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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Vous avez sélectionné:
Overture in the Classical Style
Partitions à imprimer
109 partitions trouvées
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101
Overture in the Classical Style (Grade 2.5 Medium Easy)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1085290 Composed by L.C. Harnsb…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1085290 Composed by L.C. Harnsberger. Classical,Contest,Festival,Romantic Period. Score and parts. 65 pages. LCH Music #689433. Published by LCH Music (A0.1085290). L. C. Harnsberger’s Overture in the Classical Style is a new composition for young orchestra written in the style of the great classical composers Haydn, Schubert, and Beethoven. After a short slow introduction, the music bursts into a fast Allegro that features infectious melodies that you will soon be humming. The driving rhythms and interesting harmonies make the piece fun to play and hear. Overture in the Classical Style is perfectly written for younger ensembles with attention to instrument ranges, rhythms, and effective doublings. The piece is fully scored so your entire group gets to play including a full percussion section. There are also optional parts for two alto saxes, tenor sax, baritone sax, alto clarinet, bass clarinet, and baritone TC. The optional parts conveniently double the horns, bassoons, and trombone 2. Overture in the Classical Style is the perfect piece to open or close the next concert featuring your young orchestra.
$65.00
59.7 €
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Orchestre
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L
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Overture in the Classical Style
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LCH Music
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SheetMusicPlus
Overture in the Italian Style Op. D 590
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.786207 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.786207 Composed by Franz Schubert. Arranged by Bill Malcolm. Classical,Romantic Period. 59 pages. Bill Malcolm #5362979. Published by Bill Malcolm (A0.786207). This overture, Opus D 590, is one of two that Schubert wrote in the form of Rossini overture but with his own melodies and harmonies. Two clarinet parts are included, one in A (preferred) and one in B-flat (for Clarinetists who like sharps). The other opus, D 591, is also available on sheetmusicplus.com. When printed 2-sided with ads, the page turns should come out correctly (even if almost impossible for the flute).
$18.00
16.53 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Franz Schubert
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Bill Malcolm
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Overture in the Italian Style Op. D 590
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Bill Malcolm
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SheetMusicPlus
Overture in the Italian Style C major
Orchestre
Orchestra - Digital Download SKU: S9.Q4614 Composed by Franz Schubert. This edition…
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Orchestra - Digital Download SKU: S9.Q4614 Composed by Franz Schubert. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 8 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4614. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4614). Key: C major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$10.99
10.09 €
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Orchestre
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Franz Schubert
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Overture in the Italian Style C major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Overture in the Italian Style D590 for clarinet choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.786298 Composed by …
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.786298 Composed by Franz Schubert. Arranged by Bill Malcolm. Classical,Standards. 65 pages. Bill Malcolm #6425689. Published by Bill Malcolm (A0.786298). This arrangement includes a basset horn alternative part for the alto clarinet. The contralto and contrabass clarinet parts are identical (except for a few octave displacements) and should be played with one or the other to avoid having too heavy a bass line. The overture was transposed from from concert D to concert C to avoid range problems with the Eb clarinet. All parts, with the above exceptions, are crucial for performance.
$20.00
18.37 €
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Ensemble de Clarinettes
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Franz Schubert
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Bill Malcolm
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Overture in the Italian Style D590 for clarinet choir
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Bill Malcolm
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SheetMusicPlus
Overture in the Italian Style Op D 591
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.786206 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.786206 Composed by Franz Schubert. Arranged by Bill Malcolm. Classical,Romantic Period. 36 pages. Bill Malcolm #5327033. Published by Bill Malcolm (A0.786206). Schubert captures the style and feeling of a Rossini overture in this work while retaining his own melodic style. The long crescendos build excitement. If printed 2-sided the page turns should work out correctly. Schubert's Opus number was 170 the Deutsch number is 591. The duration is about 7 minutes and 35 seconds. Opus D 590 is also available on sheetmusicplus.com.
$18.00
16.53 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Franz Schubert
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Bill Malcolm
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Overture in the Italian Style Op D 591
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Bill Malcolm
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
91.84 €
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Adrian Gagiu
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SheetMusicPlus
L'Impresario in angustie Overture
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.646191 Composed by Cimarosa, …
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String Orchestra - Level 3 - Digital Download SKU: A0.646191 Composed by Cimarosa, Domenico. Arranged by Nick Lacanski. Classical. Score and parts. 52 pages. Theupperstaff #1988679. Published by theupperstaff (A0.646191). This overture is set in the classical style but, with a little Italian flair thrown in. Your orchestra and audiences will both enjoy this curtain raiser.
$24.95
22.92 €
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Orchestre à Cordes
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Cimarosa, Domenico
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Nick Lacanski
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L'Impresario in angustie Overture
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theupperstaff
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.26 €
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Saxophone Soprano et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.26 €
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Alto, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikola…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.26 €
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Saxophone Alto et Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
10 Arrangements of Classical Favorites for Beginner String Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1107758 Composed by Beethoven…
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String Orchestra - Level 1 - Digital Download SKU: A0.1107758 Composed by Beethoven, Dvorak, Puccini, Rossini, Sibelius, Tchaikovsky, Vivaldi, Wagner. Arranged by Laura Jekel. Classical,Instructional,Romantic Period,Standards. Score and parts. 51 pages. Laura Jekel #710384. Published by Laura Jekel (A0.1107758). 10 fun arrangements for beginner string orchestra. Written for and played by the MYCincinnati Youth Orchestra over the last decade, and they are greatly enjoyed by the students. These arrangements are available individually, and you can also buy 10 intermediate pieces in the same style arrangements. All 20 are also available for purchase together. Hope you enjoy! 1. Symphony No. 5, Movement 3 by Ludwig van Beethoven 2. Symphony No. 7, Movement 2 by Ludwig van Beethoven 3. New World Symphony Finale by Antonin Dvorak 4. Nessun Dorma from Turandot by Giaccomo Puccini 5. Overture from William Tell by Gioacchino Rossini 6. Symphony No. 3, Movement 2 by Jean Sibelius 7. Symphony No. 4, Movement 3 by P.I. Tchaikovsky 8. Andante from Serenade for Strings by P.I. Tchaikovsky 9. Spring from the Four Seasons by Antonio Vivaldi 10. Tannhauser Overture by Richard Wagner.
$29.99
27.54 €
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Orchestre à Cordes
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Beethoven, Dvorak, Puccini, Rossini, Sibelius, Tchaikovsky, Vivaldi, Wagner
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Laura Jekel
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10 Arrangements of Classical Favorites for Beginner String Orchestra
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Laura Jekel
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SheetMusicPlus
A Polytechnic Overture
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion,Trombone,Trum…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.938462 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 71 pages. Colin Bayliss #23497. Published by Colin Bayliss (A0.938462). This piece was written to celebrate the granting of polytechnic status to the Humberside College of Higher Education in 1990. Intended to be a moderately easy piece for a good amateur orchestra, it employs MANY TECHNIQUES of composition. Opening in Neo-Classical style, it moves firstly to minimalism, then to a pop ballad. After a short reprise of the minimalist section, there are four aleatoric sections where individual players improvise within the notational limits set out by the composer, with duration set by the conductor. The overture end with a short fugal section interrupted by two hymn-like passages, and the miniscule coda, reverting to the opening tempo, ends with a passing reference to Gaudeamus Igitur, used by Brahms in his Academic Festival Overture.
$42.00
38.57 €
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Colin Bayliss
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A Polytechnic Overture
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Colin Bayliss
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SheetMusicPlus
Overtures!: 1st Violin
Violon (partie séparée)
String Orchestra - Digital Download SKU: AX.00-PC-0017326_VN1 1st Violin. Ar…
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String Orchestra - Digital Download SKU: AX.00-PC-0017326_VN1 1st Violin. Arranged by Douglas E. Wagner. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017326_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017326_VN1). UPC: 038081517391.This seamless medley of the most popular overture themes from the Classical and Romantic periods---a veritable music history listening lesson---will be a sure-fire hit on any concert program. Scored in D-major throughout, the grade 3 arrangement by Douglas E. Wagner presents many teachable moments with style, balance, dynamic control, articulation, and interpretation. In order of appearance, the themes included are: 1812 Festival Overture (Largo) by Tchaikovsky; Overture to Zampa by Herold; Overture to The Barber of Seville by Rossini; Overture to The Magic Flute by Mozart; Overture to The Marriage of Figaro by Mozart; Overture to Poet and Peasant by von SuppA(c); Overture to The Merry Wives of Windsor by Nicolai; Overture to William Tell by Rossini; Overture to Die Meistersinger by Wagner; Overture to Light Cavalry by von SuppA(c); Overture to Orpheus in the Underworld by Offenbach; Academic Festival Overture, by Brahms; and 1812 Festival Overture (Allegro vivace) by Tchaikovsky. (3:30)Concert/Contest; Festival.
$5.99
5.5 €
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Violon (partie séparée)
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Douglas E
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Overture to Zampa by Herold
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Overtures!: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Overtures!: String Bass
Contrebasse (partie séparée)
String Orchestra - Digital Download SKU: AX.00-PC-0017326_SB String Bass. Ar…
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String Orchestra - Digital Download SKU: AX.00-PC-0017326_SB String Bass. Arranged by Douglas E. Wagner. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017326_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017326_SB). UPC: 038081517391.This seamless medley of the most popular overture themes from the Classical and Romantic periods---a veritable music history listening lesson---will be a sure-fire hit on any concert program. Scored in D-major throughout, the grade 3 arrangement by Douglas E. Wagner presents many teachable moments with style, balance, dynamic control, articulation, and interpretation. In order of appearance, the themes included are: 1812 Festival Overture (Largo) by Tchaikovsky; Overture to Zampa by Herold; Overture to The Barber of Seville by Rossini; Overture to The Magic Flute by Mozart; Overture to The Marriage of Figaro by Mozart; Overture to Poet and Peasant by von SuppA(c); Overture to The Merry Wives of Windsor by Nicolai; Overture to William Tell by Rossini; Overture to Die Meistersinger by Wagner; Overture to Light Cavalry by von SuppA(c); Overture to Orpheus in the Underworld by Offenbach; Academic Festival Overture, by Brahms; and 1812 Festival Overture (Allegro vivace) by Tchaikovsky. (3:30)Concert/Contest; Festival.
$5.99
5.5 €
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Contrebasse (partie séparée)
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Douglas E
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Overture to Zampa by Herold
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Overtures!: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Overtures!: Cello
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017326_VC1 Cello. Arrange…
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String Orchestra - Digital Download SKU: AX.00-PC-0017326_VC1 Cello. Arranged by Douglas E. Wagner. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017326_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017326_VC1). UPC: 038081517391.This seamless medley of the most popular overture themes from the Classical and Romantic periods---a veritable music history listening lesson---will be a sure-fire hit on any concert program. Scored in D-major throughout, the grade 3 arrangement by Douglas E. Wagner presents many teachable moments with style, balance, dynamic control, articulation, and interpretation. In order of appearance, the themes included are: 1812 Festival Overture (Largo) by Tchaikovsky; Overture to Zampa by Herold; Overture to The Barber of Seville by Rossini; Overture to The Magic Flute by Mozart; Overture to The Marriage of Figaro by Mozart; Overture to Poet and Peasant by von SuppA(c); Overture to The Merry Wives of Windsor by Nicolai; Overture to William Tell by Rossini; Overture to Die Meistersinger by Wagner; Overture to Light Cavalry by von SuppA(c); Overture to Orpheus in the Underworld by Offenbach; Academic Festival Overture, by Brahms; and 1812 Festival Overture (Allegro vivace) by Tchaikovsky. (3:30)Concert/Contest; Festival.
$5.99
5.5 €
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Orchestre à Cordes
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Douglas E
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Overture to Zampa by Herold
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Overtures!: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Overtures!: Viola
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017326_VA1 Viola. Arrange…
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String Orchestra - Digital Download SKU: AX.00-PC-0017326_VA1 Viola. Arranged by Douglas E. Wagner. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017326_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017326_VA1). UPC: 038081517391.This seamless medley of the most popular overture themes from the Classical and Romantic periods---a veritable music history listening lesson---will be a sure-fire hit on any concert program. Scored in D-major throughout, the grade 3 arrangement by Douglas E. Wagner presents many teachable moments with style, balance, dynamic control, articulation, and interpretation. In order of appearance, the themes included are: 1812 Festival Overture (Largo) by Tchaikovsky; Overture to Zampa by Herold; Overture to The Barber of Seville by Rossini; Overture to The Magic Flute by Mozart; Overture to The Marriage of Figaro by Mozart; Overture to Poet and Peasant by von SuppA(c); Overture to The Merry Wives of Windsor by Nicolai; Overture to William Tell by Rossini; Overture to Die Meistersinger by Wagner; Overture to Light Cavalry by von SuppA(c); Overture to Orpheus in the Underworld by Offenbach; Academic Festival Overture, by Brahms; and 1812 Festival Overture (Allegro vivace) by Tchaikovsky. (3:30)Concert/Contest; Festival.
$5.99
5.5 €
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Orchestre à Cordes
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Douglas E
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Overture to Zampa by Herold
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Overtures!: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Overtures!: 2nd Violin
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017326_VN2 2nd Violin. Ar…
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String Orchestra - Digital Download SKU: AX.00-PC-0017326_VN2 2nd Violin. Arranged by Douglas E. Wagner. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017326_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017326_VN2). UPC: 038081517391.This seamless medley of the most popular overture themes from the Classical and Romantic periods---a veritable music history listening lesson---will be a sure-fire hit on any concert program. Scored in D-major throughout, the grade 3 arrangement by Douglas E. Wagner presents many teachable moments with style, balance, dynamic control, articulation, and interpretation. In order of appearance, the themes included are: 1812 Festival Overture (Largo) by Tchaikovsky; Overture to Zampa by Herold; Overture to The Barber of Seville by Rossini; Overture to The Magic Flute by Mozart; Overture to The Marriage of Figaro by Mozart; Overture to Poet and Peasant by von SuppA(c); Overture to The Merry Wives of Windsor by Nicolai; Overture to William Tell by Rossini; Overture to Die Meistersinger by Wagner; Overture to Light Cavalry by von SuppA(c); Overture to Orpheus in the Underworld by Offenbach; Academic Festival Overture, by Brahms; and 1812 Festival Overture (Allegro vivace) by Tchaikovsky. (3:30)Concert/Contest; Festival.
$5.99
5.5 €
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Orchestre à Cordes
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Douglas E
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Overture to Zampa by Herold
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Overtures!: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Overtures!: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0005605 Score. Arranged by…
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String Orchestra - Digital Download SKU: AX.00-PR-0005605 Score. Arranged by Douglas E. Wagner. Masterwork Arrangement. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0005605. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005605). UPC: 038081517391.This seamless medley of the most popular overture themes from the Classical and Romantic periods---a veritable music history listening lesson---will be a sure-fire hit on any concert program. Scored in D-major throughout, the grade 3 arrangement by Douglas E. Wagner presents many teachable moments with style, balance, dynamic control, articulation, and interpretation. In order of appearance, the themes included are: 1812 Festival Overture (Largo) by Tchaikovsky; Overture to Zampa by Herold; Overture to The Barber of Seville by Rossini; Overture to The Magic Flute by Mozart; Overture to The Marriage of Figaro by Mozart; Overture to Poet and Peasant by von SuppA(c); Overture to The Merry Wives of Windsor by Nicolai; Overture to William Tell by Rossini; Overture to Die Meistersinger by Wagner; Overture to Light Cavalry by von SuppA(c); Overture to Orpheus in the Underworld by Offenbach; Academic Festival Overture, by Brahms; and 1812 Festival Overture (Allegro vivace) by Tchaikovsky. (3:30)Concert/Contest; Festival.
$10.00
9.18 €
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Orchestre à Cordes
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Douglas E
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Overture to Zampa by Herold
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Overtures!: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Set of Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1233066 Composed by Wolfgang Am…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1233066 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 59 pages. Ondine Press #828698. Published by Ondine Press (A0.1233066). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – strThis is a set of parts to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The full score is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.
$60.00
55.11 €
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Orchestre
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Wolfgang Amadeus Mozart
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Yoon Jae Lee
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Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Set of Parts
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Ondine Press
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SheetMusicPlus
Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1233065 Composed by Wolfgang Am…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1233065 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 18 pages. Ondine Press #828697. Published by Ondine Press (A0.1233065). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – strThis is a full score to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The set of parts is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.
$25.00
22.96 €
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Orchestre
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Wolfgang Amadeus Mozart
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Yoon Jae Lee
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Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Score Only
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Ondine Press
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SheetMusicPlus
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