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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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Pare etern
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Pare etern
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.525444 By Anna Cortés. By Bach-A…
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Piano Solo - Level 2 - Digital Download SKU: A0.525444 By Anna Cortés. By Bach-Anna Cortés. Arranged by Anna Cortés. Sacred. Score. 4 pages. Anacelsa49 #135935. Published by Anacelsa49 (A0.525444). Anna.
$2.00
1.8 €
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Piano seul
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Anna Cortés
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Anna Cortés
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Pare etern
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Anacelsa49
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SheetMusicPlus
THE CURSE OF THE ETERNAL FLIGHT
Piano seul
Piano Solo - Digital Download SKU: A0.1012736 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012736 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5743249. Published by Moni Bergo (A0.1012736). Music and song composed by me Impostazioni account *´¨`*•.¸¸.♫ La maledizione dell'eterno volo ♫*´¨`*•.¸¸.♫ Sembra immobile l'aria e una lacrima vola questo trucco si scioglie e sul viso mi cola il mio circo d'amore e di buone intenzioni parte e mi lascia qua E la formula inversa in cui ho sempre creduto che si scaglia ora contro il mio orgoglio ferito folle io ad insegnare che più dai amore più ne ottieni per te Io qui strana attrice inutile ingoio rabbia e le lacrime inciampo tra i passi falsi miei nascondo lati dell'anima vorrei si squarciasse il cielo e poi con tutto il mio fiato lo urlerei che no, sempre forte non si può E' la maledizione dell'eterno volo che mi porta più in alto non tocco mai il suolo è quel triste sorriso che piega le labbra e di questo Pierrot poi deforma la faccia un patetico ghigno sul viso di cera maledico le origini e il freddo che c'era Era il fiore più bello di questo giardino l'hai inquinato, sporcato gli hai cambiato il destino benvenuto all'inferno sarò lì vicino e ti sbrano in eterno come il conte Ugolino non rido più... E fa tic-tac -tic-tac l'orologio dei malvagi e fa tic-tac-tic-tac la vendetta degli offesi il tuo tempo scorre ed arriva la tua fine e io danzo sopra la tua tomba tra le spine E fa tic-tac-tic-tac questa bomba che hai innescato e fa tic-tac tic-tac l'innocenza che hai rubato ci sarà per te solo il fuoco dell'inferno brucia insieme a me che l'inferno ce l'ho eterno Ti ricorderai di me di questo clown patetico dall'animo poetico e starò un passo dietro a te ma non mi riconoscerai con gli occhi tuoi non mi vedrai giustizia farò a modo mio pozioni e frasi magiche rispolvero le formule scambiamoci di posto e tu sarai il più vulnerabile solo un fantoccio inutile perchè non ridi? Questa maledizione la tua punizione e il tuo volo eterno non ti salverà da questo inferno E' la tua punizione è una maledizione puoi scappare in eterno ma non fuggirai da questo inferno Questa tua dannazione è la tua punizione vola pure in eterno poi ritorna qui dentro all'inferno Ridi pagliaccio ti guardi allo specchio è un triste riflesso ridi di te stesso Ridi pagliaccio ti guardi allo specchio è un triste riflesso ridi di te stesso solo di te stesso mi risveglio e ora sono a 2 passi dal mare l'orizzonte si perde lo vado a cercare è una terra di mezzo che non ha padrone il rifugio perfetto per la mia stagione E respiro quest'aria che sa di dolore mi rimetto la maschera e so cosa fare sono stan.
$5.00
4.5 €
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Piano seul
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Monica Bergo
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THE CURSE OF THE ETERNAL FLIGHT
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Moni Bergo
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SheetMusicPlus
La maledizione dell'eterno volo
Piano seul
Piano Solo - Digital Download SKU: A0.976870 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976870 Composed by Monica Bergo. Contemporary. Score. 8 pages. Monica Bergo #3239781. Published by Monica Bergo (A0.976870). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫ La maledizione dell'eterno volo ♫*´¨`*•.¸¸.♫ Sembra immobile l'aria e una lacrima vola questo trucco si scioglie e sul viso mi cola il mio circo d'amore e di buone intenzioni parte e mi lascia qua E la formula inversa in cui ho sempre creduto che si scaglia ora contro il mio orgoglio ferito folle io ad insegnare che più dai amore più ne ottieni per te Io qui strana attrice inutile ingoio rabbia e le lacrime inciampo tra i passi falsi miei nascondo lati dell'anima vorrei si squarciasse il cielo e poi con tutto il mio fiato lo urlerei che no, sempre forte non si può E' la maledizione dell'eterno volo che mi porta più in alto non tocco mai il suolo è quel triste sorriso che piega le labbra e di questo Pierrot poi deforma la faccia un patetico ghigno sul viso di cera maledico le origini e il freddo che c'era Era il fiore più bello di questo giardino l'hai inquinato, sporcato gli hai cambiato il destino benvenuto all'inferno sarò lì vicino e ti sbrano in eterno come il conte Ugolino non rido più... E fa tic-tac -tic-tac l'orologio dei malvagi e fa tic-tac-tic-tac la vendetta degli offesi il tuo tempo scorre ed arriva la tua fine e io danzo sopra la tua tomba tra le spine E fa tic-tac-tic-tac questa bomba che hai innescato e fa tic-tac tic-tac l'innocenza che hai rubato ci sarà per te solo il fuoco dell'inferno brucia insieme a me che l'inferno ce l'ho eterno Ti ricorderai di me di questo clown patetico dall'animo poetico e starò un passo dietro a te ma non mi riconoscerai con gli occhi tuoi non mi vedrai giustizia farò a modo mio pozioni e frasi magiche rispolvero le formule scambiamoci di posto e tu sarai il più vulnerabile solo un fantoccio inutile perchè non ridi? Questa maledizione la tua punizione e il tuo volo eterno non ti salverà da questo inferno E' la tua punizione è una maledizione puoi scappare in eterno ma non fuggirai da questo inferno Questa tua dannazione è la tua punizione vola pure in eterno poi ritorna qui dentro all'inferno Ridi pagliaccio ti guardi allo specchio è un triste riflesso ridi di te stesso Ridi pagliaccio ti guardi allo specchio è un triste riflesso ridi di te stesso solo di te stesso mi risveglio e ora sono a 2 passi dal mare l'orizzonte si perde lo vado a cercare è una terra di mezzo che non ha padrone il rifugio perfetto per la mia stagione E respiro quest'aria che sa di dolore mi rimetto la maschera e so cosa fare sono stanca con tutto quest'odio nel cuore rimodello il sorriso e riprendo a volare perchè io sono così....
$3.99
3.59 €
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Piano seul
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Monica Bergo
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La maledizione dell'eterno volo
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Monica Bergo
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SheetMusicPlus
Eternal Father, Strong to Save — original for SATB Choir
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1112596 Composed by John B…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1112596 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 6 pages. Artistic Score Engraving di Galvagno Michele #714605. Published by Artistic Score Engraving di Galvagno Michele (A0.1112596). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$3.50
3.15 €
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Chorale SATB
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — original for SATB Choir
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save — for French Horn Quartet
Quatuor de cuivres: 4 cors
Horn - Level 3 - Digital Download SKU: A0.1112595 Composed by John Bacchus Dykes. A…
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Horn - Level 3 - Digital Download SKU: A0.1112595 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Sacred,Traditional. 14 pages. Artistic Score Engraving di Galvagno Michele #714604. Published by Artistic Score Engraving di Galvagno Michele (A0.1112595). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
4.95 €
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Quatuor de cuivres: 4 cors
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — for French Horn Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save - for Brass Quartet
Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1112593 Composed by John…
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Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1112593 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Patriotic,Praise & Worship,Sacred. 18 pages. Artistic Score Engraving di Galvagno Michele #714601. Published by Artistic Score Engraving di Galvagno Michele (A0.1112593). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
4.05 €
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save - for Brass Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save - for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone - Level 2 - Digital Download SKU: A0.1112600 Composed by John Bacchus Dyke…
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Trombone - Level 2 - Digital Download SKU: A0.1112600 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Sacred,Traditional. 14 pages. Artistic Score Engraving di Galvagno Michele #714610. Published by Artistic Score Engraving di Galvagno Michele (A0.1112600). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
4.95 €
#
Quatuor de cuivres: 4 trombones
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save - for Trombone Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save — for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1112597 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Religious,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714606. Published by Artistic Score Engraving di Galvagno Michele (A0.1112597). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
4.05 €
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Quatuor de Saxophones: 4 saxophones
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — for Saxophone Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save - for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1112602 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Religious,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714612. Published by Artistic Score Engraving di Galvagno Michele (A0.1112602). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
4.05 €
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Flûte, Hautbois, Clarinette, Basson
#
John Bacchus Dykes
#
Michele Galvagno
#
Eternal Father, Strong to Save - for Woodwind Quartet
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Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Eternal Father, Strong to Save — for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1112599 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Religious,Sacred. 16 pages. Artistic Score Engraving di Galvagno Michele #714609. Published by Artistic Score Engraving di Galvagno Michele (A0.1112599). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
4.05 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John Bacchus Dykes
#
Michele Galvagno
#
Eternal Father, Strong to Save — for String Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save — for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Patriotic,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714602. Published by Artistic Score Engraving di Galvagno Michele (A0.1112594). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
4.95 €
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4 Violoncelles
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — for Cello Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Come Scrooge (Il fantasma del Natale)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.976865 Composed by Monica Bergo. Ch…
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Piano Solo - Level 3 - Digital Download SKU: A0.976865 Composed by Monica Bergo. Children,Contemporary. Score. 13 pages. Monica Bergo #3239653. Published by Monica Bergo (A0.976865). 2017 Holiday Contest Entry Come Scrooge (Ghost's Christmas) Din-don din-don suonan le campane ad ogni rintocco ti ricordan che è Natale sono ombra,buio è il tempo che mi porta sono il tuo fantasma proprio come fu per Scrooge Mi seguirai nel già vissuto ti immergerai dentro al passato come un pittore che ha sbagliato i suoi colori come un'attrice che il suo ruolo più non ha camminerai dentro la nebbia dei tuoi errori finchè quell'irrisolto sparirà Che senso ha questo tuo folle viaggio non cambierà niente col tuo passaggio non amerò quei tuoi natali infreddoliti quella tua neve che li imbianca io odierò e quegli auguri non sinceri e comandati abbracci ipocriti rifiuterò come vampiri nella notte ci muoviamo in libertà e trasformati in pura luce noi voliamo via da qua sfioro la luna, immensa e bianca solo lei non cambia mai la sua immortalità spaventa è luce eterna su di noi la mia casa è là un punto lontano e mi manca già la mia realtà e ora siamo qua e l'angoscia mi attanaglia quanto grigio e che male fa ogni giorno una battaglia in silenzio urlo dentro di me la mia anima è già stanca e vorrei fuggir via lì nascosta c'è una bimba vuol venire via con me e mi guarda impaurita mi ha riconosciuta sono io a una vita da qua un istante che pare sia eterno ci guardiamo negli occhi io e lei la domanda inespressa è sempre la stessa mi chiede se ciò cambierà vorrei solo abbracciarla e cullarla sai l'istinto materno com'è? ma il fantasma mi dice non si interferisce il passato rimanga com'è E fa Din - Don Din-Don la triste campana apro gli occhi e ascolto la sua melodia lontana è già l'una in punto aspetto il mio fantasma sono un fiore e come al vento io gli ubbidirò Vieni con me no, aspetta non parlare conosco già ciò che mi vuoi mostrare ma non c'è nulla che non so del mio presente portami allora nel futuro come Scrooge tu incappucciato sei un fantasma un po' inquietante ma io non temo ciò che mi accadrà così attraverso quel confine che incatena tutti noi battito d'ali di farfalle così volan gli anni miei e come un film ormai datato che nessuno vede mai io spettatrice solitaria che fermarmi ora vorrei come un libro che svela il suo finale il futuro è qua è scritto già e ora siamo qua una dimensione nuova non conosco questa realtà questi luoghi e le persone sono tristi e stan piangendo sembra che stian sussurando il nome mio ed inciampo tra maschere bianche sembra che Carnevale sia qua ed è un tragico samba mi unisco alla danza che il mio funerale sarà Sto bussando alla porta del cielo chiedo se ci sia un posto pe rme
$3.99
3.59 €
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Piano seul
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Monica Bergo
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Come Scrooge
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Monica Bergo
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SheetMusicPlus
Up I arose in verno tempore for flute and guitar
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985945. Published by David Warin Solomons (A0.577532). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.4 €
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Flûte et Guitare
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Anon
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David Warin Solomons
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Up I arose in verno tempore for flute and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for cor anglais and guitar
Cor anglais, Guitare (duo)
Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - Digital Download SK…
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Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577531 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985943. Published by David Warin Solomons (A0.577531). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.4 €
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Cor anglais, Guitare (duo)
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Anon
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David Warin Solomons
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Up I arose in verno tempore for cor anglais and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for clarinet and guitar
Clarinette, Guitare (duo)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577530 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985939. Published by David Warin Solomons (A0.577530). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.4 €
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Clarinette, Guitare (duo)
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Anon
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David Warin Solomons
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Up I arose in verno tempore for clarinet and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for bassoon and guitar
Guitare, Basson
Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577528 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985935. Published by David Warin Solomons (A0.577528). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.4 €
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Guitare, Basson
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Anon
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David Warin Solomons
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Up I arose in verno tempore for bassoon and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for alto flute and guitar
Flûte et Guitare
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU:…
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985931. Published by David Warin Solomons (A0.577527). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.4 €
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Flûte et Guitare
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Anon
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David Warin Solomons
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Up I arose in verno tempore for alto flute and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for cello and guitar
Violoncelle , Guitare (duo)
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577529 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985937. Published by David Warin Solomons (A0.577529). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00
5.4 €
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Violoncelle , Guitare (duo)
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Anon
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David Warin Solomons
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Up I arose in verno tempore for cello and guitar
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David Warin Solomons
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SheetMusicPlus
Up I arose in verno tempore for oboe and guitar
Hautbois, Guitare (duo)
Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.57…
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Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.577533 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985951. Published by David Warin Solomons (A0.577533). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$7.00
6.29 €
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Hautbois, Guitare (duo)
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Anon
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David Warin Solomons
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Up I arose in verno tempore for oboe and guitar
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David Warin Solomons
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.35 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Pequeño Estudio Barroco No. 8 "Ricercare Colombiano" (Small Baroque Studio No. 8)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1109666 By Juan Carlos Cortés Ag…
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Piano Solo - Level 4 - Digital Download SKU: A0.1109666 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 3 pages. Juan Carlos Cortés Aguirre #712016. Published by Juan Carlos Cortés Aguirre (A0.1109666). Composición original en La menor por: JUAN CARLOS CORTÉS A. Composición (Ricercare) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in A minor by: JUAN CARLOS CORTES A. Composition (Ricercare) of a free nature that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99
7.18 €
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Piano seul
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 8 "Ricercare Colombiano"
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Pequeño Estudio Barroco No. 9 "Rondino Caucano" (Small Baroque Studio No. 9)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1109667 By Juan Carlos Cortés Ag…
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Piano Solo - Level 5 - Digital Download SKU: A0.1109667 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 4 pages. Juan Carlos Cortés Aguirre #712019. Published by Juan Carlos Cortés Aguirre (A0.1109667). Composición original en Mi bemol menor por: JUAN CARLOS CORTÉS A. Composición (Rondino Caucano) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in E flat minor by: JUAN CARLOS CORTES A. Composition (Rondino Caucano) of a free character that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99
7.18 €
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Piano seul
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 9 "Rondino Caucano"
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Pequeño Estudio Barroco No. 5 (Small Baroque Studio No. 5)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1109663 By Juan Carlos Cortés Ag…
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Piano Solo - Level 4 - Digital Download SKU: A0.1109663 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #712011. Published by Juan Carlos Cortés Aguirre (A0.1109663). Composición original en La bemol Mayor por: JUAN CARLOS CORTÉS A. Composición (Coral Variado) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in A flat Major by: JUAN CARLOS CORTES A. Composition (Varied Choral) of a free nature that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99
7.18 €
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Piano seul
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 5
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Pequeño Estudio Barroco No. 11 "Uccellino (Pajarillo) ben temperato" (Small Baroque Studio No. 11)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1109670 By Juan Carlos Cortés Ag…
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Piano Solo - Level 5 - Digital Download SKU: A0.1109670 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 3 pages. Juan Carlos Cortés Aguirre #712030. Published by Juan Carlos Cortés Aguirre (A0.1109670). Composición original en Re menor por: JUAN CARLOS CORTÉS A. Composición Uccellino (* Pajarillo: Golpe rÃtmico de Joropo llanero Colombo-Venezolano) ben temperato, de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in D minor by: JUAN CARLOS CORTES A. Uccellino composition (* Pajarillo: Rhythmic beat of Colombian-Venezuelan Joropo llanero) ben temperato, of free character that do not pretend to fit in the orthodox and pure style of the Baroque or Renaissance, but to use these musical elements as simple playful exercises for the delight of who composes and concern of who listens to it. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99
7.18 €
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Piano seul
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 11 "Uccellino
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Pequeño Estudio Barroco No. 10 "Antiguo Bunde o Fandango Cienaguero" (Small Baroque Studio No. 10)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1109668 By Juan Carlos Cortés Ag…
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Piano Solo - Level 5 - Digital Download SKU: A0.1109668 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 3 pages. Juan Carlos Cortés Aguirre #712023. Published by Juan Carlos Cortés Aguirre (A0.1109668). Composición original en Sol menor por: JUAN CARLOS CORTÉS A. Composición (Antiguo Bunde o Fandango Cienaguero) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in G minor by: JUAN CARLOS CORTES A. Composition (Old Bunde or Fandango Cienaguero) of a free character that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99
7.18 €
#
Piano seul
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 10 "Antiguo Bunde o Fandango Cienaguero"
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
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