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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
PIANO Duration: 3:32
Sheetmusicplus
Non classifié
74
Piano & claviers
Piano seul
45
Piano, Voix
11
1 Piano, 4 mains
7
Piano Facile
5
Piano, Voix et Guitare
4
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
6
Chorale 3 parties
1
Vents
Flûte traversière et Piano
20
Saxophone Tenor et Piano
13
Saxophone Alto et Piano
13
Saxophone Soprano et Piano
11
Clarinette
11
Hautbois, Piano (duo)
9
Saxophone Baryton, Piano
8
Clarinette Basse, Piano
8
Piccolo, Piano
7
Flûte à Bec, Piano
5
Flûte à bec Soprano, Piano
5
Flûte à bec Tenor
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte à bec Alto, Piano
4
Clarinette et Piano
4
Harmonica
1
Flûte, Violon, Piano
1
Quatuor de Flûtes : 4 flûtes
1
+ 13 instrumentations
Retracter
Cuivres
Trombone et Piano
16
Cor et Piano
13
Euphonium, Piano (duo)
7
Tuba et Piano
7
Trombone basse et Piano
5
Trombone
3
Trompette, Piano
3
Trompette
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 4 instrumentations
Retracter
Cordes
Violon et Piano
11
Alto, Piano
11
Violoncelle, Piano
7
Contrebasse, Piano (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Harpe
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7
Orchestre de chambre
4
Jazz combo
4
Orchestre à Cordes
3
Orchestre
3
Ensemble de cuivres
1
Ensemble Jazz
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Note4Piano
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Vous avez sélectionné:
PIANO Duration: 3:32
SheetMusicPlus
Partitions à imprimer
423 partitions trouvées
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Mendelssohn: The Fair Melusina Overture, Op. 32 for Clarinet & Piano
#
Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James Guthrie, ASCAP
#
Mendelssohn: The Fair Melusina
#
jmsgu3
#
SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.551692 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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Clarinet,Piano - Level 3 - SKU: A0.551692 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards. Score and part. 75 pages. Jmsgu3 #5352851. Published by jmsgu3 (A0.551692). The Fair Melusina Overture, Op. 32. Score: 421 pages. Duration ca. 10:15 - Allegro con motoA concert overture composed in 1834.
$26.95
Mendelssohn: The Fair Melusina Overture, Op. 32 for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James Guthrie, ASCAP
#
Mendelssohn: The Fair Melusina
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.551696 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic P...
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French Horn,Piano - Level 3 - SKU: A0.551696 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards. Score and part. 75 pages. Jmsgu3 #5353987. Published by jmsgu3 (A0.551696). The Fair Melusina Overture, Op. 32. Score: 421 pages. Duration ca. 10:15 - Allegro con motoA concert overture composed in 1834.
$26.95
Mendelssohn: The Fair Melusina Overture, Op. 32 for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James Guthrie, ASCAP
#
Mendelssohn: The Fair Melusina
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.551697 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Flute,Piano - Level 3 - SKU: A0.551697 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards. Score and part. 74 pages. Jmsgu3 #5354469. Published by jmsgu3 (A0.551697). The Fair Melusina Overture, Op. 32. Score: 421 pages. Duration ca. 10:15 - Allegro con motoA concert overture composed in 1834.
$26.95
Mendelssohn: The Fair Melusina Overture, Op. 32 for Alto Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James Guthrie, ASCAP
#
Mendelssohn: The Fair Melusina
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.551691 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Flute,Piano - Level 3 - SKU: A0.551691 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards. Score and part. 76 pages. Jmsgu3 #5350151. Published by jmsgu3 (A0.551691). The Fair Melusina Overture, Op. 32. Score: 421 pages. Duration ca. 10:15 - Allegro con motoA concert overture composed in 1834.
$26.95
Mendelssohn: The Fair Melusina Overture, Op. 32 for Cello & Piano
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Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James Guthrie, ASCAP
#
Mendelssohn: The Fair Melusina
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.551690 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Cello,Piano - Level 3 - SKU: A0.551690 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards. Score and part. 76 pages. Jmsgu3 #5337169. Published by jmsgu3 (A0.551690). The Fair Melusina Overture, Op. 32. Score: 421 pages. Duration ca. 10:15 - Allegro con motoA concert overture composed in 1834.
$26.95
Mendelssohn: The Fair Melusina Overture, Op. 32 for Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James Guthrie, ASCAP
#
Mendelssohn: The Fair Melusina
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.551698 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,S...
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Oboe,Piano - Level 3 - SKU: A0.551698 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards. Score and part. 74 pages. Jmsgu3 #5354539. Published by jmsgu3 (A0.551698). The Fair Melusina Overture, Op. 32. Score: 421 pages. Duration ca. 10:15 - Allegro con motoA concert overture composed in 1834.
$26.95
BACH Cantata Liebster Jesu mein Verlangen BWV 32
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Piano seul
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Helios D'Andrea
#
BACH Cantata Liebster Jesu mei
#
D'Andrea Helios
#
SheetMusicPlus
Piano - Level 3 - SKU: A0.1137355 Composed by Johann Sebastian Bach. Arranged by Helios D'Andrea. Baroque. Accompaniment. Duration 225. D'Andrea Helios ...
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Piano - Level 3 - SKU: A0.1137355 Composed by Johann Sebastian Bach. Arranged by Helios D'Andrea. Baroque. Accompaniment. Duration 225. D'Andrea Helios #737557. Published by D'Andrea Helios (A0.1137355). Arranged Only Piano accompaniment.
$3.00
Fauré: Romance Op. 28 for Clarinet & Piano
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Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Gabriel Faure
#
James Guthrie, ASCAP
#
Fauré: Romance Op. 28 f
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.551766 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,Stand...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.551766 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,Standards. Score and part. 30 pages. Jmsgu3 #5711883. Published by jmsgu3 (A0.551766). Gabriel Fauré Romance Op. 28. A Mademoisèlle ARMA HARKNESSDuration ca. 4:15, Score: 17 pages. Andantino molto moderato più mossoGabriel Fauré's Romance Op. 28 is a piece for violin and piano, composed in 1877 when Fauré was 31-32 years old. It is known for its decorative style, which is akin to the languid curlicues of Art Nouveau. The piece is relatively short, with a duration of approximately 6 minutes. Fauré was a French composer, organist, pianist, and teacher and one of the foremost French composers of his generation. The Romance was initially written for violin and piano but has also been transcribed for other instruments, such as the harp. The story behind Gabriel Fauré's Romance Op. 28 is not explicitly documented. However, the piece is known for its romantic and expressive nature and is believed to have been inspired by the mountains.
$32.95
Hip Hop Piano Loop 27 (20x) MP3
#
Piano seul
#
Cristiano Vecchi
#
Hip Hop Piano Loop 27
#
Cristiano Vecchi
#
SheetMusicPlus
Piano - SKU: A0.1066437 Composed by Cristiano Vecchi. Hip-Hop,Instructional,Jazz,R & B,Standards. Full Performance. Duration 230. Cristiano Vecchi #5999...
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Piano - SKU: A0.1066437 Composed by Cristiano Vecchi. Hip-Hop,Instructional,Jazz,R & B,Standards. Full Performance. Duration 230. Cristiano Vecchi #5999673. Published by Cristiano Vecchi (A0.1066437). A four bar hip hop loop for Piano Four-Hands, to accompany rap challenges or provide a base for improvisation. The loop is repeated 32 times, duration: 3'51.Score and parts also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$1.99
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
You Are My Heart (piano version)
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Piano Facile
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INTERMÉDIAIRE
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Contemporain
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Pétur Söebech Quinn
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You Are My Heart
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Petur Soebech Quinn
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.997015 Composed by Pétur Söebech Quinn. Contemporary. Score. 3 pages. Petur Soebech Quinn #6067331. Published by Pe...
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Easy Piano - Level 3 - SKU: A0.997015 Composed by Pétur Söebech Quinn. Contemporary. Score. 3 pages. Petur Soebech Quinn #6067331. Published by Petur Soebech Quinn (A0.997015). Piano Lead Sheet version of this song, chords can be played on a piano or a keyboard. - Appropriate for anyone. - Duration 4:32 - Performing Rights Organization, STEF Iceland.
$2.99
Let Us Break Bread Together (Piano Accompaniment Track)
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Piano seul
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Spiritual
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Cathy Stamegna
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Let Us Break Bread Together
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Cathy Stamegna
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SheetMusicPlus
Piano - SKU: A0.1070411 Composed by Spiritual. Arranged by Cathy Stamegna. Christian,Easter,Spiritual,Wedding. Accompaniment. Duration 214. Cathy Stameg...
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Piano - SKU: A0.1070411 Composed by Spiritual. Arranged by Cathy Stamegna. Christian,Easter,Spiritual,Wedding. Accompaniment. Duration 214. Cathy Stamegna #5308835. Published by Cathy Stamegna (A0.1070411). Let Us Break Bread Together (Piano Accompaniment Track). Traditional hymn begins with long flowing lines and rich chords, building toward a Gospel style and tempo change in Verse 3. Optional improvisation in this section, if desired (the improv section is repeated on the mp3). Performance Time: 3:32. For arrangements by Cathy Stamegna.
$3.99
3 Preludes
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Tuba et Piano
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George Gershwin
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Marco Santi
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Tuba & Piano - Grade 4 - SKU: R0.46007 Composed by George Gershwin. Arranged by Marco Santi. Tuba & Piano. Score and parts. 14 pages. Duration 5'32. Edi...
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Tuba & Piano - Grade 4 - SKU: R0.46007 Composed by George Gershwin. Arranged by Marco Santi. Tuba & Piano. Score and parts. 14 pages. Duration 5'32. Editions Marc Reift - Digital #46007. Published by Editions Marc Reift - Digital (R0.46007).
$17.95
3 Preludes
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Trombone et Piano
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George Gershwin
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Marco Santi
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Alto Trombone & Piano - Grade 4 - SKU: R0.46003 Composed by George Gershwin. Arranged by Marco Santi. Alto Trombone & Piano. Score and parts. 14 pages. ...
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Alto Trombone & Piano - Grade 4 - SKU: R0.46003 Composed by George Gershwin. Arranged by Marco Santi. Alto Trombone & Piano. Score and parts. 14 pages. Duration 5'32. Editions Marc Reift - Digital #46003. Published by Editions Marc Reift - Digital (R0.46003).
$17.95
3 Preludes
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Flûte traversière et Piano
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George Gershwin
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Marco Santi
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Flute & Piano - Grade 4 - SKU: R0.45992 Composed by George Gershwin. Arranged by Marco Santi. Flute & Piano. Score and parts. 14 pages. Duration 5'32. E...
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Flute & Piano - Grade 4 - SKU: R0.45992 Composed by George Gershwin. Arranged by Marco Santi. Flute & Piano. Score and parts. 14 pages. Duration 5'32. Editions Marc Reift - Digital #45992. Published by Editions Marc Reift - Digital (R0.45992).
$17.95
3 Preludes
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Trombone et Piano
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George Gershwin
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Marco Santi
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Trombone & Piano - Grade 4 - SKU: R0.46004 Composed by George Gershwin. Arranged by Marco Santi. Trombone & Piano. Score and parts. 17 pages. Duration 5...
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Trombone & Piano - Grade 4 - SKU: R0.46004 Composed by George Gershwin. Arranged by Marco Santi. Trombone & Piano. Score and parts. 17 pages. Duration 5'32. Editions Marc Reift - Digital #46004. Published by Editions Marc Reift - Digital (R0.46004).
$17.95
3 Preludes
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Saxhorn et Piano
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George Gershwin
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Marco Santi
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Eb Horn & Piano - Grade 4 - SKU: R0.46002 Composed by George Gershwin. Arranged by Marco Santi. Eb Horn & Piano. Score and parts. 14 pages. Duration 5'3...
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Eb Horn & Piano - Grade 4 - SKU: R0.46002 Composed by George Gershwin. Arranged by Marco Santi. Eb Horn & Piano. Score and parts. 14 pages. Duration 5'32. Editions Marc Reift - Digital #46002. Published by Editions Marc Reift - Digital (R0.46002).
$17.95
3 Preludes
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Piccolo, Piano
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George Gershwin
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Marco Santi
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Piccolo & Piano - Grade 4 - SKU: R0.45991 Composed by George Gershwin. Arranged by Marco Santi. Piccolo & Piano. Score and parts. 14 pages. Duration 5'3...
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Piccolo & Piano - Grade 4 - SKU: R0.45991 Composed by George Gershwin. Arranged by Marco Santi. Piccolo & Piano. Score and parts. 14 pages. Duration 5'32. Editions Marc Reift - Digital #45991. Published by Editions Marc Reift - Digital (R0.45991).
$17.95
3 Preludes
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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George Gershwin
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Marco Santi
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Baritone Saxophone & Piano - Grade 4 - SKU: R0.46000 Composed by George Gershwin. Arranged by Marco Santi. Baritone Saxophone & Piano. Score and parts. ...
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Baritone Saxophone & Piano - Grade 4 - SKU: R0.46000 Composed by George Gershwin. Arranged by Marco Santi. Baritone Saxophone & Piano. Score and parts. 14 pages. Duration 5'32. Editions Marc Reift - Digital #46000. Published by Editions Marc Reift - Digital (R0.46000).
$17.95
3 Preludes
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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George Gershwin
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Marco Santi
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3 Preludes
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Editions Marc Reift - Digital
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SheetMusicPlus
Soprano Saxophone & Piano - Grade 4 - SKU: R0.45997 Composed by George Gershwin. Arranged by Marco Santi. Soprano Saxophone & Piano. Score and parts. 14...
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Soprano Saxophone & Piano - Grade 4 - SKU: R0.45997 Composed by George Gershwin. Arranged by Marco Santi. Soprano Saxophone & Piano. Score and parts. 14 pages. Duration 5'32. Editions Marc Reift - Digital #45997. Published by Editions Marc Reift - Digital (R0.45997).
$17.95
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PIANO Duration: 3:32
