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Vous avez sélectionné:
Overtone
Partitions à imprimer
144 partitions trouvées
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126
Overtones (for four clarinets in B flat)
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1184712 Com…
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Clarinet Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1184712 Composed by Alan Bullard. 20th Century,Chamber,Contemporary. 48 pages. Colne Edition / BullardMusic #784397. Published by Colne Edition / BullardMusic (A0.1184712). Overtones is a single-movement virtuoso work that exploits the contrast between the different registers of the clarinet and their associated timbres.The basic material uses a scale derived from the clarinet’s characteristic overtones (or harmonic series), and is displayed at the opening of the work in the form of a toccata-like passage followed by a more relaxed section in which a solo line is echoed by the other clarinets.  These two groups of ideas are then subjected to a variety of developments and juxtapositions, culminating in a dissonant climax of note-clusters, followed by a shortened and varied repetition of the opening sections (but without the toccata-like characteristics) climbing up the overtone series and disintegrating into nothingness.The pdf contains the score and the four instrumental parts.www.alanbullard.co.uk.
$25.00
22.87 €
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Quatuor de Clarinettes: 4 clarinettes
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Alan Bullard
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Overtones
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Colne Edition / BullardMusic
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SheetMusicPlus
Overtone
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.998402 Composed by Scott Fields Dav…
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Piano Solo - Level 1 - Digital Download SKU: A0.998402 Composed by Scott Fields Davis. 20th Century. Score. 1 pages. Scott Fields Davis #4634283. Published by Scott Fields Davis (A0.998402). Overtone is an easily accessible 1 page / 16 measure piece.This piece is also available in Piano Works Volume I by Scott Fields Davis.
$2.00
1.83 €
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Piano seul
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Scott Fields Davis
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Overtone
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Scott Fields Davis
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SheetMusicPlus
The Overtones - Musical Adventures of an Unusual Family
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
Cello,Clarinet,Viola,Violin - Level 5 - Digital Download SKU: A0.1363424 By Benedik…
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Cello,Clarinet,Viola,Violin - Level 5 - Digital Download SKU: A0.1363424 By Benedikt Brydern. By Benedikt Brydern. 21st Century,Chamber,Children,Classical,Contemporary. 104 pages. ConSordino Music Publishing #947847. Published by ConSordino Music Publishing (A0.1363424). The Overtones - Musical Adventures of an Unusual Family was commissioned by Mount Vernon Music, TX in 2021 for chamber group and narrator as part of their educational outreach program . My previous composition, The Townmusicians (based on Grimm's fable ) had been performed by Mount Vernon Music in front of throusand of children since its creation and recorded in three languages (score and parts available also at sheetmusicplus) .The Overtones introduces the audience playfully to scales/modes using the imaginary world of Overtonia where we visit places like The Dorian Sea, the capital Ionia or the Aeolian Mountains and many places more.The piece had its premiere in 2021 and has been recorded in English and German.The quartet consists of a clarinet (Bb), violin, viola and violoncello.Narration is in English for this publication.
$49.99
45.73 €
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Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
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Benedikt Brydern
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The Overtones - Musical Adventures of an Unusual Family
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ConSordino Music Publishing
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SheetMusicPlus
Marvin Gaye : I Heard It Through the Grapevine (niveau facile/intermédiaire, sax alto, The Overtones)
Saxophone Alto
Téléchargez la partition Saxophone I Heard It Through the Grapevine (niveau …
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Téléchargez la partition Saxophone I Heard It Through the Grapevine (niveau facile/intermédiaire, sax alto, The Overtones) de Marvin Gaye. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99 €
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Saxophone Alto
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Marvin Gaye
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I Heard It Through the Grapevi
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Tomplay
Marvin Gaye : I Heard It Through the Grapevine (niveau intermédiaire, sax alto, The Overtones)
Saxophone Alto
Téléchargez la partition Saxophone I Heard It Through the Grapevine (niveau …
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Téléchargez la partition Saxophone I Heard It Through the Grapevine (niveau intermédiaire, sax alto, The Overtones) de Marvin Gaye. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99 €
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Saxophone Alto
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Marvin Gaye
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I Heard It Through the Grapevi
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Tomplay
Marvin Gaye : I Heard It Through the Grapevine (niveau intermédiaire, sax ténor, The Overtones)
Saxophone Tenor
Téléchargez la partition Saxophone I Heard It Through the Grapevine (niveau …
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Téléchargez la partition Saxophone I Heard It Through the Grapevine (niveau intermédiaire, sax ténor, The Overtones) de Marvin Gaye. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99 €
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Saxophone Tenor
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Marvin Gaye
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I Heard It Through the Grapevi
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Tomplay
Marvin Gaye : I Heard It Through the Grapevine (niveau facile/intermédiaire, sax ténor, The Overtones)
Saxophone Tenor
Téléchargez la partition Saxophone I Heard It Through the Grapevine (niveau …
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Téléchargez la partition Saxophone I Heard It Through the Grapevine (niveau facile/intermédiaire, sax ténor, The Overtones) de Marvin Gaye. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99 €
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Saxophone Tenor
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Marvin Gaye
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I Heard It Through the Grapevi
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Tomplay
Despondency
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394423 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394423 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. 4 pages. Jay Dougherty #977907. Published by Jay Dougherty (A0.1394423). Despondency by Jay Dougherty explores the depths of human emotion, expressing profound feelings of pain, anguish, and desolation. Through the utilization of the overtone series, “Despondency†portrays a haunting soundscape that gradually builds into a solemn tone cluster, evoking a sense of emptiness and sadness. The overtone series serves as the foundation upon which the composition unfolds, weaving together a tapestry of natural harmonies that resonate with an ethereal quality. Despite the simplicity of its text, consisting of only four sung words – Nothing. Aching. Empty. Broken. – these words reflect the raw and unfiltered experience of despair and sorrow. “Despondency†is movement 3 of Jay Dougherty’s Phoenix Cantata, which is a six-movement vocal and piano work that explores the themes of resilience and the transformative power of change. The music and lyrics are the creative work of Dr. Jay Dougherty, with a piano accompaniment by Justin La. Drawing inspiration from the mythical symbolism of the phoenix, this cantata narrates the journey through life's challenges and tribulations and explores how we can learn to comprehend, embrace, and grow from them. Although the Phoenix is not explicitly mentioned, the underlying message resonates with the tale of the phoenix: after facing adversity or transformation, we emerge stronger and more beautiful. Each of the 6 movements centers on a flower garden, the gardener's affection for the garden, the looming storm that could devastate it, and the gardener's eventual realization that, even after the storm, the garden remains beautiful and precious. Movement 3, Despondency, is performed a cappella and makes use of the overtone series and chord clusters to convey the gardener's torment and heartbreak as the garden has lost its innocence after a torrential storm. It is a heartbreaking lament that portrays the gardener's profound sorrow.About the ComposerDr. Jay Dougherty is the Performing Arts Department Chair and Director of Choral Activities at Drury University in Springfield, MO.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.comPlease purchase one copy for each performer.
$2.49
2.28 €
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Chorale SATB
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Jay Dougherty
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Despondency
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Jay Dougherty
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SheetMusicPlus
Due Vite
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1201995 By Marco Mengoni. By Davide…
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Piano Solo - Level 1 - Digital Download SKU: A0.1201995 By Marco Mengoni. By Davide Petrella, Davide Simonetta, and Marco Mengoni. Arranged by Overtone. Pop. Score. 1 pages. Overtone #800612. Published by Overtone (A0.1201995). Piano accompaniment.
$8.00
7.32 €
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Piano seul
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Marco Mengoni
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Overtone
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Due Vite
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Overtone
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SheetMusicPlus
Bridges
Piano seul
By Alika. By Alika Milova, Nina Sampermans, and Wouter H Hardy. Arranged by Overtone. …
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By Alika. By Alika Milova, Nina Sampermans, and Wouter H Hardy. Arranged by Overtone. Pop. Score. 3 pages. Overtone #800582. Published by Overtone
$12.00
10.98 €
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Piano seul
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Alika
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Overtone
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Bridges
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Overtone
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SheetMusicPlus
9,000 Days by Overtone - Piano/Vocal/Guitar, Singer Pro
Piano, Voix et Guitare
Performed by: Overtone: 9,000 Days Digital Sheetmusic - instantly downloadable sheet music…
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Performed by: Overtone: 9,000 Days Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 5 pages -- Movie/TV~~Pop~~World~~African~~Soundtrack
$5.79
5.3 €
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Piano, Voix et Guitare
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Overtone
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Piano/Vocal/Guitar, Singer Pro
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Musicnotes
God, You Spin the Whirling Planets
Chorale 2 parties
2-part mixed chorus, organ - Beginning - Digital Download SKU: XA.9798889832461 Com…
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2-part mixed chorus, organ - Beginning - Digital Download SKU: XA.9798889832461 Composed by Nathan Zullinger. General, Creation. Augsburg Choral Library. Christian. Octavo. 12 pages. Augsburg Fortress - Digital #9798889832461. Published by Augsburg Fortress - Digital (XA.9798889832461). ISBN 9798889832461. 7 x 10.25 inches.Nathan Zullinger writes a graceful two-part mixed arrangement of this hymn found in the hymnal Glory to God, based on the Early American tune PLEADING SAVIOR. This creative and versatile setting begins with choral overtone singing (brief instructions are provided). The composer also notes that the anthem can be adapted for 2-part treble choir and that Orff instrument can be used in place of the organ. An engaging anthem that can be easily learned by any sized choir.
$2.75
2.52 €
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Chorale 2 parties
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Nathan Zullinger
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God, You Spin the Whirling Planets
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Augsburg Fortress - Digital
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SheetMusicPlus
Ai Dao Wu Lu Ke Tui
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1474405 By Julia …
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Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1474405 By Julia Peng. By Chang De Xu and Zhong Ping Ji. Arranged by Tommy Setiawan. Contemporary,Jazz,Pop,Singer/Songwriter,Wedding. 6 pages. Tommy Setiawan #1052030. Published by Tommy Setiawan (A0.1474405). Ai Dao Wu Lu Ke Tui is one of the hit/signature Mandarin/Chinese songs from singer Julia Peng.It is included in her 1997 album The Essential/Jue Dui Shou Zang.Julia Peng herself is a famous Taiwanese singer since the 90s.She won the Best Mandarin Female Singer Award at the 27th Golden Melody Awards in 2016.The song arrangement of Ai Dao Wu Lu Ke Tui this time is different from the original version/what is mostly often streamed in the Popular Music Channel such as You Tube,etc.In general,it is started with an Intro,Verse I-II,Chorus I,has 1 Bridge,Verse III (Last Verse),Chorus II,Chorus III (intiated with 1 transposition,from 4# to 6#),Chorus IV (2nd transposition,from 6# to 6b),Chorus V (Overtone/raised 1 octave above) and Ending (still in a High Voice).So from the Chorus V to the end of the song is the part that has the most distinguished feature that differentiate this type of arrangement from what's common we listen daily.
$6.20
5.67 €
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Julia Peng
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Tommy Setiawan
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Ai Dao Wu Lu Ke Tui
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Tommy Setiawan
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SheetMusicPlus
Akrilates No.2
Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone…
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Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - Digital Download SKU: A0.1438474 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. 27 pages. Jailton de Oliveira #1018493. Published by Jailton de Oliveira (A0.1438474). Akrilates II, for piano and percussion. The title “Akrilates” does not refer to a specific thematic material in the work. Rather, it is only a neutral word, allowing the music to be free of any pre-established idea. The work has a single movement divided into two sections: Section I: bars 1-42; Section II: bars 43-99. Section II is a retrograde variation of Section I. The work has a slow tempo and uses the overtone scale, an octatonic scale, starting on note G ( G-A-B-C#-D-Eb-F-F#-G) . The piano is the lead instrument of thematic events and it dialogues with various timbres of percussion instruments. In most of the work sequences of measures are explored, progressing alternately every two bars. Also are explored harmonic intervals of 5th., 4th., 3rd. and 2nd. In some stretches occur numeric relationships between measure and intervals used, e.g., measure 5/4 = interval of 5th; 4/4 = 4th, etc. From measure 85 to the end occurs a coda, where the work concludes summarizing the main materials used earlier.
$12.95
11.85 €
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Jailton de Oliveira
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Section II: bars 43-99
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Akrilates No.2
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Jailton de Oliveira
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
68.61 €
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Orchestre de chambre
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
Three Choral Benedictions
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1379450 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1379450 Composed by Tamsin Jones. 21st Century,A Cappella,Christian,Classical,Religious. 11 pages. Merula Music #964135. Published by Merula Music (A0.1379450). This is a collection of blessings set for SATB choir.  An organ may be used to provide a discrete drone for A Harvest Blessing, while an optional short introduction and colla parte accompaniment have been provided for Aaronic Blessing.  All three may, of course, be performed unaccompanied. While united by the theme of benediction, these pieces are distinct in style.  Harvest Blessing refers to the overtone series, while An Irish Blessing makes use of “mitigated planingâ€, in which parts moving as block chords are offset by contrary motion, holds (non-traditional suspensions) and other devices.  Aaronic Blessing is the longest piece in the collection, and features a variety of contrapuntal textures, although it is essentially highly tuneful in character.
$5.00
4.57 €
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Chorale SATB
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Tamsin Jones
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Three Choral Benedictions
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Merula Music
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SheetMusicPlus
Ganesh Mantra
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1149751 Composed by Tradit…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1149751 Composed by Traditional. Arranged by Jaie Tiefenbrunn. A Cappella,Contest,Festival,Hindi,Multicultural,Sacred,World. Octavo. 9 pages. Tiefenbrunn Music #749914. Published by Tiefenbrunn Music (A0.1149751). This hymn to Ganesh, the remover of obstacles, celebrates the repetition of a mantra, combined with Western musical elements of sequencing, round, and canon. Incorporates percussion and overtone singing. Very approachable for large a cappella choir.
$1.99
1.82 €
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Chorale SATB
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Traditional
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Jaie Tiefenbrunn
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Ganesh Mantra
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Tiefenbrunn Music
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SheetMusicPlus
Phoenix Cantata
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1307163 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1307163 Composed by Jay Dougherty and Justin La. 21st Century,Contemporary. 37 pages. Jay Dougherty #896417. Published by Jay Dougherty (A0.1307163). Phoenix Cantata is a six-movement vocal and piano work that explores the themes of resilience and the transformative power of change. The music and lyrics are the creative work of Dr. Jay Dougherty, while the piano accompaniment is skillfully crafted by Justin La.Drawing inspiration from the mythical symbolism of the phoenix, this cantata narrates the journey through life's challenges and tribulations and explores how we can learn to comprehend, embrace, and grow from them. Although the Phoenix is not explicitly mentioned, the underlying message resonates with the tale of the phoenix: after facing adversity or transformation, we emerge stronger and more beautiful. Each of the 6 movements centers on a flower garden, the gardener's affection for the garden, the looming storm that could devastate it, and the gardener's eventual realization that, even after the storm, the garden remains beautiful and precious.Through its exploration of growth, understanding, and acceptance, Phoenix Cantata explores the universal experiences of adversity and change that we all encounter at various stages of our lives. The phoenix, serving as a symbol of rebirth and renewal, becomes a powerful metaphor for our ability to rise stronger and more resilient from the ashes of hardship.Five of the six movements are accompanied by piano, with one movement being a cappella. The a cappella movement, while split into 11 parts, is quite simple, as these 11 parts simply drone the tones of the overtone series on oo. Movement 4 features a soprano soloist in addition to the SATB chorus and splits into 10 aleatoric parts in the middle section.Please purchase one copy for each individual singer.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$6.99
6.39 €
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Chorale SATB
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Jay Dougherty and Justin La
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Phoenix Cantata
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Jay Dougherty
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SheetMusicPlus
Labia Mea for 8 voices a cappella
Chorale SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.882922 Composed by Vahram…
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.882922 Composed by Vahram Sarkissian (Sargsyan). 20th Century,A Cappella,Contemporary,Sacred. Octavo. 14 pages. Vahram Sargsyan #2002319. Published by Vahram Sargsyan (A0.882922). Labia Mea for eight mixed voices a cappella is a unique innovative composition that explores and questions the possibilities of the human voice. Several unusual techniques are used throughout the work such as different types of throat singing, overtone singing, multiphonics, vocal percussion, extreme registers etc. It reveals some sounds and colors yet unknown to the world of vocal music. The work is based on a short excerpt of the psalm 50 (Domine labia mea aperies). There is a text accumulation process throughout the work, at the beginning there are just sounds, then phonemes assemble, words appear and closer to the end the full text is revealed.
$44.99
41.15 €
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Chorale SATB
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Vahram Sarkissian
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Labia Mea for 8 voices a cappella
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Vahram Sargsyan
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.31 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
VOICE SKETCHES
Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1015078 Composed by Dane Anth…
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Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1015078 Composed by Dane Anthony Madrigal. 20th Century,Contemporary,Instructional. 7 pages. Dane Anthony Madrigal #4615773. Published by Dane Anthony Madrigal (A0.1015078). COMPOSERS NOTESThe piece is made as an etude for the contemporary classical vocalist to strengthen their relationship with singing in the overtone series and rhythmic articulation. Navigating through most all the partials of the accessible harmonic series, the exercise also includes aleatoric improvisation over fundamental tones and inhalation singing. Staging is also included by the composer to aid in the presence of a singer's performance.
$7.00
6.4 €
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Dane Anthony Madrigal
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VOICE SKETCHES
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Dane Anthony Madrigal
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SheetMusicPlus
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