonize seamlessly, resulting in a polished and expressive performance.5. **Room for Artistic Expression:** While staying true to the original, our arrangement allows for artistic interpretation, giving your ensemble the freedom to infuse their unique style and emotions into the performance.6. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation both convenient and efficient.Let the soothing waves of Wading in the Velvet Sea wash over your string trio. This arrangement was thoughtfully designed to capture the serenity and depth of the original while providing flexibility through the optional viola part. Order your copy today and embark on a musical journey that envelops your audience in tranquility and emotion, leaving a lasting impression on both your ensemble and your listeners.
$12.99
11.93 €
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Trio à Cordes: violon, alto, violoncelle
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Phish
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AZSAP MUSiC
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Wading In The Velvet Sea
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AZSAP MUSiC
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SheetMusicPlus
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