The LittlePink Rabbit Warren for Easy Piano

7 Little PianoPieces for Beginner to Novice Pianists of all ages by SilverTonalities!

ColoredNotation for Quick and Easy Reading!

- The Tandem Bicycle

- A Piggyback

- Two Little Love Bunnies

- Moonbeam Polka

- Hearts and Roses

- The Gift

- The Warren

German.

Studies by Bertini, Burgmuller, Czerny, Duvernoy, Gretchaninoff, Gurlitt, Heller, Kirchner, Lemoine, Schumann, Schoenmehl and others, arranged in order of progressive difficulty. These studies are fun as well as musically interesting and valuable.
The volume could be introduced in combination with vol. 3 of the piano tutor Piano Kids and subsequently be used in conjuction with other teaching material [e.g. Piano Kids in Concert, ED 8440).

7 Piano Studies, composed by the portuguese composer Sérgio Varalonga, are very beautiful virtuosic pieces for advanced piano players.

Ligeti's piano etudes are some of the most splendid works ever composed for this instrument. Every ambitious player is eventually going to examine these milestones of contemporary music literature. The musical community had to wait for new piano works from the pen of Ligeti for quite a long time. now a new volume has been published: Etudes pour piano, troisieme livre.

In the years 1997 till 2001 the magician of sound wrote new etudes which pose challenges to the pianist that are revealed only at second glance.

ISBN 9783750256606, 8.3 x 11.7 inches, English, German.

Music essences were inspired by the idea of developinga piano book that is not a piano school but offers new pieces next to the oldclassics. So you can expand your repertoire for every occasion.

The title describes the pieces as very compressedmusic ideas, or even impressions. They can be musically developed and expandedin mind. Even extended interpretations are conceivable, both in playing and interms of instrumental arrangement.

Waltz No. 1

This Piano Sonata in G major has a light, liltingmelody and a midsection that underscores the style of a waltz. It is a verylively and dynamic piece. The mood is enhanced by a few diffuse moments, whichsupports the arc of suspense.

Impromptu

Based on Franz Schubert, this impromptu is inspired bythe trio of the fourth part of Opus 90 from 1827. The style has been expandedand reinterpreted with modern elements. The theme increases to the upperoctaves and culminates in a new theme in the midsection. It ends with a solemnmood.

Summer

Originally it is the theme of my first symphony forchorus and orchestra, third Movement. In this arrangement for piano, it is themelody that is intensively underlined and expressed.

2nd Intermezzo

In the beginning this piece is like a nocturne byFrederic Chopin, But the midsection is based on the midsection of the secondintermezzo, opus 118 by Johannes Brahms from 1893. Mood, harmony and style ofthe midsection are also inspired by the soundtrack from "PearlHarbor" by Hans Zimmer.

Die Stucke aus Piano Studies in Pop sollen nicht nur ein Gegenpol zur Klassik sein, vielmehr sollen sie die Bemuhungen Jazz- und Popmusik im Instrumentalunterricht zu integrieren, unterstutzen.
Es war Mike Schoenmehl ein besonderes Anliegen, klavieristische Lerninhalte in Form dieser Arrangements zu prasentieren, damit der Schuler nicht nur Stucke spielt, sondern dazu auch technische und musikalische Schwierigkeiten zu bewaltigen hat.

At first, it all sounds very easy. The notes leap through and over one another as if conjured up by a magician. However, nothing goes quite as smoothly as it seems, and here and there the music snags. notes get in each other's way and somehow it all gets somewhat out of hand. Our young Harry Potter still has a lot to learn ... Ligeti has a brilliant grasp of how to capture the essence of this scene in music. With a generous portion of wit and reminiscences of "minimal music" a la Steve Reich, the composer allows the story to unfold and is effortlessly successful in creating one of the most difficult pieces in the entire piano literature. Tempo and hectic activity, active agitation and slapstick stumbling: this all combines to illustrate "The Apprentice Wizard".

It is fascinating how the famous Hungarian composer skilfully superimposes rhythms which, with shifted accents and different speeds, create a third dimension of hearing, like an optical illusion. The breathtaking whirling of the keys in 'Desordre', the first of 18 etudes for piano altogether, is a sign of Ligeti's enthusiasm for Central African music which later was to become so important to him.

"Autumn Amble" from "Starlight Dreams: Etudes for Piano" by Karen Biehl (Maestra Music).

Maestra Music's piano etudes were composed with students in mind, in keys and patterns that are easy and fun to play, yet invoke the evocative spirit and soul of Romantic/Classical music, in a form that is accessible to all. Just as the soundtrack sets the tone of the scene in a movie, the compositions of Maestra Music intend to set the stage for the creative mind to flourish.

It is my hope to spark the desire to learn, study and create by exploring and sharing music that inspires students to reflect, find and express the voice of their soul. When we are focused on creative expression, we focus on our truest self and as a result put our best foot forward in all our endeavors.

A selection for pas de basques in piano sheet music format by Robert Long from his "Ballet Etudes" album. Bold and brash, with dramatic rhythms and a touch of a Spanish feel, this is a very inspiring piece for this exercise.

A well-rounded set of variations on an original theme to give piano students plenty of technical and musical interest.

The 6 virtuoso jazz pieces in this booklet, each dealwith a fundamentally important element of jazz piano playing. That is why thepieces are called Jazz - Etudes. However, they serve not only as teachingmaterial, but are composed primarily for concert practice.

Performing the booklet does not require you to have anyin-depth experience in jazz music. All pieces are to be played "aswritten" and without any special jazz playing techniques, (such as "swing- triplets" etc.).

Die Studies for player piano des 1912 geborenen Amerikaners Conlon Nancarrow beweisen auf ebenso spielerische wie virtuose Art, dass der Einsatz eines mechanischen Klaviers weder zur Automatisierung der Musik noch zur Fliessbandproduktion eines Komponisten fuhren muss. Nancarrow lasst parallel bis zu acht unabhangige Stimmen in einer ubermenschlichen rhythmischen Prazision und unglaublichen Schnelligkeit erklingen.

For Students.