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Our Native Land - Bassoon 2
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Lord, Hear Us for Our Native Land — unison voices, organ
Chorale Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1241295 Composed by Todd…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1241295 Composed by Todd Marchand. Christian,Holiday,Patriotic,Sacred. Octavo. 4 pages. Con Spirito Music #836674. Published by Con Spirito Music (A0.1241295). Lord, Hear Us for Our Native Land (also known by its incipit, Lord while for all mankind we pray) was writÂten by the Rev. John Reynell Wreford (1800-1881), an English Unitarian minister, in honÂor of the acÂcessÂion of BriÂtain’s Queen VicÂtorÂia to the throne in 1837. It was published that same year in his Lays of Loyalty, a collection of poetry commemorating both the passing of King William the Fourth and the accession of the then-18-year-old Victoria. Fitting for national celebrations and remembrances, Wreford's text speaks of a nation's humility before God and reliance on His providence and blessing. This new tune and arrangement for unison voices and organ is reminiscent of O God, Our Help in Ages Past (being in the same 8.6.8.6 meter), with triplet fanfares that echo the American national hymn, God of Our Fathers. Lord, while for all mankind we prayOf every clime and coast,O hear us for our native land,The land we love the most.O guard our shores from every foe;With peace our borders bless;With prosperous times our cities crown,Our fields with plenteousness.Unite us in the sacred loveOf knowledge, truth, and thee;And let our hills and valleys shoutThe songs of liberty.Lord of the nations, thus to theeOur country we commend;Be thou her refuge and her trust,Her everlasting friend.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.79 €
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Chorale Unison
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Todd Marchand
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Lord, Hear Us for Our Native Land — unison voices, organ
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Con Spirito Music
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.43 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Our Native Land - Timpani
Percussion (partie séparée)
Digital Download SKU: HX.353542 Arranged by Alice Parker. This edition: scorch. Con…
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Digital Download SKU: HX.353542 Arranged by Alice Parker. This edition: scorch. Concert. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #277704. Published by Hal Leonard - Digital (HX.353542).
$7.00
6.27 €
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Percussion (partie séparée)
#
Alice Parker
#
Our Native Land - Timpani
#
Hal Leonard - Digital
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.43 €
#
Quintette de Saxophone: 5 saxophones
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James N…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
4.03 €
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Chorale TTBB
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James Nathaniel Holland
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Indiana for Four Part A capella Men's Chorus
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James Nathaniel Holland
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.43 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Compose…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
13.43 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Trail of Tears, Op. 144
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N…
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Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066363. Published by https://gildedmusicpress.com/ (A0.1489498). Rounding out the “American Trails” with the fifth composition in the collection, “Trail of Tears” is in reference to the heart-wrenching dark history of over 60,000 American Indians being expelled from their lands. During the period between 1830 and 1850, natives from five tribes were forcibly displaced from their homelands in what later became known as the American Deep South. These “Five Civilized Tribes” included the Cherokee, Chickasaw, Choctaw, Muscogee, and Seminole nations. Under the leadership of President Andrew Jackson, Congress passed the “Indian Removal Act” in 1830 which revoked all land ownership from all Native Americans in the Southeast. Although Jackson was not the originator of the movement to remove the Indians, it was his top legislative priority upon taking office. In his mind, they were a primary obstacle for the fulfillment of the Manifest Destiny and American national success. There were many opponents to the violent legislation, such as David Crockett of Tennessee and Catherine Beecher.The most brutal year of the Trail of Tears occurred in 1838 among the Cherokee who had resisted the Treaty of New Echota of 1836 through petitions and pleas to the US government. Despite their efforts, the expulsive treaty was ratified and the resistant Cherokee were compelled by militia to vacate all lands east of the Mississippi River. The heaviest death tolls occurred in the summer and winter months of 1838 after the deadline to depart had passed in May. Disease, exposure, starvation, and harassment by frontiersman compounded the physical exertion of the “death marches” that killed many.This composition extensively borrows the four-note motif from Beethoven’s Symphony No. 5. That symphony was composed in the early 1800s in Europe at the same time as the growth of the anti-Indian sentiment across the American frontier. Rather than primary thematic material, “Trail of Tears” uses the motif as a morose, plodding accompanimental pattern that adds depth of sorrow to the musical homage.
$19.95
17.87 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Trail of Tears, Op. 144
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https://gildedmusicpress.com/
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SheetMusicPlus
Our Native Land - Flute 2
Flute (partie séparée)
Digital Download SKU: HX.353527 Arranged by Alice Parker. This edition: scorch. Con…
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Digital Download SKU: HX.353527 Arranged by Alice Parker. This edition: scorch. Concert. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #277704. Published by Hal Leonard - Digital (HX.353527).
$7.00
6.27 €
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Flute (partie séparée)
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Alice Parker
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Our Native Land - Flute 2
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Hal Leonard - Digital
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SheetMusicPlus
Our Native Land - Bb Clarinet 2
Clarinette (partie séparée)
Digital Download SKU: HX.353531 Arranged by Alice Parker. This edition: scorch. Con…
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Digital Download SKU: HX.353531 Arranged by Alice Parker. This edition: scorch. Concert. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #277704. Published by Hal Leonard - Digital (HX.353531).
$7.00
6.27 €
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Clarinette (partie séparée)
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Alice Parker
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Our Native Land - Bb Clarinet 2
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Hal Leonard - Digital
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SheetMusicPlus
Our Native Land - Horn 2 in F
Cor (partie séparée)
Digital Download SKU: HX.353537 Arranged by Alice Parker. This edition: scorch. Con…
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Digital Download SKU: HX.353537 Arranged by Alice Parker. This edition: scorch. Concert. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #277704. Published by Hal Leonard - Digital (HX.353537).
$7.00
6.27 €
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Cor (partie séparée)
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Alice Parker
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Our Native Land - Horn 2 in F
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Hal Leonard - Digital
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SheetMusicPlus
Our Native Land - Trumpet 2 in Bb
Trompette (partie séparée)
Digital Download SKU: HX.353535 Arranged by Alice Parker. This edition: scorch. Con…
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Digital Download SKU: HX.353535 Arranged by Alice Parker. This edition: scorch. Concert. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #277704. Published by Hal Leonard - Digital (HX.353535).
$7.00
6.27 €
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Trompette (partie séparée)
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Alice Parker
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Our Native Land - Trumpet 2 in Bb
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Hal Leonard - Digital
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SheetMusicPlus
Our Native Land - Trombone 2
Trombone (partie séparée)
Digital Download SKU: HX.353539 Arranged by Alice Parker. This edition: scorch. Con…
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Digital Download SKU: HX.353539 Arranged by Alice Parker. This edition: scorch. Concert. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #277704. Published by Hal Leonard - Digital (HX.353539).
$7.00
6.27 €
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Trombone (partie séparée)
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Alice Parker
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Our Native Land - Trombone 2
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Hal Leonard - Digital
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SheetMusicPlus
Our Native Land - Oboe 2
Hautbois (partie séparée)
Digital Download SKU: HX.353529 Arranged by Alice Parker. This edition: scorch. Con…
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Digital Download SKU: HX.353529 Arranged by Alice Parker. This edition: scorch. Concert. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #277704. Published by Hal Leonard - Digital (HX.353529).
$7.00
6.27 €
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Hautbois (partie séparée)
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Alice Parker
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Our Native Land - Oboe 2
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Hal Leonard - Digital
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SheetMusicPlus
Our Native Land - Violin 2
Violon (partie séparée)
Digital Download SKU: HX.353544 Arranged by Alice Parker. This edition: scorch. Con…
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Digital Download SKU: HX.353544 Arranged by Alice Parker. This edition: scorch. Concert. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #277704. Published by Hal Leonard - Digital (HX.353544).
$7.00
6.27 €
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Violon (partie séparée)
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Alice Parker
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Our Native Land - Violin 2
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Hal Leonard - Digital
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (violin solo part – violin and symph
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'Connor Musik International #6209339. Published by Mark O'Connor Musik International (A0.861954). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (violin solo part – violin and symphony orchestra) MO152BViolin Solo Part (score and parts available)Music by Mark O’Connor26 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
17.91 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (wind parts – violin and symphony or
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 183 pages. Mark O'Connor Musik International #6209345. Published by Mark O'Connor Musik International (A0.861955). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (wind parts – violin and symphony orchestra) MO152C-JWind Parts (score and parts available)Music by Mark O’Connor151 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152C-JCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00
71.65 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (brass parts – violin and symphony o
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861956 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861956 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 114 pages. Mark O'Connor Musik International #6209349. Published by Mark O'Connor Musik International (A0.861956). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (brass parts – violin symphony orchestra) MO152K-OBrass Parts (score and parts available)Music by Mark O’Connor94 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152K-OCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00
71.65 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (string parts – violin and symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861958 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861958 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 180 pages. Mark O'Connor Musik International #6209357. Published by Mark O'Connor Musik International (A0.861958). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (string parts – violin symphony orchestra) MO152S-XString Parts (score and parts available)Music by Mark O’Connor156 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152S-XCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00
71.65 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (percussion parts – violin and symph
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861957 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861957 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 66 pages. Mark O'Connor Musik International #6209353. Published by Mark O'Connor Musik International (A0.861957). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (percussion parts – violin symphony orchestra) MO152P-RPercussion Parts (score and parts available)Music by Mark O’Connor54 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152P-RCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$50.00
44.78 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (Score – violin and symphony orchest
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861953 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861953 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 158 pages. Mark O'Connor Musik International #6209329. Published by Mark O'Connor Musik International (A0.861953). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (score – violin and symphony orchestra) MO152AScore (parts available)Music by Mark O’Connor154 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$40.00
35.82 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
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