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Out Of Time

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Kingdom Coming (The Year of Jubilo)

Ensemble de cuivres

Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay W…(+)

$9.97 9.18 € #Ensemble de cuivres #Henry Clay Work #F # #Kingdom Coming #Sweetwater Brass Press #SheetMusicPlus

The Story Of Reuben Clamzo & His Strange Daughter

Chorale TTBB

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…(+)

$3.99 3.67 € #Chorale TTBB #Arlo Guthrie #Craig Hanson #The Story Of Reuben Clamzo & His Strange Daughter #Edition Craig Hanson #SheetMusicPlus

Shepherd Of Fire

Small Ensemble Bass Guitar,Drum Set,Electric Violin,Voice - Level 5 - Digital Download …(+)

$14.99 13.8 € #Avenged Sevenfold #Kyle Pudenz #Shepherd Of Fire #ViolinVagabond Music #SheetMusicPlus

Out of Time - Suite for Piano Solo

Piano seul

Piano Solo - Level 5 - Digital Download SKU: A0.888250 Composed by Edward David Zel…(+)

$6.00 5.52 € #Piano seul #Edward David Zeliff #Out of Time - Suite for Piano Solo #Edward David Zeliff #SheetMusicPlus

All Out of Time

Piano, Voix et Guitare

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1419692 By Zane Kuche…(+)

$4.99 4.59 € #Piano, Voix et Guitare #Zane Kuchera #All Out of Time #Zane Kuchera Music #SheetMusicPlus

All Out of Time

Piano, Voix et Guitare

Guitar,Piano,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1320686 By Zane K…(+)

$4.99 4.59 € #Piano, Voix et Guitare #Zane Kuchera #All Out of Time #Zane Kuchera Music #SheetMusicPlus

All Out of Time

Bassoon,Cello,Flute,Harmonica,Oboe,Piccolo,Trombone,Tuba,Viola,Violin,Voice - Level 3 - In…(+)

$4.99 4.59 € #Zane Kuchera #All Out of Time #Zane Kuchera Music #SheetMusicPlus

COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles

Ensemble d'École

Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by A…(+)

$34.99 32.2 € #Ensemble d'École #Welsh trad #COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles #Austin Ralphson #SheetMusicPlus

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)

Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861789 Composed …(+)

$15.00 13.8 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola â€“ two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.8 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part â€“ two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark Oâ€™Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.8 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part â€“ two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.8 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

Patricia: A Ragtime Composition
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music.Â The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri. Â The Britannica website explains, â€œRagtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â Â Â Â But it wasnâ€™t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtimeâ€™s popularity began to soar. Â By 1900 ragtime was the popular music. Â It stayed that way until about 1917 when the rise of jazz began to overtake it. Â By 1920, ragtime was nearly forgotten.Â Â Â Â Thirty years later, a ragtime revival began. Â And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime. Â In fact, the â€œBig Threeâ€ composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.Â Â Â Â Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplinâ€™s early ragtime publications. Â From there, Lamb went on to develop into a master of classic ragtime.Â Â Â Â One of Lambâ€™s most popular works was a 1916 composition he titled â€œPatricia Rag.â€ (The title apparently had nothing to do with his daughter, who was born in 1924.) Â It consists of four themes in five sections, with the first theme repeated after sections 1 and 2. Â Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio. Â Â Â Â Â This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length. Â It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments. Â Possible exceptions for some players include: Â (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments. Â In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H. Â In performing this arrangement, players should pay particular attention to dynamics. Â Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.Â Â Â Â The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. Â He would like to receive your suggestions, comments, corrections and criticisms. Â Contact him at lessmith61@bellsouth.net. Â For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 11.95 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #1900 ragtime was the popular music #Joseph Lamb #F #Patricia: A Ragtime Composition #Sweetwater Brass Press #SheetMusicPlus

Of time you would make a stream
Chorale SATB

SATB chorus a cappella - Digital Download SKU: BJ.1462 Composed by Sven Hagvil. Oct…(+)

SATB chorus a cappella - Digital Download SKU: BJ.1462 Composed by Sven Hagvil. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1462. Published by Bo Ejeby Forlag - Digital (BJ.1462). 8.27 x 11.7 inches.Winner of the 2nd prize in Bo Ejeby FÃ¶rlagâ€™s composition award 2021.The Lebanese American philosopher and poet Khalil Gibranâ€™s book The Prophet has accompanied me for a long time, ever since I was first introduced to it by a friend, a Lebanese refugee, many years ago. Iâ€™ve returned to it often, to read and to make use of passages in compositions. The Prophet is a wondrous treasure trove of amazing poetry â€“ covering life, death, and everything in between: love, friendship, children, work, power. And time.I always focus carefully on any texts I wish to use, read and rhythmize them in different ways they could be read and interpreted, and choose words and sentences that deserve to be emphasized, to stop and ponder on, or simply let go and flow. So too in this, in my opinion, magnificent poem. Sometimes thereâ€™s very little movement, sometimes it courses on in a mighty and unfathomable manner. Never predictable. I hope I managed to bring out the timelessness. â€“ Sven Hagvil.
$4.00 3.68 € #Chorale SATB #Sven Hagvil #Of time you would make a stream #Bo Ejeby Forlag - Digital #SheetMusicPlus

Out Of Time
Piano seul

Piano Solo - Level 2 - Digital Download SKU: A0.1454359 By Shane 54, Cubicore, Eric…(+)

Piano Solo - Level 2 - Digital Download SKU: A0.1454359 By Shane 54, Cubicore, Eric Lumiere. By Denis Tyshlek, Elod Csaszar, Eric Lumiere, and Vasily Litvineko. Arranged by Shane 54, Cubicore, Eric Lumiere. Multicultural,World. Score. 5 pages. Mr. Lu Lai #1033461. Published by Mr. Lu Lai (A0.1454359). Out of Time Piano score.
$4.99 4.59 € #Piano seul #Shane 54, Cubicore, Eric Lumiere #Out Of Time #Mr. Lu Lai #SheetMusicPlus

Locked Out of Heaven
Piano, Voix et Guitare

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015701 By Bruno Mars. By Ari L…(+)

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015701 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015701. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015701). ISBN 9780739096239. UPC: 038081460529.From pop gems to epic movie and television themes, these are the tunes to play in 2013! This collection of more than 140 pages of sheet music captures the year's most memorable songs and themes to play and sing for a lifetime. Titles: Anything Could Happen (Ellie Goulding) * Blown Away (Carrie Underwood) * Catch My Breath (Kelly Clarkson) * Downton Abbey: The Suite (from Downton Abbey) * Everybody Talks (Neon Trees) * Falling Slowly (Josh Groban) * Girl on Fire (Alicia Keys) * Good Morning Beautiful (Jim Brickman featuring Luke McMaster) * Good Time (Owl City and Carly Rae Jepsen) * Hard to Love (Lee Brice) * Home (Phillip Phillips) * Lights (Ellie Goulding) * Locked Out of Heaven (Bruno Mars) * The Mission (from Argo) * Misty Mountains (from The Hobbit: An Unexpected Journey) * Silver Lining (Crazy 'Bout You) (Jessie J [from The Silver Linings Playbook]) * Stars (Grace Potter and the Nocturnals) * Thinkin Bout You (Frank Ocean) * A Thousand Years (Christina Perri) * Two Black Cadillacs (Carrie Underwood) * A Very Respectable Hobbit (from The Hobbit: An Unexpected Journey) * When I Was Your Man (Bruno Mars).
$3.99 3.67 € #Piano, Voix et Guitare #Bruno Mars #Locked Out of Heaven #Alfred Music - Digital Sheet Music #SheetMusicPlus

The Masters of the Violin
Violon

Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…(+)

Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99 15.64 € #Violon #Mathieu Crickboom #The Masters of the Violin #Schott Music - Digital #SheetMusicPlus

The Masters of the Violin
Violon

Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…(+)

Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99 14.72 € #Violon #Mathieu Crickboom #The Masters of the Violin #Schott Music - Digital #SheetMusicPlus

The Masters of the Violin
Violon

The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. …(+)

The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99 14.72 € #Violon #Mathieu Crickboom #The Masters of the Violin #Schott Music - Digital #SheetMusicPlus

Don't You Worry 'bout A Thing
Ensemble Jazz

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1233531 By Stevie …(+)

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1233531 By Stevie Wonder. By Stevie Wonder. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Latin,Pop,Singer/Songwriter. Score and Parts. 65 pages. Major Score Publishing #829110. Published by Major Score Publishing (A0.1233531). Don't You Worry 'Bout A Thing - Stevie WonderArranged for the commanding vocalist backed by Alto & Tenor saxophones, 2 trumpets, trombone, keyboard, guitar, bass and drums this chart will ignite the energy on your stage and in your audience! This arrangement delivers all of the expectations from the original recording and more but is based also off the Tori Kelly version! Then ending has an epic climactic finish that will leave your crowd wanting more! Be sure to check out our youtube demo of this arrangement. This chart has been transposed to Bb Minor from the the original key.Band Arrangements!https://www.majorscorepublishing.com/vocal-chartsLeave the Door OpenSuperstitionDo I Do (B)Do I Do (C)About Damn Time9 to 5and many more!YouTube@majorscorepublishingInstagram@majorscorepublishing
$99.99 92.02 € #Ensemble Jazz #Stevie Wonder #MAJOR SCORE PUBLISHING TM #Don't You Worry 'bout A Thing #Major Score Publishing #SheetMusicPlus

Out Of Time
Chorale SATB

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1086981 By The Week…(+)

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1086981 By The Weeknd. By Abel Makkonen Tesfaye, Daniel Lopatin, Martin Max, Oscar Thomas Holter, Tetsuro Hamada, and Tomoko Aran. Arranged by Amanda Ong. A Cappella,Contemporary,Hip-Hop,Pop,R & B. 12 pages. Amanda Ong #691174. Published by Amanda Ong (A0.1086981). Arranged for a 6-part a cappella, SATB + Solo + VP For more of my arrangements, please head over to https://bnd.link/musicianmandy. I'm @musicianmandy on social media and Amanda Ong on all streaming platforms.
$1.99 1.83 € #Chorale SATB #The Weeknd #Amanda Ong #Out Of Time #Amanda Ong #SheetMusicPlus

Dance of The Sugar Plum Fairy
Jazz combo

Jazz Combo - Level 5 - Digital Download SKU: A0.1260415 By Eric O'Reilly. By Peter …(+)

Jazz Combo - Level 5 - Digital Download SKU: A0.1260415 By Eric O'Reilly. By Peter Ilyich Tchaikovsky. Arranged by Eric O'Reilly. Christmas,Classical,Holiday,Jazz,Traditional. 34 pages. Eric O'Reilly #853580. Published by Eric O'Reilly (A0.1260415). Dance of the Sugar Plum Fairy composed by Pyotr Ilyich Tchaikovsky for The Nutcracker, arranged and performed by Eric O'Reilly in a jazz style. Best for a small jazz ensemble performance. The song has been altered with a new drum beat and some out of time flurries to add more expression. Very hard to play but very exciting.
$11.43 10.52 € #Jazz combo #Eric O'Reilly #Eric O'Reilly #Dance of The Sugar Plum Fairy #Eric O'Reilly #SheetMusicPlus

Piezas Sentimentales
Piano seul

Piano Solo - Level 4 - Digital Download SKU: A0.994727 Composed by Darian Stavans. …(+)

Piano Solo - Level 4 - Digital Download SKU: A0.994727 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 127 pages. Music Studio #4331319. Published by Music Studio (A0.994727). Piezas Sentimentales.Piezas Sentimentales - Piano Music / Album Piezas Sentimentales by Darian Stavans.Altogether these sixteen short pieces for piano are moderate expressions of musical feeling. All of them awaken our senses to build upon that peaceful, gentle experience of appreciating lifeâ€™s soft and dreamy moments. Indeed, they speak about what they are, sentimental pieces; short musical works for piano that delight our bodies and minds, our ears and our spirit during moments of relaxation, good reading or gazing out the window in the quiet retrospection that enlightens our souls. These sixteen musical thoughts are linked to each other as they shed their light for us to relax in and enjoy.01.- Andante02.- Moderado03.- Algo veloz04.- Muy Lento05.- Moderado06.- Algo Animado07.- Veloz08.- Moderado09.- Lentamente10.- Andante Sostenido11.- Algo Animado12.- Algo Lento13.- Algo Alegre14.- Lento15.- Muy Lento16.- Algo LentoPiano Music work.62 pages.Duration:45:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$19.99 18.4 € #Piano seul #Darian Stavans #Piezas Sentimentales #Music Studio #SheetMusicPlus

The True Colors of Weedle • Vocal Selections
Piano, Voix et Guitare

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143939 Composed by M…(+)

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti â€¢ Lyrics by June Rachelson-Ospa. Arranged by Allison Brewster Franzetti. Broadway,Contemporary,Musical/Show. Score. 87 pages. Shining Sharon Music #744248. Published by Shining Sharon Music (A0.1143939). 11 songs, by June Rachelson-Ospa and Allison Brewster Franzetti, from this very funny and sometimes sobering musical for Young People in Piano-Vocal settings help to tell the story of a boy, born colorless. As such, he has been bullied, because everyone else around him has lots of colors. Ostracized, Weedle sets out to find a companion/soul-mate, Marvello Maxumo Marmaduke (who ends up having three heads) after he receives a sympathetic letter from him. Like Weedle, Marmaduke has been forced into seclusion by the Falafarinians of Falifarinum, so together they hatch a plan for revenge on those who hurt have them. Weedle then must decide if he will take revenge on those who have wronged him, or if he will live his life in peace. After choosing to take revenge, Weedle feels so bad that he cries. Then, to everyone's amazement, his tears are full of vibrant colors, proving that he had it within himself all the time... Bullying has become an epidemic, causing many children pain. Our story confronts this issue in a fun-filled way, without shying away from the issue at hand. Perhaps, this show is needed now more than ever! It is the hope of the authors that the producers will utilize actors of all genders, abilities/disabilities, and special needs, aiming to entertain and teach an important life lesson to kids: that anything is possible with the right outlook. Teaching children and families to accept people for who they are, no matter what they look likeâ€¦ is vital, especially when the outcome includes forgiveness. From Leicester Bay Theatricals. The most moving theatrical experience... -- Peter Filichia, Broadway Radio The True Colors of Weedle is also available as an illustrated storybook for children in Kindle and Paperback editions. Look for it.
$19.95 18.36 € #Piano, Voix et Guitare #Music by Allison Brewster Franzetti â€¢ Lyrics by June Rachelson-Ospa #Allison Brewster Franzetti #The True Colors of Weedle • Vocal Selections #Shining Sharon Music #SheetMusicPlus

I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Quatuor de Cuivres : 2 trompettes, trombone, tuba

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 7.32 € #Quatuor de Cuivres : 2 trompettes, trombone, tuba #English Folk Song by way of American Appalachians #F #I Gave My Love a Cherry #Sweetwater Brass Press #SheetMusicPlus

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