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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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ASIE
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CLASSIQUE - BAROQUE …
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COUNTRY
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Non classifié
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PIANO & CLAVIERS
Piano seul
1432
Piano, Voix
724
Piano, Voix et Guitare
494
Piano Facile
303
Instruments en Do
91
Orgue
89
Accompagnement Piano
77
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
19
Accordéon
12
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano grosses notes
9
Piano (partie séparée)
8
2 Pianos, 4 mains
4
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Ligne De Mélodie, Piano
2
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1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare notes et tablatures
356
Guitare
136
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109
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47
Basse electrique
35
Ukulele
32
2 Guitares (duo)
20
Guitare (partie séparée)
16
Dulcimer
7
Basse électrique (partie séparée)
7
Piano, Guitare (duo)
5
4 Guitares (Quatuor)
5
Banjo
5
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3
Mandoline
3
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VOIX
Chorale SATB
1166
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312
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186
Chorale TTBB
105
Chorale Unison
79
Chorale SSAA
49
Voix duo, Piano
48
Voix seule
33
Voix Tenor, Piano
23
Voix duo
22
Voix Soprano, Piano
22
Chorale
22
Voix Alto, Piano
13
Voix haute
6
Voix basse, Piano
6
Voix Tenor
4
Voix Soprano
4
Chorale SSATB
4
Voix Baryton, Piano
2
Voix moyenne, Piano
2
Chorale SATBB
2
Voix basse
2
Voix Mezzo-Soprano, Piano
1
Voix Moyenne
1
Soli, choeur mixte et accompagnement
1
Male Voice
1
Chorale SSATTB
1
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VENTS
Flûte traversière et Piano
116
Flûte traversière
104
Saxophone (partie séparée)
95
Clarinette et Piano
82
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
82
Quatuor de Saxophones: 4 saxophones
70
Saxophone Alto
69
Hautbois, Piano (duo)
69
Saxophone Alto et Piano
67
Clarinette
62
Flûte, Hautbois, Clarinette, Basson
58
Saxophone Tenor et Piano
54
2 Flûtes traversières (duo)
49
2 Saxophones (duo)
46
Clarinette (partie séparée)
42
Hautbois (partie séparée)
41
Quatuor de Clarinettes: 4 clarinettes
41
Saxophone Tenor
41
2 Clarinettes (duo)
29
Ensemble de Clarinettes
26
Saxophone Soprano et Piano
25
Flute (partie séparée)
22
Flûte, Clarinette (duo)
20
Quintette de Saxophone: 5 saxophones
18
Saxophone Baryton, Piano
17
3 Saxophones (trio)
17
Flûte et Guitare
15
2 Hautbois (duo)
14
2 Flûte à bec (duo)
12
Saxophone Soprano
12
Cor anglais, Piano
12
Quintette de Clarinettes: 5 clarinettes
12
3 Clarinettes (trio)
12
Ensemble de saxophones
11
Ensemble de Flûtes
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Guitare (duo)
10
Hautbois
9
Flûte, Clarinette, Piano (trio)
8
Clarinette Basse, Piano
8
Hautbois, Violoncelle
7
Hautbois, Basson (duo)
7
Clarinette, Basson (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Clarinette, Violoncelle (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Violoncelle
6
2 Saxophones, Piano
6
Instruments en Mib
4
Saxophone, Clarinette (duo)
4
Saxophone et Guitare
4
Flûte à Bec
4
Hautbois, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte à bec Alto, Piano
4
Hautbois, Flûte
3
Clarinette, Violon (duo)
3
Saxophone
3
Clarinette, Trompette (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Violon
3
Flûte, Hautbois (duo)
3
Flûte à bec Soprano
3
Flûte, Trombone (duo)
3
Ensemble De Flûte à bec
3
Flûte à bec, Guitare (duo)
2
Flûte à bec Soprano, Piano
2
Cor anglais, Guitare (duo)
2
Cornemuse
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violoncelle, Piano (trio)
2
Ensemble à vent
2
Saxophone et Harpe
2
Flûte, Clarinette et Basson
2
Cor Anglais
2
2 Clarinettes, Piano
2
Flûte, Hautbois, Basson
2
Flûte, Alto (duo)
1
Flûte, trombone et piano
1
Flûte, Basson et Piano
1
Clarinette et Alto
1
2 Flûtes traversières, Piano
1
Flute, Cor (duo)
1
Clarinette, Harpe (duo)
1
Harmonica
1
Flûte et Trio à cordes
1
Cor anglais et Harpe (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Harpe
1
Saxophone et Piano
1
4 Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Basson, Piano (trio)
1
Piccolo
1
Hautbois, Basson et Piano
1
Flûte, Trompette (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Trombone (partie séparée)
81
Trompette
78
Trompette (partie séparée)
78
Trombone et Piano
68
Trompette, Piano
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Trombone
43
Cor et Piano
39
Cor
37
2 Trombones (duo)
27
Cor (partie séparée)
26
Tuba et Piano
24
Tuba
20
2 Trompettes (duo)
18
Trompette, Trombone (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
2 Cors (duo)
16
Euphonium, Piano (duo)
15
Tuba (partie séparée)
15
Quatuor de Cuivres
14
Cor anglais, Piano
12
Ensemble de Trompettes
9
Quatuor de cuivres: 4 cors
8
Trompette, Cor (duo)
8
Quatuor de cuivres: 4 trombones
6
Cor, Violoncelle (duo)
6
Instruments en Sib
6
2 Euphoniums et 2 Tubas
5
Trombone, Cor (duo)
4
2 Tubas (duo)
4
Ensemble de Cors
4
Trombone, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
3
Bass Clef Instruments
3
Trompette, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Cor anglais, Guitare (duo)
2
Ensemble de Trombones
2
4 Tubas
2
Trompette, Violoncelle (duo)
2
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor Anglais
2
Cor, Tuba (duo)
2
Trompette, Trombone, Piano
2
Clarinette, Cor (duo)
1
Instruments en Fa
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Tuba ou Euphonium ou Saxhorn
1
Cor et Basson (duo)
1
Euphonium
1
2 Cors Anglais Et Pianoforte
1
Trompette, Harpe
1
3 Trombones (trio)
1
Tuba et Orgue
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
232
Violon et Piano
147
Violon
138
Violoncelle
102
Violoncelle, Piano
96
Alto, Piano
76
Harpe
71
Violon, Violoncelle (duo)
46
Alto seul
45
2 Violons (duo)
40
Trio à Cordes: violon, alto, violoncelle
34
Violon (partie séparée)
31
2 Violoncelles (duo)
31
Contrebasse (partie séparée)
29
Violon, Alto (duo)
29
Alto (partie séparée)
24
2 Altos (duo)
24
Contre Basse
19
Alto, Violoncelle (duo)
18
Contrebasse, Piano (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Guitare (duo)
12
Violoncelle (partie séparée)
10
Violoncelle , Guitare (duo)
9
Piano Trio: Violon, Alto, Piano
8
2 Contrebasses (duo)
6
Alto, Guitare (duo)
5
Harpe, Flûte (duo)
5
Violon, Basson (duo)
4
2 Harpes (duo)
3
Alto et Basson
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Harpe, Voix
2
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Harpe, Violon (duo)
1
Violoncelle, Orchestre
1
Quatuor à cordes: 4 violons
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
580
Orchestre
226
Orchestre à Cordes
109
Batterie
77
Cloches
69
Ensemble de cuivres
63
Ensemble Jazz
59
Orchestre de chambre
57
Fanfare
53
Jazz combo
37
Percussion (partie séparée)
33
Batterie (partie séparée)
28
Ensemble de Percussions
19
Percussion
8
Marimba
4
Timbales (partie séparée)
4
Vibraphone
3
Timbales
2
Xylophone
2
Xylophone, Piano
2
Orchestre, Violon
1
Quintette à Vent
1
Piano et Orchestre
1
2 Caisses Claires (duo)
1
2 Xylophones
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Pai
Partitions à imprimer
13 742 partitions trouvées
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9976
Querido pai Opus 12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1019684 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1019684 Composed by Ivan Lyran. Concert,Contemporary,Graduation,Instructional,Standards. 15 pages. Publicado por Ivan Lyran #4363534. Published by Publicado por Ivan Lyran (A0.1019684). Composta em 2013, a peça Querida pai Opus 12 é uma homenagem ao meu pai, que morreu em 2012 por causa de um câncer no intestino. Uma peça foi criada em 15/06/2017 pelo Quinteto Lorenzo Fernandez na Primeira Mostra Impulso de Composição Clássica. Local: TribOz - Centro Cultural Brasil-Austrália Rua Conde de Lages, 19 - Lapa, Rio de Janeiro / RJ. Composto em 2013, uma peça Caro Opus 12 é uma homenagem ao pai, que em 2012 por causa de um câncer no intestino. Uma peça foi criada em 15/06/2017 por Quinteto Lorenzo Fernandez no Primeiro Show de Impulso da Composição Clássica. Localização: TribOz - Centro Cultural Brasil-Austrália Rua Conde de Lages, 19 - Lapa, Rio de Janeiro / RJ.
$15.00
13.53 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ivan Lyran
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Querido pai Opus 12
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Publicado por Ivan Lyran
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SheetMusicPlus
Ser Pai 1º movimento Alegre
Digital Download SKU: A0.1064719 Composed by Marcelo Torca. Arranged by Marcelo Tor…
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Digital Download SKU: A0.1064719 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 312. Marcelo Torca #55799. Published by Marcelo Torca (A0.1064719). O primeiro movimento da música Ser Pai, andamento Alegre. Para Orquestra Grupo Instrumental.
$4.00
3.61 €
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Marcelo Torca
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Marcelo Torca
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Ser Pai 1º movimento Alegre
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Marcelo Torca
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SheetMusicPlus
Kia Pai TÅ RÄ (No 2. from "Waiata Reorua mÅ te Rangatahi (Bilingual Songs for Young People)".
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1331926 By Leon Gray. By Leo…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1331926 By Leon Gray. By Leon Gray. Arranged by Leon Gray. 21st Century,Children,Instructional,Jazz,Multicultural,World. Score. 8 pages. Leon Gray #918697. Published by Leon Gray (A0.1331926). Explore how beautiful it is to sing in Maori, the language of the indigenous people of New Zealand, known as Te Reo, with Waiata Reorua mÅ te Rangatahi (Bilingual Songs for Young People).Leon Gray writes funny, moving, silly and creative songs, perfect for young people learning singing technique. Included in each of the five songs are verses sung in English, transliterating the text for audiences.In the humorous piece, Kia Pai TÅ RÄ (Have a Happy Day) the singer recalls a strange dream about a happy man in bright colours who wished them a happy day.With rich piano accompaniments, this collection is suitable for all ages, and teachers, students and pianist will love performing them.
$2.00
1.8 €
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Piano, Voix
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Leon Gray
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Leon Gray
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Kia Pai TÅ RÄ
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Leon Gray
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SheetMusicPlus
Pai Nosso
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1151090 Composed by Fernan…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1151090 Composed by Fernando Britto. Chamber,Christian,Christmas,Classical,Contemporary. Octavo. 4 pages. Fernando Britto #751275. Published by Fernando Britto (A0.1151090). Pai Nosso. The prayer, in Brazilian portuguese. For translations and adaptations, send me an email to brittostudio.music@gmail.com.
$12.99
11.72 €
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Chorale SATB
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Fernando Britto
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Pai Nosso
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Fernando Britto
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SheetMusicPlus
Foi Pai Miguel Quem Me Chamou by Anderson Quevedo for flute, 2 tenor sax, baritone sax and congas
Small Ensemble Baritone Saxophone,Flute,Hand Percussion,Tenor Saxophone - Level 2 - Digita…
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Small Ensemble Baritone Saxophone,Flute,Hand Percussion,Tenor Saxophone - Level 2 - Digital Download SKU: A0.825833 Composed by Anderson Quevedo. Concert,Jazz,Latin. Score and parts. 12 pages. The Sheet Music Library #6658887. Published by The Sheet Music Library (A0.825833). Foi Pai Miguel Quem Me Chamou is a original composition by brazilian saxophonist Anderson Quevedo that resembles the sound of afro-brazilian Umbanda chants and percussion must play a style called samba-duro as basic groove.
$12.99
11.72 €
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Anderson Quevedo
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Foi Pai Miguel Quem Me Chamou by Anderson Quevedo for flute, 2 tenor sax, baritone sax and congas
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The Sheet Music Library
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SheetMusicPlus
Ser Pai 2º movimento Triste
Digital Download SKU: A0.1064720 Composed by Marcelo Torca. Arranged by Marcelo Tor…
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Digital Download SKU: A0.1064720 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 273. Marcelo Torca #55801. Published by Marcelo Torca (A0.1064720). Música para o Dia dos Pais, para Orquestra Grupo Instrumental, interpretado pela Orquestra Grupo Instrumental MACRISAN.
$4.00
3.61 €
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Marcelo Torca
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Marcelo Torca
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Ser Pai 2º movimento Triste
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Marcelo Torca
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SheetMusicPlus
Ser Pai 3º movimento Muito Alegre
Digital Download SKU: A0.1064721 Composed by Marcelo Torca. Arranged by Marcelo Tor…
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Digital Download SKU: A0.1064721 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 181. Marcelo Torca #55803. Published by Marcelo Torca (A0.1064721). Música para o Dia dos Pais, para Orquestra Grupo Instrumental, interpretado pela Orquestra Grupo Instrumental MACRISAN.
$4.00
3.61 €
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Marcelo Torca
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Marcelo Torca
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Ser Pai 3º movimento Muito Alegre
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Marcelo Torca
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SheetMusicPlus
Ser Pai 5º movimento Alegre
Digital Download SKU: A0.1064723 Composed by Marcelo Torca. Arranged by Marcelo Tor…
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Digital Download SKU: A0.1064723 Composed by Marcelo Torca. Arranged by Marcelo Torca. Latin,World. Full Performance. Duration 441. Marcelo Torca #55807. Published by Marcelo Torca (A0.1064723). Música para o Dia dos Pais, para Orquestra Grupo Instrumental, interpretado pela Orquestra Grupo Instrumental MACRISAN.
$4.00
3.61 €
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Marcelo Torca
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Marcelo Torca
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Ser Pai 5º movimento Alegre
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Marcelo Torca
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SheetMusicPlus
Anzen Pai
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1336612 Composed by M…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1336612 Composed by Motoki Ohmori. Arranged by Mopianic. Pop. Score. 5 pages. Mopianic #922383. Published by Mopianic (A0.1336612). Anzenpai Mrs. GREEN APPLE  Transcription for piano solo intermediate level Twitter https://twitter.com/MopianicYm​アンゼンパイ Mrs. GREEN APPLE  ピアノソãƒã‚¢ãƒ¬ãƒ³ã‚¸ã€€ä¸ç´š.
$4.99
4.5 €
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Piano, Voix et Guitare
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Motoki Ohmori
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Mopianic
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Anzen Pai
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Mopianic
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SheetMusicPlus
Dot by dot Julia patiently paints a peacock Op. 14 No. 3 from the book Paintings by my pupils
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1443675 By Sally Wave. By Sally Wav…
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Piano Solo - Level 3 - Digital Download SKU: A0.1443675 By Sally Wave. By Sally Wave. Arranged by Sally Wave. 21st Century,Classical,Contemporary,Multicultural,World. Score. 4 pages. Sally Wave #1023616. Published by Sally Wave (A0.1443675). A charming piece for lower intermediate level. The painting is included.
$2.50
2.26 €
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Piano seul
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Sally Wave
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Sally Wave
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Dot by dot Julia patiently paints a peacock Op. 14 No. 3 from the book Paintings by my pupils
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Sally Wave
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry …
(+)
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
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Flûte traversière
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin …
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
#
Cor
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Basson
Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harr…
(+)
Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
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Basson
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Har…
(+)
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
#
Clarinette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Be…
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Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
#
Trompette
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
#
Flûte traversière
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
#
Trompette
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
Alto seul
Viola Solo - Level 5 - Digital Download SKU: A0.1018938 Composed by Benjamin Harry …
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Viola Solo - Level 5 - Digital Download SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
#
Alto seul
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Har…
(+)
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
#
Clarinette
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
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Contre Basse
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Benjamin Harry Sajo
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Strings 
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
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Hautbois (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
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Hautbois (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
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Violon
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.16 €
#
Violon
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
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