English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
117
Partitions
Numériques
275
Librairie
Musicale
731
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
66
PIANO & CLAVIERS
Piano seul
40
Piano, Voix
8
Piano, Voix et Guitare
3
Piano Facile
3
Orgue
2
1 Piano, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
3
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
1
VOIX
Pack Instrumental pour Chorale
10
Chorale SATB
8
Chorale 3 parties
2
Chorale 2 parties
1
VENTS
Saxophone Alto et Piano
7
Ensemble de saxophones
5
Quintette de Saxophone: 5 saxophones
5
Clarinette et Piano
5
Hautbois, Piano (duo)
3
Clarinette
2
Flûte traversière et Piano
2
Saxophone Tenor et Piano
2
Ensemble de Clarinettes
2
Saxophone Soprano et Piano
1
Saxophone Tenor
1
3 Saxophones (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Baryton, Piano
1
Quintette de Flûte : 5 flûtes
1
Saxophone Baryton
1
Saxophone Alto
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois
1
Flûte traversière
1
Ensemble de Flûtes
1
Clarinette Basse, Piano
1
Saxophone Soprano
1
Instrumentations suivantes
Retracter
CUIVRES
Tuba et Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette
2
Cor et Piano
2
Ensemble de Trombones
2
Trombone
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Ensemble de Trompettes
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cor
1
Tuba
1
Euphonium, Piano (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
3
Alto, Piano
2
Violoncelle, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
Quatuor à cordes: 2 violons, alto, violoncelle
1
Contre Basse
1
Ensemble d'Altos
1
Ensemble de Violons
1
Violon
1
Contrebasse (partie séparée)
1
Alto seul
1
2 Violons (duo)
1
Violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
6
Orchestre à Cordes
5
Orchestre d'harmonie
3
Vibraphone
1
Xylophone
1
Batterie
1
Orchestre de chambre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Paris By Night
Partitions à imprimer
275 partitions trouvées
<
1
26
51
....
251
Paris By Night (from Victor/Victoria)
Piano, Voix
Digital Download SKU: HX.459795 Broadway,Musical/Show. Piano Vocal. 9 pages. Publis…
(+)
Digital Download SKU: HX.459795 Broadway,Musical/Show. Piano Vocal. 9 pages. Published by Hal Leonard - Digital (HX.459795).
$4.99
4.58 €
#
Piano, Voix
#
Paris By Night
#
Hal Leonard - Digital
#
SheetMusicPlus
Romantic Lights Of Paris At Night
Instruments en Do
C Instrument - Digital Download SKU: A0.494336 By Richard Mousseau. By Richard Mous…
(+)
C Instrument - Digital Download SKU: A0.494336 By Richard Mousseau. By Richard Mousseau. Arranged by Richard Mousseau. A Cappella,Contemporary,Folk,Pop,Rock. Lead Sheet / Fake Book. 2 pages. Published by Moose Hide Music Publishing (A0.494336). Pop style love song of the 50's /60's. Full score available from publisher.
$3.00
2.75 €
#
Instruments en Do
#
Richard Mousseau
#
Richard Mousseau
#
Romantic Lights Of Paris At Night
#
Moose Hide Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for Bb bass clarinet and piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.533830 Composed by Musik F…
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.533830 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Jazz,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #3052413. Published by Musik Fabrik Music Publishing (A0.533830). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Clarinette Basse, Piano
#
Musik Fabrik Music Publishing
#
Jan Freidlin: Night Seine Blues for Bb bass clarinet and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for flute and piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.533832 Composed by Jan Freidlin. C…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.533832 Composed by Jan Freidlin. Concert,Contemporary,Jazz,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #3052417. Published by Musik Fabrik Music Publishing (A0.533832). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Flûte traversière et Piano
#
Jan Freidlin
#
Jan Freidlin: Night Seine Blues for flute and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for Bb clarinet and piano
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.533828 Composed by Jan Freidlin…
(+)
Clarinet,Piano - Level 3 - Digital Download SKU: A0.533828 Composed by Jan Freidlin. Concert,Contemporary,Jazz,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #3052409. Published by Musik Fabrik Music Publishing (A0.533828). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Clarinette et Piano
#
Jan Freidlin
#
Jan Freidlin: Night Seine Blues for Bb clarinet and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for Bb euphonium or baritone and piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.533831 Composed by Musik Fabri…
(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.533831 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Jazz,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #3052415. Published by Musik Fabrik Music Publishing (A0.533831). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Euphonium, Piano (duo)
#
Musik Fabrik Music Publishing
#
Jan Freidlin: Night Seine Blues for Bb euphonium or baritone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for Eb alto or baritone saxophone and piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
(+)
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.533829 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Jazz,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3052411. Published by Musik Fabrik Music Publishing (A0.533829). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Saxophone Alto et Piano
#
Musik Fabrik Music Publishing
#
Jan Freidlin: Night Seine Blues for Eb alto or baritone saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for Bb soprano or tenor saxophone and piano
Saxophone Tenor et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.533827 Composed by Jan Freidlin. Concert,Contemporary,Jazz,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3052407. Published by Musik Fabrik Music Publishing (A0.533827). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Saxophone Tenor et Piano
#
Jan Freidlin
#
Jan Freidlin: Night Seine Blues for Bb soprano or tenor saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for violoncello and piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.533833 Composed by Jan Freidlin. C…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.533833 Composed by Jan Freidlin. Concert,Contemporary,Jazz,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #3052833. Published by Musik Fabrik Music Publishing (A0.533833). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Violoncelle, Piano
#
Jan Freidlin
#
Jan Freidlin: Night Seine Blues for violoncello and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for oboe and piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.533836 Composed by Jan Freidlin. Co…
(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.533836 Composed by Jan Freidlin. Concert,Contemporary,Jazz,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #3052855. Published by Musik Fabrik Music Publishing (A0.533836). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Hautbois, Piano (duo)
#
Jan Freidlin
#
Jan Freidlin: Night Seine Blues for oboe and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for viola and piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.533835 Composed by Jan Freidlin. C…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.533835 Composed by Jan Freidlin. Concert,Contemporary,Jazz,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #3052843. Published by Musik Fabrik Music Publishing (A0.533835). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Alto, Piano
#
Jan Freidlin
#
Jan Freidlin: Night Seine Blues for viola and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Night Seine Blues for vioin and piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.533834 Composed by Jan Freidlin. …
(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.533834 Composed by Jan Freidlin. Concert,Contemporary,Jazz,Standards. 10 pages. Musik Fabrik Music Publishing #3052839. Published by Musik Fabrik Music Publishing (A0.533834). A lyrical piece the depicts the banks of the Seine River in Paris at night. The piece may be played as written or some improvisation may be added (chords changes included in the piano part).
$9.10
8.35 €
#
Violon et Piano
#
Jan Freidlin
#
Jan Freidlin: Night Seine Blues for vioin and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.93 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.93 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.93 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Quiet Nights of Quiet Stars (Corcovado) (4-Piece Digital Pack)
Pack Instrumental pour Chorale
Digital Download SKU: HX.29699 Composed by Antonio Carlos Jobim and Gene Lees. Arra…
(+)
Digital Download SKU: HX.29699 Composed by Antonio Carlos Jobim and Gene Lees. Arranged by Paris Rutherford. Concert,Jazz,Latin,Standards. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #679060. Published by Hal Leonard - Digital (HX.29699).
Digital Pack includes:Quiet Nights of Quiet Stars (Corcovado) - PianoQuiet Nights of Quiet Stars (Corcovado) - GuitarQuiet Nights of Quiet Stars (Corcovado) - BassQuiet Nights of Quiet Stars (Corcovado) - Drums
Digital Pack includes
:
Quiet Nights of Quiet Stars (Corcovado) - Piano
Quiet Nights of Quiet Stars (Corcovado) - Guitar
Quiet Nights of Quiet Stars (Corcovado) - Bass
Quiet Nights of Quiet Stars (Corcovado) - Drums
$20.00
18.34 €
#
Pack Instrumental pour Chorale
#
Antonio Carlos Jobim and Gene Lees
#
Paris Rutherford
#
Quiet Nights of Quiet Stars
#
Hal Leonard - Digital
#
SheetMusicPlus
Softly the Night is Sleeping — SATB voices, organ, solo instrument
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1318475 Composed by…
(+)
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Published by Con Spirito Music (A0.1318475). “Softly the Night is Sleeping†is a Nativity poem by the Rev. Edward Abiel Washburn (1819-1881), a noted American Episcopal clergyman who studied at both Harvard and Yale, and who served parishes in Newburyport, Massachusetts; Hartford, Connecticut; Philadelphia, Pennsylvania; and New York City. A noted preacher, he also translated Latin hymns as well as authoring a number of his own poems.In three verses, Washburn’s poem recalls the Bethlehem hillside where shepherds watched their flocks by night, the virgin mother Mary, the infant Jesus in the manger, the heavenly host singing “Gloria,†the bright star shining above, the arrival of the Magi, and more. Each unison verse, which may be assigned as written or at the director’s discretion, is followed by a chorus with full SATB voices singing “Glory to God! Peace on the earth, good will to men.†Includes parts for solo C instrument (oboe, flute, violin) or solo Bb clarinet.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.83 €
#
Chorale SATB
#
Todd Marchand
#
Hartford, Connecticut
#
Softly the Night is Sleeping — SATB voices, organ, solo instrument
#
Con Spirito Music
#
SheetMusicPlus
Teach Me Tonight (3-Piece Digital Pack)
Pack Instrumental pour Chorale
Digital Download SKU: HX.410255 By Sammy Cahn. Arranged by Paris Rutherford. This e…
(+)
Digital Download SKU: HX.410255 By Sammy Cahn. Arranged by Paris Rutherford. This edition: scorch. Jazz,Standards. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #816500. Published by Hal Leonard - Digital (HX.410255).
Digital Pack includes:Teach Me Tonight - PianoTeach Me Tonight - BassTeach Me Tonight - Drums
Digital Pack includes
:
Teach Me Tonight - Piano
Teach Me Tonight - Bass
Teach Me Tonight - Drums
$20.00
18.34 €
#
Pack Instrumental pour Chorale
#
Sammy Cahn
#
Paris Rutherford
#
Teach Me Tonight
#
Hal Leonard - Digital
#
SheetMusicPlus
O Holy Night for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. …
(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.88 €
#
Saxophone Alto et Piano
#
Adam
#
James M
#
piano
#
O Holy Night for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
O Holy Night for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552827 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552827 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410423. Published by jmsgu3 (A0.552827). O Holy Night arranged for Baritone Horn & Piano. Duration: 4:56 Score: 5 pg, 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.88 €
#
Adam
#
James M
#
Piano
#
O Holy Night for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
O Holy Night for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.548673 Composed by Adam. Arranged …
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Published by jmsgu3 (A0.548673). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$26.95
24.72 €
#
Violoncelle, Piano
#
Adam
#
James M
#
O Holy Night for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
O Holy Night for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548671 Composed by Adam.…
(+)
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410427. Published by jmsgu3 (A0.548671). Duration: 4:56. Score; 5 pg., 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.88 €
#
Clarinette et Piano
#
Adam
#
James M
#
5 pg
#
O Holy Night for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
O Holy Night for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.548681 Composed by Adam. Arranged …
(+)
Piano,Viola - Level 2 - Digital Download SKU: A0.548681 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410447. Published by jmsgu3 (A0.548681). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.88 €
#
Alto, Piano
#
Adam
#
James M
#
O Holy Night for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
O Holy Night for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548683 Composed by Adam.…
(+)
E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548683 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410473. Published by jmsgu3 (A0.548683). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.88 €
#
Clarinette
#
Adam
#
James M
#
O Holy Night for Alto Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
251
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
