Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Over The Border
Non classifié
9
Piano & claviers
Piano, Voix
4
Piano seul
3
Accordéon
2
Piano, Voix et Guitare
2
Piano Facile
1
Piano grosses notes
1
+ 1 instrumentations
Retracter
Guitares
Guitare
2
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
Basse electrique
1
Voix
Chorale SATB
7
Chorale 3 parties
5
Chorale SSAA
2
Vents
2 Saxophones (duo)
5
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
2 Clarinettes (duo)
2
Flûte, Violon
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
2 Hautbois (duo)
1
2 Flûtes traversières (duo)
1
+ 9 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
2
2 Trombones (duo)
1
2 Trompettes (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Trombone (duo)
1
Cordes
Harpe
9
Violon et Piano
3
Violon, Alto (duo)
1
2 Violons (duo)
1
Violoncelle
1
2 Violoncelles (duo)
1
Violon, Violoncelle (duo)
1
4 Harpes
1
2 Altos (duo)
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
5
Orchestre
5
Orchestre à Cordes
1
Ensemble Jazz
1
Jazz combo
1
Ensemble de cuivres
1
+ 1 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
22
Partitions Numériques
103
Librairie Musicale
191
Matériel de Musique
32
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Over The Border
Partitions à imprimer
103 partitions trouvées
<
1
26
51
....
101
The Home Coming March (1908) - Concert Band Score and Parts PDF
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
E
#
Brendan Elliget MAGA 537
#
The Home Coming March
#
BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
(+)
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Colores (Let the Children Teach Us)
#
Lon W
#
Colores
#
LCS Productions
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions ...
(+)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
Beyond The Sea
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
(+)
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
#
Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
(+)
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
(there'll Be Bluebirds Over) The White Cliffs Of Dover
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
Walter Kent
#
Kevin P Holdgate
#
(there'll Be Bluebirds Over) T
#
Kevin P Holdgate
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
(+)
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99
Border Song
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Elton John
#
Jacob A Smith
#
Border Song
#
Jacob A Smith
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1140575 By Elton John. By Bernie Taupin and Elton John. Arranged by Jacob A Smith. 20th Century,Blues,Folk,...
(+)
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1140575 By Elton John. By Bernie Taupin and Elton John. Arranged by Jacob A Smith. 20th Century,Blues,Folk,Rock. Score. 3 pages. Jacob A Smith #740813. Published by Jacob A Smith (A0.1140575). Border Song is a song by Elton John with music by John and lyrics by Bernie Taupin.[2] The song initially appeared on the 1970 album Elton John, and was released in the spring of 1970 as the LP's first single. After failing to chart in the UK, it was released in North America a few months later. It met with more success there, especially in Canada, where it peaked at No. 34.[3] The appearance of Border Song on the Canadian charts was John's first chart appearance in any country. Border Song was also John's first song to chart in the United States, peaking at No. 92 on the Billboard Hot 100 and No. 69 on the Cash Box Top 100[4] in October 1970. A cover by soul icon Aretha Franklin (with Holy Moses following the title in parentheses to reflect the repeated phrase in the song) fared better reaching No. 37 on the Billboard Hot 100 and No. 23 in the Cash Box Top 100 in December 1970.[5] It was included as the closing track of Aretha's 1972 Young, Gifted and Black album as well. The song's melody is similar to that of a spiritual.[7] A choir sings during an instrumental break led by John's piano. John has said that the song is about the alienation Taupin felt in and about London at the time (Brand of people who ain't my kind), and his desire to visit home as often as he could. John himself wrote and added the last verse, which departs from the theme of alienation and speaks against bigotry: Holy Moses, let us live in peace/let us strive to find a way to make all hatred cease/there's a man over there. What's his colour I don't care/he's my brother let us live in peace..
$4.99
Beyond The Sea
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Bobby Darin
#
Tobi A Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
(+)
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
"SouthOf The Border Mexican Medley"---------String Orchestra-----Heritage Series #5
#
Orchestre à Cordes
#
FACILE
#
John Philips
#
"SouthOf The Border Mexic
#
John Philips Music Service
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.947257 Arranged by John Philips. Children. Score and parts. 38 pages. John Philips Music Service #1999407. Publishe...
(+)
String Orchestra - Level 2 - SKU: A0.947257 Arranged by John Philips. Children. Score and parts. 38 pages. John Philips Music Service #1999407. Published by John Philips Music Service (A0.947257). A series of happy Mexican Tunes that have the audience adding to the rhythm with some hand-clapping. This chart is easy and will connect with your audience. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass will work and maybe you can convert the player to be a cello or upright player-----(another way of recruiting).
$15.00
All the blue Bonnets are Over the Border. An Original National Air
#
Piano, Voix
#
All the blue Bonnets are Over
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.1701 War, Campaigns & battles, Patriotism, Dialects. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University...
(+)
Piano and voice - SKU: LV.1701 War, Campaigns & battles, Patriotism, Dialects. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1701). All the blue Bonnets are Over the Border. An Original National Air. n. Published [n.d.] by Lithographed and Published by A. Fleetwood, Murray St. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include War, Campaigns & battles, Patriotism, Dialects. First line reads March! March! Etrick and Teviot dale!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Over The Border
#
Basse electrique
#
FACILE
#
Rock
#
Gregory MacAinsh
#
Rhys Lett
#
Over The Border
#
Eastern Suburbs School of Music
#
SheetMusicPlus
Bass Guitar TAB - Level 2 - SKU: A0.1500531 Composed by Gregory MacAinsh. Arranged by Rhys Lett. Pop,Rock. Score. 4 pages. Eastern Suburbs School of Mus...
(+)
Bass Guitar TAB - Level 2 - SKU: A0.1500531 Composed by Gregory MacAinsh. Arranged by Rhys Lett. Pop,Rock. Score. 4 pages. Eastern Suburbs School of Music #1076617. Published by Eastern Suburbs School of Music (A0.1500531). Over the Border bass tab transcription by Skyhooks from the album Hot for the Orient.
$6.00
Across the Borders - SSAA a capella
#
Chorale SSAA
#
Chandra Grover
#
Across the Borders - SSAA a ca
#
Chandra Grover
#
SheetMusicPlus
Voice, Choir, Female SSAA Tenor, Lead, Baritone, Bass - Intermediate - Digital Download Composed by Chandra Grover. Arranged by Chandra Grover and PrimeTim...
(+)
Voice, Choir, Female SSAA Tenor, Lead, Baritone, Bass - Intermediate - Digital Download Composed by Chandra Grover. Arranged by Chandra Grover and PrimeTime Quartet. Modern, World. Score. 7 pages. Published by Chandra Grover
A Song of Hope
A new female barbershop arrangement of Across the Borders. Since the release of Across the Borders by Felixstowe Harmonies in April during the lockdown of 2020, the song has become the focus of an exciting collaborative project between Felixstowe Harmonies and PrimeTime Quartet.
The chorus has an uplifting message of solidarity, of friends uniting and how singing has the power to lift hearts across the borders of our world.
The audio is of the last chorus and the tag.
$2.99
Across the Borders - SATB and piano for choir
#
Chorale SATB
#
FACILE
#
Pop musique
#
Chandra Grover, Felixstowe Har
#
Across the Borders - SATB and
#
Chandra Grover
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.790922 Composed by Chandra Grover, Felixstowe Harmonies. Pop. Octavo. 11 pages. Chandra Grover #5731979. Publish...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.790922 Composed by Chandra Grover, Felixstowe Harmonies. Pop. Octavo. 11 pages. Chandra Grover #5731979. Published by Chandra Grover (A0.790922). Across the Borders - in memory of those who lost their lives to Covid-19Across the Borders is an original song for SATB and piano by singers of Felixstowe Harmonies and their Musical Director, Chandra Grover. The project was inspired by the thoughts and feelings of the singers who collaborated on the lyrics while in isolation during the Coronavirus Pandemic of 2020. Their Musical Director set these lyrics to music. The verses are ballad style with lyrics reflecting the feelings of loneliness, heartache and of those we knew. The chorus has a strong and uplifting message of solidarity, of friends uniting and how singing lifts the hearts across the borders of our world.The YouTube link is
$2.99
Across the Borders - SSAA and piano for choir
#
Chorale SSAA
#
FACILE
#
Pop musique
#
Chandra Grover, Felixstowe Har
#
Across the Borders - SSAA and
#
Chandra Grover
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.790920 Composed by Chandra Grover, Felixstowe Harmonies. Pop. Octavo. 11 pages. Chandra Grover #5709771. Publish...
(+)
Choral Choir (SSAA) - Level 2 - SKU: A0.790920 Composed by Chandra Grover, Felixstowe Harmonies. Pop. Octavo. 11 pages. Chandra Grover #5709771. Published by Chandra Grover (A0.790920). Across the Borders - in memory of those who lost their lives to Covid-19 Across the Borders is an original song by singers of Felixstowe Harmonies and their Musical Director, Chandra Grover. The project was inspired by the thoughts and feelings of the singers who collaborated on the lyrics while in isolation during the Coronavirus Pandemic of 2020. Their Musical Director set these lyrics to music. The verses are ballad style with lyrics reflecting the feelings of loneliness, heartache and of those we knew. The chorus has a strong and uplifting message of solidarity, of friends uniting and how singing lifts the hearts across the borders of our world.
$2.99
Across the Borders - Voice and Piano
#
Piano, Voix
#
FACILE
#
Pop musique
#
Chandra Grover, Felixstowe Har
#
Across the Borders - Voice and
#
Chandra Grover
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.790921 Composed by Chandra Grover, Felixstowe Harmonies. Pop. Score. 6 pages. Chandra Grover #5731567. Published b...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.790921 Composed by Chandra Grover, Felixstowe Harmonies. Pop. Score. 6 pages. Chandra Grover #5731567. Published by Chandra Grover (A0.790921). Across the Borders - in memory of those affected by Covid-19Across the Borders is an original song by the singers of Felixstowe Harmonies and their Musical Director, Chandra Grover. The project was inspired by the thoughts and feelings of the singers who collaborated on the lyrics while in isolation during the Coronavirus Pandemic of 2020. Their Musical Director set these lyrics to music. The verses are ballad style with lyrics reflecting the feelings of loneliness, heartache and of those we knew. The chorus has a strong and uplifting message of solidarity, of friends uniting and how singing lifts the hearts across the borders of our world.The YouTube video is linked to the choral arrangement of this song.
$4.99
Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series)
#
Piano seul
#
INTERMÉDIAIRE
#
Classique
#
Stephen R Dalrymple
#
Haydn Piano Sonata 40.2 Presto
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Clas...
(+)
Piano Solo - Level 3 - SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 14 pages. Stephen R Dalrymple #4967139. Published by Stephen R Dalrymple (A0.818283). Piano Sonata 40.2 Presto (Classical Music for Tablet Series) Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ♫ His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldn’t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ♫ In 1752 he was employed by Count Karl Joseph Morzin, leading the Count’s small orchestra and writing the first of his symphonies. ♫ In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ♫ In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ♫ Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydn’s reputation grew to international fame. ♫ Haydn wrote 104 Symphonies. (Some count 107.) Not unlike George Washington, nicknamed the “Father of our Countryâ€, yet had no children, Haydn is known as the “Father of the Symphony.†and the “Father of the string Quartet.†♫ Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydn’s home where Haydn lay dying. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
Haydn Piano Sonata 40.1 Allegretto innocente (Classical Music for Tablet Series)
#
Piano seul
#
INTERMÉDIAIRE
#
Classique
#
Stephen R Dalrymple
#
Haydn Piano Sonata 40.1 Allegr
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.818282 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Clas...
(+)
Piano Solo - Level 3 - SKU: A0.818282 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 17 pages. Stephen R Dalrymple #4967137. Published by Stephen R Dalrymple (A0.818282). Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ♫ His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldn’t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ♫ In 1752 he was employed by Count Karl Joseph Morzin, leading the Count’s small orchestra and writing the first of his symphonies. ♫ In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ♫ In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ♫ Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydn’s reputation grew to international fame. ♫ Haydn wrote 104 Symphonies. Not unlike George Washington, nicknamed the “Father of our Countryâ€, yet had no children, Haydn is known as the “Father of the Symphony.†♫ Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydn’s home where Haydn lay dying. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
Overture a 7
#
Georg Philipp Telemann
#
Overture a 7
#
Schott Music - Digital
#
SheetMusicPlus
3 oboes, 2 violins, viola and basso continuo; harpsichord (piano), viola da gamba (cello, bassoon) ad libitum - intermediate - SKU: S9.Q16231 C Major...
(+)
3 oboes, 2 violins, viola and basso continuo; harpsichord (piano), viola da gamba (cello, bassoon) ad libitum - intermediate - SKU: S9.Q16231 C Major. Composed by Georg Philipp Telemann. This edition: score. Concertino. Downloadable, Score. TWV 55:C6. Duration 23 minutes. Schott Music - Digital #Q16231. Published by Schott Music - Digital (S9.Q16231). Key: C major.Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -„bare entry of the wind section, the string tutti do not join in the playing until the third bar. The „harlequinade often appearing in Telemann’s overture suites obtains its attraction not least from syncopes and from a permanent change of tone colour. The „Espagniol whose title prom-ises a bit of urbanity turns out to be a saraband, the „Bourrée en Trompette justifies its name by the tone repetitions typical of trumpet music. In the context of the whole, the „Sommeille, a harmonically unusual movement in C minor, is almost a piece across the border. Even in this gently rocking piece, Telemann is not at a loss for unobtrusive wit when he lets the upper parts die down shortly before the end, only a single bass tone represents the last chord.
$21.99
The Wondrous Cross (A Cappella)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Matthew Gawronski
#
The Wondrous Cross
#
Matthew Gawronski
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.883692 Composed by Matthew Gawronski. A Cappella,Christian,Easter,Sacred,Spiritual. Octavo. 13 pages. Matthew Ga...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.883692 Composed by Matthew Gawronski. A Cappella,Christian,Easter,Sacred,Spiritual. Octavo. 13 pages. Matthew Gawronski #3586367. Published by Matthew Gawronski (A0.883692). The classic hymn, The Wondrous Cross is packed with beautiful lyrics reflecting on what Christ's victory on the cross means for us today. With this modern setting, nearly any church choir can attempt to tackle the beautiful a cappella harmonies that drive this beautiful message home to both listeners and performers at Easter or nearly any time of the year!<iframe src=https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2F258397017899388%2Fv...; width=560 height=315 style=border:none;overflow:hidden scrolling=no frameborder=0 allowTransparency=true allowFullScreen=true></iframe>.
$3.50
Sir Roger de Coverley
#
Violon et Piano
#
INTERMÉDIAIRE
#
Traditional Fiddle Tunes
#
Heather M Music
#
Sir Roger de Coverley
#
Heather Mueller Music
#
SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1402939 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
(+)
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1402939 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 40. Heather Mueller Music #3yWaZt9NYjMsTCD6nTFbsY. Published by Heather Mueller Music (A0.1402939). Key: G major.Title: Sir Roger de Coverley Type/Genre: Slip Jig Arranger: Heather M Music Composer: Trad (Traditional) Description: Enter the timeless world of Sir Roger de Coverley, a captivating slip jig beloved across the musical landscapes of England, Scotland, Ireland, Canada, and the United States. This enduring tune, known for its elegant melodies and lively rhythms, transcends borders and embodies the universal appeal of Celtic music. Whether you're playing at a session, ceilidh, or gathering with fellow musicians, Sir Roger de Coverley invites you to immerse yourself in the rich tapestry of musical traditions from around the world. Let the enchanting melody and spirited tempo of this slip jig transport you to the heart of Celtic culture and camaraderie. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment and guitar chords, providing a versatile foundation for musicians of all levels.
$2.99
Flight of the Star Owls Harp Arrangement- Full score and parts (E minor)
#
Harpe
#
AVANCÉ
#
Laura Olson
#
Laura Olson
#
href=https://www
#
Flight of the Star Owls Harp A
#
Blue Steer Studios
#
SheetMusicPlus
Harp - Level 5 - SKU: A0.1212021 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 27 pa...
(+)
Harp - Level 5 - SKU: A0.1212021 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 27 pages. Blue Steer Studios #807217. Published by Blue Steer Studios (A0.1212021). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement. You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$9.99
Flight of the Star Owls Arrangement for Advanced Harp Ensemble (E min) - Score Only
#
4 Harpes
#
AVANCÉ
#
Laura Olson
#
Laura Olson
#
Flight of the Star Owls Arrang
#
Blue Steer Studios
#
SheetMusicPlus
Level 5 - SKU: A0.1212022 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 11 pages. Bl...
(+)
Level 5 - SKU: A0.1212022 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 11 pages. Blue Steer Studios #807630. Published by Blue Steer Studios (A0.1212022). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$3.99
Flight of the Star Owls Harp Arrangement- Full score (F minor) - Score Only
#
Laura Olson
#
Laura Olson
#
Flight of the Star Owls Harp A
#
Blue Steer Studios
#
SheetMusicPlus
Level 4 - SKU: A0.1212329 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 11 pages. Blue St...
(+)
Level 4 - SKU: A0.1212329 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 11 pages. Blue Steer Studios #809832. Published by Blue Steer Studios (A0.1212329). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$3.99
Flight of the Star Owls Harp Arrangement- Full score and parts (F minor)
#
Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
#
Laura Olson
#
Flight of the Star Owls Harp A
#
Blue Steer Studios
#
SheetMusicPlus
Harp - Level 4 - SKU: A0.1212320 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 27 pages. ...
(+)
Harp - Level 4 - SKU: A0.1212320 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 27 pages. Blue Steer Studios #809584. Published by Blue Steer Studios (A0.1212320). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$9.99
North Macedonia National Anthem: Desnes nad Makedoniya
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Patriotique
#
Todor Skalovski
#
Colin Kirkpatrick
#
North Macedonia National Anthe
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.522152 Composed by Todor Skalovski (1909-2004). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 page...
(+)
Large Ensemble - Level 3 - SKU: A0.522152 Composed by Todor Skalovski (1909-2004). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3517489. Published by Colin Kirkpatrick Publications (A0.522152). North Macedonia (known as Macedonia before February 2019), officially the Republic of North Macedonia, is a country in Southeast Europe. It gained independence in 1991 as one of the successor states of Yugoslavia. It is a landlocked country bordering Kosovo to the northwest, Serbia to the north, Bulgaria to the east, Greece to the south, and Albania to the west. Both the music and lyrics date from the early 1940s. The music was composed by Todor Skalovski, one of Macedonia's most distinguished composers who also served as the conductor of its opera. The title means “Today over Macedonia†(is born the new sun of liberty…†This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental and school groups and both amateur and professional ensembles. This arrangement is convenient to use and you can play it with any virtually any combination of conventional instruments found in the band or orchestra. The arrangement can be used with symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! The score and parts are presented in a single 34-page PDF file. This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you will need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick and mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. The following parts are available: Part 1 in B flat, E flat and C; Part 1a in C (8ve higher), E flat (minor 3rd lower for E flat cornet); Part 2 in B flat, E flat and C; Part 2a in C, (8ve higher) E flat (minor 3rd lower for alto clarinet); Part 3 in B flat, E flat, C and F; Part 3a in B flat (8ve lower for 3rd clarinets); Part 4 in B flat, E flat, C and F; Part 5 in B flat and C: Part 6 in B flat, C and E flat. There are also parts for timpani, percussion (2-3 players) and a piano reduction.
$6.99
Hallelujah
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Leonard Cohen
#
Justin Matthew Starr
#
Hallelujah
#
J M Starr Music
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standa...
(+)
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah†was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!
$2.50
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Over The Border
